The twelfth century witnessed the sudden appearance and virtual disappearance of an important literary genre—the Old French verse chronicle. These poetic histories of the British kings, which today are treated as fiction, were written contemporaneously with Latin prose narratives, which are regarded as historical accounts. In this pathfinding study, however, Jean Blacker asserts that twelfth-century authors and readers viewed both genres as factual history.
Blacker examines four Old French verse chronicles—Gaimar's Estoire des Engleis (c. 1135), Wace's Roman de Brut (c. 1155) and Roman de Rou (c. 1160–1174), and Benoît de Sainte-Maure's Chronique des Ducs de Normandie (c. 1174–1180) and four Latin narratives—William of Malmesbury's Gesta Regum (c. 1118–1143) and Historia Novella (c. 1140–1143), Orderic Vitalis's Historia Ecclesiastica (c. 1118–1140), and Geoffrey of Monmouth's Historia Regum Britanniae (c. 1138). She compares their similarity in three areas—the authors' stated intentions, their methods of characterization and narrative development, and the possible influences of patronage and audience expectation on the presentation of characters and events.
This exploration reveals remarkable similarity among the texts, including their idealization of historical and even legendary figures, such as King Arthur. It opens fruitful lines of inquiry into the role these writers played in the creation of the Anglo-Norman regnum and suggests that the Old French verse chronicles filled political, psychic, and aesthetic needs unaddressed by Latin historical writing of the period.
This volume aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.
This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.
In Feeling Persecuted, Anthony Bale explores the medieval Christian attitude toward Jews, which included a pervasive fear of persecution and an imagined fear of violence enacted against Christians. As a result, Christians retaliated with expulsions, riots, and murders that systematically denied Jews the right to religious freedom and peace. Through close readings of a wide range of sources, Bale exposes the perceived violence enacted by the Jews and how the images of this Christian suffering and persecution were central to medieval ideas of love, community, and home. The images and texts explored by Bale expose a surprising practice of recreational persecution and show that the violence perpetrated against medieval Jews was far from simple anti-Semitism and was in fact a complex part of medieval life and culture.
Bale’s comprehensive look at medieval poetry, drama, visual culture, theology, and philosophy makes Feeling Persecuted an important read for anyone interested in the history of Christian-Jewish relations and the impact of this history on modern culture.
“The most significant contribution to rethinking the origins and course of the First Crusade for a generation.”
—Mark Whittow, Times Literary Supplement
“Filled with Byzantine intrigue, in every sense this book is important, compellingly revisionist and impressive. It refocuses the familiar western story through the eyes of the emperor of the east and fills in the missing piece of the puzzle of the Crusades.”
—Simon Sebag Montefiore, author of Jerusalem: The Biography
“Highly readable…its presentation of political machinations, compromises, and betrayals seems utterly convincing.”
—Michael Dirda, Washington Post
“A dazzling book, perfectly combining deep scholarship and easy readability. The most important addition to Crusading literature since Steven Runciman.”
—John Julius Norwich, author of Byzantium
“Fluent and dramatic…Frankopan rightly places the Emperor Alexios at the heart of the First Crusade, skillfully adding a dimension frequently missing from our understanding of this seminal event.”
—Jonathan Phillips, author of Holy Warriors
In 1096, an expedition of extraordinary scale and ambition set off from western Europe on a mass pilgrimage to Jerusalem. Three years later, after a journey that saw acute hardship, the most severe dangers, and thousands of casualties, the knights of the First Crusade found themselves storming the fortifications and capturing the Holy City. Against all odds, the expedition had returned Jerusalem to Christian hands.
In this groundbreaking book, Peter Frankopan paints a vivid picture of this infamous confrontation between Christianity and Islam. Basing his account on long-ignored eastern sources, he gives a provocative and highly original explanation of the world-changing events that followed. The Vatican’s victory cemented papal power, while Constantinople, the heart of the still-vital Byzantine Empire, never recovered. Frankopan’s revolutionary work shows how the taking of Jerusalem set the stage for western Europe’s dominance and shaped the modern world.
Telling stories: that sounds innocuous enough. But for the first chronicle in the Japanese vernacular, A Tale of Flowering Fortunes (Eiga monogatari), there was more to worry about than a good yarn. The health of the community was at stake. Flowering Tales is the first extensive literary study of this historical tale, which covers about 150 years of births, deaths, and happenings in late Heian society, a golden age of court literature in women’s hands. Takeshi Watanabe contends that the blossoming of tales, marked by the Tale of Genji, inspired Eiga’s new affective history: an exorcism of embittered spirits whose stories needed to be retold to ensure peace.
Tracing the narrative arcs of politically marginalized figures, Watanabe shows how Eiga’s female authors adapted the discourse and strategies of the Tale of Genji to rechannel wayward ghosts into the community through genealogies that relied not on blood but on literary resonances. These reverberations, highlighted through comparisons to contemporaneous accounts in courtiers’ journals, echo through shared details of funerary practices, political life, and characterization. Flowering Tales reanimates these eleventh-century voices to trouble conceptions of history: how it ought to be recounted, who got to record it, and why remembering mattered.
Following Chaucer: Offices of the Active Life explores three representative figures—the royal woman, the poet, and the merchant—in relation to the concept of “office,” which Cicero linked to the health of the republic, but Chaucer to that of the common good. Not usually conjoined to the term “office,” these three figures, situated in the active life, were not firmly mapped onto the body politic, which was used to figure a relational and ordered social body ruled by the king, the head. These figures are points of entry into a set of questions rooted in Chaucer’s understanding of his cultural and historical past and in his keen appraisal of the social dynamics of his own time that also reverberate in the centuries after Chaucer’s death.
Following Chaucer does not trace influence but uses Chaucer’s likely reading, circumstances, and literary and social affiliations as guides to understanding his poetry, within the context of late medieval English culture and the reshaping of the concept of these particular offices that suited the needs of a future whose dynamics he anticipated. His understanding of the importance of the Ciceronian concept of office within the active life, his profound cultural awareness, and his probing of the foundations of social change provide him with a keen sense of the persistent tensions and inconsistencies that are fundamental to his poetry.
Form and Reform: Reading across the Fifteenth Century challenges the idea of any definitive late medieval moment and explores instead the provocatively diverse, notably untidy, and very rich literary culture of the age. These essays from leading medievalists, edited by Shannon Gayk and Kathleen Tonry, both celebrate and complicate the reemergence of the fifteenth century in literary studies. Moreover, this is the first collection to concentrate on the period between 1450 and 1500—the crucial five decades, this volume argues, that must be understood to comprehend the entire century’s engagement with literary form in shifting historical contexts.
The eleventh-century monk Ekkehard IV’s Fortune and Misfortune at Saint Gall, part of the chronicles of the famous Swiss abbey, is a treasure trove of medieval monastic life. Saint Gall’s records span its humble beginnings in the early seventh century to the late Middle Ages, with Ekkehard’s contribution covering the 880s to 972, near the end of the monastery’s two-century-long golden age. Its unforgettable tales, sometimes at odds with the historical record, contain sharp flashes of Ekkehard’s signature humor—when, for instance, a spying abbot from a neighboring monastery is caught hiding in the latrine. Ekkehard also shows how the abbey’s role as a spiritual haven could be compromised by worldly ties, including close associations with the powerful Carolingian and Ottonian courts. He bears witness to the struggles of the tenth-century church reform movement, when Emperor Otto I dispatched investigators to uncover Saint Gall’s deviations from the Rule of Saint Benedict.
This volume publishes the Latin text alongside its first complete English translation.
From Monastery to Hospital traces the origin of the late Roman hospital to the earliest groups of Christian monastics. Often characterized as holy men and miracle-workers who transformed late antique spirituality, monks held an equally significant impact on the development of medicine in Late Antiquity. Andrew Crislip illuminates the innovative approaches to health care within the earliest monasteries that provided the model for the greatest medical achievement of Late Antiquity: the hospital.
From Monastery to Hospital draws on some of the most vibrant areas of scholarship of the ancient world, including asceticism, the study of the body, history of the family, and the history of medicine. The book will be of interest to scholars and students of early Christianity, Roman History, the history of medicine, and Catholic, Coptic, and Eastern Orthodox history and theology. It will also be of interest to the broader field of history of Christianity, especially with its connections to charitable traditions in the church through the modern period.
Andrew Crislip is Assistant Professor of Religion at the University of Hawaii.
From Topic to Tale was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The transition from the Middle Ages to the Renaissance has been discussed since the 1940s as a shift from a Latinate culture to one based on a vernacular language, and, since the 1960s, as a shift from orality to literacy. From Topic to Tale focuses on this multifaceted transition, but it poses the problem in different terms: it shows how a rhetorical tradition was transformed into a textual one, and ends ultimately in a discussion of the relationship between discourse and society.
The rise of French vernacular literacy in the twelfth century coincided with the emergence of logic as a powerful instrument of the human mind. With logic come a new concern for narrative coherence and form, a concern exemplified by the work of Chretien de Troyes. Many brilliant poetic achievements crystallized in the narrative art of Chretien, establishing an enduring tradition of literary technique for all of Europe. Eugene Vance explores the intellectual context of Chretien's vernacular literacy, and in particular, the interaction between the three "arts of language" (grammar, logic, and rhetoric) compromising the trivium. Until Vance, few critics have studied the contribution of logic to Chretiens poetics, nor have they assessed the ethical bond between rationalism and the new heroic code of romance.
Vance takes Chretien de Troyes' great romance, Yvain ou le chevalier au lion,as the centerpiece of the Twelfth-Century Renaissance. It is also central to his own thesis, which shows how Chretien forged a bold new vision of humans as social beings situated between beasts and angels and promulgated the symbolic powers of language, money, and heraldic art to regulate the effects of human desire. Vance's reading of the Yvain contributes not only to the intellectual history of the Middle Ages, but also to the continuing dialogue between contemporary critical theory and medieval culture.
Eugene Vance is professor of French and comparative literature at Emory University and principal editor of a University of Nebraska series, Regents Studies in Medieval Culture. Wlad Godzich is director of the Center for Humanistic Studies at the University of Minnesota and co-editor of the series Theory and History of Literature.
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