In this novel by celebrated South African writer Zakes Mda, Kristin Uys, a tough magistrate who lives alone with her cat in the Roodepoort district of Johannesburg, goes on a one-woman crusade to wipe out prostitution in her town. Her reasons are personal, and her zeal is fierce. Her main targets are the Visagie Brothers, Stevo and Shortie, who run a brothel, and although she fails to take down the entire establishment, she manages to nail Stevo for contempt of court, serving him a six-month sentence. From Diepkloof Prison, the outraged Stevo orchestrates his revenge against the magistrate, aided and abetted by the rather inept Shortie and his former nanny, Aunt Magda.

Kristin receives menacing phone calls and her home is invaded and vandalized—even her cat isn’t spared the threats—and the chief magistrate has no choice but to assign a bodyguard to protect her. To Kristin’s consternation, security guard Don Mateza moves into her home and trails her everywhere. This new arrangement doesn’t suit Don’s longtime girlfriend Tumi, a former model and successful businesswoman, who is intent on turning Don into a Black Diamond—a member of the wealthy new black South African middle class. And Don soon finds that his new assignment has unexpected complications that Tumi simply does not understand.

In Black Diamond, Mda tackles every conceivable South African stereotype, skillfully turning them upside down and exposing their ironies—often hilariously. This is a clever, quirky novel, in which Mda captures the essence of contemporary life in a fast-changing urban world.

In recent years, the work of Zakes Mda—novelist, painter, composer, theater director and filmmaker—has attracted worldwide critical attention. Gail Fincham’s book examines the five novels Mda has written since South Africa’s transition to democracy: Ways of Dying (1995), The Heart of Redness (2000), The Madonna of Excelsior (2002), The Whale Caller (2005), and Cion (2007). Dance of Life explores how refigured identity is rooted in Mda’s strongly painterly imagination that creates changed spaces in memory and culture. Through a combination of magic realism, African orature, and intertextuality with the Western canon, Mda rejects dualistic thinking of the past and the present, the human and the nonhuman, the living and the dead, the rural and the urban. He imbues his fictional characters with the power to orchestrate a reconfigured subjectivity that is simultaneously political, social, and aesthetic.

Novelist Zakes Mda has made a name for himself as a key chronicler of the new, post-apartheid South Africa, casting a satirical eye on its claims of political unity, its rising black middle class, and other aspects of its complicated, multiracial society.

In this novel, however, he turns his lens elsewhere: to a college town in Ohio. Here he finds human relations and the battle between the community and the individual no less compelling, or ridiculous. In Athens, Ohio, old high school friends Rachel Boucher and Jason de Klerk reconnect­ and rekindle a relationship that quickly becomes passionate. Initially, all seems well. Not only the couple, but their friends and family, are happy at this unexpected conjunction. But then Rachel meets someone else. Jason’s anger boils over into violence—violence that turns the community on its head, pitting friends and neighbors against one another. And all this happens before Rachel realizes she’s pregnant.

A powerful, piercing satire of contemporary life, love, and society, Rachel’s Blue is a wonderful example of the social novel, surprising us with undeniable revelations about everyday life.