front cover of Making War in Côte d'Ivoire
Making War in Côte d'Ivoire
Mike McGovern
University of Chicago Press, 2011

After a brief period of active combat in 2002, the conflict in Côte d’Ivoire settled into a pattern of neither war nor peace until the 2010 elections led to a new phase of direct conflict. During these taut years, short bursts of intense violence alternated with long periods of standoff. When things were peaceful, the Ivorian political elite and the press produced inflammatory rhetoric while soldiers and militias used the state of emergency as an excuse to shake down civilians at roadblocks. What kept this perpetually tense, dismal, and destructive situation simmering? In this groundbreaking book, Mike McGovern suggests the answer lies in understanding war as a process, not a series of events, and that rather than focusing on the role of political institutions, we should be paying attention to the flawed and unpredictable people within them.

McGovern argues that only deep knowledge of a region—its history, languages, literature, and popular culture—can yield meaningful insights into political decision making. Putting this theory into action, he examines an array of issues from the micro to the macro, including land tenure disputes, youth boredom, organized crime, and the international cocoa trade. Drawn from McGovern’s academic research and experience working for a conflict resolution think tank and the political access that position gave him, Making War in Côte D’Ivoire will be the definitive work on the Ivorian conflict and an innovative example of how anthropology can address the complexities of politics.

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front cover of A Socialist Peace?
A Socialist Peace?
Explaining the Absence of War in an African Country
Mike McGovern
University of Chicago Press, 2017
For the last twenty years, the West African nation of Guinea has exhibited all of the conditions that have led to civil wars in other countries, and Guineans themselves regularly talk about the inevitability of war. Yet the country has narrowly avoided conflict again and again. In A Socialist Peace?, Mike McGovern asks how this is possible, how a nation could beat the odds and evade civil war.  
           
Guinea is rich in resources, but its people are some of the poorest in the world. Its political situation is polarized by fiercely competitive ethnic groups. Weapons flow freely through its lands and across its borders. And, finally, it is still recovering from the oppressive regime of Sékou Touré. McGovern argues that while Touré’s reign was hardly peaceful, it was successful—often through highly coercive and violent measures—at establishing a set of durable national dispositions, which have kept the nation at peace. Exploring the ambivalences of contemporary Guineans toward the afterlife of Touré’s reign as well as their abiding sense of socialist solidarity, McGovern sketches the paradoxes that undergird political stability.
 
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front cover of Unmasking the State
Unmasking the State
Making Guinea Modern
Mike McGovern
University of Chicago Press, 2012
When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed “fetishes.” The Demystification Program, as it was called, was so urgent it even preceded the building of a national road system. In Unmasking the State, Mike McGovern attempts to understand why this program was so important to the emerging state and examines the complex role it had in creating a unified national identity. In doing so, he tells a dramatic story of cat and mouse where minority groups cling desperately to their important— and outlawed—customs.
 
Primarily focused on the communities in the country’s southeastern rainforest region—people known as Forestiers—the Demystification Program operated via a paradox. At the same time it banned rituals from Forestiers’ day-to-day lives, it appropriated them into a state-sponsored program of folklorization. McGovern points to an important purpose for this: by objectifying this polytheistic group’s rituals, the state created a viable counterexample against which the Muslim majority could define proper modernity. Describing the intertwined relationship between national and local identity making, McGovern showcases the coercive power and the unintended consequences involved when states attempt to engineer culture.
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