front cover of Images from the Underworld
Images from the Underworld
Naj Tunich and the Tradition of Maya Cave Painting
By Andrea J. Stone
University of Texas Press, 1995

In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world's few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual.

In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals.

This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment.

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front cover of In the Maw of the Earth Monster
In the Maw of the Earth Monster
Mesoamerican Ritual Cave Use
Edited by James E. Brady and Keith M. Prufer
University of Texas Press, 2005

As portals to the supernatural realm that creates and animates the universe, caves have always been held sacred by the peoples of Mesoamerica. From ancient times to the present, Mesoamericans have made pilgrimages to caves for ceremonies ranging from rituals of passage to petitions for rain and a plentiful harvest. So important were caves to the pre-Hispanic peoples that they are mentioned in Maya hieroglyphic writing and portrayed in the Central Mexican and Oaxacan pictorial codices. Many ancient settlements were located in proximity to caves.

This volume gathers papers from twenty prominent Mesoamerican archaeologists, linguists, and ethnographers to present a state-of-the-art survey of ritual cave use in Mesoamerica from Pre-Columbian times to the present. Organized geographically, the book examines cave use in Central Mexico, Oaxaca, and the Maya region. Some reports present detailed site studies, while others offer new theoretical understandings of cave rituals. As a whole, the collection validates cave study as the cutting edge of scientific investigation of indigenous ritual and belief. It confirms that the indigenous religious system of Mesoamerica was and still is much more terrestrially focused that has been generally appreciated.

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front cover of In the Realm of Nachan Kan
In the Realm of Nachan Kan
Postclassic Maya Archaeology at Laguna De On, Belize
Marilyn A. Masson
University Press of Colorado, 2000
The prevailing view of the lowland Maya during the Postclassic period (A.D. 1050-1500) has been one of an impoverished, "degenerated" society devoid of cultural accomplishment. However, Marilyn A. Masson offers a fresh interpretation of this society as one that represented a complex, sophisticated, extensive organization of semiautonomous units that were closely integrated, yet embraced a decentralized political economy.

In the Realm of Nachan Kan opens a window on Postclassic Maya patterns of cultural development and organization through a close examination of the small rural island of Laguna de On, a location that was distant from the governing political centers of the day. Using diachronic analysis of regional settlement patterns, ceramic traditions, household and ritual features, and artifacts from the site, Masson tracks developmental changes throughout the Postclassic period. These data suggest that affluent patterns of economic production and local and long-distance exchange were established within northern Belize by the eleventh century, and continued to develop, virtually uninterrupted, until the time of Spanish arrival.

In addition, Masson analyzes contemporary political and religious artistic traditions at the temples of Mayapan, Tulum, and Santa Rita to provide a regional context for the changes in community patterns at Laguna de On. These cultural changes, she maintains, are closely correlated with the rise of Mayapan to power and participation of sites like Laguna de On in a pan-lowland economic and ritual interaction sphere. Offering a thoroughly new interpretation of Postclassic Mayan civilization. In the Realm of Nachan Kan is a must for scholars of Mesoamerican history and culture.

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front cover of An Inconstant Landscape
An Inconstant Landscape
The Maya Kingdom of El Zotz, Guatemala
Thomas G. Garrison
University Press of Colorado, 2020
Presenting the results of six years of archaeological survey and excavation in and around the Maya kingdom of El Zotz, An Inconstant Landscape paints a complex picture of a dynamic landscape over the course of almost 2,000 years of occupation. El Zotz was a dynastic seat of the Classic period in Guatemala. Located between the renowned sites of Tikal and El Perú-Waka’, it existed as a small kingdom with powerful neighbors and serves today as a test-case of political debility and strength during the height of dynastic struggles among the Classic Maya.
 
In this volume, contributors address the challenges faced by smaller polities on the peripheries of powerful kingdoms and ask how subordination was experienced and independent policy asserted. Leading experts provide cutting-edge analysis in varied topics and detailed discussion of the development of this major site and the region more broadly. The first half of the volume contains a historical narrative of the cultural sequence of El Zotz, tracing the changes in occupation and landscape use across time; the second half provides deep technical analyses of material evidence, including soils, ceramics, stone tools, and bone.
 
The ever-changing, inconstant landscapes of peripheral kingdoms like El Zotz reveal much about their more dominant—and better known—neighbors. An Inconstant Landscape offers a comprehensive, multidisciplinary view of this important but under-studied site, an essential context for the study of the Classic Maya in Guatemala, and a premier reference on the subject of peripheral kingdoms at the height of Maya civilization.
 
Contributors: Timothy Beach, Nicholas Carter, Ewa Czapiewska-Halliday, Alyce de Carteret, William Delgado, Colin Doyle, James Doyle, Laura Gámez, Jose Luis Garrido López, Yeny Myshell Gutiérrez Castillo, Zachary Hruby, Melanie Kingsley, Sheryl Luzzadder-Beach, Cassandra Mesick Braun, Sarah Newman, Rony Piedrasanta, Edwin Román, and Andrew K. Scherer
 
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front cover of The Indian Christ, the Indian King
The Indian Christ, the Indian King
The Historical Substrate of Maya Myth and Ritual
By Victoria Reifler Bricker
University of Texas Press, 1981

Victoria Bricker shows that "history" sometimes rests on mythological foundations and that "myth" can contain valid historical information. Her book, which is a highly original critique of postconquest historiography about the Maya, challenges major assumptions about the relationship between myth and history implicit in structuralist interpretations. The focus of the book is ethnic conflict, a theme that pervades Maya folklore and is also well documented historically.

The book begins with the Spanish conquest of the Maya. In chapters on the postconquest history of the Maya, five ethnic conflicts are treated in depth: the Cancuc revolt of 1712, the Quisteil uprising of 1761, the Totonicapan rebellion of 1820, the Caste War of Yucatan (1847-1901), and the Chamulan uprising in 1869. Analytical chapters consider the relationship between historical events and modern folklore about ethnic conflict. Bricker demonstrates that myths and rituals emphasize structure at the expense of temporal and geographical provenience, treating events separated by centuries or thousands of miles as equivalent and interchangeable.

An unexpected result of Bricker's research is the finding that many seemingly aboriginal elements in Maya folklore are actually of postconquest origin, and she shows that it is possible to determine precisely when and, more important, why they become part of myth and ritual. Furthermore, she finds that the patterning of the accretion of events in folklore over time provides clues to the function, or meaning, of myth and ritual for the Maya.

Bricker has made use of many unpublished documents in Spanish, English, and Maya, as well as standard synthetic historical works. The appendices contain extensive samples of the oral traditions that are explained by her analysis.

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front cover of The Inscriptions of Calakmul
The Inscriptions of Calakmul
Royal Marriage at a Maya City in Campeche, Mexico
Joyce Marcus
University of Michigan Press, 1987
Calakmul is a large Maya site in the Yucatán Peninsula of southern Mexico, just north of Tikal and the Guatemala border. In the 1980s, Joyce Marcus sketched and photographed the inscriptions on the monuments of Calakmul, in an effort to understand the nature of Maya territorial organization through the hieroglyphic record. Through the inscriptions, she was able to identify a sequence of rulers and royal couples, and their association with temples and other architecture at the site. Foreword by William J. Folan.
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