front cover of Agrarian Revolt in a Mexican Village
Agrarian Revolt in a Mexican Village
Paul Friedrich
University of Chicago Press, 1977
Agrarian Revolt in a Mexican Village deals with a Taráscan Indian village in southwestern Mexico which, between 1920 and 1926, played a precedent-setting role in agrarian reform. As he describes forty years in the history of this small pueblo, Paul Friedrich raises general questions about local politics and agrarian reform that are basic to our understanding of radical change in peasant societies around the world. Of particular interest is his detailed study of the colorful, violent, and psychologically complex leader, Primo Tapia, whose biography bears on the theoretical issues of the "political middleman" and the relation between individual motivation and socioeconomic change. Friedrich's evidence includes massive interviewing, personal letters, observations as an anthropological participant (e.g., in fiesta ritual), analysis of the politics and other village culture during 1955-56, comparison with other Taráscan villages, historical and prehistoric background materials, and research in legal and government agrarian archives.
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front cover of Mexican Village and Other Works
Mexican Village and Other Works
Josefina Niggli
Northwestern University Press, 2007
Born in Monterrey, Nuevo León, Mexico in 1910, Josefina María Niggli was one of the first Latina writers to have her work published in the United States—and thus one of the first to introduce American audiences to the culture and people flourishing along the U.S.–Mexico border. Well ahead of what is now called Chicano literature, her writings—spanning a broad range of genres, subjects, and styles—offer an insider's view of the everyday lives little known or noted outside of their native milieu. In Niggli's plays, for instance, these often invisible working class Mexicans were literally elevated to the public stage, their hidden reality given expression.

A long-overdue gathering of Niggli's work, this volume showcases the writer's remarkable literary versatility, as well as the groundbreaking nature of her writing, which in many ways established a blueprint for future generations of writers and readers of Chicano literature. This collection includes Niggli's most famous and influential work, Mexican Village—a literary chronicle of Hidalgo, Mexico, which explores the distinct nature and tensions of Mexican life—along with her novel Step Down, Elder Brother, and five of her most well-known plays.
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front cover of San José de Gracia
San José de Gracia
Mexican Village in Transition
By Luis González
University of Texas Press, 1974

The village of San José de Gracia is not mentioned in any history of Mexico, nor is it referred to in any of the annals of the state of Michoacán. It is not to be found at all on most maps, and almost none show its correct location. It is an unknown point in space, in time, and in the consciousness of the Mexican republic.

In Luis González's classic history of the world of San José, he turns his attention in every direction: toward what is lasting and what is ephemeral, everyday and unusual, material and spiritual. The story is, to some extent, the story of rural life anywhere, in any age; to some extent it is peculiar to the world of the peasant all through Mexico's history; and to some extent it can be said to be true only of San José.

The history of San José is also the history of the village as victim of the megalopolis, not only in Mexico but everywhere in our time. With the small community will be lost traditions and a sense of continuity that may prove irreplaceable and essential to human wellbeing. While Luis González does not suggest that he knows what the fate of San José will be, one feels that he knows all too well, and that his questions are only "How?" and "How soon?"

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