In 1947, the House Un-American Activities Committee rudely interrupted the successful career and life of Edward Dmytryk, citing him with contempt of Congress. As a result, Dmytryk was fired by RKO and spent three years in England before returning to the United States to serve a six-month jail sentence and undergo a second round of hearings, during which he recanted and provided evidence against several of his former colleagues.
In this personal and perceptive book, Dmytryk sharply chronicles the history of a particularly turbulent era in American political life while examining his own life before and after the events universally called the witch hunts. He details his brief membership in the Communist Party of America, explaining his initial commitment to what he perceived as communist ideals of civil liberties, economic justice, and antifacism, followed by his eventual disillusionment with the party as itbetrayed those ideals. He goes on to provide a fair assessment of what then happened to him and the effect it had on the rest of his life.
Dmytryk describes the activities, prejudices, and personal behaviors of all the parties enmeshed in the congressional hearings on communism in Hollywood. His reactions to other members of the Hollywood Ten and his recollection of conversations with them lend his book an immediacy that is not only informative but also absorbing. Most importantly, he does not uphold an ideology but rather presents the events as he perceived them, understood them, and responded to them. Dmytryk’s account is characterized by an openness born of a mature awareness of personal trial as history.
A fiercely independent thinker, colorful storyteller, and spirited teacher, David Grene devoted his life to two things: farming, which he began as a boy in Ireland and continued into old age; and classics, which he taught for several decades that culminated in his translating and editing, with Richmond Lattimore, of The Complete Greek Tragedies.
In this charming memoir, which he wrote during the years leading up to his death in 2002 at the age of eighty-nine, Grene weaves together these interests to tell a quirky and absorbing story of the sometimes turbulent and always interesting life he split between the University of Chicago—where he helped found the Committee on Social Thought—and the farm he kept back in Ireland.
Charting the path that took him from Europe to Chicago in 1937, and encompassing his sixty-five-year career at the university, Grene’s book draws readers into the heady and invigorating climate of his time there. And it is elegantly balanced with reflections stemming from his work on the farm where he hunted, plowed and regularly traveled on horseback to bring his cows home for milking. Grene’s form and humor are quite his own, and his brilliant storytelling will enthrall anyone interested in the classics, rural Ireland, or twentieth-century intellectual history, especially as it pertains to the University of Chicago.
In the 1950s, professional historians claiming to specialize in tropical Africa were no more than a handful. The teaching of world history was confined to high school courses, and even those were focused on European history, with a chapter added to account for the history of East and South Asia. The change over the ensuing decades was revolutionary.
Philip D. Curtin was a leader among a new generation of historians that emerged after the Second World War. Written with characteristic economy and telling detail, On the Fringes of History: A Memoir follows Curtin from his beginnings in central West Virginia in the 1920s, through a distinguished academic career in which Curtin founded African studies at the University of Wisconsin. He began the programs in comparative world history at Wisconsin and Johns Hopkins, producing many of the most influential historians and Africanists from the 1950s to today.
Always an independent thinker and controversial figure, Curtin revived the study of the Atlantic slave trade. His career stands as an example of the kind of dissatisfaction and struggles that brought about a sea change in higher education. On the Fringes of History traces the movement of African history and world history from the fringes of the history profession into the mainstream. This stunningly illustrated memoir illuminates both the career of a leading historian and the history of twentieth-century academia.
When his picture appeared on the cover of Texas Monthly, Joaquin Jackson became the icon of the modern Texas Rangers. Nick Nolte modeled his character in the movie Extreme Prejudice on him. Jackson even had a speaking part of his own in The Good Old Boys with Tommy Lee Jones. But the role that Jackson has always played the best is that of the man who wears the silver badge cut from a Mexican cinco peso coin—a working Texas Ranger. Legend says that one Ranger is all it takes to put down lawlessness and restore the peace—one riot, one Ranger. In this adventure-filled memoir, Joaquin Jackson recalls what it was like to be the Ranger who responded when riots threatened, violence erupted, and criminals needed to be brought to justice across a wide swath of the Texas-Mexico border from 1966 to 1993.
Jackson has dramatic stories to tell. Defying all stereotypes, he was the one Ranger who ensured a fair election—and an overwhelming win for La Raza Unida party candidates—in Zavala County in 1972. He followed legendary Ranger Captain Alfred Y. Allee Sr. into a shootout at the Carrizo Springs jail that ended a prison revolt—and left him with nightmares. He captured "The See More Kid," an elusive horse thief and burglar who left clean dishes and swept floors in the houses he robbed. He investigated the 1988 shootings in Big Bend's Colorado Canyon and tried to understand the motives of the Mexican teenagers who terrorized three river rafters and killed one. He even helped train Afghan mujahedin warriors to fight the Soviet Union.
Jackson's tenure in the Texas Rangers began when older Rangers still believed that law need not get in the way of maintaining order, and concluded as younger Rangers were turning to computer technology to help solve crimes. Though he insists, "I am only one Ranger. There was only one story that belonged to me," his story is part of the larger story of the Texas Rangers becoming a modern law enforcement agency that serves all the people of the state. It's a story that's as interesting as any of the legends. And yet, Jackson's story confirms the legends, too. With just over a hundred Texas Rangers to cover a state with 267,399 square miles, any one may become the one Ranger who, like Joaquin Jackson in Zavala County in 1972, stops one riot.
Philip Raisor was on the losing side in two of the most storied basketball games ever played. He started at guard for the Muncie Central Bearcats, who fell in the 1954 Indiana state final to tiny Milan, the David-over-Goliath event that inspired the movie Hoosiers. On a basketball scholarship to the University of Kansas, he watched his Wilt Chamberlain–led Jayhawks lose the 1957 NCAA championship in triple overtime to North Carolina. In Outside Shooter, Raisor recounts the hard knocks and hard-won triumphs of a basketball odyssey across 1950s America, from Indiana to Kansas to Louisiana, and from adolescence to adulthood.
This was an era in which a racially divided society was taking halting steps toward integration, and few places held more tension than the sports arena. Raisor saw firsthand the toll of racism in the inner rage and sorrow of Muncie’s star player, John Casterlow, whose life followed a trajectory from playing the legendary Oscar Robertson to a draw—almost—to death in the streets of Detroit at age twenty-three. Later, at Louisiana State University after having transferred from Kansas, Raisor, spurred by the memory of Casterlow, would join in hazardous early attempts to integrate the LSU campus. From Indiana to Louisiana, he sees the ordeal of racism reveal character—including his own—at depths beyond the illumination even of competitive sport.
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