front cover of Naked Barbies, Warrior Joes, and Other Forms of Visible Gender
Naked Barbies, Warrior Joes, and Other Forms of Visible Gender
Jeannie Banks Thomas
University of Illinois Press, 2003
In this folkloric examination of mass-produced material culture in the United States, Jeannie Banks Thomas examines the gendered sculptural forms that are among the most visible, including Barbie, Ken, and G.I. Joe dolls; yard figures (gnomes, geese, and flamingos); and cemetery statuary (angels, sports-related images, figures of the Virgin Mary, soldiers, and politicians).
 
Images of females are often emphasized or sexualized, frequently through nudity or partial nudity, whereas those of the male body are not only clothed but also armored in the trappings of action and aggression. Thomas locates these various objects of folk art within a discussion of the post–women's movement discourse on gender.
 
In addition to the items themselves, Thomas explores the stories and behaviors they generate, including legends of the supernatural about cemetery statues, oral narratives of yard artists and accounts of pranks involving yard art, narratives about children's play with Barbie, Ken, and G.I. Joe, and the electronic folklore (or "e-lore") about Barbie that circulates on the Internet.
 
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Navaho Material Culture
Clyde Kluckhohn, W. W. Hill, and Lucy Wales Kluckhohn
Harvard University Press, 1971

Navaho Material Culture was conceived in the 1940s when the noted anthropologist Clyde Kluckhohn began to collect data for a reference work on Navaho objects. The unique work he began was concluded by W. W. Hill and Lucy Wales Kluckhohn, who incorporated unpublished data collected by more than twenty research workers among the Navaho for varying periods over four decades.

The beautifully illustrated collection of material culture traits is organized into five major categories: subsistence, shelter, clothing, ritual, and recreation. Information about the 263 traits includes description of manufacture and use, Navaho knowledge and belief associated with the product, and pertinent material from the anthropological literature.

The authors analyze the distribution of traits according to area and through time, and discuss the broader issues of culture change, obsolescence, differential acculturation, and cultural homogeneity. Navaho Material Culture is the first such study to include all these diverse elements; in fact, it is the first such study made of the Navaho or any Southwestern tribe. Because many of the traits are obsolete and others are no longer remembered, much of the information presented here can no longer be obtained.

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