In Machines of the Mind, Katharine Breen proposes that medieval personifications should be understood neither as failed novelistic characters nor as instruments of heavy-handed didacticism. She argues that personifications are instead powerful tools for thought that help us to remember and manipulate complex ideas, testing them against existing moral and political paradigms. Specifically, different types of medieval personification should be seen as corresponding to positions in the rich and nuanced medieval debate over universals. Breen identifies three different types of personification—Platonic, Aristotelian, and Prudentian—that gave medieval writers a surprisingly varied spectrum with which to paint their characters.

Through a series of new readings of major authors and works, from Plato to Piers Plowman, Breen illuminates how medieval personifications embody the full range of positions between philosophical realism and nominalism, varying according to the convictions of individual authors and the purposes of individual works. Recalling Gregory the Great’s reference to machinae mentis (machines of the mind), Breen demonstrates that medieval writers applied personification with utility and subtlety, employing methods of personification as tools that serve different functions. Machines of the Mind offers insight for medievalists working at the crossroads of religion, philosophy, and literature, as well as for scholars interested in literary character-building and gendered relationships among characters, readers, and texts beyond the Middle Ages.

A revelatory new account of the magus—the learned magician—and his place in the intellectual, social, and cultural world of Renaissance Europe.

In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world.

Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired—often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos.

Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician’s mind and the many worlds he inhabited.

The Leipzig Mahzor is one of the most lavish Hebrew illuminated manuscripts of all time. A prayer book used during Jewish holidays, it was produced in the Middle Ages for the Jewish community of Worms in the German Rhineland. Though Worms was a vibrant center of Judaism in the eleventh and twelfth centuries and drew celebrated rabbis, little is known about the city’s Jews in the later Middle Ages. In the pages of its famous book, Katrin Kogman-Appel discovers a portal into the life of this fourteenth-century community.

Medieval mahzorim were used only for special services in the synagogue and “belonged” to the whole congregation, so their visual imagery reflected the local cultural associations and beliefs. The Leipzig Mahzor pays homage to one of Worms’s most illustrious scholars, Eleazar ben Judah. Its imagery reveals how his Ashkenazi Pietist worldview and involvement in mysticism shaped the community’s religious practice. Kogman-Appel draws attention to the Mahzor’s innovations, including its strategy for avoiding visual representation of God and its depiction of customs such as the washing of dishes before Passover, something less common in other mahzorim. In addition to decoding its iconography, Kogman-Appel approaches the manuscript as a ritual object that preserved a sense of identity and cohesion within a community facing a wide range of threats to its stability and security.

This book was published with the support of the Israel Science Foundation.

Moses Maimonides was the most significant Jewish thinker, jurist, and doctor of the Middle Ages. Author of both a monumental code of Jewish law and the most influential and controversial work of Jewish philosophy, Maimonides looms larger than any other figure in the Jewish Middle Ages.

The essays in this volume were written to mark the 800th anniversary of Maimonides’s death in 1204. Written by the leading scholars in the field, they cover all aspects of Maimonides’s work and infuence. From his work on Jewish law to his unique understanding of God; from his view of the soul to his understanding of other religions; from his influence on Jewish scholars in the eastern Mediterranean to his impact on the emergence of modern Judaism—the essays in this volume cover all this and more. It is an indispensable collection for all those interested in the history of Judaism over the last 800 years.

“This new day, new joy, the consummation of toil and devotion with ever new and eternal rejoicing, required new words, new songs from all!”

So wrote Raymond of Aguilers, a Provençal priest, when an army of nobles, knights, footmen, and priests from across Europe managed to conquer Jerusalem after three years of traveling and fighting. And there certainly were new words and new songs. These settlers produced a hybrid Latin literature—a “Levantine Latinity”—distinct from that in Europe, and their new literary tradition both drew on and resisted Levantine Muslim, Christian, and Jewish cultures in the newly occupied territories.

This volume analyzes the literary and rhetorical techniques of well-known authors such as William of Tyre, literary compositions of communities of canons in the Kingdom of Jerusalem, and individual scholars in the Principality of Antioch. These varied sources reveal the coherent and increasingly sophisticated ways in which Crusader settlers responded to their new environment while maintaining ties with their homelands in western Europe. In a short time, Levantine Latinity emerged to form an indispensable part of the literary history of both the Near East and Europe.

How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia, Russia, and Italy. The research follows developments in artistic practices and the reception of these images, as well as distinguishing between the Greek manner – based on visual qualities – and the style favoured by the devout, sustained by cults and altered through stories. Following the reception of Byzantine and pseudo-Byzantine art in Lithuania and Poland from the late fourteenth through the early eighteenth centuries, Maniera Greca in Europe’s Catholic East argues that tradition is repetitive order achieved through reduction and oblivion, and concludes that the sole persistent understanding of the Greek image has been stereotyped as the icon of the Mother of God.

A lavishly illustrated tour of the famed adventurer’s globetrotting travels, written by a celebrated translator of Polo’s writings.
 
At the age of seventeen, Marco Polo left his Venetian home on a continent-spanning adventure that lasted for nearly a quarter century. Imprisoned in Genoa five years later, he collaborated with Arthurian romance writer Rustichello of Pisa on a work they called The Description of the World. That book recounted “all the greatest marvels and great diversities of Greater Armenia, Persia, the Tartars, India, and many other provinces,” a story that made Polo famous for all time.
 
In Marco Polo and His World, Sharon Kinoshita brings these marvels to life, describing the myriad commodities, plants, people, and animals that Marco encountered and recorded. Copiously illustrated, this book offers a vibrant introduction to Marco Polo’s astounding adventures.

How did propertied families in late medieval and early modern Florence maintain their power and affluence while equally important clans elsewhere were fatally undermined by the growth of commerce and personal freedom, and the consequences of the Plague? Drawing on a vast array of archival research—from letters and memoirs to fiscal declarations to records of the Dowry Fund, Anthony Molho suggests that the answer is found in the twin institutions of arranged marriage and the dowry.

Molho focuses on the relations between Florentine families of this period and demonstrates that the links among families—created by arranged marriages within a narrow and well-defined social class, a system of dowries that was a combination of speculation and manipulation, and an entrenched memory of these processes—account for the resilience of this ruling class. The individuals or single families whose records Molho has scrutinized, as well as his analysis of several thousand marriages over nearly a century and a half, illuminate a culture that consistently and relentlessly subordinated individual goals and preferences to larger and deeper concerns. The book combines the application of quantitative methods and close reading of contemporary texts in order to gain new insights into the history of Florence in the late Middle Ages.

This work vividly describes many of the individual cases and offers new insight into the social and legal pressures on marriage in the Middle Ages.

Mary Magdalene and Her Sister Martha: An Edition and Translation of the Medieval Welsh Lives provides scholarly editions and English translations of the medieval Welsh versions of the legends of Mary Magdalene and Martha. Described by Victor Saxer as medieval best sellers, these hagiographical tales, which described how Mary Magdalene and her sister Martha survived a perilous sea voyage from the holy land and evangelized Provence, were available in many different Latin and vernacular versions and circulated widely in the medieval West. The texts were translated or adapted into Middle Welsh some time before the mid-fourteenth century: the Middle Welsh Life of Mary Magdalene is extant in thirteen manuscripts and the Middle Welsh Life of Martha is preserved in eight of the same manuscripts. Jane Cartwright makes the Middle Welsh versions available to an international audience for the first time and provides a detailed study of the Welsh manuscripts that contain the texts, a comparison between the different manuscripts versions and a discussion of the wider hagiographical context of the texts in Wales. The volume includes transcriptions, editions and translations of the two Lives based on the oldest most complete extant versions found in the Red Book of Talgarth c. 1400, as well as an additional section of text describing Mary Magdalene’s life before Christ’s crucifixion from the fifteenth-century Aberystwyth, National Library of Wales, Peniarth MS 27ii. The edition is accompanied by a comprehensive glossary which provides translations of all medieval Welsh words that occur in the texts, an analysis of the development and transmission of the legends, as well as a discussion of the relevance and popularity of these two female saints in late medieval Wales: medieval Welsh poetry, church dedications, and holy wells are also considered.

Medieval and early modern literature was fascinated with the material remains of the past. Scenes involving the discovery, description, circulation, or contemplation of archaeological objects can be found in texts ranging from hagiography to elegiac poetry, from historiography to romance—across regions and periods. This volume gathers voices to explore the ways in which these texts employ descriptions of objects from the past to produce aesthetic and literary responses to questions of historicity and the epistemological conditions of historical knowledge.
The contributions to Material Remains: Reading the Past in Medieval and Early Modern British Literature examine the understanding and experience of temporality as registered through the representation of found objects. From Beowulf and King Arthur to Richard III, Roger de Norton, and more, these essays reproduce the thrill of the archaeological find and generate new forms of historical understanding beyond the established narratives that reinforce modern forms of periodizing the Middle Ages.
List of Contributors
Neil Cartlidge, Roberta Frank, Lori Ann Garner, Jonathan Gil Harris, Jan-Peer Hartmann, John Hines, Naomi Howell, Andrew Hui, Andrew James Johnston, Sarah Salih, Philip Schwyzer
 

Anchorites and their texts, such as Ancrene Wisse, have recently undergone a reevaluation based on material circumstances, not just theological import. The articles here address a variety of anchoritic or anchoritic-adjacent texts, encompassing guidance literature, hagiographies, miracle narratives, medical discourse, and mystic prose, and spanning in date from the eighth through the fourteenth centuries. Exploring reclusion and materiality, the collection addresses a series of overlapping themes, including the importance of touch, the limits of religious authority, and the role of the senses. Objects, metaphorical and real, embodied and spiritual, populate the pages. These categories are permeable, with flexible and porous boundaries, demonstrating the conflation of ideas, concepts, and manifestations in medieval materiality. In fact, the permeability of these categories demonstrates how materiality can reshape our approach to medieval texts. It leaves room for directions for future study, including the application of material analysis to previously unstudied objects, spaces, and literary artifacts.

This publication brings to a wider audience important new findings in the fields of medieval pottery and archaeometry. After a long period of dormancy, the study of Byzantine pottery has flourished in recent years. At the same time, the discipline of archaeometry has also undergone a rapid expansion. The combining of these two areas of research creates both opportunities and questions.

The new data that materials analysis provides about Byzantine ceramics and their production at times supports, modifies, and even contradicts conclusions derived from traditional archaeological methods. This new ability to determine the technique and provenance of Byzantine pottery has important implications well beyond the study of the material culture itself; it engages with broader historical issues, such as pilgrimage, economic relationships, and the transfer of ceramic technologies from the Islamic world to Byzantium and from Byzantium to Italy.

Maimonides’ Guide of the Perplexed has traditionally been read as an attempt to harmonize reason and revelation. Another, more recent interpretation takes the contradiction between philosophy and religion to be irreconcilable, and concludes that the Guide prescribes religion for the masses and philosophy for the elite. Moving beyond these familiar debates, Josef Stern argues that the perplexity addressed in this famously enigmatic work is not the conflict between Athens and Jerusalem but the tension between human matter and form, between the body and the intellect.

Maimonides’ philosophical tradition takes the perfect life to be intellectual: pure, undivided contemplation of all possible truths, from physics and cosmology to metaphysics and God. According to the Guide, this ideal cannot be realized by humans. Their embodied minds cannot achieve scientific knowledge of metaphysics, and their bodily impulses interfere with exclusive contemplation. Closely analyzing the arguments in the Guide and its original use of the parable as a medium of philosophical writing, Stern articulates Maimonides’ skepticism about human knowledge of metaphysics and his heterodox interpretations of scriptural and rabbinic parables. Stern shows how, in order to accommodate the conflicting demands of the intellect and the body, Maimonides creates a repertoire of spiritual exercises, reconceiving the Mosaic commandments as training for the life of the embodied mind. By focusing on the philosophical notions of matter and form, and the interplay between its literary form and subject matter, Stern succeeds in developing a unified, novel interpretation of the Guide.

In medieval culture, media forms were placesof mediated immediacy. They transported apresence of the divine, but also knowledge ofits unattainability. This volume investigates the multi-layered and fascinatingapproaches of medieval authors to the wordand writing, the body and materiality, andtheir experimentation with the possibilitiesof media before the concept was invented.The book presents, for the first time, acoherent, tightly argued history of medievalmediality, which also casts a new light onmodern thinking about the medial.

Consilia played an important role in not only medieval but also early modern professional health literature. A literary ‘consilium’ consisted of a written statement of one particular case, including the patient's condition and disease as well as advice concerning medical treatment. In the sixteenth century, consilia literature was a common component of the practices of many eminent physicians. This is illustrated through an analysis of consilia from twenty-two different collections and anthologies by fifteen selected authors, who represent university professors, personal physicians, and urban physicians from early modern Italy, France, and German-speaking Central Europe. A closer look at nearly 7,000 consilia shows how important a link they were within the medical community. A detailed view of consilia intended for patients suffering from the ‘French disease’ reveals details about, for instance, the most common treatments for syphilis – mercury and guaiacum – alongside many other interesting and important details.

This study features essays from leading scholars highlighting the important Jewish contributions to the popular medieval genre of romance. Writing against strict notions of genre boundaries and canonization, this volume provides a new understanding of medieval and early modern romance through a working definition consisting of variable elements, including language, literary devices, plot, and characters. The contributions in this volume establish that many texts written in the medieval and early modern Jewish communities across Europe and beyond can be classified as "romance.” Each of the nine chapters as well as the afterword by Eli Yassif discusses romance as it relates to the medieval and early modern Jewish world, as well as the greater non-Jewish context. This volume places Jewish texts into the scholarly conversation as sources for forming a new understanding of the genre of romance across religious and cultural boundaries.

As one of the five pillars of Islam the pilgrimage to Mecca (the Hajj) is central to the life of all Muslims. A network of roads radiates from the Hijaz like a giant spider's web, connecting Mecca to all parts of the Muslim world. Historically the most significant of these routes starts at Damascus in Syria, and is a direct continuation of the ancient trade route connecting Arabia to the Levant. The Prophet Muhammad is known to have used this route when he travelled as a merchant from Mecca to Bosra in Syria. In more recent times this was the route chosen for the Hijaz railway which figured prominently in the great Arab Revolt. A significant part of this route runs through Jordan, from the wide grasslands of the north to the sandy desert of the far south. This book documents the archaeological and architectural remains which line this route, paying particular attention to the forts and cisterns built and maintained by the Ottoman rulers from the 16th century onwards. A series of introductory chapters provide the historical context, with an emphasis on the political and military significance of the route from the 16th to the 18th centuries. In addition to the detailed coverage of Jordanian Hajj forts, the book also describes the sites and path of the route through Syria and Saudi Arabia. The final part of the book describes the results of excavations at one of the forts, which gives an insight into the material culture of both the pilgrims and the soldiers who manned the forts.

In this work, François Soyer examines the nature of medieval anti-Jewish sentiment and violence. Analysing developments in Europe between 1100 and 1500, he points to the tensions in medieval anti-Jewish thought amongst thinkers who hoped to convert Jews and blamed Talmudic scholarship for their obduracy and yet who also, conversely, often essentialized Judaism to the point that it transformed into the functional equivalent of the modern concept of race. He argues that we should not consider antisemitism as a monolithic concept but accept the existence of independent, historical meanings and thus of antisemitisms (plural), including "medieval antisemitism" as distinct from anti-Judaism.

<p >As a small, landlocked country, medieval Bosnia managed topreserve its individuality, characterized by religious plurality and by thepersistence of its own ancient customs. But its central position in the region,situated between east and west, and between Catholic and Orthodox Christianity,meant it was heavily influenced, both politically and culturally by theVenetian Republic, the Hungarian Kingdom, and the Byzantine Empire. Due to languageissues and scarcity of sources, this region has largely been overlooked bywestern historiography. This volume features contributions from an exciting newgeneration of medievalists, who are working to rectify this gap in thenarrative.</p>

This book explores medieval cityscapes within the modern urban environment, using place as a catalyst to forge connections between past and present, and investigating timely questions concerning theoretical approaches to medieval urban heritage, as well as the presentation and interpretation of that heritage for public audiences. Written by a specialist in literary and cultural history with substantial experience of multi-disciplinary research into medieval towns, <i>Medieval Cityscapes Today</i> teases out stories and strata of meaning from the urban landscape, bringing techniques of close reading to the material fabric of the city, as well as textual artefacts associated with it.

The concept of madness as a challenge to communities lies at the core of legal sources. This book considers how communal networks, ranging from the locale to the realm, responded to people who were considered mad. The madness of individuals played a role in engaging communities with legal mechanisms and proto-national identity constructs, as petitioners sought the king's mercy as an alternative to local justice. The resulting narratives about the mentally ill in late medieval France constructed madness as an inability to live according to communal rules. Although such texts defined madness through acts that threatened social bonds, those ties were reaffirmed through the medium of the remission letter. The composers of the letters presented madness as a communal concern, situating the mad within the household, where care could be provided. These mad were usually not expelled but integrated, often through pilgrimage, surveillance, or chains, into their kin and communal relationships.

The literary, historical, and linguistic confluence that characterized the Irish Sea region in the pre-modern period is reflected in the interdisciplinarity of these new research essays, centered on the literatures, languages, and histories of the Irish-Sea communities of the Middle Ages, much of which is still evoked in contemporary culture. The contributors to this collection dive deep into the rich historical record, heroic literature, and story lore of the medieval communities ringing the Irish Sea, with case studies that encompass Manx, Irish, Scandinavian, Welsh, and English traditions. Manannán, the famous travelling Celtic divinity who supposedly claimed the Isle of Man as his home, mingles here with his mythical, legendary, and historical neighbors, whose impact on our image and understanding of the pre-modern cultures of the Northern Atlantic has persisted down through the centuries.

This book provides an overarching, comprehensive analysis of the French military in the medieval period. The focus is on the armies of the French monarchy and the lands close around them, extending from the Low Countries to Provence. Central themes include recruitment and payment; military organisation; leadership, strategy, and tactics; weapons and arms; chivalry, military culture, and the rise of military professionalism.

Teaching medieval history should engage students in the real work of professional medievalists. However, many undergraduate courses rely on instructional strategies that only engage students in rote retention of medieval "stuff" and unsupported writing assignments. With trends in the USA and elsewhere showing declining undergraduate enrollment in the humanities and an increasing number of questions from university administrators regarding the utility of the liberal arts, historians need to reassess how they teach. Project-based learning (PBL) is one approach that may help medieval history instructors offer coursework that is more engaging for today's undergraduate students and provide administrators a clearer picture of the utility of studying the past. The pedagogy of PBL actively engages students in projects reflective of the real work being done by medievalists, allowing instructors to move beyond the traditional narrative found in many undergraduate survey courses. This book provides an overview of PBL theory, methods for incorporating PBL into an undergraduate medieval history course, instructional strategies, scalable assessment formats, and other resources useful for any history classroom.

How should the medieval family be characterized? Who formed the household and what were the ties of kinship, law, and affection that bound the members together? David Herlihy explores these questions from ancient Greece to the households of fifteenth-century Tuscany, to provide a broad new interpretation of family life. In a series of bold hypotheses, he presents his ideas about the emergence of a distinctive medieval household and its transformation over a thousand years.

Ancient societies lacked the concept of the family as a moral unit and displayed an extraordinary variety of living arrangements, from the huge palaces of the rich to the hovels of the slaves. Not until the seventh and eighth centuries did families take on a more standard form as a result of the congruence of material circumstances, ideological pressures, and the force of cultural norms. By the eleventh century, families had acquired a characteristic kinship organization first visible among elites and then spreading to other classes. From an indifferent network of descent through either male or female lines evolved the new concept of patrilineage, or descent and inheritance through the male line. For the first time a clear set of emotional ties linked family members.

It is the author’s singular contribution to show how, as they evolved from their heritages of either barbarian society or classical antiquity, medieval households developed commensurable forms, distinctive ties of kindred, and a tighter moral and emotional unity to produce the family as we know it. Herlihy’s range of sources is prodigious: ancient Roman and Greek authors, Aquinas, Augustine, archives of monasteries, sermons of saints, civil and canon law, inquisitorial records, civil registers, charters, censuses and surveys, wills, marriage certificates, birth records, and more. This well-written book will be the starting point for all future studies of medieval domestic life.

This work explores the role of orality in shaping and evaluating medieval Icelandic literature. Applying field studies of oral cultures in modern times to this distinguished medieval literature, Gísli Sigurðsson asks how it would alter our reading of medieval Icelandic sagas if it were assumed they had grown out of a tradition of oral storytelling, similar to that observed in living cultures.

Sigurðsson examines how orally trained lawspeakers regarded the emergent written culture, especially in light of the fact that the writing down of the law in the early twelfth century undermined their social status. Part II considers characters, genealogies, and events common to several sagas from the east of Iceland between which a written link cannot be established. Part III explores the immanent or mental map provided to the listening audience of the location of Vinland by the sagas about the Vinland voyages. Finally, this volume focuses on how accepted foundations for research on medieval texts are affected if an underlying oral tradition (of the kind we know from the modern field work) is assumed as part of their cultural background. This point is emphasized through the examination of parallel passages from two sagas and from mythological overlays in an otherwise secular text.

The election of fringe political parties on the far and extreme right across Europe since spring 2014 has brought the political discourse of "old Europe" and "tradition" to the foreground. Writers and politicians on the right have called for the reclamation, rediscovery, and return of the spirit of national identities rooted in the medieval past. Though the "medieval" is often deployed as a stigmatic symbol of all that is retrograde, against modernity, and barbaric, the medieval is increasingly being sought as a bedrock of tradition, heritage, and identity. Both characterizations – the medieval as violent other and the medieval as vital foundation – are mined and studied in this book. It examines contemporary political uses of the Middle Ages to ask why the medieval continues to play such a prominent role in the political and historical imagination today.

Medieval Joke Poetry examines the intersection of jokes, laughter, insults, and poetry in a collection of thirteenth- and fourteenth-century medieval Iberian songs known as the Cantigas d’escarnho e de mal dizer. Written in Galician-Portuguese, these “songs of mockery and insult” make up a heterogeneous corpus whose witticisms are by turns funny and vicious, crudely obscene and exquisitely sophisticated, playful and deadly serious.

Benjamin Liu’s readings disentangle the complex verbal strategies of these joke-poems in order to reveal the latent cultural tensions that underlie their humor. Wordplay, double meanings, and deliberate combinations of incongruous ideas are intended to elicit laughter, even as they gesture toward the rupture of accepted cultural categories in such manifestly hybrid paradoxes as an “Albardan cavaleiro” (noble buffoon), a “mouro cruzado” (Crusader Moor), or a male “dona salvage” (wild woman). Liu shows how these jokes operate in such varied cultural contexts as the arts of augury and divination, pilgrimage, prostitution, interfaith sexuality, and medical malpractice.

We don’t usually think of haute cuisine when we think of the Middle Ages. But while the poor did eat a lot of vegetables, porridge, and bread, the medieval palate was far more diverse than commonly assumed. Meat, including beef, mutton, deer, and rabbit, turned on spits over crackling fires, and the rich showed off their prosperity by serving peacock and wild boar at banquets. Fish was consumed in abundance, especially during religious periods such as Lent, and the air was redolent with exotic spices like cinnamon and pepper that came all the way from the Far East.

Laments of the Virgin Mary represent a devotional genre that offered its clerical and lay audiences of the High and Late Middle Ages a deeply inspiring, yet at the same time ambiguous, religious experience. Through the deeply emotional and markedly animated representation of the Passion, seen as if through the eyes of the mother of God, audiences and performers were not only reminded of the redemptive power of the Cross, but encouraged to experience Christ’s sacrifice in a more personal and intimate manner. In the pious practice of imitatio Mariae, believers mirrored the sorrow of the mother through their own bodies in order to develop a kind of visceral empathy towards, and hence a deeper understanding of, the divine.

Throughout the Middle Ages, Christians wrote about Islam and the life of Muhammad. These stories, ranging from the humorous to the vitriolic, both informed and warned audiences about what was regarded as a schismatic form of Christianity. Medieval Latin Lives of Muhammad covers nearly five centuries of Christian writings on the prophet, including accounts from the farthest-flung reaches of medieval Europe, the Iberian Peninsula, and the Byzantine Empire. Over time, authors portrayed Muhammad in many guises, among them: Theophanes’s influential ninth-century chronicle describing the prophet as the heretical leader of a Jewish conspiracy; Embrico of Mainz’s eleventh-century depiction of Muhammad as a former slave who is manipulated by a magician into performing unholy deeds; and Walter of Compiègne’s twelfth-century presentation of the founder of Islam as a likable but tricky serf ambitiously seeking upward social mobility.

The prose, verse, and epistolary texts in Medieval Latin Lives of Muhammad help trace the persistence of old clichés as well as the evolution of new attitudes toward Islam and its prophet in Western culture. This volume brings together a highly varied and fascinating set of Latin narratives and polemics never before translated into English.

The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe explores the complex history of medieval pragmatic theory and ideas and metapragmatic awareness across social discourses. Pragmatic thinking about language and communication are revealed in grammar, semiotics, philosophy, and literature. Part historical reconstruction, part social history, part language theory, Amsler supplements the usual materials for the history of medieval linguistics and discusses the pragmatic implications of grammatical treatises on the interjection, Bacon's sign theory, logic texts, Chaucer's poetry, inquisitors' accounts of heretic speech, and life writing by William Thorpe and Margery Kempe. Medieval and contemporary pragmatic theory are contrasted in terms of their philosophical and linguistic orientations. Aspects of medieval pragmatic theory and practice, especially polysemy, equivocation, affective speech, and recontextualization, show how pragmatic discourse informed social controversies and attitudes toward sincere, vague, and heretical speech. Relying on Bakhtinian dialogism, critical discourse analysis, and conversation analysis, Amsler situates a key period in the history of linguistics within broader social and discursive fields of practice.

A cross-cultural study of magical phenomena in the Middle Ages.
 
Marvels like enchanted rings and sorcerers’ stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period’s philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation.
 
This is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture.
 

The Persian Gulf today is home to multiple cosmopolitan urban hubs of globalization. This did not start with the discovery of oil. This book tells of the Gulf from the rise of Islam until the coming of the Portuguese, when port cities such as Siraf, Sohar, and Hormuz were entrepots for trading pearls, horses, spices, and other products across much of Asia and eastern Africa. Indeed, products traded there became a key part of the material culture of medieval Islamic civilization, and the Gulf region itself was a crucial membrane between the Middle East and the world of the broader Indian Ocean. The book also highlights the long-term presence of communities of South Asian and African ancestry, as well as patterns of religious change among Jews, Christians, Zoroastrians, and Muslims that belie the image of a region long polarized between Arabs and Persians and Sunnis and Shi’ites.

In a statement published for Paul Cobley’s edition of Realism for the 21st Century. A John Deely Reader, Umberto Eco wrote that “John Deely has not only paid attention to the Second Scholasticism but also to the first one”. In the present book, Deely goes one step further, by establishing the continuity of the Latin Age as a whole. He shows how the Latin thinkers demonstrated the presuppositions and created the framework of critical thought that made possible and inevitable the turn to science in the modern sense. The book thus shows how and why criticalachievements of the Latins remain requisite, even today, for the proper understanding of science and technology as offshot of the “Way of Signs” upon which all of thought, as also evikytuib as a whole, perforce travels.

“With the sophistic modern and Enlightenment misconceptions about philosophy’s nature and history daily crashing and burning around us, Deely’s unconventional way of understanding medieval philosophy is like a breath of fresh air amid intellectual smog. This is a great book, the single most important study of medieval thought in half a century or more. It deserves an unbiased hearing by anyone today claiming to be a serious philosopher.” — Peter A. Redpath

Founding Chairman, Universities of Western Civilization Chairman of the Board, The International Etienne Gilson Society

“Drawing upon the thought of John Poinsot and Charles Pierce, John Deely has opened a distinctively postmodern path to the metaphysics of being, at once illuminating much of this ancient tradition while casting new light upon it in the context of contemporary thought. His treatment notably of St. Thomas is not merely a return to an earlier thinker, but an opening to a different path, at once in profound agreement with St. Thomas and yet heretofore unexplored. This book, thus, not only constitutes a return to a past era, but shows this era in a new light that illuminates as well the contemporary scene.” — Kenneth L. Schmitz

Professor Emeritus, University of Toronto, Canada Pontifical John Paul II Institute for Studies on Marriage and Family, Washington, D.C.

This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.Read Alicia Spencer-Hall's keynote paper 'Hagiography, Media, and the Politics of Visibility' from the Gender and Medieval Studies conference in Oxford on her blog Medieval She Wrote.

Illuminated with illustrations, an exploration of medieval manuscript production that offers insight into both the early history of the book and life in the Middle Ages.
 
This book takes the reader on an immersive journey through medieval manuscript production in the Latin Christian world. Each chapter opens with a lively vignette by a medieval narrator—including a parchment maker, scribe, and illuminator—introducing various aspects of manuscript production. Sara J. Charles poses the question “What actually is a scriptorium?” and explores the development of the medieval scriptorium from its early Christian beginnings through to its eventual decline and the growth of the printing press.
 
With the written word at the very heart of the Christian monastic movement, we see the immense amount of labor, planning, and networks needed to produce each manuscript. By tapping into these processes and procedures, The Medieval Scriptorium helps us to experience medieval life through the lens of a manuscript maker.

This book explores a millennium of literary exchanges among the peoples of the Maghrib, or westernmost strongholds of medieval Islam. In the seventh century, Muslim expansion into the western Mediterranean initiated a new phase in the layering of heterogeneous peoples and languages in this contact zone: Arabs and Berbers, Christians and Jews, Sunnī and Shīʿa Muslims, Greeks and Latins all helped shape identities, hybrid genealogies of knowledge, and political alliances. These essays excavate the literary artefacts produced in these times of turmoil, offering new perspectives on the intellectual networks and traditions that proved instrumental in overcoming the often traumatic transitions among political and/or religious regimes.

Through a focused and systematic examination of medieval theologians, philosophers, and jurists, Andrew Latham explores how ideas about supreme political authority—sovereignty—first emerged during the high medieval period. The author provides a new model for understanding the concept of sovereignty, and traces its roots, not to the early modern or late medieval eras as do all other accounts, but to the High Middle Ages. This book aims first to provide an account of a pivotal episode in the historical evolution of the idea of sovereignty—the supreme authority to command, legislate, and judge—in the thirteenth century. It also aims to reconnect early modern theorists of sovereignty to the medieval intellectual tradition out of which they emerged. Latham traces the rise of a “dualist–regnalist” model whereby supreme authority was vested neither in the pope nor the emperor; nor was it divided between coordinate temporal and spiritual powers (kings and popes). Instead, it was vested exclusively in the king, who held it directly from God or (in the case of John of Paris, for example) “the people,” without any papal or imperial mediation.

Leaders in the field of paleopathology have found enough evidence to prove that treponematosis, including syphilis, existed in ancient and medieval Afro-Eurasia, settling a decades-long debate. Yet documentary and artistic evidence to support this important work remains scarce. After summarizing the confirmed cases of treponematosis detected to date, this book turns to contemporary accounts about the death of the English king, Edward IV, that strongly indicate syphilis as the cause. It then considers further evidence suggesting contemporary awareness that elites tended to experience the disease more severely than commoners, and includes numerous examples from medical treatises and artworks that are highly suggestive that both endemic and venereal treponematosis (bejel and syphilis) were present in late medieval Europe. In doing so, the author hopes to spark a conversation not only about the existence of the disease in various places and times, but also its wider impact on premodern society and culture.

What does medieval literature look like from the point of view not of knights and ladies, but of treasure, and rings, nets and the grail? How does medieval literature imagine the agency of material things, and what exactly distinguishes human subjects from inanimate objects? Medieval Things: Agency, Materiality, and Narratives of Objects in Medieval German Literature and Beyond brings together a theoretically informed and politically engaged new materialist approach with a study of how everyday objects are understood in medieval literature. Bettina Bildhauer argues that medieval narratives can inspire current critical theory on agency and materiality. She focuses on famous and forgotten German narratives from the twelfth to the sixteenth centuries, including Wolfram of Eschenbach’s Parzival and the epic Song of the Nibelungs, and sets them in their global context. Many such tales can be reconceptualized as “thing biographies”—stories that follow the trajectory not of a human hero but of a coin, a gown, a treasure, or a ring. Many also use nets and networks to conceptualize dangerous structures of knowledge. Shine, glamour, and charisma emerge as particularly powerful ways in which material things exert a kind of agency that is neither pseudo-human nor fetishistic. In analyzing details like these from medieval literature, Bildhauer thus contributes in new ways to current theory on agency and materiality.

This book argues that the impressive range of belongings that can be connected to Duchess Matilda Plantagenet—textiles, illuminated manuscripts, coins, chronicles, charters, and literary texts—allows us to perceive elite women’s performance of power, even when they are largely absent from the official documentary record. It is especially through the visual record of material culture that we can hear female voices, allowing us to forge an alternative way toward rethinking assumptions about power for sparsely-documented elite women.

This book is called a manifesto because it has an unapologetically political objective. Richard Utz wants to help reform the way we think about and practise our academic engagement with medieval culture, and he uses his own observations as a medievalist and medievalism-ist over the last twenty-five years to offer ways in which we might reconnect with the general public that has allowed us to become, since the late nineteenth century, a rather exclusive clan of specialists who communicate mostly with each other.The traditional academic study of the Middle Ages, after more than a century of growing and plateauing, is now on the decline. While, at least over the next five to ten years, we will still be basking in the reassuring proximity (at conferences) of thousands of others who are involved in what we do ourselves, there is a manifest discrepancy between the large number of students who request that we address their love of Harry Potter, Lord of the Rings, Game of Thrones, and medieval-themed video and computer games, and the decreasing number of actual medievalists hired to replace retiring colleagues. We should pursue more lasting partnerships with so-called amateurs and enthusiasts for the sake of a sustainable future engagement with medieval culture. Richard Utz suggests some ways we might do this, and looks forward to “a more truly co-disciplinary, inclusive, democratic, and humanistic engagement with what we call, for better or worse, the Middle Ages”.

This new monograph devoted to a detailed exploration of the ways in which the medieval past has been wielded to propagandic effect in Imperial, Soviet, and post-Soviet Russia. From politicians’ speeches to popular culture, from Orthodox Christianity to neo-paganism, the medieval Russian past remains crucial in constructing national identity, mobilizing society during times of crisis, and providing alternative models of communal belonging. Frequent appeals to a medieval Slavic past, its heroes and myths, have provided—and continue to provide—a particularly powerful tool for animating imperialist and populist sentiments. This study explores persuasive—and pervasive—recourse to tropes concerned with the Middle Ages in Imperial, Soviet, and post-Soviet Russia, seeking to explain why an often romanticized medieval past remains potent in Russian politics, society, and culture today.

This book explores the dimensions of medieval monastic meditation, prayer, and contemplation in the heyday of Benedictine and Cistercian spiritual writing, the eleventh and twelfth centuries. Mancia aims to answer the following questions: What did extra-liturgical prayer and meditation look like for medieval monks and nuns in western medieval Europe? When, where, and how was it practised? Was there a set way to engage with monastic meditation, or were there a variety of medieval monastic meditative experiences in the eleventh and twelfth centuries? What did monks and nuns perceive as the limitations of monastic prayer and meditation, and how did they understand their own imperfections and failures to perform "perfect" devotion? What extra-textual tools—art, manuscripts, diagrams, spaces—did monks and nuns rely upon to stimulate their practices of meditation? What does monastic meditation reveal about the emotional lives of Benedictine and Cistercian monks and nuns in the high Middle Ages? And, finally, what does the monastic struggle to pursue a prayerful Christian life have to teach the secular world of the twenty-first century?

This book looks at the intersection between medieval studies and digital humanities, confronting how medievalists negotiate the “virtual divide” between the cultural artefacts that they study and the digital means by which they address those artefacts. The essays come from medievalists who have created digital resources or applied digital tools and methodologies in their scholarship. Text encoding and analysis, data modeling and provenance, and 3D design are all discussed as they apply to western European medieval literature, history, art history, and architecture.

Memory was vital to the functioning of the medieval world. People in medieval societies shared an identity based on commonly held memories. Religions, rulers, and even cities and nations justified their existence and their status through stories that guaranteed their deep and unbroken historical roots. The studies in this interdisciplinary collection explore how manifestations of memory can be used by historians as a prism through which to illuminate European medieval thought and value systems. The contributors draw the link between memory and medieval science, management of power, and remembrance of the dead ancestors through examples from southern Europe as a means of enriching and complicating our study of the Middle Ages; this is a region with a large amount of documentation but which to date has not been widely studied.

An Interdisciplinary Study of Viking Martial Culture that Dispels Myths and Expands Our Understanding of the Medieval Norse World
Sometime near the end of the tenth century, a man named Fraði died in Sweden. His kinsmen raised a granite runestone to his memory in Denmark. The carved message appears to tell us that Fraði was “first among all Vikings” and that he was the “terror of men.” Known sources about the Vikings revolve around the constant threat of violence: literary and artistic sources from both inside and outside Viking lands, including poetry, myths, stories, and artwork; law codes; burial practices; weapons; even their ship and house architecture. 
    Based on nearly two decades of research, Men of Terror: A Comprehensive Analysis of Viking Combat is a richly illustrated interdisciplinary study of the heart of Viking society: weapons and combat. Relying on a vast array of sources from a wide range of fields, research scientist William R. Short and independent scholar and martial arts instructor Reynir A. Óskarson dig deep into the culture of men like Fraði to better understand the mindset and performance of Viking warriors that led them to venerate and praise acts of violence and aggression. In the process they have painstakingly reverse-engineered Viking combat to account for the archaeology we have. Along the way, they answer questions such as: Were there women warriors? Why were acts such as raiding held in such high esteem? What mundane object was the king of Viking weapons and how was it used? Could bowstrings of human hair really work? Through their comprehensive research, the authors present a holistic picture of this society from what previously had only been disparate and intriguing parts. By the end of the book, the reader will understand the importance of combat to Viking society, the nature of that combat, and the code of these “men of terror.”

Étienne Gilson (1884-1978) was a French philosopher and historian of philosophy, as well as a scholar of medieval philosophy. In 1946 he attained the distinction of being elected an "Immortal" (member) of the Académie française. He was nominated for the Nobel Prize in Literature in 1959 and 1964. The appearance of Gilson's Metamorphosis of the City of God, which were originally delivered as lectures at the University of Louvain, Belgium, in the Spring of 1952, coincided with the first steps toward what would become the European Union. The appearance of this English translation coincides with the upheaval of Brexit. Gilson traces the various attempts of thinkers through the centuries to describe Europe's soul and delimit its parts. The Scots, Catalonians, Flemings, and probably others may nod in agreement in Gilson's observation on how odd would be a Europe composed of the political entities that existed two and a half centuries ago. Those who think the European Union has lost its soul may not be comforted by the difficulty thinkers have had over the centuries in defining that soul. Indeed the difficulties that have thus far prevented integrating Turkey into the EU confirm Gilson's description of the conundrum involved even in distinguishing Europe's material components. And yet, the endeavor has succeeded, so that the problem of shared ideals remain inescapable. One wonders which of the thinkers in the succession studied by Gilson might grasp assent and illuminate the EU's path.

Metaphysical Themes in Thomas Aquinas III is Msgr. John Wippel’s third volume dedicated to the metaphysical thought of Thomas Aquinas. After an introduction, this volume of collected essays begins with Wippel’s interpretation of the discovery of the subject of metaphysics by a special kind of judgment (“separation”). In subsequent chapters, Wippel turns to the relationship between faith and reason, exploring what are known as the preambles of faith. This is followed by two chapters on the important contributions by Cornelio Fabro on Aquinas’s distinction between essence and esse and on participation. The volume continues with articles on Aquinas’s view of creation as a preamble of faith, Aquinas’s much-disputed defense of unicity of substantial form in creatures, his account of the separated soul’s natural knowledge, and Aquinas’s understanding of evil in his De Malo 1. The volume concludes with an article comparing Bonaventure, Aquinas, and Godfrey of Fontaines on the metaphysical composition of angelic beings. Most of these issues were disputed during Aquinas’s time by some of his contemporaries, and the proper understanding of each continues to be debated by various students of his thought today. Wippel’s purpose, therefore, is to help clarify our understanding of Aquinas’s thought on each of these topics, a task that requires the careful analysis of primary sources and of secondary literature and attention to the relative chronology of his writing.

Since the fifteenth century, when humanist writers began to speak of a “middle” period in history linking their time to the ancient world, the nature of the Middle Ages has been widely debated. Across the millennium from 500 to 1500, distinguished historian Johannes Fried describes a dynamic confluence of political, social, religious, economic, and scientific developments that draws a guiding thread through the era: the growth of a culture of reason.

“Fried’s breadth of knowledge is formidable and his passion for the period admirable…Those with a true passion for the Middle Ages will be thrilled by this ambitious defensio.”
—Dan Jones, Sunday Times

“Reads like a counterblast to the hot air of the liberal-humanist interpreters of European history…[Fried] does justice both to the centrifugal fragmentation of the European region into monarchies, cities, republics, heresies, trade and craft associations, vernacular literatures, and to the persistence of unifying and homogenizing forces: the papacy, the Western Empire, the schools, the friars, the civil lawyers, the bankers, the Crusades…Comprehensive coverage of the whole medieval continent in flux.”
—Eric Christiansen, New York Review of Books

“[An] absorbing book…Fried covers much in the realm of ideas on monarchy, jurisprudence, arts, chivalry and courtly love, millenarianism and papal power, all of it a rewarding read.”
—Sean McGlynn, The Spectator

From Ingmar Bergman’s The Seventh Seal to Monty Python, an investigation into how eight key films have shaped our understanding of the medieval world.
 
In The Middle Ages and the Movies, eminent historian Robert Bartlett takes a fresh, cogent look at how our view of medieval history has been shaped by eight significant films of the twentieth century. The book ranges from the concoction of sex and nationalism in Mel Gibson’s Braveheart, to Fritz Lang’s silent epic Siegfried, the art-house classic The Seventh Seal, and the epic historical drama El Cid. Bartlett examines the historical accuracy of these films, as well as other salient aspects—how was Umberto Eco’s Name of the Rose translated from page to screen? Why is Monty Python and the Holy Grail funny? And how was Eisenstein’s Alexander Nevsky shaped by the Stalinist tyranny under which it was filmed?