From their earliest days on the American frontier through their growth into a worldwide church, the spatially expansive Mormons made maps to help them create idealized communities, migrate to and colonize large parts of the American West, visualize the stories in their sacred texts, and spread their message internationally through a well-organized missionary system. This book identifies many Mormon mapmakers who played an important but heretofore unsung role in charting the course of Latter-day Saint history. For Mormons, maps had and continue to have both practical and spiritual significance. In addition to using maps to help build their new Zion and to explore the Intermountain West, Latter-day Saint mapmakers used them to depict locations and events described in the Book of Mormon.

Featuring over one hundred historical maps reproduced in full color—many never before published—The Mapmakers of New Zion sheds new light on Mormonism and takes readers on a fascinating journey through maps as both historical documents and touchstones of faith. 

Winner of the Southwest Book Design and Production Award from the New Mexico Book Association.
Selected as one of the American Library Association's Best of the Best from University Presses.

Mapping New Jersey is the first interpretive atlas of the state in more than one hundred years. New Jersey, small in size with only 4.8 million acres, has a long and complex background. Its past is filled with paradoxes and contradictionsùan agricultural economy for most of its history, New Jersey was also one of the earliest states to turn to manufacturing and chemical research. Today, still championing itself as the "Garden State," New Jersey claims both the highest population density in the country and the largest number of hazardous waste sites. Many see an asphalt oasis, from the New Jersey Turnpike to the Garden State Parkway, with cities that sprawl into adjacent suburbs. Yet, after hundreds of years, large areas of New Jersey remain home to horse farms, cornfields, orchards, nurseries, blueberry bushes, and cranberry bogs.

Tracing the changes in environment, land use patterns, demography, transportation, economy, and politics over the course of many centuries, Mapping New Jerseyilluminates the state's transformation from a simple agricultural society to a post-industrial and culturally diverse place inhabited by more people per acre than anywhere else in the country.

An innovator in transportation, from railroads to traffic circles to aviation, New Jersey from its beginnings was a "corridor" state, with a dense Native American trail system once crisscrossed on foot, country roads traveled by armies of the American Revolution, and, lately, the rolling wheels of many sedans, SUVs, hybrids, public and commercial vehicles, and freight. Early to industrialize, it also served as the headquarters for Thomas Edison and the development of the modern American economy. Small in territory and crowded with people, the state works to recycle garbage and, at the same time, best utilize and preserve its land.

New Jersey has been depicted in useful and quite stunning historical maps, many of the best included in Mapping New Jerseyùcrude maps drawn by sixteenth-century navigators; complex and beautifully decorated pieces created by early Dutch cartographers; land maps plotted by seventeenth-century English settlement surveyors; examples of the nineteenth century's scientific revolution in map making that helped locate topography and important mineral resources; detailed insurance maps that correct London map maker William Faden's 1777-78 classic rendering of the state; and aerial photos, remote sensing, and global positioning system maps generated through twenty-first-century technology breakthroughs in cartography.

Integrating new maps, graphs, and diagrams unavailable through ordinary research or Internet searches, Mapping New Jersey is divided into six topical chapters, each accompanied by an introduction and overview telling the story of the state's past and detailing its diversity. Mapping New Jersey, dramatically bold and in full color, travels where New Jersey has gone and the rest of the nation is likely to follow.

Though tourism now plays a recognized role in historical research and regional studies, the study of popular touristic images remains sidelined by chronological histories and objective statistics. Further, Arizona remains underexplored as an early twentieth-century tourism destination when compared with nearby California and New Mexico. With the notable exception of the Grand Canyon, little has been written about tourism in the early days of Arizona’s statehood.

Mapping Wonderlands fills part of this gap in existing regional studies by looking at early popular pictorial maps of Arizona. These cartographic representations of the state utilize formal mapmaking conventions to create a place-based state history. They introduce illustrations, unique naming conventions, and written narratives to create carefully visualized landscapes that emphasize the touristic aspects of Arizona.

Analyzing the visual culture of tourism in illuminating detail, this book documents how Arizona came to be identified as an appealing tourism destination. Providing a historically situated analysis, Dori Griffin draws on samples from a comprehensive collection of materials generated to promote tourism during Arizona’s first half-century of statehood. She investigates the relationship between natural and constructed landscapes, visual culture, and narratives of place. Featuring sixty-six examples of these aesthetically appealing maps, the book details how such maps offered tourists and other users a cohesive and storied image of the state. Using historical documentation and rhetorical analysis, this book combines visual design and historical narrative to reveal how early-twentieth-century mapmakers and map users collaborated to imagine Arizona as a tourist’s paradise.
 

In this concise introduction to the history of cartography, Norman J. W. Thrower charts the intimate links between maps and history from antiquity to the present day. A wealth of illustrations, including the oldest known map and contemporary examples made using Geographical Information Systems (GIS), illuminate the many ways in which various human cultures have interpreted spatial relationships.
The third edition of Maps and Civilization incorporates numerous revisions, features new material throughout the book, and includes a new alphabetized bibliography.
 
Praise for previous editions of Maps and Civilization:
“A marvelous compendium of map lore. Anyone truly interested in the development of cartography will want to have his or her own copy to annotate, underline, and index for handy referencing.”—L. M. Sebert, Geomatica

Maps and Mirrors explores the links and gaps between the aesthetic and the political at the intersection of philosophy and literature. Testing the major voices of aesthetic and literary theory, it raises important questions about the implicit political contexts and commitments of thinkers from Kant to de Man. Taken together the essays provide a tour of the complexities and richness of contemporary modes of critique.

Maps are universal forms of communication, easily understood and appreciated regardless of culture or language. This truly magisterial book introduces readers to the widest range of maps ever considered in one volume: maps from different time periods and a variety of cultures; maps made for divergent purposes and depicting a range of environments; and maps that embody the famous, the important, the beautiful, the groundbreaking, or the amusing. Built around the functions of maps—the kinds of things maps do and have done—Maps confirms the vital role of maps throughout history in commerce, art, literature, and national identity.

The book begins by examining the use of maps for wayfinding, revealing that even maps as common and widely used as these are the product of historical circumstances and cultural differences. The second chapter considers maps whose makers employed the smallest of scales to envision the broadest of human stages—the world, the heavens, even the act of creation itself. The next chapter looks at maps that are, literally, at the opposite end of the scale from cosmological and world maps—maps that represent specific parts of the world and provide a close-up view of areas in which their makers lived, worked, and moved.

Having shown how maps help us get around and make sense of our greater and lesser worlds, Maps then turns to the ways in which certain maps can be linked to particular events in history, exploring how they have helped Americans, for instance, to understand their past, cope with current events, and plan their national future. The fifth chapter considers maps that represent data from scientific instruments, population censuses, and historical records. These maps illustrate, for example, how diseases spread, what the ocean floor looks like, and how the weather is tracked and predicted. Next comes a turn to the imaginary, featuring maps that depict entire fictional worlds, from Hell to Utopia and from Middle Earth to the fantasy game World of Warcraft. The final chapter traces the origins of map consumption throughout history and ponders the impact of cartography on modern society.

A companion volume to the most ambitious exhibition on the history of maps ever mounted in North America, Maps will challenge readers to stretch conventional thought about what constitutes a map and how many different ways we can understand graphically the environment in which we live. Collectors, historians, mapmakers and users, and anyone who has ever “gotten lost” in the lines and symbols of a map will find much to love and learn from in this book.

The Moon is at once a face with a thousand expressions and the archetypal planet. Throughout history it has been gazed upon by people of every culture in every walk of life. From early perceptions of the Moon as an abode of divine forces, humanity has in turn accepted the mathematized Moon of the Greeks, the naturalistic lunar portrait of Jan van Eyck, and the telescopic view of Galileo.

Scott Montgomery has produced a richly detailed analysis of how the Moon has been visualized in Western culture through the ages, revealing the faces it has presented to philosophers, writers, artists, and scientists for nearly three millennia. To do this, he has drawn on a wide array of sources that illustrate mankind's changing concept of the nature and significance of heavenly bodies from classical antiquity to the dawn of modern science.

Montgomery especially focuses on the seventeenth century, when the Moon was first mapped and its features named. From literary explorations such as Francis Godwin's Man in the Moone and Cyrano de Bergerac's L'autre monde to Michael Van Langren's textual lunar map and Giambattista Riccioli's Almagestum novum, he shows how Renaissance man was moved by the lunar orb, how he battled to claim its surface, and how he in turn elevated the Moon to a new level in human awareness. The effect on human imagination has been cumulative: our idea of the Moon, and therefore the planets, is multilayered and complex, having been enriched by associations played out in increasingly complicated harmonies over time. We have shifted the way we think about the lunar face from a "perfect" body to an earthlike one, with corresponding changes in verbal and visual expression.

Ultimately, Montgomery suggests, our concept of the Moon has never wandered too far from the world we know best—the Earth itself. And when we finally establish lunar bases and take up some form of residence on the Moon's surface, we will not be conquering a New World, fresh and mostly unknown, but a much older one, ripe with history.