front cover of Ancient Visions
Ancient Visions
Petroglyphs and Pictographs of the Wind River and Bighorn Country, Wyoming and Montana
Julie Francis
University of Utah Press, 2004

The Bighorn and Wind River basins of north-central Wyoming and southern Montana have been home to Native American tribes for at least 11,000 years and contain some of the most diverse assemblages of hunter-gatherer rock art anywhere in the world. Most notable are the spectacular and surreal images of the Dinwoody tradition, but there is also a startling array of other forms from shield-bearing warriors to animals, plants, and abstract images. Ancient Visions presents a sampling of these wonderful rock art figures.

Julie Francis and Lawrence Loendorf contend that Native Americans, past and present, hold traditional knowledge that is central to an understanding of these images. By combining the ethnographic record with consultation of traditional leaders in modern Native communities, they offer compelling evidence that highly complex belief systems and religious experience form the context for the vast majority of petroglyphs and pictographs in the region.

The authors also show how this ancient imagery can be integrated with the archaeological record. Modern advances in rock-art dating techniques allow them to begin the process of incorporating image styles with archaeological chronologies. The result is a new approach that offers a much different archaeological picture of the ancient Bighorn and Wind River basins.

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front cover of Mountain Spirit
Mountain Spirit
The Sheep Eater Indians of Yellowstone
Loendorf, Lawrence L
University of Utah Press, 2006
There is still a pervasive notion that Indians did not inhabit the Yellowstone area. Drawing on the results of ongoing archaeological excavations and extensive ethnographic work among descendant native peoples, Mountain Spirit discusses the many groups that have in fact visited or lived in the area in prehistoric and historic times. In particular, the Shoshone group known as Tukudika, or Sheep Eaters, maintained a rich and abundant way of life closely related to their primary source of protein, the mountain sheep of the high-altitude Yellowstone area.

These robust people were talented artisans, making well-constructed shelters, powerful horn bows, and expertly tailored clothing that was highly sought by their trading partners. They moved in small, kin-based bands, accompanied by large dogs that were indispensable hunting and trekking companions. Moving seasonally through portions of the Beartooth, Absaroka, and Wind River ranges, the Sheep Eaters made skillful use of their environment.

Written for general readers, Mountain Spirit includes photographs, lithographs, and a number of color drawings and sketches of Sheep Eater life ways by Davíd Joaquin. It presents a vivid picture of the vanished way of life of a people whose accomplishments have been largely ignored in histories of Native peoples. 
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front cover of Ten Steps for Recording Pictographs and Petroglyphs
Ten Steps for Recording Pictographs and Petroglyphs
Methods and Technologies
Lawrence Loendorf and Nancy Medaris Stone
University of Utah Press, 2024
Pictograph and petroglyph sites, commonly identified as sacred by Indigenous communities, offer the potential of great insight into past belief systems and ritual activities if carefully recorded. The aesthetic appeal of the art itself has long been appreciated, and chemical and artistic analyses have been applied to these depictions to uncover deeper information such as chronology and pigment composition. In Ten Steps for Recording Pictographs and Petroglyphs, Lawrence Loendorf and Nancy Medaris Stone present their thorough and systematic ten-step guide to recording not just the imagery itself, but also the entire site amid which it is set. This essential context situates the depictions within the immediate and broader landscape, assembling a more complete picture of their significance.

Despite having survived for thousands of years, erosion, decay, and even vandalism are all threats to these important cultural sites. A field session involving documentation might be the only opportunity to record these unique and significant images. The ten steps laid out here by Loendorf and Stone offer a general overview of current best practices to maintain a scientific and professional documentation program.
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