La Vita Nuova (1292–94) has many aspects. Dante’s libello, or “little book,” is most obviously a book about love. In a sequence of thirty-one poems, the author recounts his love of Beatrice from his first sight of her (when he was nine and she eight), through unrequited love and chance encounters, to his profound grief sixteen years later at her sudden and unexpected death. Linked with Dante’s verse are commentaries on the individual poems—their form and meaning—as well as the events and feelings from which they originate. Through these commentaries the poet comes to see romantic love as the first step in a spiritual journey that leads to salvation and the capacity for divine love. He aims to reside with Beatrice among the stars.
David Slavitt gives us a readable and appealing translation of one of the early, defining masterpieces of European literature, animating its verse and prose with a fluid, lively, and engaging idiom and rhythm. His translation makes this first major book of Dante’s stand out as a powerful work of art in its own regard, independent of its “junior” status to La Commedia. In an Introduction, Seth Lerer considers Dante as a poet of civic life. “Beatrice,” he reminds us, “lives as much on city streets and open congregations as she does in bedroom fantasies and dreams.”
For much of the Middle Ages, the Lara family was among the most powerful aristocratic lineages in Spain. Protégés of the monarchy at the time of El Cid, their influence reached extraordinary heights during the struggle against the Moors. Hand-in-glove with successive kings, they gathered an impressive array of military and political positions across the Iberian Peninsula. But cooperation gave way to confrontation, as the family was pitted against the crown in a series of civil wars.
This book, the first modern study of the Laras, explores the causes of change in the dynamics of power, and narrates the dramatic story of the events that overtook the family. The Laras' militant quest for territorial strength and the conflict with the monarchy led toward a fatal end, but anticipated a form of aristocratic power that long outlived the family. The noble elite would come to dominate Spanish society in the coming centuries, and the Lara family provides important lessons for students of the history of nobility, monarchy, and power in the medieval and early modern world.
"Any further advances in scholarship on the late medieval Balkans will have to begin with this book."
---George Majeska, University of Maryland
The Late Medieval Balkans is the first comprehensive examination of the events of the late medieval Balkan history---events that were as important as they were fascinating.
The period that John Fine examines was an era of significant demographic, political, and religious change in the region. During this time, native populations were supplemented or replaced by the Bulgars and various Slavic tribes, who were to become the Bulgarians, Serbs, and Croats---ethnic identities whose historical conflicts have persisted to this day.
The Late Medieval Balkans is an important source for those who wish to expand their knowledge of this turbulent period and who wish to broaden their understanding of the region.
John V. A. Fine, Jr., is Professor of History, University of Michigan.
As Europe began to grow rich during the Middle Ages, its wealth materialized in the well-made clothes, linens, and wares of ordinary households. Such items were indicators of one’s station in life in a society accustomed to reading visible signs of rank. In a world without banking, household goods became valuable commodities that often substituted for hard currency. Pawnbrokers and resellers sprang up, helping to push these goods into circulation. Simultaneously, a harshly coercive legal system developed to ensure that debtors paid their due.
Focusing on the Mediterranean cities of Marseille and Lucca, Legal Plunder explores how the newfound wealth embodied in household goods shaped the beginnings of a modern consumer economy in late medieval Europe. The vigorous trade in goods that grew up in the fourteenth and fifteenth centuries entangled households in complex relationships of credit and debt, and one of the most common activities of law courts during the period was debt recovery. Sergeants of the law were empowered to march into debtors’ homes and seize belongings equal in value to the debt owed. These officials were agents of a predatory economy, cogs in a political machinery of state-sponsored plunder.
As Daniel Smail shows, the records of medieval European law courts offer some of the most vivid descriptions of material culture in this period, providing insights into the lives of men and women on the cusp of modern capitalism. Then as now, money and value were implicated in questions of power and patterns of violence.
This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, RémiBrague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, intellectuals in each theological tradition often viewed the others’ ideas with skepticism, if not disdain. Brague’s portrayal of this misunderstood age brings to life not only its philosophical and theological nuances, but also lessons for our own time.
In The Legitimacy of the Middle Ages, modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire, a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career.
Contributors: Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel
Life and Thought in the Middle Ages was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The period of the early Middle Ages - from the fourth to the eleventh centuries—used to be commonly called "the dark ages." Now that term has been discarded by scholars, who reject its implications as they recognize increasingly, the historical importance of the period. In this volume eight historians, in as many essays, discuss various aspects of the life and thought which prevailed during the centuries which extended from the time of the establishment of Germanic "successor states" in the western provinces of the Roman Empire to the appearance of some of the economic and feudal institutions which provided a basis for the civilization of the high Middle Ages.
The essay, by showing that a process of assimilation and synthesis of the Roman, Christian, and barbarian elements characterized life in the early Middle Ages, demonstrate that the significance of the period is far better indicated by words like "transition" or "transformation" than by the term "dark ages."
An essay by the late Professor Adolf Katzenellenbogen, "The Image of Christ in the Early Middle Ages," is illustrated with eighteen halftones showing examples of art of the period.
The other essays are "The Barbarian Kings of Lawgivers and Judges" by Katherine Fischer Drew; "Of Towns and Trade" by Robert S. Lopez; "The Two Levels of Feudalism" by Joseph R. Strayer; "The Life of the Silent Majority" by Lynn White, Jr; "Beowulf and Bede" by John C. McGalliard; "Viking - Tunnit - Eskimo" by the late T. J. Oleson; "The Church, Reform, and Renaissance in the Early Middle Ages" by Karl F. Morrison.
The Man Who Recaptured the Lost Glory of Rome
Serving the Byzantine Emperor Justinian during the 6th century A.D., Belisarius defeated a superior Persian force that threatened to extinguish Constantinople; his small army next drove the Vandals out of the ancient Roman provinces of North Africa and forced the Visigoths to retreat from Italy, returning Rome to the Emperor for the final time. His ability to achieve victory against overwhelming odds and his fairness to both his own troops and those of his enemies became legendary. Despite his successes, Justinian recalled Belisarius and, swayed by jealous advisers, accused the general of conspiring to overthrow him. Although innocent, he was publicly humiliated and stripped of his rank. But when a massive army of barbarians moved against Constantinople and the citizenry panicked in fear, they turned to their only true hero, Belisarius. The forsaken general donned his armor, called out his trusted veterans, and repulsed the barbarian horde. But instead of showing gratitude, Justinian banished him from the city.
Lazaros of Mt. Galesion was widely recognized as a star of contemporary Byzantine monasticism by the time he died in 1053. His reputation for sanctity rested primarily on his extraordinary perseverance as a pillar ascetic, as he spent the last forty or so years of his life atop a column on the barren mountain of Galesion.
Apart from his asceticism, Lazaros was known particularly for his remarkable insight, wise advice, and unstinting generosity, as well as his miraculous powers. Visitors flocked to see the gaunt old man who had become for them a living icon. On the bleak mountainside around him, a considerable monastic community developed, and, over time, he became known and respected by the rich and powerful of his day.
The vita of Lazaros, here translated into English for the first time, was written shortly after his death by a disciple, Gregory the Cellarer. The tale is not one of simple veneration. Its author makes clear that Lazaros’s reputation was by no means unquestioned during his lifetime, and he reveals the existence of a sometimes startling hostility toward him on the part of local church officials, neighboring monasteries, and even his own monks. Visible here is a fascinating and unusual glimpse into the dynamics of the making, or breaking, of a holy man's reputation. It is a refreshing piece of hagiography that also provides a wealth of information on Byzantine life.
Today the Byzantine mystic, writer, and monastic leader Symeon the New Theologian (ca. 949 to 1022 ce) is considered a saint by the Orthodox Church and revered as one of its most influential spiritual thinkers. But in his own time a cloud of controversy surrounded him and the suspicion of heresy tainted his reputation long afterward.
The Life was written more than thirty years after Symeon’s death by his disciple and apologist the theologian Niketas Stethatos, who also edited all of Symeon’s spiritual writings. An unusually valuable piece of Byzantine hagiography, it not only presents compelling descriptions of Symeon’s visions, mystical inspiration, and role as a monastic founder, but also provides vivid glimpses into the often bitter and unpleasantly conflicted politics of monasticism and the construction of sanctity and orthodoxy at the zenith of the medieval Byzantine Empire. Although the many volumes of Symeon’s spiritual writings are now readily available in English, the present translation makes the Life accessible to English readers for the first time. It is based on an authoritative edition of the Greek.
The first complete, modern translation of one of the most important Byzantine works of Marian doctrine and devotion.
John Geometres (ca. 935–ca. 1000) was one of the most highly esteemed poets and authors in Byzantium; yet his most important text, the Life of the Virgin Mary, remains largely unknown today. This literary and rhetorical masterpiece stands as a work of outstanding theological sophistication, animated by deeply felt devotion to the Mother of God. Geometres’s distinctive and idiosyncratic narrative offers a comprehensive biography, from Mary’s ancestry to her death and beyond, with special emphasis on her direction of Christ’s female disciples, her active participation in the passion and resurrection, and her leadership of the nascent Church. The Life has been rightly considered a critical missing piece in a larger puzzle connecting early Marian writings with later works. Based on a completely new edition of the Byzantine Greek text, this is the first complete translation of Life of the Virgin Mary into a modern language.
Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson’s The Likeness of the King challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as “the first modern portraits.”
Unwilling to accept the anachronistic nature of these claims, Perkinson both resists and complicates grand narratives of portraiture art that ignore historical context. Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways. Through an examination of well-known images of the fourteenth- and early fifteenth-century kings of France, as well as largely overlooked objects such as wax votive figures and royal seals, Perkinson demonstrates that the changes evident in these images do not constitute a revolutionary break with the past, but instead were continuous with late medieval representational traditions.
A product of the cathedral schools that played a foundational role in the so-called Twelfth-Century Renaissance, Alan of Lille was renowned for the vast learning which earned him the title of Doctor Universalis. His writings include many significant contributions to the development of systematic theology, but he was also the most important Latin poet of his time, the great age of Medieval Latin poetry. The works included in this volume aim to give imaginative expression to the main tenets of Alan’s theology, but the forms in which his vision is embodied are strikingly original and informed by a rich awareness of poetic tradition.
The “Sermon on the Intelligible Sphere” translates Platonist cosmology into the terms of a visionary psychology. In the Boethian dialogue of the De planctu Naturae the goddess Nature inveighs against sodomy and “unnatural” behavior generally. The Anticlaudianus, viewed as virtually a classic in its own day, is at once a summa of the scholastic achievement of the Twelfth-Century schools and an allegory of spiritual pilgrimage that anticipates the Divine Comedy.
Like many others who have retold the tale of the juggler, the American children’s book author and illustrator Barbara Cooney (1917–2000) dropped clues about her sources of inspiration. In the foreword to the first edition of 1961, she reported having been exposed to the story first on the radio in 1945. She knew that the roots of the story stretch back seven hundred years to a poem from France—her title page describes it as “an Old French legend.” When researching her project, Cooney journeyed to the Parisian library that holds the thirteenth-century manuscript with the best text and the sole illumination extant from the Middle Ages. Among other manifestations of the narrative that caught her attention, Cooney singled out the opera of French composer Jules Massenet, “The Juggler of Notre Dame,” and the short story of 1890 by Anatole France. From France’s retelling of the medieval poem, the American book artist took for her protagonist both the name Barnaby and the profession of juggler.
From these sources, Cooney, a two-time recipient of the Caldecott Medal, made a story of beauty and simplicity to entertain and edify young audiences. In it, she helps them to appreciate how they can offer their services, no matter how humble. Cooney’s gentle masterpiece has lived on from the mid-twentieth century into the present. Dumbarton Oaks is pleased to bring it back to readers once again.
James Loeb (1867–1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), psychology and medicine (2021), and music (2023).
The subject of the inaugural conference was the legacy for which Loeb is best known and the only one to which he attached his name—the Loeb Classical Library, and the three series it has inspired: the I Tatti Renaissance Library, the Dumbarton Oaks Medieval Library, and the Murty Classical Library of India. Including discussions by the four General Editors of each Library’s unique history, mission, operations, and challenges, the papers collected in The Loeb Classical Library and Its Progeny also take stock of these series in light of more general themes and questions bearing on translations of “classical” texts and their audiences in a variety of societies past, present, and future.
The Lokaprakāśa by well-known Kashmirian author Kṣemendra (fl. 1050 CE) is a unique Sanskrit text that deals with details of public administration, from the king down to the village level. It includes private sale and mortgage documents as well as marriage contracts—documents that are little attested outside medieval Kashmir.
In the first decade of the twentieth century, famous explorer and Kashmiri specialist Sir M. Aurel Stein asked his friend, learned Kashmiri Pandit Sahaja Bhaṭṭa, to prepare an edition of this significant text with commentary explaining many otherwise obscure terms. The manuscript was originally projected to be published by Stein and Charles Lanman in the early 1930s, in a facsimile edition. Long lost, the manuscript has been recovered in the Société Asiatique in Paris and is now published here with all available additional manuscripts. The text fills a large gap in our knowledge of private life and public administration in medieval India and will greatly interest Sanskritists and historians alike.
Lust for Liberty challenges long-standing views of popular medieval revolts. Comparing rebellions in northern and southern Europe over two centuries, Samuel Cohn analyzes their causes and forms, their leadership, the role of women, and the suppression or success of these revolts.
Popular revolts were remarkably common--not the last resort of desperate people. Leaders were largely workers, artisans, and peasants. Over 90 percent of the uprisings pitted ordinary people against the state and were fought over political rights--regarding citizenship, governmental offices, the barriers of ancient hierarchies--rather than rents, food prices, or working conditions. After the Black Death, the connection of the word "liberty" with revolts increased fivefold, and its meaning became more closely tied with notions of equality instead of privilege.
The book offers a new interpretation of the Black Death and the increase of and change in popular revolt from the mid-1350s to the early fifteenth century. Instead of structural explanations based on economic, demographic, and political models, this book turns to the actors themselves--peasants, artisans, and bourgeois--finding that the plagues wrought a new urgency for social and political change and a new self- and class-confidence in the efficacy of collective action.
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