front cover of The Glass Slipper
The Glass Slipper
Women and Love Stories
Susan Ostrov Weisser
Rutgers University Press, 2013

Why is the story of romance in books, magazines, and films still aimed at women rather than at men? Even after decades of feminism, traditional ideas and messages about romantic love still hold sway and, in our “postfeminist” age, are more popular than ever. Increasingly, we have become a culture of romance: stories of all kinds shape the terms of love. Women, in particular, love a love story.

The Glass Slipper is about the persistence of a familiar Anglo-American love story into the digital age. Comparing influential classics to their current counterparts, Susan Ostrov Weisser relates in highly amusing prose how these stories are shaped and defined by and for women, the main consumers of romantic texts. Following a trajectory that begins with Jane Austen and concludes with Internet dating sites, Weisser shows the many ways in which nineteenth-century views of women’s nature and the Victorian idea of romance have survived the feminist critique of the 1970s and continue in new and more ambiguous forms in today’s media, with profound implications for women.

More than a book about romance in fiction and media, The Glass Slipper illustrates how traditional stories about women’s sexuality, femininity, and romantic love have survived as seemingly protective elements in a more modern, feminist, sexually open society, confusing the picture for women themselves. Weisser compares diverse narratives—historical and contemporary from high literature and “low” genres—discussing novels by Jane Austen and Charlotte Brontë, Victorian women’s magazines, and D. H. Lawrence’s Lady Chatterley’s Lover; Disney movies; popular Harlequin romance novels; masochistic love in films; pornography and its relationship to romance; and reality TV and Internet ads as romantic stories.

Ultimately, Weisser shows that the narrative versions of the Glass Slipper should be taken as seriously as the Glass Ceiling as we see how these representations of romantic love are meant to inform women’s beliefs and goals. In this book, Weisser’s goal is not to shatter the Glass Slipper, but to see through it.

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front cover of Love Stories
Love Stories
Sex between Men before Homosexuality
Jonathan Ned Katz
University of Chicago Press, 2001
In Love Stories, Jonathan Ned Katz presents stories of men's intimacies with men during the nineteenth century—including those of Abraham Lincoln—drawing flesh-and-blood portraits of intimate friendships and the ways in which men struggled to name, define, and defend their sexual feelings for one another. In a world before "gay" and "straight" referred to sexuality, men like Walt Whitman and John Addington Symonds created new ways to name and conceive of their erotic relationships with other men. Katz, diving into history through diaries, letters, newspapers, and poems, offers us a clearer picture than ever before of how men navigated the uncharted territory of male-male desire.
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front cover of Love/Stories (or, but you will get used to it)
Love/Stories (or, but you will get used to it)
Five Short Plays
Itamar Moses
Northwestern University Press, 2010

A casting session for a play about a love affair goes awry. A talk-back with a theater audience becomes the occasion for a life-altering choice. A couple moving in together finds that greater intimacy can be a mixed blessing when even the surface of their dialogue is stripped away.
 

Metatheatrical antics abound in Itamar Moses’s Love/Stories (or, but you will get used to it), five one-act meditations on modern love and on the act of telling stories — in which a variety of inventive devices stresses the ineradicable gap between art and experience. Reminiscent of the works
 

of both Samuel Beckett and David Foster Wallace in their verbal dexterity, humor, and generosity, the plays collected in Love/Stories constitute an important addition to the contemporary American theater by one of our most exciting young playwrights.


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