A SCHOLARLY BOOK REPOSITORY
265 books about Love and 16
start with T
265 books about Love and 16
265 books about Love
16 start with T start with T
16 start with T start with T
Tales and Trials of Love, Concerning Venus’s Punishment of Those Who Scorn True Love and Denounce Cupid’s Sovereignty
A Bilingual Edition and Study
Jeanne Flore
Iter Press, 2014
Kelly Peebles’s excellent translation and edition of Jeanne Flore’s Comptes amoureux / Tales and Trials of Love (Lyon, 1542) puts Flore back on the map of important French female authors, both for English-speaking readers and for scholars interested more broadly in early modern French print culture. The transcription of the French text, complete with bibliographic details from the first edition, pairs beautifully with Peebles’s dynamic and engaging translation. Peebles’s introduction elegantly shows how Flore’s text stands as a significant textual and material representative of one of the most artistically rich and culturally tumultuous times in early modern France. Her edition and translation will no doubt become a principal reference for future scholarly work not only on Jeanne Flore, but also on female authorship, gender, and print culture in early modern France and Europe.
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Tales of Love, Cleverness, and Violence in Tomaso Costo’s "Fuggilozio" (1596)
Translated into English
Tommaso Astarita
Arc Humanities Press, 2024
This selection from Tomaso Costo’s Fuggilozio (The Cure for Indolence, 1596) translates entertaining, dramatic, or witty examples of the over four hundred stories and anecdotes of the original. Together, they offer an engaging window into the lively culture and society of Naples and Italy generally. Though the story-tellers are all from the city’s elite, the characters in the stories they tell run the social and professional gamut, from peasants to emperors, and the variety and brevity of the tales offers something for all readers who can smile at human foibles, silliness, and naughtiness, and admire cleverness and guile. Costo, in spite of his introductory claim that the book is meant to guide its audience to virtue and away from vice, also at times indulges in blunt innuendos and jokes that can still surprise us today.
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Talk of Love
How Culture Matters
Ann Swidler
University of Chicago Press, 2001
Talk of love surrounds us, and romance is a constant concern of popular culture. Ann Swidler's Talk of Love is an attempt to discover how people find and sustain real love in the midst of that talk, and how that culture of love shapes their expectations and behavior in the process. To this end, Swidler conducted extensive interviews with Middle Americans and wound up offering us something more than an insightful exploration of love: Talk of Love is also a compelling study of how much culture affects even the most personal of our everyday experiences.
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Tea, Coffee & Chocolate
How We Fell in Love with Caffeine
Melanie King
Bodleian Library Publishing, 2015
There are few things in the world more pleasing than a decadent cup of hot chocolate, a steaming mug of one’s favorite tea, or that first wonderful sip of freshly brewed coffee. Three of the great culinary obsessions of the twenty-first century, tea, coffee, and chocolate are long-time favorites of both casual diners and foodies, But how did we become so enamored of the big three?
In her mouthwatering new book, Melanie King offers a concise cultural history. All three beverages hail from faraway places: tea came first from China, coffee from the Middle East, and chocolate from Central America. Physicians and politicians alike were quick to comment in newspapers and popular periodicals on their supposed perils or health benefits. Readers learn that coffee was recommended in the seventeenth century as protection against the bubonic plague. Tea was thought to make women unattractive and men “unfit to do their business,” while a cup of chocolate was supposed to have exactly the opposite effect on the drinker’s sex life and physical appearance. As consumption of these newly discovered delicacies grew, merchants seized on the opportunity by setting up coffee houses or encouraging ever-more-elaborate tea-drinking rituals.
Filled with fascinating and often funny anecdotes—from a goatherd whose flock became frisky after eating coffee berries to a duchess with a goblet of poisoned chocolate, Tea, Coffee & Chocolate shows how the rowdy initial reception of these drinks forms the roots of today’s enduring caffeine culture.
In her mouthwatering new book, Melanie King offers a concise cultural history. All three beverages hail from faraway places: tea came first from China, coffee from the Middle East, and chocolate from Central America. Physicians and politicians alike were quick to comment in newspapers and popular periodicals on their supposed perils or health benefits. Readers learn that coffee was recommended in the seventeenth century as protection against the bubonic plague. Tea was thought to make women unattractive and men “unfit to do their business,” while a cup of chocolate was supposed to have exactly the opposite effect on the drinker’s sex life and physical appearance. As consumption of these newly discovered delicacies grew, merchants seized on the opportunity by setting up coffee houses or encouraging ever-more-elaborate tea-drinking rituals.
Filled with fascinating and often funny anecdotes—from a goatherd whose flock became frisky after eating coffee berries to a duchess with a goblet of poisoned chocolate, Tea, Coffee & Chocolate shows how the rowdy initial reception of these drinks forms the roots of today’s enduring caffeine culture.
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Tell
Love, Defiance, and the Military Trial at the Tipping Point for Gay Rights
Major Margaret Witt
University Press of New England, 2017
In 1993 Margie Witt, a young Air Force nurse, was chosen as the face of the Air Force’s “Cross into the Blue” recruitment campaign. This was also the year that President Clinton’s plan for gays to serve openly in the military was quashed by an obdurate Congress, resulting in the blandly cynical political compromise known as Don’t Ask, Don’t Tell. Contrary to its intent, DADT had the perverse effect of making it harder for gay servicemen and -women to fight expulsion. Over the next seventeen years more than 13,000 gay soldiers, sailors, marines, coast guard, and airmen and -women were removed from military service. That is, until Margie Witt’s landmark case put a stop to it. Tell is the riveting story of Major Margaret Witt’s dedicated and decorated military career as a frontline flight nurse, and of her love and devotion to her partner—now wife—Laurie Johnson. Tell captures the tension and drama of the politically charged legal battle that led to the congressional repeal of the controversial law and helped pave the way for a suite of landmark political and legal victories for gay rights. Tell is a testament to the power of love to transform hearts and minds, as well as a celebration of the indomitable spirit of Major Witt, her wife Laurie, her dedicated legal team, and the brave men and women who came forward to testify on her behalf in a historic federal trial. “The name Margaret Witt may join the canon of US civil rights pioneers.” —Guardian “Major Witt’s trial provided an unparalleled opportunity to attack the central premise of [Don’t Ask, Don’t Tell] . . . and set an important precedent.”— New York Times “A landmark ruling.”—Politico
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Themes of Work and Love in Adulthood
Neil J. Smelser
Harvard University Press, 1980
To love and to work, Freud's famous definition of psychological maturity, here becomes the focussing principle for a renewed examination of the dominant themes that play themselves out in adult life. Erik Erikson, Neil Smelser, and nine leading experts in adult development consider the stages that adults pass through and the crises that adults confront as they attempt to create a meaningful life.
Themes of Work and Love in Adulthood is a book that raises many fascinating questions about adult experience. How, for example, does work affect personality? Are love and work in competition; must one be pursued at the expense of the other? Is there a point in life past which men lay less stress on mastery and turn more toward emotional fulfillment? And do women experience a shift in the opposite direction? More generally, why do adult crises fall into predictable patterns and how do adults grow as they respond to these crises? Is the recent broadening of standards for adult conduct an opportunity for personal liberation or a source of personal debilitation?
Much more than a summary of current work on adulthood, Themes of Work and Love in Adulthood is a book full of unusual rewards: Erik Erikson's sensitive reconstruction of the entanglements of love and work revealed in the correspondence between Freud and Jung; Ann Swidler's fascinating discussion of the historical transformation of the love ideal from medieval times to its contemporary form; Robert LeVine's analysis of the adult life course in an African culture. When these unique essays are added to the important position papers by major theorists of adult development—Daniel Levinson, Roger Gould, and Marjorie Fiske—the result is a book that is both useful and exciting.
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Thomas Aquinas on Faith, Hope, and Love
A Summa of the Summa on the Theological Virtues
Christopher Kaczor
Catholic University of America Press, 2020
Thomas Aquinas on Faith, Hope, and Love is designed to make as easy as possible a first reading of key passages from the Summa theologiae. This book contains selections from the Summa that are most influential, most important, or likely to be most interesting to the contemporary reader. The text of the Summa itself is edited and arranged for beginners. Each article begins with Thomas’s answers to the question at hand and then goes to the first objection, followed by the reply to the first objection, the second objection and its reply, and so on. This arrangement provides a greater accessibility and ease in following the argument. Below the text, copious footnotes illuminate the text as a professor in the classroom might. Some notes provide historical background to figures that Thomas presupposes his reader will know such as Gratian, Dionysius, and Lombard. Other notes offer doctrinal summaries of other parts of the Summa that illuminate what Thomas says about faith, hope, or love. Thomas had an enormous influence on theologians, Church councils, and popes after his time, so some footnotes examine this influence. Thomas drew heavily on sources of wisdom before him, so other footnotes summarize the teachings of earlier authors, such as Aristotle and Augustine. This book also contains introductory essays on the Summa, on faith, on hope, and on love, which provide an overview to situate the reader and place treatment of the theological virtues in its larger context of the Summa. For those who have never read Thomas Aquinas on faith, hope, and love (and for those who teach them), this book provides ready access to the wisdom of the Angelic doctor.
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Thomas Heywood's Art of Love
The First Complete English Translation of Ovid's Ars Amatoria
Edited, with Introduction, Notes, and Commentary by M. L. Stapleton
University of Michigan Press, 2000
Thomas Heywood (ca 1573-1641) was a major Renaissance playwright who wrote or collaborated on over two hundred plays. Loues Schoole was one of his many nondramatic works that shows his fascination with antiquity. It was the standard English translation of the Ars in the seventeenth century, so popular that it was pirated almost as soon as he had written it--then printed, sold, reprinted, and resold in England and the Netherlands. It was not attributed to him during his lifetime, and he was not allowed to share in the profits that its (considerable) sales generated, two things that rankled him for the rest of his life. This is understandable because it is an excellent translation into English heroic verse, accurate without stuffiness, colloquial without indecorousness. Twenty years after Heywood's death, Loues Schoole was pirated yet again and went to six different editions during the Restoration (1662-84).
The present edition represents the first instance in which the translation has been edited in a scholarly manner. Besides a full Introduction that accounts for the history of Loues Schoole, Ovid in the English Renaissance, and the editorial method, each of the three books of the poem includes a Commentary that provides cross-references within the text; glosses for unusual, archaic, or regional forms peculiar to Heywood's English; annotations from sourcebooks that Heywood used to identify or understand characters from classical history, literature, and mythology; and explanations for any emendations the editor deemed necessary. In his efforts to make the Ars a seventeenth-century poem, Heywood contemporizes Ovid's references to dress, behavior, courtship, marriage, games, theater, agriculture, horsemanship, war, literature --all of which the Commentary explains at great length.
Loues Schoole will find readership in these areas: early modern history, literature, and culture; classical studies; Renaissance drama; the history of sexuality; and translation theory.
M. L. Stapleton is Associate Professor of English and Philosophy, Stephen F. Austin State University.
The present edition represents the first instance in which the translation has been edited in a scholarly manner. Besides a full Introduction that accounts for the history of Loues Schoole, Ovid in the English Renaissance, and the editorial method, each of the three books of the poem includes a Commentary that provides cross-references within the text; glosses for unusual, archaic, or regional forms peculiar to Heywood's English; annotations from sourcebooks that Heywood used to identify or understand characters from classical history, literature, and mythology; and explanations for any emendations the editor deemed necessary. In his efforts to make the Ars a seventeenth-century poem, Heywood contemporizes Ovid's references to dress, behavior, courtship, marriage, games, theater, agriculture, horsemanship, war, literature --all of which the Commentary explains at great length.
Loues Schoole will find readership in these areas: early modern history, literature, and culture; classical studies; Renaissance drama; the history of sexuality; and translation theory.
M. L. Stapleton is Associate Professor of English and Philosophy, Stephen F. Austin State University.
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To Love the Wind and the Rain
African Americans and Environmental History
Dianne D. Glave
University of Pittsburgh Press, 2005
“To Love the Wind and the Rain” is a groundbreaking and vivid analysis of the relationship between African Americans and the environment in U.S. history. It focuses on three major themes: African Americans in the rural environment, African Americans in the urban and suburban environments, and African Americans and the notion of environmental justice. Meticulously researched, the essays cover subjects including slavery, hunting, gardening, religion, the turpentine industry, outdoor recreation, women, and politics. “To Love the Wind and the Rain” will serve as an excellent foundation for future studies in African American environmental history.
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To Russia with Love
An Alaskan's Journey
Victor Fischer with Charles Wohlforth
University of Alaska Press, 2012
Son of the famous American journalist Louis Fischer, who corresponded from Germany and then Moscow, and the Russian writer Markoosha Fischer, Victor Fischer grew up in the shadow of Hitler and Stalin, watching his friends’ parents disappear after political arrests. Eleanor Roosevelt personally engineered the Fischer family’s escape from Russia, and soon after Victor was serving in the United States Army in World War II and fighting opposite his childhood friends in the Russian and German armies.
As a young adult, he went on to help shape Alaska’s map by planning towns throughout the state. This unique autobiography recounts Fischer’s earliest days in Germany, Russia, and Alaska, where he soon entered civic affairs and was elected as a delegate to the Alaska Constitutional Convention—the body responsible for establishing statehood in the territory. A move to Washington, DC, and further government appointments allowed him to witness key historic events of his era, which he also recounts here. Finally, Fischer brings his memoir up to the present, describing how he has returned to Russia many times to bring the lessons of Alaska freedom and prosperity to the newly democratic states.
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Took House
Lauren Camp
Tupelo Press, 2020
Took House is a disquieting book about intimate relationships and what is seen and hidden. In vulnerable poems of obsession, Camp places motivation deep in the background, following instead a chain reaction between pain and pleasure. Took House navigates a landscape of bone and ash, wine and circumstance. Boundaries shift between reality and allegory. The unknown appears and repeats, eerily echoing need. Blame, power and disorder hover, unsettling what we know of love.
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Tortilleras Negotiating Intimacy
Love, Friendship, and Sex in Queer Mexico City
Anahi Russo Garrido
Rutgers University Press, 2020
Tortilleras Negotiating Intimacy: Love, Friendship, and Sex in Queer Mexico City is the first ethnography in English to focus primarily on women’s sexual and intimate cultures in Mexico. The book shows the transformation of intimacy in the lives of three generations of women in queer spaces in contemporary Mexico City, as their sexual citizenship changes, including references to same-sex marriage and anti-discrimination laws. The book shows how these individuals reconfigure relationships through marriage, polyamory, friendship, and sex. Tortilleras Negotiating Intimacy suggests that “new” intimate cartographies are emerging in Mexico City, ultimately redefining relationships, gender, and mexicanidad. Building on ethnographic data collected over the past decade, including forty-five in-depth interviews with women between the ages of twenty-two and sixty-five participating in LGBT spaces, Tortilleras Negotiating Intimacy shows how lesbian women (mainly cis, but some trans) negotiate friendship, same-sex marriage, polyamory, and sexual practices, reinventing love, eroticism, friendship, and ultimately the social organization of Latin American societies.
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The Transmutation of Love and Avant-Garde Poetics
Jeanne Heuving
University of Alabama Press, 2016
The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire.
In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’”
Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself.
The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.
In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’”
Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself.
The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.
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Trials of Intimacy
Love and Loss in the Beecher-Tilton Scandal
Richard Wightman Fox
University of Chicago Press, 1999
The nation's leading minister stands accused of adultery. He vehemently denies the charge but confesses to being on "the ragged edge of despair." His alleged lover is a woman of mystical faith, nearly "Catholic" in her piety. Her husband, a famous writer, sues the minister for damages. A six-month trial ends inconclusively, but it holds the nation in thrall. It produces gripping drama, scathing cartoons, and soul-searching editorials. Trials of Intimacy is the story of a scandal that shook American culture to the core in the 1870s because the key players were such vaunted moral leaders. In that respect there has never been another case like it—except The Scarlet Letter, to which it was constantly compared.
Henry Ward Beecher was pastor of Brooklyn's Plymouth Church and for many the "representative man" of mid-nineteenth century America. Elizabeth Tilton was the wife of Beecher's longtime intimate friend Theodore. His accusation of "criminal conversation" between Henry and Elizabeth confronted the American public with entirely new dilemmas about religion and intimacy, privacy and publicity, reputation and celebrity. The scandal spotlighted a series of comic and tragic loves and betrayals among these three figures, with a supporting cast that included Victoria Woodhull, Susan B. Anthony, and Elizabeth Cady Stanton.
To readers at the time, the Beecher-Tilton Scandal was an irresistible mystery. Richard Fox puts his readers into that same reverberating story, while offering it as a timeless tale of love, deception, faith, and the confounding indeterminacy of truth. Trials of Intimacy revises our conception of nineteenth-century morals and passions. And it is an American history richly resonant with present-day dramas.
Henry Ward Beecher was pastor of Brooklyn's Plymouth Church and for many the "representative man" of mid-nineteenth century America. Elizabeth Tilton was the wife of Beecher's longtime intimate friend Theodore. His accusation of "criminal conversation" between Henry and Elizabeth confronted the American public with entirely new dilemmas about religion and intimacy, privacy and publicity, reputation and celebrity. The scandal spotlighted a series of comic and tragic loves and betrayals among these three figures, with a supporting cast that included Victoria Woodhull, Susan B. Anthony, and Elizabeth Cady Stanton.
To readers at the time, the Beecher-Tilton Scandal was an irresistible mystery. Richard Fox puts his readers into that same reverberating story, while offering it as a timeless tale of love, deception, faith, and the confounding indeterminacy of truth. Trials of Intimacy revises our conception of nineteenth-century morals and passions. And it is an American history richly resonant with present-day dramas.
[more]
The Trouble with Men
Reflections on Sex, Love, Marriage, Porn, and Power
David Shields
The Ohio State University Press, 2019
David Shields’s The Trouble with Men: Reflections on Sex, Love, Marriage, Porn, and Power is an immersion into the perils, limits, and possibilities of human intimacy. All at once a love letter to his wife, a nervy reckoning with his own fallibility, a meditation on the impact of porn on American culture, and an attempt to understand marriage (one marriage, the idea of marriage, all marriages), The Trouble with Men is exquisitely balanced between the personal and the anthropological, nakedness and restraint. While unashamedly intellectual, it’s also irresistibly readable and extremely moving. Over five increasingly intimate chapters, Shields probes the contours of his own psyche and marriage, marshalling a chorus of other voices that leaven, deepen, and universalize his experience; his goal is nothing less than a deconstruction of eros and conventional masculinity. Masterfully woven throughout is an unmistakable and surprisingly tender cri de coeur to his wife. The risk and vulnerability on display are in the service of radical candor, acerbic wit, real emotion, and profound insight—exactly what we’ve come to expect from Shields, who, in an open invitation to the reader, leaves everything on the page.
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The Tunnel of Love
A Novel
Peter De Vries
University of Chicago Press, 2014
Harking from the golden age of fiction set in American suburbia—the school of John Updike and Cheever—this work from the great American humorist Peter De Vries looks with laughter upon its lawns, its cocktails, and its slightly unreal feeling of comfort. De Vries’s classic situation comedy The Tunnel of Love follows the interactions of a socially insecure, pun-loving family man, an officious lady caseworker from an adoption agency, and a chauvinist pig—all suburban neighbors who know far too much about one another’s private lives in this goofy and gently hilarious tale of marital quibbles. Noted as much for his verbal fluidity and wordplay as for his ability to see humor through pain, De Vries will delight both new readers and old in this uproarious modern masterpiece.
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