Reveals the career of an influential but underappreciated photojournalist. Photographer Nacho López was Mexico's Eugene Smith, fusing social commitment with searing imagery to dramatize the plight of the helpless, the poor, and the marginalized in the pages of glossy illustrated magazines. Even today, López's photographs forcefully belie the picturesque exoticism that is invariably presented as the essence of Mexico. In Nacho López, Mexican Photographer, John Mraz offers the first full-length study in English of this influential photojournalist and provides a close visual analysis of more than fifty of López's most important photographs. Mraz first sets López's work in the historical and cultural context of the authoritarian presidentialism that characterized Mexican politics in the 1950s, the cult of wealth and celebrity promoted by Mexico's professional photographers, and the government's attempts to modernize and industrialize Mexico at almost any cost. Mraz skillfully explores the implications of López's imagery in this setting: the extent to which his photographs might constitute further victimization of his downtrodden subjects, the relationship between them and the middle-class readers of the magazines for which López worked, and the success with which his photographs challenged Mexico's economic and political structures. Mraz contrasts the photos López took with those that were selected by his editors for publication. He also compares López's images with his theories about documentary photography, and considers López's photographs alongside the work of Robert Capa, Dorothea Lange, Henri Cartier-Bresson, and Sebastião Salgado. López's imagery is further analyzed in relation to the Mexican Golden Age cinema inspired by Sergei Eisenstein, the pioneering digital imagery of Pedro Meyer, and the work of Manuel �lvarez Bravo, who Mraz provocatively argues was the first Mexican photographer to take an anti-picturesque stance. The definitive English-language assessment of Nacho López's career, this volume also explores such broader topics as the nature of the photographic essay and the role of the media in effecting social change. "John Mraz writes clearly and passionately. His excellent study will elevate López into the pantheon of photographers who have combined social commitment and artistic expression and creativity." Robert M. Levine "If Manuel Alvarez Bravo is Mexico's version of Edward Weston, then Nacho López is probably the equivalent of W. Eugene Smith--that is to say, a photojournalist of international stature. Documentary photographers are all too often static bystanders, but López was a dynamic dissident. To appreciate his work, you have to be in possession of John Mraz's profound knowledge of Mexican social history. This is one of the most important contributions to the history of photography of the last twenty years." Mike Weaver John Mraz is research professor at the Instituto de Ciencias Sociales y Humanidades at the Universidad Autónoma de Puebla in Mexico.

Revealing the resiliency of Nahua culture and language while highlighting the adaptations and changes they have undergone over the centuries, The Nahua demonstrates that Nahuatl remained a vibrant and central language well after European contact and into the twenty-first century, and its characteristic features can provide insight into nuanced aspects of Nahua culture and history.
 
During the colonial period, Nahuatl became a means of empowerment, oppression, and indoctrination. In modern times, Nahuatl continues to serve as an ideological lightning rod for both the Mexican government and Indigenous communities. Contributors to this volume focus on Nahua intellectual production from the sixteenth century to the present; contact and the negotiation of meaning; adaptations of Christian lore that show how representations of creation, hell, and the Passion of Christ reflected Nahua perceptions and understandings; Nahua cultural expressions, including poetry, healing rituals, and even running; language and geography; Nahuatl place-names; and the transformation of Nahuatl speakers from antiquity to the present.
 
Showcasing how Nahuatl’s cultural resilience permanently shaped the region’s social geography, The Nahua engages the field’s interest in the nonhomogenous character of the language, with regional and subregional dialects and pronunciations that reflect the history of pre-Columbian migrations and modern-era influences. Bridging the study of Nahuatl as a “historical” Indigenous language tradition with the study of modern-day speakers and their experiences, this work is of significance to students, scholars, and speakers of the languages as well as those studying colonial New Spain, Indigenous resilience, or Indigenous linguistics.
 

Evangelical Christianity is Mexico’s fastest-growing religious movement, with about ten million adherents today. Most belong to Protestant denominations introduced from the United States (e.g., Jehovah’s Witnesses, Seventh-day Adventists), but perhaps as many as 800,000 are members of homegrown, “native” evangelical sects. These native Mexican sects share much with the American denominations of which they are spinoffs. For instance, they are Trinitarian, Anabaptist, and Millenarian; they emphasize a personal relationship with God, totally rejecting intermediation by saints; and they insist that they are the only true Christians. Beyond that, each native sect has its distinctive characteristics.

This book focuses on two sharply contrastive native evangelical sects in Central Mexico: Amistad y Vida (Friendship and Life) and La Luz del Mundo (The Light of the World). The former, founded in 1982, now has perhaps 120,000 adherents nationwide. It is nonhierarchical, extremely egalitarian, and has no dogmatic directives. It is a cheerful religion that emphasizes charity, community service, and personal kindness as the path to salvation. It attracts new members, mainly from the urban middle class, through personal example rather than proselytizing. La Luz del Mundo, founded in 1926, now has about 350,000 members in Mexico and perhaps one million in the hemisphere. It is hierarchically organized and demands total devotion to the sect’s founder and his son, who are seen as direct links to Jesus on Earth. It is a proselytizing sect that recruits mainly among the urban poor by providing economic benefits within the congregations, but does no community service as such.

Based on ten years of fieldwork (1996–2006) and contextualized by nearly fifty years of anthropological study in the region, Native Evangelism in Central Mexico presents the first ethnography of Mexico’s native evangelical congregations.

2013 — NACCS Book Award – National Association for Chicana and Chicano Studies

During the nineteenth and early twentieth centuries, a majority of the Mexican immigrant population in the United States resided in Texas, making the state a flashpoint in debates over whether to deny naturalization rights. As Texas federal courts grappled with the issue, policies pertaining to Mexican immigrants came to reflect evolving political ideologies on both sides of the border.

Drawing on unprecedented historical analysis of state archives, U.S. Congressional records, and other sources of overlooked data, Naturalizing Mexican Immigrants provides a rich understanding of the realities and rhetoric that have led to present-day immigration controversies. Martha Menchaca's groundbreaking research examines such facets as U.S.-Mexico relations following the U.S. Civil War and the schisms created by Mexican abolitionists; the anti-immigration stance that marked many suffragist appeals; the effects of the Spanish American War; distinctions made for mestizo, Afromexicano, and Native American populations; the erosion of means for U.S. citizens to legalize their relatives; and the ways in which U.S. corporations have caused the political conditions that stimulated emigration from Mexico.

The first historical study of its kind, Naturalizing Mexican Immigrants delivers a clear-eyed view of provocative issues.

In this account of the naval aspect of Hernando Cortés's invasion of the Aztec Empire, C. Harvey Gardiner has added another dimension to the drama of Spanish conquest of the New World and to Cortés himself as a military strategist. The use of ships, in the climactic moment of the Spanish-Aztec clash, which brought about the fall of Tenochtitlán and consequently of all of Mexico, though discussed briefly in former English-language accounts of the struggle, had never before been detailed and brought into a perspective that reveals its true significance. Gardiner, on the basis of previously unexploited sixteenth-century source materials, has written a historical revision that is as colorful as it is authoritative.

Four centuries before the term was coined, Cortés, in the key years of 1520–1521, used the technique of "total war." He was able to do so victoriously primarily because of his courage in taking a gamble and his brilliance in tactical planning, but these qualities might well have signified nothing without the fortunate presence in his forces of a master shipwright, Martin López.

As the exciting story unrolls, Cortés, López, and the many other participants in the venture of creating and using a navy in the midst of the New World mountains and forests are seen as real personalities, not embalmed historical stereotypes, and the indigenous defenders are revealed as complex human beings facing huge odds. Much of the tale is told in the actual words of the protagonists; Gardiner has probed letters, court records, and other contemporary documents. He has also compared this naval feat of the Spaniards with other maritime events from ancient times to the present.

Naval Power in the Conquest of Mexico as a book was itself the result of an interesting combination of circumstances. C. Harvey Gardiner, as teacher, scholar, and writer, had long been interested in Latin American history generally and Mexican history in particular. During World War II, from 1942 to 1946, he served with the U.S. Navy. As he relates: "One day in early autumn 1945, while loafing on the bow of a naval vessel knifing its way southward in the Pacific a few degrees north of the Equator, my thoughts turned to the naval side of the just-ended conflict, and in time the question emerged, 'I wonder how the little ships and the little men will fare in the eventual record?' Then, because I was eager to return to my civilian life of pursuit of Latin American themes, the concomitant question came: 'I wonder what little fighting ships and minor men of early Latin America have been consigned to the oblivion of historical neglect?' As I began later to rummage my way from Columbus toward modem times, I seized upon the Mexican Conquest as the prime period with pay dirt for the researcher in quest of the answer to that latter question."

In our globalizing world, the movement of people and resources has accelerated, giving rise to transnational connections and interdependencies. New Patterns for Mexico examines novel and emerging patterns of United States giving to Mexico and its impact on equitable development. Last year alone, Mexican migrants living in the United States sent billions of dollars back to families and relatives living in Mexico. Most of these funds were for private consumption, but more and more diaspora resources support social and philanthropic endeavors in their country of origin. This bilingual volume asks: What are these new patterns of diaspora giving and how do they affect equitable development in Mexico?

Through its Global Philanthropy Program, the Global Equity Initiative of Harvard University aims to advance knowledge about global philanthropy and the role of private philanthropic investments in furthering global equity. This volume, one in a series on diaspora giving, builds upon the earlier work of Diaspora Philanthropy: Perspectives on India and China and continues the Program's research series on the relationship between diaspora engagement and equitable development.

Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s.

Mexico has long been lauded and studied for its post-revolutionary public art, but recent artistic practices have raised questions about how public art is created and for whom it is intended. In The New Public Art, Mara Polgovsky Ezcurra, together with a number of scholars, artists, and activists, looks at the rise of community-focused art projects, from collective cinema to off-stage dance and theatre, and the creation of anti-monuments that have redefined what public art is and how people have engaged with it across the country since the 1980s.

The New Public Art investigates the reemergence of collective practices in response to privatization, individualism, and alienating violence. Focusing on the intersection of art, politics, and notions of public participation and belonging, contributors argue that a new, non-state-led understanding of "the public" came into being in Mexico between the mid-1980s and the late 2010s. During this period, community-based public art bore witness to the human costs of abuses of state and economic power while proposing alternative forms of artistic creation, activism, and cultural organization.

Night and Darkness in Ancient Mesoamerica is the first volume to explicitly incorporate how nocturnal aspects of the natural world were imbued with deep cultural meanings and expressed by different peoples from various time periods in Mexico and Central America. Material culture, iconography, epigraphy, art history, ethnohistory, ethnographies, and anthropological theory are deftly used to illuminate dimensions of darkness and the night that are often neglected in reconstructions of the past.
 
The anthropological study of night and darkness enriches and strengthens the understanding of human behavior, power, economy, and the supernatural. In eleven case studies featuring the residents of Teotihuacan, the Classic period Maya, inhabitants of Rio Ulúa, and the Aztecs, the authors challenge archaeologists to consider the influence of the ignored dimension of the night and the role and expression of darkness on ancient behavior. Chapters examine the significance of eclipses, burials, tombs, and natural phenomena considered to be portals to the underworld; animals hunted at twilight; the use and ritual meaning of blindfolds; night-blooming plants; nocturnal foodways; fuel sources and lighting technology; and other connected practices.
 
Night and Darkness in Ancient Mesoamerica expands the scope of published research and media on the archaeology of the night. The book will be of interest to those who study the humanistic, anthropological, and archaeological aspects of the Aztec, Maya, Teotihuacanos, and southeastern Mesoamericans, as well as sensory archaeology, art history, material culture studies, anthropological archaeology, paleonutrition, socioeconomics, sociopolitics, epigraphy, mortuary studies, volcanology, and paleoethnobotany.
 
Contributors: Jeremy Coltman, Christine Dixon, Rachel Egan, Kirby Farah, Carolyn Freiwald, Nancy Gonlin, Julia Hendon, Cecelia Klein, Jeanne Lopiparo, Brian McKee, Jan Marie Olson, David M. Reed, Payson Sheets, Venicia Slotten, Michael Thomason, Randolph Widmer, W. Scott Zeleznik
 

Recent anthropological scholarship on “new midwifery” centers on how professional midwives in various countries are helping women reconnect with “nature,” teaching them to trust in their bodies, respecting women’s “choices,” and fighting for women’s right to birth as naturally as possible. In No Alternative, Rosalynn A. Vega uses ethnographic accounts of natural birth practices in Mexico to complicate these narratives about new midwifery and illuminate larger questions of female empowerment, citizenship, and the commodification of indigenous culture, by showing how alternative birth actually reinscribes traditional racial and gender hierarchies.

Vega contrasts the vastly different birthing experiences of upper-class and indigenous Mexican women. Upper-class women often travel to birthing centers to be delivered by professional midwives whose methods are adopted from and represented as indigenous culture, while indigenous women from those same cultures are often forced by lack of resources to use government hospitals regardless of their preferred birthing method. Vega demonstrates that women’s empowerment, having a “choice,” is a privilege of those capable of paying for private medical services—albeit a dubious privilege, as it puts the burden of correctly producing future members of society on women’s shoulders. Vega’s research thus also reveals the limits of citizenship in a neoliberal world, as indigeneity becomes an object of consumption within a transnational racialized economy.

Recognized in Mexico as one of the country's most important contemporary dramatists, Emilio Carballido has only recently become known in other countries through his plays and short stories. This translation introduces Carballido as a novelist. In The Norther what makes and breaks human relationships is his central interest as he traces the course of a relationship between a widow and a young man. The characters are created as their emotional and psychological outlines are drawn, and it is in the characterization that the hand of the dramatist is revealed. But it is Carballido's novelistic talent that has made The Norther the object of widely divergent interpretations. The critical conflict aroused by this novel is discussed in an Introduction by the translator, Margaret Sayers Peden.