front cover of THE COVERT ENLIGHTENMENT
THE COVERT ENLIGHTENMENT
EIGHTEENTH-CENTURY COUNTERCULTURE & ITS AFTERMATH
ALFRED J. GABAY
Swedenborg Foundation Publishers, 2005

The European Enlightenment in the latter half of the eighteenth century heralded a grave conflict between theological and scientific modes of thought, starkly revealing the ancient tensions between spiritual knowledge and rationalism. Yet there was another, lesser-known movement during this time---a "covert" Enlightenment---that sought to bring fresh perspectives on the soul, and by extension, on the human mind and on consciousness. This work examines the influence of Emanuel Swedenborg and Anton Mesmer on the budding movement toward psychology in the late-eighteenth century and also spiritualism and millennialism in the nineteenth century.

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Credulity
A Cultural History of US Mesmerism
Emily Ogden
University of Chicago Press, 2018
From the 1830s to the Civil War, Americans could be found putting each other into trances for fun and profit in parlors, on stage, and in medical consulting rooms. They were performing mesmerism. Surprisingly central to literature and culture of the period, mesmerism embraced a variety of phenomena, including mind control, spirit travel, and clairvoyance. Although it had been debunked by Benjamin Franklin in late eighteenth-century France, the practice nonetheless enjoyed a decades-long resurgence in the United States. Emily Ogden here offers the first comprehensive account of those boom years.
 
Credulity tells the fascinating story of mesmerism’s spread from the plantations of the French Antilles to the textile factory cities of 1830s New England. As it proliferated along the Eastern seaboard, this occult movement attracted attention from Ralph Waldo Emerson’s circle and ignited the nineteenth-century equivalent of flame wars in the major newspapers. But mesmerism was not simply the last gasp of magic in modern times. Far from being magicians themselves, mesmerists claimed to provide the first rational means of manipulating the credulous human tendencies that had underwritten past superstitions. Now, rather than propping up the powers of oracles and false gods, these tendencies served modern ends such as labor supervision, education, and mediated communication. Neither an atavistic throwback nor a radical alternative, mesmerism was part and parcel of the modern. Credulity offers us a new way of understanding the place of enchantment in secularizing America.
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The Infamous Harry Hayward
A True Account of Murder and Mesmerism in Gilded Age Minneapolis
Shawn Francis Peters
University of Minnesota Press, 2018

A fascinating tale of seduction, murder, fraud, coercion—and the trial of the “Minneapolis Monster”

On a winter night in 1894, a young woman’s body was found in the middle of a road near Lake Calhoun on the outskirts of Minneapolis. She had been shot through the head. The murder of Kittie Ging, a twenty-nine-year-old dressmaker, was the final act in a melodrama of seduction and betrayal, petty crimes and monstrous deeds that would obsess reporters and their readers across the nation when the man who likely arranged her killing came to trial the following spring. Shawn Francis Peters unravels that sordid, spellbinding story in his account of the trial of Harry Hayward, a serial seducer and schemer whom some deemed a “Svengali,” others a “Machiavelli,” and others a “lunatic” and “man without a soul.”

Dubbed “one of the greatest criminals the world has ever seen” by the famed detective William Pinkerton, Harry Hayward was an inveterate and cunning plotter of crimes large and small, dabbling in arson, insurance fraud, counterfeiting, and illegal gambling. His life story, told in full for the first time here, takes us into shadowy corners of the nineteenth century, including mesmerism, psychopathy, spiritualism, yellow journalism, and capital punishment. From the horrible fate of an independent young businesswoman who challenged Victorian mores to the shocking confession of Hayward on the eve of his execution (which, if true, would have made him a serial killer), The Infamous Harry Hayward unfolds a transfixing tale of one of the most notorious criminals in America during the Gilded Age.

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front cover of Mesmerism and the End of the Enlightenment in France
Mesmerism and the End of the Enlightenment in France
Robert Darnton
Harvard University Press, 1968
Early in 1788, Franz Anton Mesmer, a Viennese physician, arrived in Paris and began to promulgate a somewhat exotic theory of healing that almost immediately seized the imagination of the general populace. Robert Darnton, in his lively study of mesmerism and its relation to eighteenth-century radical political thought and popular scientific notions, provides a useful contribution to the study of popular culture and the manner in which ideas are diffused down through various social levels.
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front cover of Mesmerized
Mesmerized
Powers of Mind in Victorian Britain
Alison Winter
University of Chicago Press, 1998
Across Victorian Britain, apparently reasonable people twisted into bizarre postures, called out in unknown languages, and placidly bore assaults that should have caused unbearable pain all while they were mesmerized. Alison Winter's fascinating cultural history traces the history of mesmerism in Victorian society. Mesmerized is both a social history of the age and a lively exploration of the contested territory between science and pseudo-science.

"Dazzling. . . . This splendid book . . . gives us a new form of historical understanding and a model for open and imaginative reading."—James R. Kinkaid, Boston Globe

"A landmark in the history of science scholarship."—John Sutherland, The Independent

"It is difficult to imagine the documentary side of the story being better done than by Winter's well-researched and generously illustrated study. . . . She is a lively and keen observer; and her book is a pleasure to read purely for its range of material and wealth of detail. . . . Fruitful and suggestive."—Daniel Karlin, Times Literary Supplement

"An ambitious, sweeping and fascinating historical study. . . . Beautifully written, thoroughly researched, and well-illustrated."—Bernard Lightman, Washington Times
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front cover of Poe, Fuller, and the Mesmeric Arts
Poe, Fuller, and the Mesmeric Arts
Transition States in the American Renaissance
Bruce Mills
University of Missouri Press, 2005
In Poe, Fuller, and the Mesmeric Arts, Bruce Mills examines how the writings of Edgar Allan Poe and Margaret Fuller draw from representations of and theories concerning animal magnetism, somnambulism, or hypnosis rendered in newspapers, literary and medical journals, pamphlets, and books. Although some recent studies have begun to consider the relevance of animal magnetism or mesmerism to nineteenth-century literature and culture, this book moves more deeply into what might be termed the canon of mesmeric study.
            Through the works of Poe and Fuller, Mills argues, we can more fully understand the era’s response to dynamic cultural forces. Rather than simply using “American” subject matter as demanded in early calls for a national literature, Poe and Fuller, as well as Lydia Maria Child and Walt Whitman, increasingly rooted their epistemology and literary forms in psychological findings that accommodated the fluidity of democratic realities and principles.
            For many influential writers of the period, then, the call for a national literature had evolved into attention to the state of one’s own mind, to those manifestations of the highest states of mind, and to the effects of literary choices on readers’ psychological states. In the history and philosophy of mesmeric consciousness, Poe, Fuller, and others discerned those principles that offered the promise of answering a central question: how does one create an aesthetic that effectively explores, accommodates, and fosters the harmonious interplay of transition states in a democratic culture?
            Given its content and approach, Poe, Fuller, and the Mesmeric Arts should evoke interest among Poe and Fuller scholars as well as teachers, students, and historians intent upon understanding the emerging democratic sensibilities of the American Renaissance.
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