front cover of Baseball's Greatest Series
Baseball's Greatest Series
Yankees, Mariners, and the 1995 Matchup That Changed History
Donnelly, Chris
Rutgers University Press, 2010
Baseball's Greatest Series details what many believe to be the most exciting postseason series in baseball history: the 1995 Division Series between the New York Yankees and the Seattle Mariners.

This division series was not simply about two teams playing five postseason games. It was about Ken Griffey Jr., Lou Piniella, Buck Showalter, Gene Michael, Jim Leyritz, Randy Johnson, Wade Boggs, Tony Fernandez, Pat Kelly, Dion James, Darryl Strawberryùand many others who changed the course of baseball history . . .
A team playing to keep baseball alive in the Pacific Northwest
A manager who was literally managing for his job
A New York sports icon who for one week reminded everybody of the dominating player he had been a decade earlier

Chris Donnelly's replay of this entire season reminds readers that it was a time when grown men cried their eyes out after defeat, and others, just a few hundred feet away, poured beer and champagne over one another while 57,000 people in Seattle's Kingdome celebrated. Five games they were. Five games that reminded people, after the devastating players' strike in 1994, how great a game baseball is because comebacks are always possible, no matter how great the obstacles may seem.

From Don Mattingly's only postseason home run, which caused a near riot, to Edgar Martinez's legendary eleventh inning series-clinching double, Donnelly chronicles the earlier struggles of both teams during the 1980s, their mid-1990s resurgence, all five heart-stopping games of the series, and the dramatic and long-lasting effects of Seattle's victory. Simply stated, Baseball's Greatest Series hits a home run.

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front cover of Hawaiian Music in Motion
Hawaiian Music in Motion
Mariners, Missionaries, and Minstrels
James Revell Carr
University of Illinois Press, 2014
Hawaiian Music in Motion explores the performance, reception, transmission, and adaptation of Hawaiian music on board ships and in the islands, revealing the ways both maritime commerce and imperial confrontation facilitated the circulation of popular music in the nineteenth century. James Revell Carr draws on journals and ships' logs to trace the circulation of Hawaiian song and dance worldwide as Hawaiians served aboard American and European ships. He also examines important issues like American minstrelsy in Hawaii and the ways Hawaiians achieved their own ends by capitalizing on Americans' conflicting expectations and fraught discourse around hula and other musical practices.
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front cover of Mariners, Renegades and Castaways
Mariners, Renegades and Castaways
The Story of Herman Melville and the World We Live In
C. L. R. James
Dartmouth College Press, 2001
Political theorist and cultural critic, novelist and cricket enthusiast, C. L. R. James (1901 - 1989) was a brilliant polymath who has been described by Edward Said as "a centrally important 20th-century figure." Through such landmark works as The Black Jacobins, Beyond a Boundary, and American Civilization, James's thought continues to influence and inspire scholars in a wide variety of fields. "There is little doubt," wrote novelist Caryl Phillips in The New Republic, "that James will come to be regarded as the outstanding Caribbean mind of the twentieth century." In his seminal work of literary and cultural criticism, Mariners, Renegades and Castaways, James anticipated many of the concerns and ideas that have shaped the contemporary fields of American and Postcolonial Studies, yet this widely influential book has been unavailable in its complete form since its original publication in 1953. A provocative study of Moby Dick in which James challenged the prevailing Americanist interpretation that opposed a "totalitarian" Ahab and a "democratic, American" Ishmael, he offered instead a vision of a factory-like Pequod whose "captain of industry" leads the "mariners, renegades and castaways" of its crew to their doom. In addition to demonstrating how such an interpretation supported the emerging US national security state, James also related the narrative of Moby Dick, and its resonance in American literary and political culture, to his own persecuted position at the height (or the depth) of the Truman/McCarthy era. It is precisely this personal, deeply original material that was excised from the only subsequent edition. With a new introduction by Donald E. Pease that places the work in its critical and cultural context, Mariners, Renegades and Castaways is once again available in its complete form.
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