front cover of CAEDMON'S HYMN AND MATERIAL CULTURE IN THE WORLD OF BEDE
CAEDMON'S HYMN AND MATERIAL CULTURE IN THE WORLD OF BEDE
ALLEN J. FRANTZEN
West Virginia University Press, 2007

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Caere
Edited by Nancy Thomson de Grummond and Lisa C. Pieraccini
University of Texas Press, 2016

The Etruscan city of Caere and eleven other Etruscan city-states were among the first urban centers in ancient Italy. Roman descriptions of Etruscan cities highlight their wealth, beauty, and formidable defenses. Although Caere left little written historical record outside of funerary inscriptions, its complex story can be deciphered by analyzing surviving material culture, including architecture, tomb paintings, temples, sanctuaries, and materials such as terracotta, bronze, gold, and amber found in Etruscan crafts. Studying Caere provides valuable insight not only into Etruscan history and culture but more broadly into urbanism and the development of urban centers across ancient Italy.

Comprehensive in scope, Caere is the first English-language book dedicated to the study of its eponymous city. Collecting the work of an international team of scholars, it features chapters on a wide range of topics, such as Caere’s formation and history, economy, foreign relations, trade networks, art, funerary traditions, built environment, religion, daily life, and rediscovery. Extensively illustrated throughout, Caere presents new perspectives on and analysis of not just Etruscan civilization but also the city’s role in the wider pan-Mediterranean basin.

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Cargoes in Motion
Materiality and Connectivity across the Indian Ocean
Burkhard Schnepel; Julia Verne
Ohio University Press, 2022
An innovative collection of essays that foregrounds specific cargoes as a means to understand connectivity and mobility across the Indian Ocean world. Scholars have long appreciated the centrality of trade and commerce in understanding the connectivity and mobility that underpin human experience in the Indian Ocean region. But studies of merchant and commercial activities have paid little attention to the role that cargoes have played in connecting the disparate parts of this vast oceanic world. Drawing from the work of anthropologists, geographers, and historians, Cargoes in Motion tells the story of how material objects have informed and continue to shape processes of exchange across the Indian Ocean. By following selected cargoes through both space and time, this book makes an important and innovative contribution to Indian Ocean studies. The multidisciplinary approach deepens our understanding of the nature and dynamics of the Indian Ocean world by showing how transoceanic connectivity has been driven not only by economic, social, cultural, and political factors but also by the materiality of the objects themselves. Essays by: Edward A. Alpers Fahad Ahmad Bishara Eva-Maria Knoll Karl-Heinz Kohl Lisa Jenny Krieg Pedro Machado Rupert Neuhöfer Mareike Pampus Hannah Pilgrim Burkhard Schnepel Hanne Schönig Tansen Sen Steven Serels Julia Verne Kunbing Xiao
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Chaco's Northern Prodigies
Salmon, Aztec, and the Ascendancy of the Middle San Juan Region after AD 1100
Paul F Reed
University of Utah Press, 2008
In the late eleventh and early twelfth centuries, the ancient pueblo sites of Aztec and Salmon in the Middle San Juan region rapidly emerged as population and political centers during the closing stages of Chaco’s ascendancy. Some archaeologists have attributed the development of these centers to migration and colonization by people from Chaco Canyon. Others have suggested that the so-called Chacoan 'system' was largely the result of emulation of Chacoan characteristics by local groups in outlying areas. Research over the last five years in the Middle San Juan suggests that both of these processes were operating.

Work by two groups of contributors resulted in this synthetic volume, which interprets thirty-five years of research at Salmon Ruins. Chaco’s Northern Prodigies also puts recent work at Salmon Ruins in the context of Middle San Juan archaeological research. It is a timely synopsis of the archaeology of this region of the Southwest.
 
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Children in Prehistoric Puebloan Southwest
Kathryn Kamp
University of Utah Press, 2002

Is there evidence of children in the archaeological record? Some would answer no, that "subadults" can only be distinguished when there is osteological confirmation. Others might suggest that the reason children don’t exist in prehistory is because no one has looked for them, much as no one had looked for women in the same context until recently.

Focusing on the Southwest, contributors to this volume attempt to find some of those children, or at least show how they might be found. They address two issues: what was the cultural construction of childhood? What were childrens' lives like?

Determining how cultures with written records have constructed childhood in the past is hard enough, but the difficulty is magnified in the case of ancient Puebloan societies. The contributors here offer approaches from careful analysis of artifacts and skeletal remains to ethnographic evidence in rock art. Topics include ceramics and evidence of child manufacture and painting, cradleboards, evidence of child labor, and osteological evidence of health conditions.
 

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The Chinese of Early Tucson
Historic Archaeology from the Tucson Urban Renewal Project
Florence C. Lister and Robert H. Lister
University of Arizona Press, 1989
Focuses on an ethnographic collection gathered from a complex of Chinese dwellings, the importance of which lies in its size, diversity, good condition, and observable continuity of materials known from earlier periods of Chinese occupation in Tucson.
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Color in the Ancestral Pueblo Southwest
Edited by Marit K. Munson and Kelley Hays-Gilpin
University of Utah Press, 2019
Color attracts attention, evokes emotions, conveys information, carries complex meanings, and makes things beautiful. Color is so meaningful, in fact, that research on the color choices of Ancestral Pueblo people has the potential to deepen our understanding of religious, social, and economic change in the ancient Southwest. This volume explores museum collections and more than a century of archaeological research to create the first systematic understanding of the many ways Ancestral Pueblo people chose specific colors through time and space to add meaning and visual appeal to their lives.
 
Beginning with the technical and practical concerns of acquiring pigments and using them to create paints, the authors explore how connections to landscapes and sacred places are embodied by many colorful materials. Contributors examine the development of polychromes and their juxtaposition with black-on-white vessels; document how color was used in rock paintings and architecture; and consider the inherent properties of materials, arguing that shell, minerals, and stone were valued not only for color but for other visual properties as well. The book concludes by considering the technological, economic, social, and ideological factors at play and demonstrates the significant role color played in aesthetic choices.
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Commerce in Color
Race, Consumer Culture, and American Literature, 1893-1933
James C. Davis
University of Michigan Press, 2010

Commerce in Color exploresthe juncture of consumer culture and race by examining advertising, literary texts, mass culture, and public events in the United States from 1893 to 1933. James C. Davis takes up a remarkable range of subjects—including the crucial role publishers Boni and Liveright played in the marketing of Harlem Renaissance literature, Henry James’s critique of materialism in The American Scene, and the commodification of racialized popular culture in James Weldon Johnson’s The Autobiography of anEx-Colored Man—as he argues that racial thinking was central to the emergence of U.S. consumerism and, conversely, that an emerging consumer culture was a key element in the development of racial thinking and the consolidation of racial identity in America. By urging a reassessment of the familiar rubrics of the “culture of consumption” and the “culture of segregation,” Dawson poses new and provocative questions about American culture and social history.

Both an influential literary study and an absorbing historical read, Commerce in Color proves that—in America—advertising, publicity, and the development of the modern economy cannot be understood apart from the question of race.

“A welcome addition to existing scholarship, Davis’s study of the intersection of racial thinking and the emergence of consumer culture makes connections very few scholars have considered.”

—James Smethurst, University of Massachusetts

James C. Davis is Assistant Professor of English at Brooklyn College.
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front cover of Contemporary Archaeologies of the Southwest
Contemporary Archaeologies of the Southwest
William Walker
University Press of Colorado, 2011
Organized by the theme of place and place-making in the Southwest, Contemporary Archaeologies of the Southwest emphasizes the method and theory for the study of radical changes in religion, settlement patterns, and material culture associated with population migration, colonialism, and climate change during the last 1,000 years.

Chapters address place-making in Chaco Canyon, recent trends in landscape archaeology, the formation of identities, landscape boundaries, and the movement associated with these aspects of place-making. They address how interaction of peoples with objects brings landscapes to life. Representing a diverse cross section of Southwestern archaeologists, the authors of this volume push the boundaries of archaeological method and theory, building a strong foundation for future Southwest studies.

This book will be of interest to professional and academic archaeologists, as well as students working in the American Southwest.

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Crap
A History of Cheap Stuff in America
Wendy A. Woloson
University of Chicago Press, 2020
Crap. We all have it. Filling drawers. Overflowing bins and baskets. Proudly displayed or stuffed in boxes in basements and garages. Big and small. Metal, fabric, and a whole lot of plastic. So much crap. Abundant cheap stuff is about as American as it gets. And it turns out these seemingly unimportant consumer goods offer unique insights into ourselves—our values and our desires.

In Crap: A History of Cheap Stuff in America, Wendy A. Woloson takes seriously the history of objects that are often cynically-made and easy to dismiss: things not made to last; things we don't really need; things we often don't even really want. Woloson does not mock these ordinary, everyday possessions but seeks to understand them as a way to understand aspects of ourselves, socially, culturally, and economically: Why do we—as individuals and as a culture—possess these things? Where do they come from? Why do we want them? And what is the true cost of owning them?

Woloson tells the history of crap from the late eighteenth century up through today, exploring its many categories: gadgets, knickknacks, novelty goods, mass-produced collectibles, giftware, variety store merchandise. As Woloson shows, not all crap is crappy in the same way—bric-a-brac is crappy in a different way from, say, advertising giveaways, which are differently crappy from commemorative plates. Taking on the full brilliant and depressing array of crappy material goods, the book explores the overlooked corners of the American market and mindset, revealing the complexity of our relationship with commodity culture over time.
By studying crap rather than finely made material objects, Woloson shows us a new way to truly understand ourselves, our national character, and our collective psyche. For all its problems, and despite its disposability, our crap is us.
 
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front cover of Cultural Transmission and Material Culture
Cultural Transmission and Material Culture
Breaking Down Boundaries
Edited by Miriam T. Stark, Brenda J. Bowser, and Lee Horne
University of Arizona Press, 2008
How and why people develop, maintain, and change cultural boundaries through time are central issues in the social and behavioral sciences in generaland anthropological archaeology in particular. What factors influence people to imitate or deviate from the behaviors of other group members? How are social group boundaries produced, perpetuated, and altered by the cumulative outcomeof these decisions? Answering these questions is fundamental to understanding cultural persistence and change. The chapters included in this stimulating, multifaceted book address these questions.

Working in several subdisciplines, contributors report on research in the areas of cultural boundaries, cultural transmission, and the socially organized nature of learning. Boundaries are found not only within and between the societies in these studies but also within and between the communities of scholars who study them. To break down these boundaries, this volume includes scholars who use multiple theoretical perspectives, including practice theory and evolutionary traditions, which are sometimes complementary and occasionally clashing. Geographic coverage ranges from the indigenous Americas to Africa, the Near East, and South Asia, and the time frame extends from the prehistoric or precontact to colonial periods and up to the ethnographic present. Contributors include leading scholars from the United States, Canada, the United Kingdom, and Europe. Together, they employ archaeological, ethnographic, ethnoarchaeological,experimental, and simulation data to link micro-scale processes of cultural transmission to macro-scale processes of social group boundary formation, continuity, and change.
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The Culture of Property
The Crisis of Liberalism in Modern Britain
Jordanna Bailkin
University of Chicago Press, 2004
What kind of property is art? Is it property at all? Jordanna Bailkin's The Culture of Property offers a new historical response to these questions, examining ownership disputes over art objects and artifacts during the crisis of liberalism in the United Kingdom. From the 1870s to the 1920s, Britons fought over prized objects from ancient gold ornaments dug up in an Irish field to a portrait of the Duchess of Milan at the National Gallery in London. They fought to keep these objects in Britain, to repatriate them to their points of origin, and even to destroy them altogether. Bailkin explores these disputes in order to investigate the vexed status of property within modern British politics as well as the often surprising origins of ongoing institutional practices. Bailkin's detailed account of these struggles illuminates the relationship between property and citizenship, which has constituted the heart of liberal politics as well as its greatest weakness.

Drawing on court transcripts, gallery archives, exhibition reviews, private correspondence—and a striking series of cartoons and photographs—The Culture of Property traverses the history of gender, material culture, urban life, colonialism, Irish and Scottish nationalism, and British citizenship. This fascinating book challenges recent scholarship in museum studies in light of ongoing culture wars. It should be required reading for cultural policy makers, museum professionals, and anyone interested in the history of art and Britain.
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