The Canals of Mars is a memoir that explores and ponders "weakness," which in Gary Fincke's family was the catch-all term for every possible human flaw-physical, psychological, or spiritual. Fincke grew up near Pittsburgh during the 1950s and 1960s, raised by blue-collar parents for whom the problems that beset people-from alcoholism to nearsightedness to asthma to fear of heights-were nothing but weaknesses.
     In a highly engaging style, Fincke meditates on the disappointments he suffered-in his body, his mind, his work-because he was convinced that he had to be "perfect." Anything less than perfection was weakness and no one, he understood from an early age, wants to be weak.
     Six of the chapters in the book have been cited in Best American Essays. The chapter that provides the book's title, The Canals of Mars, won a Pushcart Prize and was included in The Pushcart Book of Essays: The Best Essays from a Quarter Century of the Pushcart Prize.

For more than a century, Mars has been at the center of debates about humanity’s place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s.

Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writers—H. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith Merril—responded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth.

One of the first maps of Mars, published by an Italian astronomer in 1877, with its pattern of canals, fueled belief in intelligent life forms on the distant red planet—a hope that continued into the 1960s. Although the Martian canals have long since been dismissed as a famous error in the history of science, K. Maria D. Lane argues that there was nothing accidental about these early interpretations. Indeed, she argues, the construction of Mars as an incomprehensibly complex and engineered world both reflected and challenged dominant geopolitical themes during a time of major cultural, intellectual, political, and economic transition in the Western world.

Geographies of Mars telescopes in on a critical period in the development of the geographical imagination, when European imperialism was at its zenith and American expansionism had begun in earnest. Astronomers working in the new observatories of the American Southwest or in the remote heights of the South American Andes were inspired, Lane finds, by their own physical surroundings and used representations of the Earth’s arid landscapes to establish credibility for their observations of Mars. With this simple shift to the geographer’s point of view, Lane deftly explains some of the most perplexing stances on Mars taken by familiar protagonists such as Percival Lowell, Alfred Russel Wallace, and Lester Frank Ward. 

A highly original exploration of geography’s spatial dimensions at the beginning of the twentieth century, Geographies of Mars offers a new view of the mapping of far-off worlds.

The planet Mars has been a subject of wonder for millennia, as attested by its place in mythology, by later speculation about its canals, and by the scientific and public excitement over the Viking mission. Although the scientific literature about the planet is voluminous, no comprehensive treatment of the results of modern spacecraft exploration has yet been made available. This volume fills that gap by providing a summary of what is presently known about Mars and identifying many puzzles such as polar cap variance, occurrence of dust storms, and the possible location of water. The introductory chapter cites questions, controversies, and milestones in the study of Mars, and also includes an annotated book list, basic data about the planet, and a guide to Martian seasons. A chapter on telescopic observation credits the contributions made by many amateurs that have advanced our knowledge of variations observed on Mars. A chapter on spacecraft exploration, by an American and a Russian author who have participated in all Mars missions, includes a revelation of an additional Soviet attempt. Twenty-nine technical articles cover geophysics; bedrock geology; surface; atmosphere; exosphere and magnetic field; and climate history. Two chapters address the search for life on Mars; three concluding chapters consider the Martian satellites. An indispensable reference for scientists, Mars will also serve as a complete sourcebook for serious amateur astronomers.

HiRISE is the most powerful camera ever sent to another planet, showing us Mars in astonishing detail. Featuring an outstanding and never-before-published collection of HiRISE high-resolution color images with explanatory captions in twenty-four languages, this book offers a unique volume produced from an active NASA mission.

Mars enthusiasts will appreciate these perfect snapshots of our current understanding of Mars, with soon-to-be classic pictures that have come to define our vision of the Red Planet. These images and their interpretations will be held as a yardstick for future exploration as we learn more about the surface and geologic processes of the fourth planet from the Sun.

With tantalizing and artistic glimpses at actively eroding slopes, impact craters, strange polar landscapes, avalanches, and even spectacular descent pictures of probes like the Phoenix Lander and the Mars Science Laboratory, we see what researchers are seeing.

Through vivid and beautiful images, this book underscores the need for such a camera on future orbiters, especially as more landing missions are planned. Mars: The Pristine Beauty of the Red Planet provides a stunning keepsake of one of humanity’s greatest accomplishments in space travel.
 

Mass media in the late nineteenth century was full of news from Mars. In the wake of Giovanni Schiaparelli’s 1877 discovery of enigmatic dark, straight lines on the red planet, astronomers and the public at large vigorously debated the possibility that it might be inhabited. As rivalling scientific practitioners looked to marshal allies and sway public opinion—through newspapers, periodicals, popular books, exhibitions, and encyclopaedias—they exposed disagreements over how the discipline of astronomy should be organized and how it should establish acceptable conventions of discourse.

News from Mars provides a new account of this extraordinary episode in the history of astronomy, revealing how major transformations in astronomical practice across Britain and America were inextricably tied up with popular scientific culture and a transatlantic news economy that enabled knowledge to travel. As Joshua Nall argues, astronomers were journalists, too, eliding practice with communication in consequential ways. As writers and editors, they played a pivotal role in the emergence of a “new astronomy” dedicated to the study of the physical constitution and life history of celestial objects, blurring harsh distinctions between those who produced esoteric knowledge and those who disseminated it. 

In the years since the Mars Exploration Rover Spirit and Opportunity first began transmitting images from the surface of Mars, we have become familiar with the harsh, rocky, rusty-red Martian landscape. But those images are much less straightforward than they may seem to a layperson: each one is the result of a complicated set of decisions and processes involving the large team behind the Rovers.

With Seeing Like a Rover, Janet Vertesi takes us behind the scenes to reveal the work that goes into creating our knowledge of Mars. Every photograph that the Rovers take, she shows, must be processed, manipulated, and interpreted—and all that comes after team members negotiate with each other about what they should even be taking photographs of in the first place. Vertesi’s account of the inspiringly successful Rover project reveals science in action, a world where digital processing uncovers scientific truths, where images are used to craft consensus, and where team members develop an uncanny intimacy with the sensory apparatus of a robot that is millions of miles away. Ultimately, Vertesi shows, every image taken by the Mars Rovers is not merely a picture of Mars—it’s a portrait of the whole Rover team, as well.