Each day of working parenthood is a rollercoaster of success and failure. My child ate a carrot! Then spit it out on the dog. I got to work on time! But there is a mystery stain on my dress shirt and this Tide stick is definitely making it worse. Also yes, that was “Baby Shark” I was humming while accidentally unmuted on the Zoom call, and no, I am not going to be able to sew an octopus costume from scratch by Friday. Please tell me there is something available at Target.
As a parent, we live through levels of both joy and sorrow that we didn’t even know existed before. And we wonder—is it only me? Am I alone in this? In Parenting on the Frontlines, we explore both the lighter and heavier sides of working parenthood. The stories shared here are written by healthcare workers at Michigan Medicine, but all caregivers will find pieces to which they can relate. Most importantly, we want you to know that you are not alone on your journey, no matter where it takes you.
Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene.
Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.
In the Yucatán, they never forgot Alma Reed. She arrived for the first time in 1923, on assignment for the New York Times Sunday Magazine to cover an archaeological survey of Mayan ruins. It was a contemporary Maya, however, who stole her heart. Felipe Carrillo Puerto, said to be descended from Mayan kings, had recently been elected governor of the Yucatán on a platform emphasizing egalitarian reforms and indigenous rights. The entrenched aristocracy was enraged; Reed was infatuated—as was Carrillo Puerto. He and Reed were engaged within months. Yet less than a year later—only eleven days before their intended wedding—Carrillo Puerto was assassinated. He had earned his place in the history books, but Reed had won a place in the hearts of Mexicans: the bolero "La Peregrina" remains one of the Yucatán's most famous ballads.
Alma Reed recovered from her tragic romance to lead a long, successful life. She eventually returned to Mexico, where her work in journalism, archaeology, and art earned her entry into the Orden del Aguila Azteca (Order of the Aztec Eagle). Her time with Carrillo Puerto, however, was the most intense of her life, and when she was encouraged (by Hollywood, especially) to write her autobiography, she began with that special period. Her manuscript, which disappeared immediately after her sudden death in 1966, mingled her legendary love affair with a biography of Carrillo Puerto and the political history of the Yucatán. As such, it has long been sought by scholars as well as romantics. In 2001, historian Michael Schuessler discovered the manuscript in an abandoned apartment in Mexico City. An absolutely compelling memoir, Peregrina restores Reed's place in Mexican history in her own words.
A New Statesman Book of the Year
Winner of the Helen and Howard R. Marraro Prize
Winner of the Aldo and Jeanne Scaglione Prize for Italian Studies
“Extraordinary…I could not put it down.”
—Margaret MacMillan
“Reveals how ideology corrupts the truth, how untrammeled ambition destroys the soul, and how the vanity of white male supremacy distorts emotion, making even love a matter of state.”
—Sonia Purnell, author of A Woman of No Importance
When Attilio Teruzzi, a decorated military officer and early convert to the Fascist cause, married a rising American opera star, his good fortune seemed settled. The wedding was blessed by Mussolini himself. Yet only three years later, Teruzzi, now commander of the Black Shirts, renounced his wife. Lilliana was Jewish, and fascist Italy would soon introduce its first race laws.
The Perfect Fascist pivots from the intimate story of a tempestuous courtship and inconvenient marriage to the operatic spectacle of Mussolini’s rise and fall. It invites us to see in the vain, unscrupulous, fanatically loyal Attilio Teruzzi an exemplar of fascism’s New Man. Victoria De Grazia’s landmark history shows how the personal was always political in the fascist quest for manhood and power. In his self-serving pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today.
“The brilliance of de Grazia’s book lies in the way that she has made a page-turner of Teruzzi’s chaotic life, while providing a scholarly and engrossing portrait of the two decades of Fascist rule.”
—Caroline Moorhead, Wall Street Journal
“Original and important…A probing analysis of the fascist ‘strong man.’ De Grazia’s attention to Teruzzi’s private life, his behavior as suitor and husband, deepens and enriches our understanding of the nature of leadership in Mussolini’s regime and of masculinity, virility, and honor in Italian fascist culture.”
—Robert O. Paxton, author of The Anatomy of Fascism
“This is a perfect book!…Its two entwined narratives—one political and public, the other personal and private—help us understand why the personal is political for those who insist on reshaping people and society.”
—Azar Nafisi, author of Reading Lolita in Tehran
Collected from his published and heretofore unpublished work, the love poems of John Ciardi in Poems of Love and Marriage are a rich display of gentle wit, emotion, and craft. Not merely lyrics of youthful romance, these span the course of a love affair, of a life shared from first blush to old age.
These poems never disturb the sanctity of the private moment, but transcend the specific situation and bloom into universal recognition. And in his usual way of basking in those qualities which transform the ordinary into the unique, John Ciardi finds poignancy and truth in those elements of love and living together that so often go unnoticed.
Understanding and expressing unconditional love—also called agape love—can be a lifelong quest. First, however, we must ask ourselves and others what it is. Is it an action, a universal energy, or a creative principle? And if we understand it, can its expression ever be realized, or is it simply a divine attribute?
These and other questions are addressed in an inspirational and practical style in this philosophical essay from Sir John Templeton. He seeks to define pure, unlimited love as the "transcendent power of divine love that expresses itself through our hearts and minds when we are open and receptive to it." Its greatest attributes are love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control.
Another important concept is that God's love is given to us because we seek and accept it, not because we deserve it. It is the humble and sincere person who is most receptive to God's perfect love. This love can be awakened in other people through the action of love itself. We learn what it is from those who have it, and we can begin to recognize it through loving service to others.
Basic reality seems to be that the more you try to be like God by radiating unlimited love, the more you become flooded by waves of love from others and from God. Sir John summarizes with the statement, "How wonderful it would be if we could begin to say whenever we meet or depart, 'God loves you and I do too.'" This, in fact, is the essence of pure, unlimited love—a concept we can understand and can begin to practice in our daily lives. This thoughtful book can serve as an inspiration as well as a step-by-step guide on how to put this into practice.
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