BiblioVault - Books about Literary collections

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169 books about Literary collections and 13 start with S

169 books about Literary collections and 13 169 books about Literary collections
13 start with S start with S

Sacred Place

W Scott Olsen

University of Utah Press, 1996

Some of today's most significant writers and poets explore the relation between what we call the sacred and what we witness in the apparent world.

This unprecedented anthology brings together a provocative mix of new and well known writers whose poetry and prose broaches the possibility of something "bigger" going on, something more significant at stake. Is some powerful agency at work in what we see or are we just wishing (or fearing) that there were? Who can say? Who would dare? What’s most intriguing about the selections in this volume is that the authors do dare. What’s most attractive about them is that they resist answering that dare with reductions. They prefer the swoon of multiple possibilities over the relative comfort of conclusions. Various as they are, the works collected in The Sacred Place share a common reverence for the word itself, and perhaps best of all—they share a common understanding that no one of them comprehends fully what that means. They seem to desire instead a sense that the humble stuff surrounding us affords a likely enough habitation for the sacred, even now.

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The Sagebrush Anthology

Literature from the Silver Age of the Old West

Edited by Lawrence I. Berkove

University of Missouri Press, 2006

Sagebrush School is a term applied to a group of writers who spent their creative years in Nevada from the 1860s to the early twentieth century—its most illustrious representative being Mark Twain. Yet most of their work was never republished from the periodicals in which it first appeared and today remains largely unknown to many scholars and aficionados of Western literature.

Lawrence I. Berkove, acknowledged as the leading authority on this body of literature, has assembled an exceptional collection that rescues the lively works of the Sagebrush School from the dusty archives in which they have languished. The Sagebrush Anthology enlarges Mark Twain’s circle to encompass the Sagebrush Bohemians through a compelling blend of humorous and serious fiction, memoir, nonfiction, letters, and poetry. These selections convey the experiences shaped by Nevada’s rough-and-tumble culture, abounding in wit and humor—with a fondness for literary hoaxes—that were the last major formative influence on Twain.

The anthology contains sixty-eight selections—seven by Twain—representing outstanding work by accomplished Sagebrushers Dan De Quille, Sam Davis, Joe Goodman, and Rollin Daggett, plus pieces by lesser-known writers such as Arthur McEwen, Alf Doten, and Fred Hart. Berkove’s introduction recounts the history of the school and identifies and analyzes its main thematic and stylistic characteristics. He shows that Sagebrush literature records and reflects the collision of the last generation of frontiersmen with the new culture of technology, industry, and big business—men of talent, imagination, and integrity driven to work out distinctive ways of coping with an unresponsive system of justice, an economy tilted toward the rich, and a society that impinged on individual liberties.

Although many critics have noted the influence that this period had on Twain when he lived in Virginia City, few have delineated the influence of specific writers on his style. The Sagebrush Anthology not only shows that some of the ideas and literary techniques credited to Twain can be seen as characteristics of the school that he assimilated and refined, but it also fosters an appreciation of these other writers in their own right, showing that their work encompassed topics and genres that Twain barely addressed. By casting new light on the movement, it invites students and general readers to appreciate a silver flowering of Western literature that remains entertaining and instructive for our own time.

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Samuel Johnson

Selected Writings: A Tercentenary Celebration

Samuel Johnson

Harvard University Press, 2011

Thanks to Boswell’s monumental biography of Samuel Johnson, we remember Dr. Johnson today as a great wit and conversationalist, the rationalist epitome and the sage of the Enlightenment. He is more often quoted than read, his name invoked in party conversation on such diverse topics as marriage, sleep, deceit, mental concentration, and patriotism, to generally humorous effect. But in Johnson’s own day, he was best known as an essayist, critic, and lexicographer: a gifted writer possessed of great force of mind and wisdom. Writing a century after Johnson, Ruskin wrote of Johnson’s essays: He “taught me to measure life, and distrust fortune…he saved me forever from false thoughts and futile speculations.” Peter Martin here presents “the heart of Johnson,” a selection of some of Johnson’s best moral and critical essays. At the center of this collection are the periodical essays from the Rambler, Adventurer, and Idler. Also included are Johnson’s great moral fable, Rasselas; the Prefaces to the Dictionary and his edition of Shakespeare; and selections from Lives of the Poets. Together, these works—allied in their literary, social, and moral concerns—are the ones that continue to speak urgently to readers today.

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Second Scroll

A.M. Klein

Northwestern University Press, 1985

Written soon after the founding of the state of Israel, The Second Scroll is A.M. Klein’s most innovative and visionary work. The five “books” of the novel are a modern testament of Jewish experience to which are appended “glosses” or commentaries in the form of drama, epistle, poetry, and psalm. The action centres on a young writer from Montreal, whose search for his legendary Uncle Melech becomes a journey of revelation through Italy, Morocco, and the Holy Land. Dissident and exile, reformer and scholar, Melech is a messianic figure who enacts the destiny of his people and embodies the spiritual yearnings of everyman.

The Second Scroll, Klein’s only novel, combines the lyric genius of his poetic works with compelling reportage to create one of the most eloquent and original works in Canadian fiction.

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Secret Spaces of Childhood

Elizabeth Goodenough, Editor

University of Michigan Press, 2003

Whether it's real or imaginary, every child has a secret space, and this remarkable book explores them all. For some it's a treehouse or a hidden spot beneath a bush; for others it's a private psychic refuge--a favorite book, or a dollhouse that becomes a stage for a young imagination. As the more than four dozen pieces collected here reveal, such spaces play a key role in a child's development and retain a symbolic power that resonates throughout our adult lives. No reader will put this book down without experiencing a rush of familiar memories and new insights into that bygone world.

Poet Diane Ackerman evokes that "parallel universe behind the eyes / which no one shared, or dare discover"; Paul Brodeur recalls the "fort" where he and his brother defended Cape Cod against invaders in World War II; Nobelist Wole Soyinka offers a poignant verse portrait of Africa's lost children; and Paul West remembers youthful encounters with his eccentric neighbors Edith and Osbert Sitwell. Elsewhere, Robert Coles summons up memories of his first years as a doctor and a wise young patient who taught him a lesson he has never forgotten, and Mary Galbraith shows how childhood loss is transformed into art in Ludwig Bemelmans's classic Madeline. And these are just a few of the gems in a treasury that includes Anne Frank, the controversial photographs of Sally Mann and the crudely eloquent drawings of young South African refugees, clinical case studies and profoundly personal imagery.

A perceptive, thought-provoking work for general readers, Secret Spaces of Childhood opens a wonderful window on the world of the young.

Elizabeth Goodenough is Lecturer in Comparative Literature, the Residential College, University of Michigan.

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Serenity and Severity

Caleb Seeling

University Press of Colorado, 2016

Volume 5, Manifest West Series, Western Press Books

Serenity and severity form a classic Western dichotomy with many manifestations. Beautiful growth and renewal follow a terrifying and destructive forest fire. Rain upon a hayfield can be interpreted as grace or judgment from above, depending on the season. The unpredictability of nature provides hikers with a breathtaking view one day and a life-threatening scenario the next. Yet the nature of the West does not only imply the outdoors. The people of the West encounter serenity and severity in all aspects of life, and this duality impacts their identity and shapes their lifestyles, outlooks, worldviews, and values. This year’s collection includes political discussions, philosophical ponderings, and lighthearted humor that are all a part of life in the West.

For the fifth volume of Manifest West, twenty-nine writers explore this theme, revealing the duality of Western life through many different narrative trails—including governed environment, overwhelming fires, hiking adventures, and the effect of location on family. Creativity and diversity come to this anthology in both content and form, with flash fiction joining Manifest West’s standard genres of creative nonfiction, short fiction, and poetry. Their combined reflections enable us to see the intense relationship between humanity and nature; sometimes nature directs humans’ lives, to their harm and to their benefit, and other times, humanity abuses the very environment it cherishes as its home. Authors bring their personal styles, voices, and experiences with life in the West to contribute to a balanced and unique interpretation of serenity and severity.

Contributors: Rebecca Aronson, Betsy Bernfeld, Heidi E. Blankenship, Kaye Lynne Booth, Sarah B. Boyle, John Brantingham, William Cass, David Lavar Coy, Benjamin Dancer, Gail Denham, Patricia Frolander, John Haggerty, Lyla D. Hamilton, Michael Harty, Rick Kempa, Don Kunz, Ellaraine Lockie, Nathan Alling Long, Sarah Fawn Montgomery, Juan J. Morales, Lance Nizami, Ronald Pickett, Terry Severhill, David Stallings, Scott T. Starbuck, Abigail Van Kirk, Victoria Waddle, Evan Morgan Williams, Steven Wingate

Manifest West is Western Press Books’ literary anthology series. The press, affiliated with Western State Colorado University, produces one anthology annually and focuses on Western regional writing.

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Shorty's Yarns

Western Stories and Poems of Bruce Kiskaddon

edited by Bill Siems, illustrations by Katherine Field

Utah State University Press, 2004

Set in Colorado, New Mexico, and Arizona, the stories are a loosely tied string of old timer's yarns with a continuing cast of engaging characters, whom Kiskaddon avoids reducing to cowboy stereotypes. They include, as Siems describes them, "Kiskaddon himself as the character Shorty. As a common waddy with a small man's feistiness and a young man's mischief, Shorty encounters the wicked world with a succession of companions: Bill, high-headed and a bit of an outlaw; Rildy Briggs, untamable and unstoppable young cowgirl; and Ike, an old-fashioned dandy and 'a very fortunate person.' More or less in the background is the Boss-actually a series of Bosses-generally affectionately respected as long as he remains democratic in his dealings with the waddies. Buffoonery is provided by a succession of pompous characters, from townspeople who look down their noses on wild, unwashed waddies to professors from the East who have read books on how ranches should be run."

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The Sound of Rattles and Clappers

A Collection of New California Indian Writing

Edited by Greg Sarris

University of Arizona Press, 1994

In this anthology of poetry and fiction, ten Native Americans of California Indian ancestry illuminate aspects of their respective native cultures in works characterized by a profound love of place and people, as well as by anger over political oppression and social problems

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Southern Frontier Humor

An Anthology

Edited by M. Thomas Inge & Ed Piacentino

University of Missouri Press, 2010

If, as some suggest, American literature began with Huckleberry Finn, then the humorists of the Old South surely helped us to shape that literature. Twain himself learned to write by reading the humorists’ work, and later writers were influenced by it. This book marks the first new collection of humor from that region published in fifteen years—and the first fresh selection of sketches and tales to appear in over forty years.

Thomas Inge and Ed Piacentino bring their knowledge of and fondness for this genre to a collection that reflects the considerable body of scholarship that has been published on its major figures and the place of the movement in American literary history. They breathe new life into the subject, gathering a new selection of texts and adding Twain—the only major American author to contribute to and emerge from the movement—as well as several recently identified humorists.

All of the major writers are represented, from Augustus Baldwin Longstreet to Thomas Bangs Thorpe, as well as a great many lesser-known figures like Hamilton C. Jones, Joseph M. Field, and John S. Robb. The anthology also includes several writers only recently discovered to be a part of the tradition, such as Joseph Gault, Christopher Mason Haile, James Edward Henry, and Marcus Lafayette Byrn, and features authors previously overlooked, such as William Gilmore Simms, Ham Jones, Orlando Benedict Mayer, and Adam Summer.

Selections are timely, reflecting recent trends in literary history and criticism sensitive to issues of gender, race, and ethnicity. The editors have also taken pains to seek out first printings to avoid the kinds of textual corruptions that often occur in later versions of these sketches. Southern Frontier Humor offers students and general readers alike a broad perspective and new appreciation of this singular form of writing from the Old South—and provides some chuckles along the way.

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Sovereign Erotics

A Collection of Two-Spirit Literature

Edited by Qwo-Li Driskill, Daniel Heath Justice, Deborah Miranda, and Lisa Tatonetti

University of Arizona Press, 2011

Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people.

This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.

Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century.

Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack

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A Story Larger than My Own

Women Writers Look Back on Their Lives and Careers

Edited by Janet Burroway

University of Chicago Press, 2014

In 1955, Maxine Kumin submitted a poem to the Saturday Evening Post. “Lines on a Half-Painted House” made it into the magazine—but not before Kumin was asked to produce, via her husband’s employer, verification that the poem was her original work.

Kumin, who went on to win the Pulitzer Prize for poetry, was part of a groundbreaking generation of women writers who came of age during the midcentury feminist movement. By challenging the status quo and ultimately finding success for themselves, they paved the way for future generations of writers. In A Story Larger than My Own, Janet Burroway brings together Kumin, Julia Alvarez, Jane Smiley, Erica Jong, and fifteen other accomplished women of this generation to reflect on their writing lives.

The essays and poems featured in this collection illustrate that even writers who achieve critical and commercial success experience a familiar pattern of highs and lows over the course of their careers. Along with success comes the pressure to sustain it, as well as a constant search for subject matter, all too frequent crises of confidence, the challenges of a changing publishing scene, and the difficulty of combining writing with the ordinary stuff of life—family, marriage, jobs. The contributors, all now over the age of sixty, also confront the effects of aging, with its paradoxical duality of new limitations and newfound freedom.

Taken together, these stories offer advice from experience to writers at all stages of their careers and serve as a collective memoir of a truly remarkable generation of women.

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Strung Together

The Cultural Currency of String Theory as a Scientific Imaginary

Sean Miller

University of Michigan Press, 2013

In Strung Together: The Cultural Currency of String Theory as a Scientific Imaginary, Sean Miller examines the cultural currency of string theory, both as part of scientific discourse and beyond it. He demonstrates that the imaginative component of string theory is both integral and indispensable to it as a scientific discourse. While mathematical arguments provide precise prompts for physical intervention in the world, the imaginary that supplements mathematical argument within string theory technical discourse allows theorists to imagine themselves interacting with the cosmos as an abstract space in such a way that strings and branes as phenomena become substantiated and legitimized. And it is precisely this sort of imaginary—which Miller calls a scientific imaginary—duly substantiated and acculturated, that survives the move from string theory technical discourse to popularizations and ultimately to popular and literary discourses. In effect, a string theory imaginary legitimizes the science itself and helps to facilitate a virtual domestication of a cosmos that was heretofore remote, alien, and incomprehensible.

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