front cover of Echoes From The Holocaust
Echoes From The Holocaust
A Memoir
Mira Ryczke Kimmelman
University of Tennessee Press, 1996
Echoes from the Holocaust
A Memoir
Mira Ryczke Kimmelman

"During the most difficult times of World War II," Mira Kimmelman writes, "I wondered whether the world really knew what was happening to us. I lived in total isolation, not knowing what was taking place outside the ghetto gates, outside the barbed wires of concentration camps. After the war, would anyone ever believe my experiences?"
Kimmelman had no way of preserving her experiences on paper while they happened, but she trained herself to remember. And now, as a survivor of the Holocaust, she has preserved her recollections for posterity in this powerful and moving book—one woman's personal perspective on a terrible moment in human history.
The daughter of a Jewish seed exporter, the author was born Mira Ryczke in 1923 in a suburb of the Baltic seaport of Danzig (now Gdansk, Poland). Her childhood was happy, and she learned to cherish her faith and heritage. Through the 1930s, Mira's family remained in the Danzig area despite a changing political climate that was compelling many friends and neighbors to leave. With the Polish capitulation to Germany in the autumn of 1939, however, Mira and her family were forced from their home. In calm, straightforward prose—which makes her story all the more harrowing—Kimmelman recalls the horrors that befell her and those she loved. Sent to Auschwitz in 1944, she escaped the gas chambers by being selected for  slave labor. Finally, as the tide of war turned against Germany, Mira was among those transported to Bergen-Belsen, where tens of thousands were dying from starvation, disease, and exposure. In April 1945, British troops liberated the camp, and Mira was eventually reunited with her father. Most of the other members of her family had perished.
In the closing chapters, Kimmelman describes her marriage, her subsequent life in the United States, and her visits to Israel and to the places in Europe where the  events of her youth transpired. Even when confronted with the worst in humankind, she observes, she never lost hope or succumbed to despair. She concludes with an eloquent reminder: "If future generations fail to protect the truth, it vanishes. . . . Only by remembering the bitter lesson of Hitler’s legacy can we hope it will never be repeated. Teach it, tell it, read it."
The Author: Mira Ryczke Kimmelman is a resident of Oak Ridge, Tennessee, and lectures widely in schools about her experiences during the Holocaust.
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front cover of Every Last Breath
Every Last Breath
A Memoir of Two Illnesses
Joanne Jacobson
University of Utah Press, 2020
When Joanne Jacobson’s writing about her mother’s respiratory illness was interrupted by her own diagnosis with a rare blood disorder, she found her perspective profoundly altered. Every Last Breath follows these two chronic illnesses as they grow unexpectedly intertwined. Rejecting a fixed, retrospective point of view and the forward-moving trajectory of conventional memoir, Jacobson brings the reader to the emotionally raw present—where potentially fatal illness and “end of life” both remain, emphatically, life. As chronic illness blurs the distinction between illness and wellness, she discovers how a lifetime of relapse and remission can invite transformation. Written at the fluid, unsettling boundary between prose and poetry, these essays offer a narrative diagnosis of ongoing revision.
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front cover of Excellent Things in Women
Excellent Things in Women
A Memoir of Postcolonial Pakistan
Sara Suleri Goodyear
University of Chicago Press, 1989

Sometimes, only the most heartbreaking memories possess the capacity—in their elegiac immediacy—to take our breath away. With Excellent Things in Women, Sara Suleri offers the reader a delicately wrought memoir of life in postcolonial Pakistan. Suleri intertwines the violent history of Pakistan's independence with her own intimate experiences—relating the tumult of growing up female during a time of fierce change in the Middle East in the 1960s and ’70s. In the two selections presented here, “Excellent Things in Women” and “Meatless Days,” we watch as Suleri re-encounters the relationships that inform her voyage from adolescence to womanhood—with her Welsh mother; her Pakistani father, prominent political journalist Z. A. Suleri; and her tenacious grandmother, Dadi, along with her five siblings—as she comes to terms with the difficulties of growing up and her own complicated passage to the West.



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