At different times and in different places, the human form has been regarded in different ways. The Ancient Greeks thought it was the most admirable subject for art, whereas early Christians often viewed it as lascivious in our post-lapsarian state. With illustrations taken from manuscripts, statuary and literary, this is a fascinating collection of essays with much that will be new to scholars and general readers alike.
This companion to the two-volume Dumbarton Oaks Medieval Library edition and translation of the Histories by Laonikos Chalkokondyles is the first book-length investigation of an author who has been poorly studied. Providing biographical and intellectual context for Laonikos, Anthony Kaldellis shows how the author synthesized his classical models to fashion his own distinctive voice and persona as a historian.
Indebted to his teacher Plethon for his global outlook, Laonikos was one of the first historians to write with a pluralist’s sympathy for non-Greek ethnic groups, including Islamic ones. His was the first secular and neutral account of Islam written in Greek. Kaldellis deeply explores the ethnic dynamics that explicitly and implicitly undergird the Histories, which recount the rise of the Ottoman empire and the decline of the Byzantine empire, all in the context of expanding western power. Writing at once in antique and contemporary modes, Laonikos transformed “barbarian” oral traditions into a classicizing historiography that was both Greek and Ottoman in outlook.
Showing that he was instrumental in shifting the self-definition of his people from Roman to the Western category of “Greek,” Kaldellis provides a stimulating account of the momentous transformations of the mid-fifteenth century.
The New Testament lay at the center of Byzantine Christian thought and practice. But codices and rolls were neither the sole way—nor most important way—the Byzantines understood the New Testament. Lectionaries apportioned much of its contents over the course of the liturgical calendar; its narratives structured the experience of liturgical time and shaped the nature of Christian preaching, throughout Byzantine history. A successor to The Old Testament in Byzantium (2010), this book asks: What was the New Testament for Byzantine Christians? What of it was known, how, when, where, and by whom? How was this knowledge mediated through text, image, and rite? What was the place of these sacred texts in Byzantine arts, letters, and thought?
Authors draw upon the current state of textual scholarship and explore aspects of the New Testament, particularly as it was read, heard, imaged, and imagined in lectionaries, hymns, homilies, saints’ lives, and as it was illustrated in miniatures and monuments. Framing theological inquiry, ecclesiastical controversy, and political thought, the contributions here help develop our understanding of the New Testament and its varied reception over the long history of Byzantium.
A timely rethinking of the archetypal story of Noah, the great flood, and who was left behind as the waters rose
Most people know the story of Noah from a children’s bible or a play set with a colorful ship, bearded Noah, pairs of animals, and an uncomplicated vision of survival. Noah’s ark, however, will forever be haunted by what it leaves to the rising waters so that the world can begin again.
In Noah’s Arkive, Jeffrey J. Cohen and Julian Yates examine the long history of imagining endurance against climate catastrophe—as well as alternative ways of creating refuge. They trace how the elements of the flood narrative were elaborated in medieval and early modern art, text, and music, and now shape writing and thinking during the current age of anthropogenic climate change. Arguing that the biblical ark may well be the worst possible exemplar of human behavior, the chapters draw on a range of sources, from the Epic of Gilgamesh and Ovid’s tale of Deucalion and Pyrrah, to speculative fiction, climate fiction, and stories and art dwelling with environmental catastrophe. Noah’s Arkive uncovers the startling afterlife of the Genesis narrative written from the perspective of Noah’s wife and family, the animals on the ark, and those excluded and so left behind to die. This book of recovered stories speaks eloquently to the ethical and political burdens of living through the Anthropocene.
Following a climate change narrative across the millennia, Noah’s Arkive surveys the long history of dwelling with the consequences of choosing only a few to survive in order to start the world over. It is an intriguing meditation on how the story of the ark can frame how we think about environmental catastrophe and refuge, conservation and exclusion, offering hope for a better future by heeding what we know from the past.
A frontier has been called "an area inviting entrance." For the Norman invaders of England the Welsh peninsula was such an area. Fertile forested lowlands invited agricultural occupation; a fierce but primitive and disunited native population was scarcely a formidable deterrent.
In The Normans in South Wales, Lynn H. Nelson provides a comprehensive history of the century during which the Normans accomplished this occupation. Skillfully he combines facts and statistics gleaned from a variety of original sources—The Anglo-Saxon Chronicle, the Domesday Book, Church records, charters of the kings and of the marcher lords, and more imaginative literary sources such as the chanson de geste and the frontier epic—to give a vivid picture of a century of strife. He describes the fluctuating conflict between Norman invaders in the lowlands and Welsh tribesmen in the highlands; the hard struggle of medieval frontiersmen to take from the new land a profit commensurate with their labors; the development of a Cambro-Norman society distinct and quite different from the Anglo-Norman culture which engendered it; and the attempt of the frontiersman to prevent the Anglo-Norman authorities from taking control of the lands he had won.
The turbulent Welsh tribes provided an ever present harassment along the frontier, and Nelson begins his presentation with an account of the failure of the Saxons to control them. He examines the methods adopted by William the Conqueror to cope with the problem—the creation of the great marcher lordships and the subsequent problems in controlling these lordships—and the weakness of some Anglo-Norman kings and the strength of others.
By 1171 the conquest of the Welsh frontier was complete; but as Nelson points out, this conquest was strangely limited. The frontier, which extended throughout the lowlands of Wales, stopped at the 600-foot contour line in the mountains. In his final chapter Nelson speculates upon the curious fact that large areas of seemingly inviting moorlands lying above this line remained closed to the Cambro-Norman, and his speculations lead him to some interesting inferences about the nature of the frontier's influence upon the civilization which moves in to occupy it.
Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now.
In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation.
In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.
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