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Face Boss
The Memoir of a Western Kentucky Coal Miner
Michael D. Guillerman
University of Tennessee Press, 2009
Face Boss tells a story that few people have heard: what it is really like to labor inside the dark and dangerous world of a vast underground coal mine. With unflinching honesty, as well as considerable humor and insight, Michael Guillerman recalls his nearly eighteen years of working as both a union miner and a salaried section foreman-or “face boss”-at the Peabody Coal Company's Camp No. 2 mine in Union County, Kentucky.

Guillerman undertook this memoir because of the many misconceptions about coal mining that were evidenced most recently in the media coverage of the 2006 Sago Mine disaster. Shedding some much-needed light on this little-understood topic, Face Boss is riveting, authentic, and often raw. Guillerman describes in stark detail the risks, dangers, and uncertainties of coal mining: the wildcat and contract strikes, layoffs, shutdowns, mine fires, methane ignitions, squeezes, and injuries. But he also discusses the good times that emerged despite perilous working conditions: the camaraderie and immense sense of accomplishment that came with mining hundreds of tons of coal every day. Along the way, Guillerman spices his narrative with numerous anecdotes from his many years on the job and discusses race relations within mining culture and the expanding role of women in the industry.

While the book contributes significantly to the general knowledge of contemporary mining, Face Boss is also a tribute to those men and women who toil anonymously beneath the rolling hills of western Kentucky and the other coal-rich regions of the United States. More than just the story of one man's life and career, it is a stirring testament to the ingenuity, courage, and perseverance of the American coal miner.

Michael D. Guillerman worked for the Peabody Coal Company from 1974 to 1991. Over his long career, his jobs included belt shoveler, timberman, shooter, drill and shuttle car operator, rock duster, and finally section foreman. Now retired, he lives with his wife, Marie, in Union County, Kentucky.
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Faculty Brat
A Memoir of Abuse
Dominic Bucca
University of Iowa Press, 2020

At the most prestigious preparatory schools in the United States, the children of educators are referred to as “faculty brats.” Though generally lacking the privilege of the institution’s wealthy students, faculty brats enjoy access to the school’s extensive grounds and facilities and are part of everyday campus life.

Dominic Bucca’s art teacher mother married his music teacher stepfather twice, and the young boy wondered if the union might be twice as strong as a result. Instead, this faculty brat quickly discovered that the marriage was twice as flawed. When Dominic was nine years old, his stepfather began sexually abusing him in the faculty housing attached to the boys’ dorm his parents oversaw. Years later, he found escape by reaching out to his biological father, and learned to split his life between two realities.


For nearly twenty-five years, Bucca hid the secret of his step­father’s abuse from his mother and sisters. When he decided to tell, hoping to prevent his stepfather from continuing to teach young boys, Bucca discovered the limits of both his family and the legal system.

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The Family Silver
A Memoir of Depression and Inheritance
Sharon O'Brien
University of Chicago Press, 2004
Finding herself struggling with depression ("like a rude houseguest, coming and going of its own accord"), Sharon O'Brien set out to understand its origins beyond the biochemical explanations and emotional narratives prevailing in contemporary American culture. Her quest for her inheritance took her straight into the pressures and possibilities of American culture, and then to the heart of her family—the generations who shaped and were shaped by one another and their moment in history. In The Family Silver, as O'Brien travels into her family's past, she goes beyond depression to discover courage, poetry, and grace.

A compassionate and engaging writer, O'Brien uses the biographer's methods to understand her family history, weaving the scattered pieces of the past—her mother's memo books, her father's reading journal, family photographs, tombstones, dance cards, hospital records, the family silver—into a compelling narrative. In the lives of her Irish-American relatives she finds that the American values of upward mobility, progress, and the pressure to achieve sparked both desire and depression, following her family through generations, across the sea, from the Irish famine of the 1840s to Harvard Yard in the late 1960s.

"Many people who write stories of depression or other chronic illnesses tell tales of recovery in the upward-mobility sense, the 'once I was ill, but now I am well' formula that we may find appealing, but doesn't match the messiness of our lives," she writes. "Mine is not such a tale. But it is a recovery tale in another sense—a story of salvage, of rescuing stories from silence." Told with humor and honesty, O'Brien's story will captivate all readers who want to know how they, and their families, have been shaped by the past.
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Fanning the Spark
A Memoir
Mary Ward Brown
University of Alabama Press, 2009
In 1986, after years of publishing stories in literary magazines and periodicals, Mary Ward Brown published her first book, the story collection Tongues of Flame. It soon received regional and national attention, and the following year won the PEN/Hemingway Award for fiction. Mary Ward Brown was sixty-nine years old. Though she would go on to write and publish many more stories and a well-received second collection, It Wasn’t All Dancing, Mary Ward Brown’s late acclaim hardly hints at the rich and varied life that prepared the way for her success.
 
Fanning the Spark is the story of her life as a writer—her upbringing in rural Alabama; the joys of college, marriage, and motherhood; the sorrows of becoming a widow; and a lifelong devotion to writing, writers, and literature, and the company of those who shared those loves, nurturing and feeding her interior life in the face of many challenges, losses, and obstacles, both emotional and material.
 
Here, in prose every bit as eloquent, evocative, and incisive as her stories, are her remembrances of loved ones; her letters fraught with worry to her son in Vietnam; periods of emotional isolation and unbidden silence; her invaluable friendships with renowned writers, editors, and agents; her love of community and place; and immeasurable delight with every award, speech, and public reading, the many recognitions she has garnered late in life. Above all, it is the story of the competing demands of art and of life, the constant struggle between her need to write and the practicalities of family, duty, and day to day living.

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Fatherless
A Memoir
Keith Maillard
West Virginia University Press, 2019

This story begins with a phone call out of the blue: a lawyer tells a writer that his ninety-six-year-old father, with whom he has had no contact since the age of three and whom he has twice tried to find without success, has just died, leaving him nothing. Half-reluctant, half-fascinated, both angry and curious, Keith Maillard begins to research his father’s life. The result is a suspenseful work of historical reconstruction—a social history often reading like a detective story—as well as a psychologically acute portrait of the impact of a father’s absence. Walking a tightrope between the known and the unknown, and following a trail that takes him from Vancouver to Montreal to his native Wheeling, West Virginia, Keith Maillard has pulled off a book that only a novelist of his stature could write.

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For You, Lili Marlene
A Memoir Of World War II
Robert Peters
University of Wisconsin Press, 1996

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Fortress of My Youth
Memoir of a Terezín Survivor
Jana Renée Friesová
University of Wisconsin Press, 2011

Jana Renée Friesová was fifteen when she was imprisoned by the Nazis in the Czech ghetto town of Terezín. Her memoir tells the poignantly familiar story of a young girl who, even under the most abominable circumstances, engages in intense adolescent friendships, worries with her companions over her looks, and falls in love.
Anne Frank’s diary ends with deportation to a concentration camp; Fortress of My Youth, in contrast, takes the reader deep into the horrors of daily life in a camp that were faced by a young girl and her family. But Friesová also tells of love, joy, sacrifice, and the people who shared in the most profound experiences of her life.

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French Lessons
A Memoir
Alice Kaplan
University of Chicago Press, 2018
Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. Kaplan begins with a distinctly American quest for an imaginary France of the intelligence. But soon her infatuation with all things French comes up against the dark, unimagined recesses of French political and cultural life.

The daughter of a Jewish lawyer who prosecuted Nazi war criminals at Nuremburg, Kaplan grew up in the 1960s in the Midwest. After her father's death when she was seven, French became her way of "leaving home" and finding herself in another language and culture. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French "r," attentively honed her accent, and learned the idioms of her French lover.

When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject "that made history impossible to ignore:" French fascist intellectuals. Kaplan's discussion of the "de Man affair" — the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject.

French Lessons belongs in the company of Sartre's Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.
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French Lessons
A Memoir
Alice Kaplan
University of Chicago Press, 1993
Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. Kaplan begins with a distinctly American quest for an imaginary France of the intelligence. But soon her infatuation with all things French comes up against the dark, unimagined recesses of French political and cultural life.

The daughter of a Jewish lawyer who prosecuted Nazi war criminals at Nuremburg, Kaplan grew up in the 1960s in the Midwest. After her father's death when she was seven, French became her way of "leaving home" and finding herself in another language and culture. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French "r," attentively honed her accent, and learned the idioms of her French lover.

When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject "that made history impossible to ignore:" French fascist intellectuals. Kaplan's discussion of the "de Man affair" — the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject.

French Lessons belongs in the company of Sartre's Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.
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From Southern Wrongs to Civil Rights
The Memoir of a White Civil Rights Activist
Sara Mitchell Parsons
University of Alabama Press, 2009

This first-hand account tells the story of turbulent civil rights era Atlanta through the eyes of a white upper-class woman who became an outspoken advocate for integration and racial equality

As a privileged white woman who grew up in segregated Atlanta, Sara Mitchell Parsons was an unlikely candidate to become a civil rights agitator. After all, her only contacts with blacks were with those who helped raise her and those who later helped raise her children. As a young woman, she followed the conventional path expected of her, becoming the dutiful wife of a conservative husband, going to the country club, and playing bridge. But unlike many of her peers, Parsons harbored an increasing uneasiness about racial segregation.
 
In a memoir that includes candid diary excerpts, Parsons chronicles her moral awakening. With little support from her husband, she runs for the Atlanta Board of Education on a quietly integrationist platform and, once elected, becomes increasingly outspoken about inequitable school conditions and the slow pace of integration. Her activities bring her into contact with such civil rights leaders as Martin Luther King, Jr., and his wife, Coretta Scott King. For a time, she leads a dual existence, sometimes traveling the great psychic distance from an NAACP meeting on Auburn Avenue to an all-white party in upscale Buckhead. She eventually drops her ladies' clubs, and her deepening involvement in the civil rights movement costs Parsons many friends as well as her first marriage.
 
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From that Place and Time
A Memoir, 1938-1947
Dawidowicz, Lucy
Rutgers University Press, 2008
From that Place and Time is the memoir of Lucy S. Dawidowicz, an American-Jewish historian who set out to study Yiddish language and Jewish history at YIVO, the Jewish Scientific Institute in Vilna, Poland, in 1938. Escaping Poland only days before the Nazi onslaught, she worked in the New York YIVO during the war, and returned to Europe from 1946 to 1947 to aid Jewish displaced persons in Munich and Belsen with the American Jewish Joint Distribution Committee. Dawidowicz's memoir not only describes her pre-war year in Jewish Eastern Europe, but also treats the ghostly post-war period, and her role in salvaging what remained of Vilna's scorched Jewish archives and libraries.

Nancy Sinkoff's new introduction explores the historical forces, particularly the dynamic world of secular Yiddish culture, which shaped Dawidowicz's decision to journey to Poland and her reassessment of those forces in the last years of her life.

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