front cover of Fame and Fandom
Fame and Fandom
Functioning On and Offline
Celia Lam
University of Iowa Press, 2022
Celebrities depend upon fans to sustain their popularity and livelihood, and fans are happy to oblige. With social media they can follow their favorite (or least favorite) celebrities’ every move, and get glimpses into their lives, homes, and behind-the-scenes work. Fans interact with celebrities now more than ever, and often feel that they have a claim on their time, attention, and accountability. In Fame and Fandom, the contributors examine this tumultuous dynamic and bring together celebrity studies and fan studies like never before.

In case studies including Supernatural, Harry Styles, YouTube influencers, film location sites, Keanu Reeves, and celebrities as fans, readers find new approaches to fan/celebrity encounters and parasocial relationships. This is the go-to volume on the symbiotic relationship between fame and fandom.
 
[more]

front cover of Fandom, Now in Color
Fandom, Now in Color
A Collection of Voices
Rukmini Pande
University of Iowa Press, 2020

Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization—diversifying methodologies, destabilizing canons of “must-read” scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan’s K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity.

Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al Valentín

[more]

front cover of Fandom, the Next Generation
Fandom, the Next Generation
Bridget Kies
University of Iowa Press, 2022
This collection is the first to offer a close study of fan generations, which are defined not only by fans’ ages, but by their entry point into a canon or their personal politics. The contributors further the conversation about how generational fandom is influenced by and, in turn, influences technologies, industry practices, and social and political changes. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, Fandom, the Next Generation offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships.

Contributors:
Maria Alberto, University of Utah
Mélanie Bourdaa, University of Bordeaux Montaigne
Meredith Dabek, Maynooth University
Simone Driessen, Erasmus University Rotterdam
Yektanurşin Duyan, Mardin Artuklu University
Dan Golding, Swinburne University of Technology
Bethan Jones, Aberdale, Wales (UK)
Siobhan Lyons, Sydney, New South Wales (Australia)
L. N. Rosales, University of Nebraska, Lincoln
Andrew Scahill, University of Colorado, Denver
Janelle Vermaak, Nelson Mandela University
Cynthia W. Walker, St. Peter’s University
Dawn Walls-Thumma, independent scholar
Neta Yodovich, University of Haifa
 
[more]

front cover of Feeling Media
Feeling Media
Potentiality and the Afterlife of Art
Miryam Sas
Duke University Press, 2022
In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger global and historical shifts. She examines intermedia, experimental animation, and Marxist theories of the culture industries of the 1960s and 1970s in the work of artists and thinkers ranging from filmmaker Matsumoto Toshio, photographer Nakahira Takuma, and the Three Animators' Group to art critic Hanada Kiyoteru and landscape theorist Matsuda Masao. She also outlines how twenty-first-century Japanese artists—especially those responding to the Fukushima disaster—adopt and adapt this earlier work to reframe ideas about collectivity, community, and connectivity in the space between the individual and the system.
[more]

front cover of Film Criticism in the Digital Age
Film Criticism in the Digital Age
Frey, Mattias
Rutgers University Press, 2015
Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. 
 
In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture.
 
In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works. 
 
 
 
[more]

front cover of First Ladies and the Press
First Ladies and the Press
The Unfinished Partnership of the Media Age
Maurine H. Beasley
Northwestern University Press, 2005
At her first press conference, Eleanor Roosevelt, uncertain of her role as hostess or leader, passed a box of candied grapefruit peel to the thirty-five women journalists. Nearly sixty years later, Hillary Clinton, an accomplished professional woman and lawyer, tried to mollify her critics by handing out her chocolate-chip cookie recipe. These exchanges tells us as much about the social—and political—roles of women in America as they do about the relation of the first lady to the press and the public. Looking at the personal interaction between each first lady from Martha Washington to Laura Bush and the mass media of her day, Maurine H. Beasley traces the growth of the institution of the first lady as a part of the American political system. Her work shows how media coverage of first ladies, often limited to stereotypical ideas about women, has not adequately reflected the importance of their role.
[more]

front cover of Flood of Images
Flood of Images
Media, Memory, and Hurricane Katrina
By Bernie Cook
University of Texas Press, 2015

Anyone who was not in New Orleans during Hurricane Katrina and the subsequent flooding of the city experienced the disaster as a media event, a flood of images pouring across television and computer screens. The twenty-four-hour news cycle created a surplus of representation that overwhelmed viewers and complicated understandings of the storm, the flood, and the aftermath. As time passed, documentary and fictional filmmakers took up the challenge of explaining what had happened in New Orleans, reaching beyond news reports to portray the lived experiences of survivors of Katrina. But while these narratives presented alternative understandings and more opportunities for empathy than TV news, Katrina remained a mediated experience.

In Flood of Images, Bernie Cook offers the most in-depth, wide-ranging, and carefully argued analysis of the mediation and meanings of Katrina. He engages in innovative, close, and comparative visual readings of news coverage on CNN, Fox News, and NBC; documentaries including Spike Lee’s When the Levees Broke and If God Is Willing and Da Creek Don’t Rise, Tia Lessin and Carl Deal’s Trouble the Water, and Dawn Logsdon and Lolis Elie’s Faubourg Treme; and the HBO drama Treme. Cook examines the production practices that shaped Katrina-as-media-event, exploring how those choices structured the possible memories and meanings of Katrina and how the media’s memory-making has been contested. In Flood of Images, Cook intervenes in the ongoing process of remembering and understanding Katrina.

[more]

logo for Pluto Press
Framing Abuse
Media Influence and Public Understanding of Sexual Violence Against Children
Jenny Kitzinger
Pluto Press, 2004
This book offers fascinating insights into how the media shape the way we think. Combining in-depth analysis of media representations of child sexual abuse with focus group discussions and interviews with around 500 journalists, campaigners and a cross-section of 'the public', Jenny Kitzinger reveals the media's role in contemporary society.

Which stories attract attention and why? What strategies do journalists and campaigners use to persuade people and how do we respond? Answering these and other questions, Kitzinger demonstrates how media reporting can impact on people's knowledge of the 'facts', perceptions of risk, sense of appropriate policy responses and even how we interpret our own experiences.

Kitzinger examines feminist initiatives to challenge sexual violence, the emergence of incest as a social problem and the development of new survivor identities. She also explores stereotypes around sex offenders,interrogates protests against 'paedophiles-in-the-community' and presents a detailed analysis of the impact of scandals about disputed abuse accusations.

This book is essential reading for anyone interested in theories of media influence, identity and social change or who wishes to encourage responsible journalism. It is also a key resource for anyone concerned about sexual violence and the protection of children or who is attempting to design intervention strategies.
[more]

front cover of Framing American Politics
Framing American Politics
Karen Callaghan
University of Pittsburgh Press, 2005

Most issues in American political life are complex and multifaceted, subject to multiple interpretations and points of view. How issues are framed matters enormously for the way they are understood and debated. For example, is affirmative action a just means toward a diverse society, or is it reverse discrimination? Is the war on terror a defense of freedom and liberty, or is it an attack on privacy and other cherished constitutional rights? Bringing together some of the leading researchers in American politics, Framing American Politics explores the roles that interest groups, political elites, and the media play in framing political issues for the mass public.

The contributors address some of the most hotly debated foreign and domestic policies in contemporary American life, focusing on both the origins and process of framing and its effects on citizens. In so doing, these scholars clearly demonstrate how frames can both enhance and hinder political participation and understanding.

[more]

front cover of Framing the Black Panthers
Framing the Black Panthers
The Spectacular Rise of a Black Power Icon
Jane Rhodes
University of Illinois Press, 2017
A potent symbol of black power and radical inspiration, the Black Panthers still evoke strong emotions. This edition of Jane Rhodes's acclaimed study examines the extraordinary staying power of the Black Panthers in the American imagination. Probing the group's longtime relationship to the media, Rhodes traces how the Panthers articulated their message through symbols and tactics the mass media could not resist. By exploiting press coverage through everything from posters to public appearances to photo ops, the Panthers created a linguistic and symbolic universe as salient today as during the group's heyday. They also pioneered a sophisticated version of mass media activism that powers contemporary African American protest. Featuring a timely new preface by the author, Framing the Black Panthers is a breakthrough reconsideration of a fascinating phenomenon.
[more]

front cover of Free to Hate
Free to Hate
How Media Liberalization Enabled Right-Wing Populism in Post-1989 Bulgaria
Martin Marinos
University of Illinois Press, 2023
Linking neoliberalism with the Right’s global rise

Bulgaria’s media-driven pivot to right-wing populism parallels political developments taking place around the world. Martin Marinos applies a critical political economy approach to place Bulgarian right-wing populism within the structural transformation of the country’s media institutions. As Marinos shows, media concentration under Western giants like Westdeutsche Allgemeine Zeitung and News Corporation have led to a neoliberal turn of commercialization, concentration, and tabloidization across media. The Right have used the anticommunism and racism bred by this environment to not only undermine traditional media but position their own outlets to boost new political entities like the nationalist party Ataka. Marinos’s ethnographic observations and interviews with local journalists, politicians, and media experts add on-the-ground detail to his account. He also examines several related issues, including the performative appeal of populist media and the money behind it.

A timely and innovative analysis, Free to Hate reveals where structural changes in media intersect with right-wing populism.

[more]

logo for Georgetown University Press
From Quills to Tweets
How America Communicates about War and Revolution
Adrea J. Dew, Marc A. Genest, and S. C. M. Paine, Editors
Georgetown University Press, 2020

While today's presidential tweets may seem a light-year apart from the scratch of quill pens during the era of the American Revolution, the importance of political communication is eternal. This book explores the roles that political narratives, media coverage, and evolving communication technologies have played in precipitating, shaping, and concluding or prolonging wars and revolutions over the course of US history. The case studies begin with the Sons of Liberty in the era of the American Revolution, cover American wars in the nineteenth and twentieth centuries, and conclude with a look at the conflict against ISIS in the Trump era. Special chapters also examine how propagandists shaped American perceptions of two revolutions of international significance: the Russian Revolution and the Chinese Revolution. Each chapter analyzes its subject through the lens of the messengers, messages, and communications-technology-media to reveal the effects on public opinion and the trajectory and conduct of the conflict. The chapters collectively provide an overview of the history of American strategic communications on wars and revolutions that will interest scholars, students, and communications strategists.

[more]

front cover of From Reform to Revolution
From Reform to Revolution
The Demise of Communism in China and the Soviet Union
Minxin Pei
Harvard University Press, 1994
The demise of communism in the former Soviet Union and the massive political and economic changes in China are the stunning transformations of our century. Two central questions are emerging: Why did different communist systems experience different patterns of transition? Why did partial reforms in the Soviet Union and China turn into revolutions?
[more]

front cover of From the Far Right to the Mainstream
From the Far Right to the Mainstream
Islamophobia in Party Politics and the Media
Edited by Humayun Ansari and Farid Hafez
Campus Verlag, 2012
This volume focuses on how the far right’s views of Islam have been increasingly co-opted by both liberal and conservative parties and woven into the policies of Western governments over the past two decades. The unprecedented influence of xenophobic and Islamophobic parties, whether in coalition with governments or recipients of the popular vote, reflects a major realignment of forces and a danger to the Western core values of human rights and equality. From the Far Right to the Mainstream explores how Islamophobia has moved to the mainstream of Western policy making, and the role that the media has played.
[more]

front cover of From Tian'anmen to Times Square
From Tian'anmen to Times Square
Transnational China and the Chinese Diaspora on Global Screens, 1989-1997
Gina Marchetti
Temple University Press, 2006
Global perceptions of China have changed dramatically since the massive student protests that took place in Tian'anmen Square in April 1989. The media spotlight trained on Beijing, and the international uproar over the events of that spring still shape the world's perceptions of the People's Republic and the ways that Chinese people, within and beyond China, see and portray themselves.In From Tian'anmen to Times Square, leading film scholar Gina Marchetti considers the complex changes in the ways that China and the Chinese have been portrayed in cinema and media arts since the Tian'anmen revolt. Drawing on her interviews with leading contemporary Chinese filmmakers, Marchetti looks at a wide range of work by Chinese and non-Chinese media artists working in China, Hong Kong, Taiwan, and Singapore and on transnational co-productions involving those places. Focusing on the intersections of race, ethnicity, gender, and sexuality on global screens, Marchetti traces the momentous political, cultural, social, and economic forces confronting contemporary media artists and filmmakers working within "Greater China."
[more]


Send via email Share on Facebook Share on Twitter