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Gabriel Harvey and the History of Reading
Essays by Lisa Jardine and others
Edited by Anthony Grafton, Nicholas Popper, and William H. Sherman
University College London, 2024
An accessible exploration of the methodology of the history of reading.

Few articles in the humanities have had the impact of Lisa Jardine and Anthony Grafton’s seminal “Studied for Action,” a study of the reading practices of Elizabethan polymath and prolific annotator Gabriel Harvey. Their excavation of the setting, methods, and ambitions of Harvey’s encounters with his books ignited a new interdisciplinary field, the history of reading, which quickly became one of the most exciting corners of the scholarly cosmos. A generation inspired by the model of Harvey fanned out across the world’s libraries and archives, seeking to reveal the many creative, unexpected, and curious ways that individuals throughout history responded to texts, and how these interpretations, in turn, illuminate past worlds.

Three decades on, Harvey’s example and Jardine’s work remain central to cutting-edge scholarship in the history of reading. By uniting “Studied for Action” with new studies on Gabriel Harvey, some of which are published here for the first time, by Jardine, Grafton, and the scholars they have influenced, this collection provides a unique lens on the place of marginalia in textual, intellectual, and cultural history. The chapters capture subsequent work on Harvey and map the fields opened by Jardine and Grafton’s original article, collectively offering a posthumous tribute to Lisa Jardine and an authoritative overview of the History of Reading.
 
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Galateo
Or, The Rules of Polite Behavior
Giovanni Della Casa
University of Chicago Press, 2013
“Since it is the case that you are now just beginning that journey that I have for the most part as you see completed, that is, the one through mortal life, and loving you so very much as I do, I have proposed to myself—as one who has been many places—to show you those places in life where, walking through them, I fear you could easily either fall or take the wrong direction.”

So begins Galateo, a treatise on polite behavior written by Giovanni Della Casa (1503–56) for the benefit of his nephew, a young Florentine destined for greatness.
           
In the voice of a cranky yet genial old uncle, Della Casa offers the distillation of what he has learned over a lifetime of public service as diplomat and papal nuncio. As relevant today as it was in Renaissance Italy, Galateo deals with subjects as varied as dress codes, charming conversation and off-color jokes, eating habits and hairstyles, and literary language. In its time, Galateo circulated as widely as Machiavelli’s Prince and Castiglione’s Book of the Courtier. Mirroring what Machiavelli did for promoting political behavior, and what Castiglione did for behavior at court, Della Casa here creates a picture of the refined man caught in a world in which embarrassment and vulgarity prevail. Less a treatise promoting courtly values or a manual of savoir faire, it is rather a meditation on conformity and the law, on perfection and rules, but also an exasperated—often theatrical—reaction to the diverse ways in which people make fools of themselves in everyday social situations.
           
With renewed interest in etiquette and polite behavior growing both inside and outside the academy, the time is right for a new, definitive edition of this book. More than a mere etiquette book, this restored edition will be entertaining (and even useful) for anyone making their way in modern civilized and polite society, and a subtle gift for the rude neighbor, the thoughtless dinner guest, or the friend or relative in need of a refresher on proper behavior.
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Gender in the Premodern Mediterranean
Megan Moore
Arizona Center for Medieval and Renaissance Studies, 2019
Drawing upon literary, historical, and visual evidence, this collection of interdisciplinary essays examines how the Mediterranean shaped practices of gender in the premodern era. This volume bridges the gap between gender studies and Mediterranean studies, which have a natural fit with each other in their interest on defining identity carefully through connectivity and attentiveness to cultural hegemonies. The essays in this volume build off of this double approach to offer a unique contribution to the field, and use gender to understand the Mediterranean and the Mediterranean to understand premodern gender.

Whereas other volumes have examined gender in the premodern period or premodern Mediterranean Studies, to date no other volume has sought to explore the intersection of the two.  The interdisciplinary nature of the essays will make them useful to both scholars and teachers, for they will combine theory and practice in a length that makes them easily accessible to advanced students as well as specialized researchers. The first chapter provides a critical overview of the scholarship on Mediterranean studies as a field of area studies as well as an overview of gender studies in the medieval period. As such, the volume will be useful for students, teachers, and researchers, and its interdisciplinary nature reflects the diaspora of the Mediterranean itself.
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Geography and Plays
Gertrude Stein; Introduction by Cyrena N. Pondrom
University of Wisconsin Press, 1993
Geography and Plays is a collection of Gertrude Stein’s writing from about 1908 to 1920. Originally published in 1922 with an introduction by Sherwood Anderson, it was almost inaccessible for many years. This edition makes it possible for students and other devotees of Stein to see the developing strategies of one of the acknowledged giants of literary modernism, whose pathbreaking departures in literary style have recently been assigned still greater importance in light of new theories about women’s writing. An introduction by Cyrena N. Pondrom provides contemporary readers with a fine orientation to the importance of Stein’s achievement in this early work.
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German Autumn
Stig Dagerman
University of Minnesota Press, 2011

In late 1946, Stig Dagerman was assigned by the Swedish newspaper Expressen to report on life in Germany immediately after the fall of the Third Reich. First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.

Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.

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German Folk Tales
Collected and Edited by the Grimm Brothers
Francis P. Grimm Brothers
Southern Illinois University Press

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Ghazals
Translations of Classic Urdu Poetry
Mir Taqi Mir
Harvard University Press, 2022

The finest ghazals of Mir Taqi Mir, the most accomplished of Urdu poets.

The prolific Mir Taqi Mir (1723–1810), widely regarded as the most accomplished poet in Urdu, composed his ghazals—a poetic form of rhyming couplets—in a distinctive Indian style arising from the Persian ghazal tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero, prosperity is poverty, and death would be preferable to the indifference of the beloved. Ghazals offers a comprehensive collection of Mir’s finest work, translated by a renowned expert on Urdu poetry.

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The Ghost of Monsieur Scarron
Janet Lewis
Ohio University Press, 2013

This historical novel is the third and final book in American poet and fiction writer Janet Lewis’s Cases of Circumstantial Evidence series, based on legal case studies compiled in the nineteenth century. In The Ghost of Monsieur Scarron, Lewis returns to her beloved France, the setting of The Wife of Martin Guerre, her best-known novel and the first in the series. As Swallow Press executive editor Kevin Haworth relates in a new introduction, Monsieur Scarron shifts the reader into the center of Paris in 1694, during the turbulent reign of the Sun King, Louis XIV. The junction of this time and place gives Monsieur Scarron an intriguing political element not apparent in either The Wife of Martin Guerre or The Trial of Sören Qvist.

The Ghost of Monsieur Scarron begins in a small bookbinder’s shop on a modest Paris street, but inexorably expands to encompass a tumultuous affair, growing social unrest, and the conflicts between a legal system based on oppressive order and a society about to undergo harsh changes. With its domestic drama set against a larger political and historical backdrop, Monsieur Scarron is considered by some critics and readers to be the most intricately layered and fully realized book of Lewis’s long career. Originally published in 1959, Monsieur Scarron has remained in print almost continuously ever since.

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Ghosts and the Overplus
Reading Poetry in the Twenty-First Century
Christina Pugh
University of Michigan Press, 2024
Ghosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic “ghosts” from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the present. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that took place in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently—in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.
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The Gift of Correspondence in Classical Rome
Friendship in Cicero's Ad Familiares and Seneca's Moral Epistles
Amanda Wilcox
University of Wisconsin Press, 2012

Amanda Wilcox offers an innovative approach to two major collections of Roman letters—Cicero’s Ad Familiares and Seneca’s Moral Epistles—informed by modern cross-cultural theories of gift-giving.
    By viewing letters and the practice of correspondence as a species of gift exchange, Wilcox provides a nuanced analysis of neglected and misunderstood aspects of Roman epistolary rhetoric and the social dynamics of friendship in Cicero’s correspondence. Turning to Seneca, she shows that he both inherited and reacted against Cicero’s euphemistic rhetoric and social practices, and she analyzes how Seneca transformed the rhetoric of his own letters from an instrument of social negotiation into an idiom for ethical philosophy and self-reflection. Though Cicero and Seneca are often viewed as a study in contrasts, Wilcox extensively compares their letters, underscoring Cicero’s significant influence on Seneca as a prose stylist, philosopher, and public figure.

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Gifts of Power
The Writings of Rebecca Jackson, Black Visionary, Shaker Eldress
Jean M. Humez
University of Massachusetts Press, 1987
A free black woman in antebellum America, Rebecca Cox Jackson (1795-1871) was an independent itinerant preacher and religious visionary who founded a Shaker community in Philadelphia that survived her death by twenty-five years. Gifts of powers containers her complete extant writings, covering the period 1830 to 1864.
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"The Girl in the Window" and Other True Tales
An Anthology with Tips for Finding, Reporting, and Writing Nonfiction Narratives
Lane DeGregory
University of Chicago Press, 2023
Part anthology and part craft guide, this collection of pieces from the Pulitzer Prize–winning journalist offers something for readers and writers alike.
 
Lane DeGregory loves true stories, intimate details, and big ideas. In her three-decade career as a journalist, she has published more than 3,000 stories and won the Pulitzer Prize for feature writing. Her acclaimed work in the Tampa Bay Times often takes her to the edges of society, where she paints empathetic portraits of real-life characters like a 99-year-old man who still works cleaning a seafood warehouse, a young couple on a bus escaping winter, and a child in the midst of adoption. In “The Girl in the Window” and Other True Tales, DeGregory not only offers up the first collection of her most unforgettable newspaper features—she pulls back the curtain on how to write narrative nonfiction.
 
This book—part anthology, part craft guide—provides a forensic reading of twenty-four of DeGregory’s singular stories, illustrating her tips for writers alongside pieces that put those elements under the microscope. Each of the pieces gathered here—including the Pulitzer Prize–winning title story—is accompanied by notes on how she built the story, plus tips on how nonfiction writers at all levels can do the same. Featuring a foreword by Beth Macy, author of the acclaimed Dopesick, this book is sure to delight fans of DeGregory’s writing, as well as introduce her to readers and writers who have not yet discovered her inspiring body of work.
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Giving Offense
Essays on Censorship
J. M. Coetzee
University of Chicago Press, 1996
Winner of the 2003 Nobel Prize in Literature.

J. M. Coetzee presents a coherent, unorthodox analysis of censorship from the perspective of one who has lived and worked under its shadow. The essays collected here attempt to understand the passion that plays itself out in acts of silencing and censoring. He argues that a destructive dynamic of belligerence and escalation tends to overtake the rivals in any field ruled by censorship.

From Osip Mandelstam commanded to compose an ode in praise of Stalin, to Breyten Breytenbach writing poems under and for the eyes of his prison guards, to Aleksander Solzhenitsyn engaging in a trial of wits with the organs of the Soviet state, Giving Offense focuses on the ways authors have historically responded to censorship. It also analyzes the arguments of Catharine MacKinnon for the suppression of pornography and traces the operations of the old South African censorship system.

"The most impressive feature of Coetzee's essays, besides his ear for language, is his coolheadedness. He can dissect repugnant notions and analyze volatile emotions with enviable poise."—Kenneth Baker, San Francisco Chronicle Book Review

"Those looking for simple, ringing denunciations of censorship's evils will be disappointed. Coetzee explicitly rejects such noble tritenesses. Instead . . . he pursues censorship's deeper, more fickle meanings and unmeanings."—Kirkus Reviews

"These erudite essays form a powerful, bracing criticism of censorship in its many guises."—Publishers Weekly

"Giving Offense gets its incisive message across clearly, even when Coetzee is dealing with such murky theorists as Bakhtin, Lacan, Foucault, and René; Girard. Coetzee has a light, wry sense of humor."—Bill Marx, Hungry Mind Review

"An extraordinary collection of essays."—Martha Bayles, New York Times Book Review

"A disturbing and illuminating moral expedition."—Richard Eder, Los Angeles Times Book Review
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The Glance of Countess Hahn-Hahn (down the Danube)
Peter Esterhazy
Northwestern University Press, 1999
Winner of the 2004 German Publishers and Booksellers Association Peace Prize

In The Glance of Countess Hahn-Hahn (down the Danube), Péter Esterházy tells the story of a professional traveler, commissioned--like Marco Polo by Kublai Khan--to undertake a voyage of discovery and prepare a travelogue. Communicating the details of his journey through terse and surreal telegrams, the Traveller weaves a rich tapestry of narratives, evoking the ethereal past and the precarious present of a disappearing world.
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God at Play
Mhaimbhat
Harvard University Press, 2024

The oldest extant Marathi work, a medieval chronicle of Chakradhar’s divine life on earth, in a new English translation.

God at Play, or Līḷācaritra, is a remarkable biography of the medieval religious figure Chakradhar Svami. His followers, called Mahanubhavs, understand him to be a divine incarnation of Parameshvar. Mhaimbhat, a Brahmin goldsmith who became one of Chakradhar’s most important followers, compiled this astonishingly down-to-earth religious text around 1278. It records not only Chakradhar’s ethical and theological teachings, but also his everyday activities, including the foods he ate and the people he met. This rich, detailed account provides insights into economic conditions, political history, and society in medieval India. Manuscripts of the work were carefully preserved within the Mahanubhav community and were not known to outsiders until the early twentieth century.

The first volume of God at Play describes Chakradhar’s early life, his wanderings as a lone ascetic, and the gathering of the disciples who later accompany him on his travels.

This new English translation of Līḷācaritra is accompanied by an emended Marathi text, based on Hari Narayan Nene’s edition, in the Devanagari script.

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The God Behind the Window
Michael Krüger
Seagull Books, 2018
Now in paperback, a comic and moving collection of stories of grumpy old men who start to find unexpected connections with the world.

The thirteen stories of Michael Krüger’s The God behind the Window capture the poignancy and cynicism of late life through tales of misanthropic old men full of the mixture of wisdom and melancholy that so often accompanies old age. In Krüger’s stories, world-weary characters seek—and only temporarily find—solace in nature and culture, rendering their search for a better life simultaneously comedic and heart wrenching. From a solitary hiker in the Swiss Alps to the book’s eponymous shut-in, these aging malcontents are continually surprised by the unexpected interventions of a world that has come to seem predictable. Krüger captures this stage in life masterfully, contrasting the deeply personal emotions of affection, melancholy, and longing with an indifferent world. The resulting stories are lyrical, philosophical, and tender despite their cynicism.
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God is Change
Religious Practices and Ideologies in the Works of Octavia Butler
Edited by Aparajita Nanda and Shelby L. Crosby
Temple University Press, 2021

Throughout her work, Octavia E. Butler explored, critiqued, and created religious ideology. Her prescient thoughts on the synergy between politics and religion in America are evident in her 1993 dystopian novel, Parable of the Sower, and its 1998 sequel, Parable of the Talents. They explored, respectively, what happens during a divisive “cultural war” that unjustly impacts the disenfranchised, and the rise of a fascistic president, allied with white fundamentalist Christianity, who chants the slogan, “Make America Great Again.”

But religion, for Butler, need not be a restricting force. The editors of and contributors to God Is Change heighten our appreciation for the range and depth of Butler’s thinking about spirituality and religion, as well as how Butler’s work—especially the Parable and Xenogenesis series—offers resources for healing and community building. Essays consider the role of spirituality in Butler’s canon and the themes of confronting trauma as well as experiencing transformation and freedom. God Is Change meditates on alternate religious possibilities that open different political and cultural futures to illustrate humanity’s ability to endure change and thrive.

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Going to the Tigers
Essays and Exhortations
Robert Cohen
University of Michigan Press, 2022

In this funny and perceptive collection, novelist and essayist Robert Cohen shares his thoughts on the writing process and then puts these prescriptions into practice—from how to rant effectively as an essayist and novelist (“The Piano has been Drinking”), how to achieve your own style, naming characters (and creating them), how one manages one’s own identity with being “a writer” in time and space, to the use of reference and allusion in one’s work. Cohen is a deft weaver of allusion himself. In lieu of telling the reader how to master the elements of writing fiction, he shows them through the work of the writers who most influenced his own development, including Bellow, Lawrence, Chekhov, and Babel. Rooted in his own experiences, this collection of essays shows readers how to use their influences and experiences to create bold, personal, and individual work. While the first part of the book teaches writing, the essays in the second part show how these elements come together.

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The Gold Rush Letters of E. Allen Grosh and Hosea B. Grosh
Ronald M. James
University of Nevada Press, 2016
When brothers Ethan and Hosea Grosh left Pennsylvania in 1849, they joined throngs of men from all over the world intent on finding a fortune in the California Gold Rush. Their search for wealth took them from San Francisco into the gold country and then over the Sierra into Nevada’s Gold Canyon, where they placer-mined for gold and discovered a deposit of silver. The letters they sent back to their family offer vivid commentaries on the turbulent western frontier, the diverse society of the Gold Rush camps, and the heartbreaking labor and frustration of mining. Their lively descriptions of Gold Canyon provide one of the earliest accounts of life in what would soon become the fabulously wealthy Comstock Mining District.

The Groshes’ letters are rich in color and important historical details. Generously annotated and with an introduction that provides a context for the brothers’ career and the setting in which they tried to make their fortune, these documents powerfully depict the often harsh realities of Gold Rush life and society.
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Golden Cynthia
Essays on Propertius
Sharon L. James, Editor
University of Michigan Press, 2022

The elegiac poet Propertius responds in his verse to the complex changes that Rome underwent in his period, taking on numerous topics including poetic and sexual rivalry, visual art, violence, inability to control the elusive mistress, imperialism, colonialism, civil war, the radical new shape of the Roman state under the new monarch Augustus, and more. These essays, by well-known scholars of Roman elegy, offer new ways of reading Propertius’ topics, attitudes, and poetics.

This book begins with two distinguished essays by the late Barbara Flaschenriem, whose work on Propertius remains influential. The other contributions, offered in honor of her, are by Diane Rayor, Andrew Feldherr, Ellen Greene, Lowell Bowditch, Alison Keith, and volume editor Sharon L. James. These essays explore topics including Propertian didacticism, dream interpretation, visual art and formalism, sex and violence, Roman imperialism and its connection to the elegiac puella, and Propertius’ engagement, in Book 4, with Vergil’s poetry.

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Good Night, Beloved Comrade
The Letters of Denton Welch to Eric Oliver
Edited and with an introduction by Daniel J. Murtaugh
University of Wisconsin Press, 2017
Denton Welch (1915–48) died at the age of thirty-three after a brief but brilliant career as a writer and painter. The revealing, poignant, impressionistic voice that buoys his novels was much praised by critics and literati in England and has since inspired creative artists from William S. Burroughs to John Waters. His achievements were all the more remarkable because he suffered from debilitating spinal and pelvic injuries incurred in a bicycle accident at age eighteen.

Though German bombs were ravaging Britain, Welch wrote in his published work about the idyllic landscapes and local people he observed in Kent. There, in 1943, he met and fell in love with Eric Oliver, a handsome, intelligent, but rather insecure "landboy"—an agricultural worker with the wartime Land Army. Oliver would become a companion, comrade, lover, and caretaker during the last six years of Welch's life. All fifty-one letters that Welch wrote to Oliver are collected and annotated here for the first time. They offer a historical record of life amidst the hardship, deprivation, and fear of World War II, and also are a timeless testament of one young man's tender and intimate emotions, his immense courage in adversity, and his continual struggle for love and creative existence.

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Good Roots
Writers Reflect on Growing Up in Ohio
Lisa Watts
Ohio University Press, 2007

Winner of the Ohioana Library’s 2008 Ohio Legacy Citation
2014-2015 Choose to Read Ohio selection

“A good place to be from.” That’s how some people might characterize the Buckeye State. The writings in Good Roots: Writers Reflect on Growing Up in Ohio, are testimony to the truth of that statement. By prominent writers such as P. J. O’Rourke, Susan Orlean, and Alix Kates Shulman, these contributions are alternately nostalgic, irreverent, and sincere, and offer us a personal sense of place. Their childhoods are as varied as their work. Some were raised in urban Cleveland, Akron, and Cincinnati, others in the small Ohio towns that typify the Midwest, and still others in the countryside. Yet what they have to tell us about their roots resonates with a shared heritage, a sense of what is universal and enduring about growing up in the heartland.

Their collective résumé reads like a literary Who’s Who, including four Pulitzer Prizes, several National Book Awards, and many prestigious fellowships. Good Roots is also plain good reading from some of our country’s most accomplished contemporary writers.

Contributors include: Jill Bialosky, Dan Cryer, Michael Dirda, Elizabeth Dodd, Anthony Doerr, Rita Dove, Ian Frazier, Dale Keiger, Andrea Louie, Kathleen Dean Moore, Mary Oliver, Susan Orlean, P. J. O’Rourke, Julie Salamon, Scott Russell Sanders, Alix Kates Shulman, Jeffery Smith, James Toedtman, and Mark Winegardner.

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Good-Bye Samizdat
Twenty Years of Czechoslovak Underground Writing
Marketa Goetz-Stankiewicz
Northwestern University Press, 1992
Good-bye, Samizdat offers the first collection of the best of Czechoslovakia's samizdat, underground texts from the era 1948 through 1990. Divided into three sections, the volume includes fiction, cultural and political works, and philosophical essays. The writings reflect the thought of some of Czechoslovakia's best-known minds--Klima, Vaculik, and Havel--as well as others yet unknown in the West. Taken together, they capture the artistic and intellectual mood of a country situated at a focal point between East and West at a fascinating point in history.
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Good-bye, Son and Other Stories
Janet Lewis
Ohio University Press, 1986

Good-bye, Son and Other Stories, Janet Lewis’s only collection of short fiction, was first published in 1946, but remains as quietly haunting today as it was then. Set in small communities of the upper Midwest and northern California in the ’30s and ’40s, these midcentury gems focus on the quiet cycles connecting youth and age, despair and hope, life and death. A mother’s encounters with her deceased son, an aging woman sitting with the new knowledge of her troubled older sister’s death, and a teenager disillusioned by her own mortality are among the characters, mostly women and girls, whom Lewis delivers. Her understated style and knack for unadorned observation embed us with them as they reckon with the disquieting forces—incomprehensible and destructive to some, enlightening to others—that move us from birth, through life, to death. In the process, Lewis has crafted a paean to the living.

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The Gospel According to James and Other Plays
Charles R. Smith
Ohio University Press, 2012

This collection of five award-winning plays by Charles Smith includes Jelly Belly, Free Man of Color, Pudd’nhead Wilson, Knock Me a Kiss, and The Gospel According to James. Powerful, provocative, and entertaining, these plays have been produced by professional theater companies across the country and abroad. Four of the plays are based on historical people and events from W.E.B. Du Bois and Countee Cullen to the Harlem Renaissance. Accurate in the way they capture the political and cultural milieu of their historical settings, and courageous in the way they grapple with difficult questions such as race, education, religion, and social class, these plays jump off the page just as powerfully as they come to life on stage. This first-ever collection from one of the nation’s leading African American playwrights is a journey down the complex road of race and history.

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Goyen
Autobiographical Essays, Notebooks, Evocations, Interviews
By William Goyen
University of Texas Press, 2007

William Goyen (1915-1983) was an American original, acclaimed nationally and internationally, and one of the most important writers ever to be associated with the regional culture and literary history of Texas. Called "one of the great American writers of short fiction" by the New York Times Book Review, Goyen also authored the novels The House of Breath, In a Farther Country, Come, the Restorer, and Arcadio, as well as plays, poetry, and nonfiction. His literary works manifest an intimate intensity of feeling and an inimitable tone of voice, reflecting Goyen's lifelong desire to create art that was at once a spiritual quest for universal truths and an evocation of the rhythms of speech and storytelling of his native East Texas.

This volume contains all of the uncollected autobiographical writings of William Goyen, including essays previously published in American periodicals and literary journals; interviews published in Paris Review, TriQuarterly, and the French magazine Masques; and previously unpublished materials drawn from Goyen's papers in the Harry Ransom Humanities Research Center at the University of Texas at Austin. The writings span Goyen's entire adult life, from youthful journals to autobiographical sketches to his long sketch for an autobiographical book, Six Women, which profiles women whom Goyen felt had influenced him deeply: Frieda Lawrence, Dorothy Brett, Mabel Dodge Luhan, Margo Jones, Millicent Rogers, and Katherine Anne Porter. The volume also contains late essays on growing up in Houston, writing from life, and illness and recovery.

While most of William Goyen's work was autobiographical, writing a traditional autobiography proved to be inimical to his artistic sensibility and style. Thus, the pieces collected in Goyen constitute the most complete autobiography that we will ever have from this highly regarded writer.

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The Grand Gennaro
Belluscio, Steven
Rutgers University Press, 2009
An illiterate Calabrian in southern Italy owes money to his church and mayor. He skips town for the bustling streets of New York. Meeting an old friend, a fellow immigrant, he thanks him for help getting settled, and then steals his money. With a new parcel of wealth, he materializes from a small-time laborer into a big-time entrepreneur, soon becoming the tyrant of the local Italian American community. By pluck, luck, and unscrupulous business practices, this cunning character "makes America." There are riches, pleasure, and the beautiful Carmela. Then trouble. Comeuppance. Ambush. Revenge.Twenty-first century popular culture? Not at all.

The Grand Gennaro, a riveting saga set at the turn of the last century in Italian American Harlem, reflects on how youthful acts of cruelty and desperation follow many to the grave. A classic in the truest sense, this operatic narrative is alive once again, addressing the question: How does one become an "American"?

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The Grand Theme and Other Essays
ANDERS HALLENGREN
Swedenborg Foundation Publishers, 2013
The Grand Themeand Other Essays is a book of lyrical and critical essays that explores Anders Hallengren’s long-standing interest in the powerful legacy of his fellow countryman, Emanuel Swedenborg. The collection highlights Swedenborg’s diverse influence upon the fields of psychology, art, poetry, history, and music, variously describing Ralph Waldo Emerson and August Strindberg in Paris, court artists in Moscow, visionary composers in Stockholm, Surrealist poets in Mauritius, revolutionary heroes in Cuba, and Linneanists in Botany Bay.
 
The collection contains the following eight essays:
 
• “Verisimilitude and the Portrait of an Angel: On the Fortunes of a Swedish-Russian artist” (on painter Carl August Tholander)
• “The Grand Theme: A Journey in the Musical Universe” (on composer Tommie Haglund, music, and classical philosophy)
• “An Angle of Vision”(on Swedenborg’s clairvoyance)
• “The Heart of the Matter” (on Swedenborg’s influence on psychology)
• “In the Garden of God” (on Swedenborg’s and Carl Linnaeus’s influence in Australia)
• “Jardin des Plantes: The Most Important Place on Earth’” (on Swedenborg, Emerson, Strindberg, and Honoré de Balzac in Paris)
• “In the Shadow of Le Morne Brabant” (on Swedenborgianism in Mauritius)
• “The Oceanic Mind” (on Swedenborgianism in Cuba)
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Grave Goods
John P. O'Grady
University of Utah Press, 2014

"Overheard in a coffee shop the other day, one young woman severely admonishing another about the dangers of amateur séances: 'Just one wrong move, and Poof! Suddenly every dead rock star and TV evangelist is knocking at your door and forcing you to bake ten thousand apple pies. You can’t trust these ghosts. They have a mind of their own.'"
—from the book

Just because this is a collection of essays about psychics, murderers, strange disappearances, and occult phenomena doesn’t mean it isn’t funny. With wit, wry curiosity, and redemptive irony John P. O’Grady peels back the surface of the seemingly normal to reveal the dubious, the inexplicable, the outlandish.

Consider Leo LaHappe, a.k.a. "The Bugman." During a 1970s-era dormitory bull session Leo reveals a strange obsession with Virginia Dare, the first child born of English parents in the New World. His obsession becomes the catalyst for a campus-wide witch hunt at the University of Maine.

Or, what about the beekeeper who knocks on O’Grady’s door. Dressed in his professional gear—boots, coveralls, and dark veil—the man seeks permission to search the author’s woods for his hive. Turns out he hadn’t told the bees about his mother’s death and, sensitive creatures that they are, the bees had run away. "I have to tell them I’m sorry," the beekeeper explains. "I just hope they forgive me and come home."

Grave Goods includes ghost stories, macabre modern legends, and metaphysical investigations, all informed by the natural sciences, history, philosophy, literature, and mythology. From laugh-out-loud funny to eerily thoughtful, these essays reveal the natural world as a place of unnatural surprises and strange beauty. A place where Rip Van Winkle, O’Grady’s college buddies, and ragtag psychics rub shoulders with Buddha, Socrates, and Stephen King—and it all makes perfect sense.

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Gravity
Selected Letters of Olivia Langdon Clemens
Edited by Barbara E. Snedecor
University of Missouri Press, 2023
In this new volume of letters, readers are invited to meet Olivia Louise Langdon Clemens on her own terms, in her own voice—as complementary partner to her world-famous spouse, Mark Twain, and as enduring friend, mother to four children, world traveler, and much more. The frail woman often portrayed by scholars, biographers, and Twain himself is largely absent in these letters. Instead, Olivia (who Twain affectionately referred to as “Gravity” in their early correspondence) emerges as a resilient and energetic nineteenth-century woman, her family’s source and center of stability, and a well of private and public grace in an ever-changing landscape. Mark Twain’s biography recounted in Olivia’s letters offers new insights, and her captivating voice is certain to engage and enlighten readers.


 
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The Great Beyond
Art in the Age of Annihilation
Philip D. Beidler
University of Alabama Press, 2022
Essays from a master critic on how artistic giants from modernism onward confronted mortality—forging unexpected links between Twain, Woolf, Mahler, Wittgenstein, Beckett, Toni Morrison, and more
 
While much about modernism remains up for debate, there can be no dispute about the connection between modernist art and death. The long modern moment was and is an age of war, genocide, and annihilation. Two world wars killed perhaps as many as 100 million people, through combat, famine, holocaust, and ghastly attacks on civilians. The ongoing COVID-19 pandemic is the fifth global pandemic since 1918, with more than a half-million American deaths and counting.
 
It can hardly come as a surprise, then, that many of the touchstones of modernism reflect on death and devastation. In Philip D. Beidler’s exploration of the modernist canon, he illuminates how these singular voices looked extinction in the eye and tried to reckon with our finitude—and their own. The Great Beyond:Art in the Age of Annihilation catalogs through lively prose an eclectic selection of artists, writers, and thinkers. In 16 essays, Beidler takes nuanced and surprising approaches to well-studied figures—the haunting sculpture by Saint-Gaudens commissioned by Henry Adams for his late wife; Luchino Visconti’s adaptation of Mann’s Death in Venice; and the author’s own long fascination with Beckett’s Waiting for Godot.
 
The threads and recurring motifs that emerge through Beidler’s analysis bridge the different media, genres, and timeframes of the works under consideration. Protomodernists Crane and Twain connect with near-contemporary voices like Sebald and Morrison. Robert MacFarlane’s 21st-century nonfiction about what lies underneath the earth echoes the Furerbunker and the poetry of Gertrud Kolmar. Learned but lively, somber but not grim, The Great Beyond is not a comfortable read, but it is in a way comforting. In tracing how his subjects confronted nothingness, be it personal or global, Beidler draws a brilliant map of how we see the end of the road.
 
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A Greater Monster
Adam Patric Miller
Autumn House Press, 2014
Miller's debut essay collection follows his insightful perspectives on various facets of life as he paints a portrait of the man he has grown to become.
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The Greek Anthology, Volume I
Book 1: Christian Epigrams. Book 2: Christodorus of Thebes in Egypt. Book 3: The Cyzicene Epigrams. Book 4: The Proems of the Different Anthologies. Book 5: The Amatory Epigrams. Book 6: The Dedicatory Epigrams
W. R. Paton
Harvard University Press

The Greek Anthology (“Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called “Stephanus”, wreath or garland) made and contributed to by Meleager of Gadara (1st century BCE) was added another by Philippus of Thessalonica (late 1st century CE), a third by Diogenianus (2nd century), and much later a fourth, called the “Circle”, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’s compilation.

The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.

Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

The Loeb Classical Library edition is in five volumes.

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The Greek Anthology, Volume I
Books 1–5
W. R. Paton
Harvard University Press

A gathering of poetic blossoms.

The Greek Anthology contains some 4,500 short Greek poems in the sparkling and diverse genre of epigram, written by more than a hundred poets and collected over many centuries. To the original collection, called the Garland (Stephanus) by its contributing editor, Meleager of Gadara (first century BC), was added another Garland, by Philip of Thessalonica (mid-first century AD) and then a Cycle by Agathias of Myrina (AD 567/8). In about AD 900 these collections (now lost) and perhaps others (also lost, by Rufinus, Diogenianus, Strato, and Palladas) were partly incorporated and arranged into fifteen books according to subject by Constantine Cephalas; most of his collection is preserved in a manuscript called the Palatine Anthology. A second manuscript, the Planudean Anthology made by Maximus Planudes in 1301, contains additional epigrams omitted by Cephalas.

Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, and Paulus Silentiarius.

This Loeb edition of The Greek Anthology replaces the earlier edition by W. R. Paton, with a Greek text and ample notes reflecting current scholarship. Volume I contains the following: Book 1. Christian Epigrams; Book 2. Description of the Statues in the Gymnasium of Zeuxippus; Book 3. Epigrams in the Temple of Apollonis at Cyzicus; Book 4. Prefaces to Various Anthologies; Book 5. Erotic Epigrams.

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The Greek Anthology, Volume II
Books 7–8
W. R. Paton
Harvard University Press

A gathering of poetic blossoms.

The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.

The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.

Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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The Greek Anthology, Volume III
Book 9
W. R. Paton
Harvard University Press

A gathering of poetic blossoms.

The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.

The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.

Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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The Greek Anthology, Volume IV
Books 10–12
W. R. Paton
Harvard University Press

A gathering of poetic blossoms.

The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.

The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.

Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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The Greek Anthology, Volume V
Books 13–16
W. R. Paton
Harvard University Press

A gathering of poetic blossoms.

The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.

The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.

Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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Greek Lyric, Volume I
Sappho and Alcaeus
Sappho and Alcaeus; edited and translated by David A. Campbell
Harvard University Press, 1982

Precious snippets of ancient song.

This volume contains the poetic fragments of the two illustrious singers of early sixth-century Lesbos: Sappho, the most famous woman poet of antiquity, whose main theme was love; and Alcaeus, poet of wine, war, and politics, and composer of short hymns to the gods. Also included are the principal testimonia, the ancients’ reports on the lives and work of the two poets.

The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss.

Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.

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Greek Lyric, Volume II
Anacreon, Anacreontea, Choral Lyric from Olympus to Alcman
David A. Campbell
Harvard University Press

Precious snippets of ancient song.

The five volumes in the Loeb Classical Library edition of Greek Lyric contain the surviving fragments of solo and choral song. This poetry was not preserved in medieval manuscripts, and few complete poems remain. Later writers quoted from the poets, but only so much as suited their needs; these quotations are supplemented by papyrus texts found in Egypt, most of them badly damaged. The high quality of what remains makes us realize the enormity of our loss.

Volume I presents Sappho and Alcaeus. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). Volume V contains the new school of poets active from the mid-fifth to the mid-fourth century and also collects folk songs, drinking songs, hymns, and other anonymous pieces.

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Greek Lyric, Volume III
Stesichorus, Ibycus, Simonides, and Others
Stesichorus, Ibycus, Simonides, et al.; edited and translated by David A. Campbell
Harvard University Press

Precious snippets of ancient song.

The most important poets writing in Greek in the sixth century BC came from Sicily and southern Italy. Stesichorus was called by ancient writers “most Homeric”—a recognition of his epic themes and noble style. He composed verses about the Trojan War and its aftermath, the Argonauts, the adventures of Heracles. He may have been a solo singer, performing these poems to his own cithara accompaniment. Ibycus probably belonged to the colony of Rhegium in southwestern Italy. Like Stesichorus he wrote lyrical narratives on mythological themes, but he also composed erotic poems. Simonides is said to have spent his later years in Sicily. He was in Athens at the time of the Persian Wars, though, and was acclaimed for his epitaph on the Athenians who died at Marathon. He was a successful poet in various genres, including victory odes, dirges, and dithyrambic poetry. The power of his pathos emerges in the fragments we have.

All the extant verse of these poets is given in this third volume of David Campbell’s edition of Greek lyric poetry, along with the ancients’ accounts of their lives and works. Ten contemporary poets are also included, among them Arion, Lasus, and Pratinas.

The LCL edition of Greek Lyric is in five volumes. Sappho and Alcaeus—the illustrious singers of sixth-century Lesbos—are in the first volume. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century). The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children’s songs, cult hymns, and others.

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Greek Lyric, Volume IV
Bacchylides, Corinna, and Others
Bacchylides, Corinna, et al.; edited and translated by David A. Campbell
Harvard University Press

Precious snippets of ancient song.

Bacchylides, nephew of Simonides and rival of Pindar, wrote choral poetry of many types. We have a number of his victory odes—poems celebrating victories in athletic contests—as well as dithyrambs and other hymns. He was a master of the captivating narrative. Also represented in this volume is the Boeotian Corinna, whose work, versions of local myths, survives in greater quantity than that of any other Greek woman poet except Sappho. Ancient authorities regarded Corinna as an older contemporary and mentor of Pindar; but some modern scholars place her later, in the third century BC. Other women are here too: Myrtis, also from Boeotia; Telesilla of Argos, famous for her military leadership as well as her hymns; the shadowy Charixena; and Praxilla of Sicyon, author of choral poems and drinking songs.

David Campbell gives all the extant verse of these poets, along with the ancients’ accounts of their lives and works. This fourth volume of his much-praised edition of Greek lyric poetry also includes Timocreon of Rhodes, pentathlete and writer of invective; Diagoras of Melos, choral poet and alleged atheist; and Ion of Chios. Sophocles is represented by fragments of his paean Asclepius, Euripides by the few surviving lines of his ode for Alcibiades’ dazzling victory in the chariot race at Olympia.

This is the fourth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus, the illustrious singers of sixth-century Lesbos, are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. The last volume includes the new school of dithyrambic poets (mid-fifth to mid-fourth century), together with the anonymous poems: drinking songs, children’s songs, cult hymns, and others.

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Greek Lyric, Volume V
The New School of Poetry and Anonymous Songs and Hymns
David A. Campbell
Harvard University Press

Precious snippets of ancient song.

Towards the end of the fifth century BC, Aristophanes and the other writers of comedy used contemporary poets and musicians as targets for their jokes, making fun of their innovations in language and music. The dithyrambs of Melanippides, Cinesias, Phrynis, Timotheus, and Philoxenus are remarkable examples of this new style. The poets of the new school, active from the mid-fifth to the mid-fourth century, are presented in this final volume of David Campbell’s widely praised edition of Greek lyric poetry. The longest piece extant is a nome by Timotheus—the foremost of these poets—called The Persians; it is a florid account of the battle of Salamis, to be sung solo to cithara accompaniment.

This volume also collects folk songs, drinking songs, and other anonymous pieces. The folk songs come from many parts of Greece and include children’s ditties, marching songs, love songs, and snatches of cult poetry. The drinking songs are derived mainly from Athenaeus’ collection of Attic scolia, short pieces performed at drinking parties in Athens. The anonymous pieces come from papyrus, vases, and stone as well as from literary texts, and include hymns, narrative poetry, and satirical writing.

This is the fifth in a five-volume edition of Greek lyric poets. Sappho and Alcaeus—the illustrious singers of sixth-century Lesbos—are in the first. Volume II contains the work of Anacreon, composer of solo song; the Anacreontea; and the earliest writers of choral poetry, notably the seventh-century Spartans Alcman and Terpander. Stesichorus, Ibycus, Simonides, and other sixth-century poets are in Volume III. Bacchylides and other fifth-century poets are in Volume IV along with Corinna (although some argue that she belongs to the third century).

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Greek Lyrics, Second Edition
More than a Hundred Poems and Poetic Fragments from the Great Age of Greek Lyric Poetry
Richmond Lattimore
University of Chicago Press, 1960
A collection of more than one hundred poems and poetic fragments from the golden age of Greek Lyric poetry.

In this second edition of Greek Lyrics, translator and editor Richmond Lattimore brings together a vast assortment of seventh-and sixth-century Greek lyric, elegiac, and iambic poetry. For the Greekless student or curious scholar, these translations showcase the diversity of poetic subjects in classical antiquity, which range from love poems to medical inscriptions and drinking songs. Gracefully and robustly translated by a number of top-tier translators, this volume includes poets such as Archílochus, Callínus, Semónides of Amórgos, Hippónax, Tyrtaéus, Mimnérmus, Solon, Phocýlides, Xenóphanes, Theógnis, Terpánder, Alcman, Stesíchorus, íbycus, Sappho, Alcaéus, Anácreon, Hýbrias, Praxílla, Corínna, Simónides of Ceos, Pindar, and Bacchýlides.
 
 
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Greek Tragedies 1
Aeschylus: Agamemnon, Prometheus Bound; Sophocles: Oedipus the King, Antigone; Euripides: Hippolytus
Edited by Mark Griffith, Glenn W. Most, David Grene, and Richmond Lattimore
University of Chicago Press, 2013
Greek Tragedies, Volume I contains Aeschylus’s “Agamemnon,” translated by Richmond Lattimore; Aeschylus’s “Prometheus Bound,” translated by David Grene; Sophocles’s “Oedipus the King,” translated by David Grene; Sophocles’s “Antigone,” translated by Elizabeth Wyckoff; and Euripides’s “Hippolytus,” translated by David Grene.
 
Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.
 
In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.
 
In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
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Greek Tragedies, Volume 1
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1991
In three paperback volumes, the Grene and Lattimore editions offer a selection of the most important and characteristic plays of Aeschylus, Sophocles, and Euripides from the nine-volume anthology of The Complete Greek Tragedies. Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.
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Greek Tragedies, Volume 2
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1960
In three paperback volumes, the Grene and Lattimore editions offer a selection of the most important and characteristic plays of Aeschylus, Sophocles, and Euripides from the nine-volume anthology of The Complete Greek Tragedies. Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.
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Greek Tragedies, Volume 3
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1991
In three paperback volumes, the Grene and Lattimore editions offer a selection of the most important and characteristic plays of Aeschylus, Sophocles, and Euripides from the nine-volume anthology of The Complete Greek Tragedies. Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.
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Green Cane and Juicy Flotsam
Short Stories by Caribbean Women
Esteves, Carmen C
Rutgers University Press, 1991
This collection of short stories features moving tales from the rich Caribbean oral tradition, stories that question women's traditional roles, present women's perspectives on the history of Caribbean slavery and colonialism, and convey the beautiful cadences of the language of Caribbean women. It offers the general reader a broad selection of the themes, styles, and techniques characteristic of contemporary women's fiction in the Caribbean. There are twenty-seven enjoyable and vibrant tales in this anthology, some of them originally written in English, others in French, Dutch, and Spanish. There are writers from Guadeloupe, Dominica, Jamaica, Trinidad, Puerto Rico, Martinique, Antigua, Haiti, Cuba, the Dominican Republic, and Surinam. Along with stories by well-known writers such as Jean Rhys, Jamaica Kincaid, Michelle Cliff, Maryse Conde, and Rosario Ferre, the anthology also includes first-rate stories by lesser-known but equally talented writers. The collection also contains a critical introduction, biographical notes, and a bibliography.
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Growing Up Chicago
Edited by David Schaafsma, Roxanne Pilat, and Lauren DeJulio Bell, Foreword by Luis Alberto Urrea
Northwestern University Press, 2021
Growing Up Chicago is a collection of coming-of-age stories that reflects the diversity of the city and its metropolitan area. Primarily memoir, the book collects work by writers who spent their formative years in the region to ask: What characterizes a Chicago author? Is it a certain feel to the writer’s language? A narrative sensibility? The mention of certain neighborhoods or locales? Contributors to the volume include renowned writers Ana Castillo, Stuart Dybek, Emil Ferris, Charles Johnson, Rebecca Makkai, Erika L. Sánchez, and George Saunders, as well as emerging talents. While the authors represented here write from distinct local experiences, some universals emerge, including the abiding influence of family and friends and the self-realizations earned against the background of a place sparkling with promise and riven by inequality, a place in constant flux.

The stories evoke childhood trips to the Art Institute of Chicago, nighttime games of ringolevio, and the giant neon Magikist lips that once perched over the expressway, sharing perspectives that range from a young man who dreams of becoming an artist to a single mother revisiting her Mexican roots, from a woman’s experience with sexual assault to a child’s foray into white supremacy. This book memorably explores culture, social identity, and personal growth through the eyes of Chicagoans, affirming that we each hold the ability to shape the places in which we live and write and read as much as those places shape us.
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front cover of The Grumbling Gods
The Grumbling Gods
A Palm Springs Reader
Peter Wild
University of Utah Press, 2007
Home to former presidents and to movie stars, Palm Springs and its surrounding deserts are among the fastest growing and wealthiest areas of the U.S. But beneath the glitter lies a story of turmoil and a pattern of excess that prefigures many of the issues that face the nation.
The Grumbling Gods surveys the history and allure of Palm Springs, beginning with the Cahuilla Indians, the first historical residents of the region. It includes accounts from the early explorers, a report of mysterious shipwrecks amidst the sand dunes, and selections from the grimly rollicking writings of Raymond Chandler. It penetrates the tinsel of casinos and the placidity of gated golf communities to reveal the painful beauty of deserts and mountains under assault.
Francisco Patencio, the last of the traditional Cahuilla Indians, warned his white neighbors to be careful, that the grim gods inhabiting the canyons around Palm Springs were angry. It is their grumbling, at once chilling and prophetic, and yet sometimes humorous, that we hear from the pages of this book.
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front cover of The Guestroom Novelist
The Guestroom Novelist
A Donald Harington Miscellany
Donald Harington
University of Arkansas Press, 2019

Donald Harington, best known for his fifteen novels, was also a prolific writer of essays, articles, and book reviews.

The Guestroom Novelist: A Donald Harington Miscellany gathers a career-spanning and eclectic selection of nonfiction by the Arkansawyer novelist Donald Harington that reveals how a life of devastating losses and disappointments inspired what the Boston Globe called the “quirkiest, most original body of work in contemporary US letters.”

This extensive collection of interviews and other works of prose—many of which are previously unpublished—offers glimpses into Harington’s life, loves, and favorite obsessions, replays his minor (and not so minor) dramas with literary critics, and reveals the complicated and sometimes contentious relationship between his work of the writers he most admired. The Guestroom Novelist, which takes its title from an essay that serves as a love letter to his fellow underappreciated writers, paints a rich portrait of the artist as a young, middle-aged, and fiercely funny old man, as well as comic, sentimentalist, philosopher, and critic, paying testimony to the writer’s magnificent ability to transform the seemingly crude stuff of our material existence into enduring art.

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front cover of The Guild of the Infant Saviour
The Guild of the Infant Saviour
An Adopted Child's Memory Book
Megan Culhane Galbraith
The Ohio State University Press, 2021
“In its generous scope, Galbraith’s book honors the depth and mystery of all human lives, whether we grew up with birth parents or not.” —Mary Gaitskill

Shortly before Roe v. Wade legalized abortion, adoptee Megan Culhane Galbraith was born in a Catholic charity hospital in New York City to a teenaged resident of the Guild of the Infant Saviour, a home for unwed mothers. Decades later, on the eve of becoming a mother herself, she would travel to the former guild site; to her birth mother’s home in Scotland; and to Cornell University, where she discovered the startling history of its Domestic Economics program. There, from 1919 to 1969, coeds applied scientific principles to domesticity as they collectively mothered a rotating cast of babies awaiting adoption. The babies shared the last name Domecon and provided the inspiration for Galbraith’s art project, The Dollhouse.
 
The Guild of the Infant Saviour is a dizzyingly inventive hybrid memoir of one adoptee’s quest for her past. Galbraith pairs narrative with images from The Dollhouse as she weaves a personal and cultural history of adoption as it relates to guilt, shame, grief, identity, and memory itself.  Ultimately, she connects her experiences to those of generations of adoptees, to the larger stories America tells about sex and motherhood, and to the shadows those stories cast on us all.
 
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