front cover of A History of the Arctic
A History of the Arctic
Nature, Exploration and Exploitation
John McCannon
Reaktion Books, 2012
Bitter cold and constant snow. Polar bears, seals, and killer whales. Victor Frankenstein chasing his monstrous creation across icy terrain in a dogsled. The arctic calls to mind a myriad different images. Consisting of the Arctic Ocean and parts of Canada, the United States, Russia, Greenland, Finland, Norway and Sweden, the arctic possesses a unique ecosystem—temperatures average negative 29 degrees Fahrenheit in winter and rarely rise above freezing in summer—and the indigenous peoples and cultures that live in the region have had to adapt to the harsh weather conditions. As global temperatures rise, the arctic is facing an environmental crisis, with melting glaciers causing grave concern around the world. But for all the renown of this frozen region, the arctic remains far from perfectly understood.
 
In A History of the Arctic, award-winning polar historian John McCannon provides an engaging overview of the region that spans from the Stone Age to the present. McCannon discusses polar exploration and science, nation-building, diplomacy, environmental issues, and climate change, and the role indigenous populations have played in the arctic’s story. Chronicling the history of each arctic nation, he details the many failed searches for a Northwest Passage and the territorial claims that hamper use of these waterways. He also explores the resources found in the arctic—oil, natural gas, minerals, fresh water, and fish—and describes the importance they hold as these resources are depleted elsewhere, as well as the challenges we face in extracting them.
 
A timely assessment of current diplomatic and environmental realities, as well as the dire risks the region now faces, A History of the Arctic is a thoroughly engrossing book on the past—and future—of the top of the world.
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front cover of Nicholas Roerich
Nicholas Roerich
The Artist Who Would Be King
John McCannon
University of Pittsburgh Press, 2022

Russian painter, explorer, and mystic Nicholas Roerich (1874–1947) ranks as one of the twentieth century’s great enigmas. Despite mystery and scandal, he left a deep, if understudied, cultural imprint on Russia, Europe, India, and America. As a painter and set designer Roerich was a key figure in Russian art. He became a major player in Diaghilev’s Ballets Russes, and with Igor Stravinsky he cocreated The Rite of Spring, a landmark work in the emergence of artistic modernity. His art, his adventures, and his peace activism earned the friendship and admiration of such diverse luminaries as Albert Einstein, Eleanor Roosevelt, H. G. Wells, Jawaharlal Nehru, Raisa Gorbacheva, and H. P. Lovecraft.

But the artist also had a darker side. Stravinsky once said of Roerich that “he ought to have been a mystic or a spy.”  He was certainly the former and close enough to the latter to blur any distinction. His travels to Asia, supposedly motivated by artistic interests and archaeological research, were in fact covert attempts to create a pan-Buddhist state encompassing Siberia, Mongolia, and Tibet. His activities in America touched Franklin Delano Roosevelt’s cabinet with scandal and, behind the scenes, affected the course of three US presidential elections.

In his lifetime, Roerich baffled foreign affairs ministries and intelligence services in half a dozen countries. He persuaded thousands that he was a humanitarian and divinely inspired thinker—but convinced just as many that he was a fraud or a madman. His story reads like an epic work of fiction and is all the more remarkable for being true. John McCannon’s engaging and scrupulously researched narrative moves beyond traditional perceptions of Roerich as a saint or a villain to show that he was, in many ways, both in equal measure.

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