An engrossing memoir in which a photojournalist records both the precursors to today’s conflicts in the Middle East and her own deeply felt conviction that news coverage of the region actually increases the conflicts there.

"You're going where?" Carol Spencer Mitchell's father demanded as she set off in 1984 to cover the Middle East as a photojournalist for Newsweek and other publications. In this intensely thoughtful memoir, Spencer Mitchell probes the motivations that impelled her—a single Jewish woman—to document the turmoil roiling the Arab world in the 1980s and 1990s, as well as how her experiences as a photojournalist compelled her to set aside her cameras and reexamine the way images are created, scenes are framed, and "real life" is packaged for specific news stories.

In Danger Pay, Spencer Mitchell takes us on a harrowing journey to PLO military training camps for Palestinian children and to refugee camps in the Gaza Strip before, during, and after the first intifada. Through her eyes, we experience the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet Middle Eastern leaders, in particular Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell developed close working relationships. And we witness Spencer Mitchell's growing conviction that the Western media's portrayal of conflicts in the Middle East actually helps to fuel those conflicts—a conviction that eventually, as she says, "shattered [her] career."

Although the events that Spencer Mitchell records took place decades ago, their repercussions reverberate in the MIddle Eastern conflicts of today. Likewise, her concern about "the triumph of image over reality" takes on greater urgency as our knowledge of the world becomes ever more filtered by virtual media.

The last of Cyrus the Great’s dynastic inheritors and the legendary enemy of Alexander the Great, Darius III ruled over a Persian Empire that stretched from the Mediterranean to the Indus River. Yet, despite being the most powerful king of his time, Darius remains an obscure figure.

As Pierre Briant explains in the first book ever devoted to the historical memory of Darius III, the little that is known of him comes primarily from Greek and Roman sources, which often present him in an unflattering light, as a decadent Oriental who lacked the masculine virtues of his Western adversaries. Influenced by the Alexander Romance as they are, even the medieval Persian sources are not free of harsh prejudices against the king Dārā, whom they deemed deficient in the traditional kingly virtues. Ancient Classical accounts construct a man who is in every respect Alexander’s opposite—feeble-minded, militarily inept, addicted to pleasure, and vain. When Darius’s wife and children are captured by Alexander’s forces at the Battle of Issos, Darius is ready to ransom his entire kingdom to save them—a devoted husband and father, perhaps, but a weak king.

While Darius seems doomed to be a footnote in the chronicle of Alexander’s conquests, in one respect it is Darius who has the last laugh. For after Darius’s defeat in 331 BCE, Alexander is described by historians as becoming ever more like his vanquished opponent: a Darius-like sybarite prone to unmanly excess.

The Green Movement protests that erupted in Iran in 2009 amid allegations of election fraud shook the Islamic Republic to its core. For the first time in decades, the adoption of serious liberal reforms seemed possible. But the opportunity proved short-lived, leaving Iranian activists and intellectuals to debate whether any path to democracy remained open.

Offering a new framework for understanding democratization in developing countries governed by authoritarian regimes, Democracy in Iran is a penetrating, historically informed analysis of Iran’s current and future prospects for reform. Beginning with the Iranian Revolution of 1979, Misagh Parsa traces the evolution of Iran’s theocratic regime, examining the challenges the Islamic Republic has overcome as well as those that remain: inequalities in wealth and income, corruption and cronyism, and a “brain drain” of highly educated professionals eager to escape Iran’s repressive confines. The political fortunes of Iranian reformers seeking to address these problems have been uneven over a period that has seen hopes raised during a reformist administration, setbacks under Ahmadinejad, and the birth of the Green Movement. Although pro-democracy activists have made progress by fits and starts, they have few tangible reforms to show for their efforts.

In Parsa’s view, the outlook for Iranian democracy is stark. Gradual institutional reforms will not be sufficient for real change, nor can the government be reformed without fundamentally rethinking its commitment to the role of religion in politics and civic life. For Iran to democratize, the options are narrowing to a single path: another revolution.

The U.S.-led conquest and occupation of Iraq have kept that troubled country in international headlines since 2003. For America’s major Coalition ally, Great Britain, however, this latest incursion into the region played out against the dramatic backdrop of imperial history: Britain’s fateful invasion of Mesopotamia in 1914 and the creation of a new nation from the shards of war.

The objectives of the expedition sent by the British Government of India were primarily strategic: to protect the Raj, impress Britain’s military power upon Arabs chafing under Ottoman rule, and secure the Persian oil supply. But over the course of the Mesopotamian campaign, these goals expanded, and by the end of World War I Britain was committed to controlling the entire region from Suez to India. The conquest of Mesopotamia and the creation of Iraq were the central acts in this boldly opportunistic bid for supremacy. Charles Townshend provides a compelling account of the atrocious, unnecessary suffering inflicted on the expedition’s mostly Indian troops, which set the pattern for Britain’s follow-up campaigns in Iraq and Afghanistan over the next seven years. He chronicles the overconfidence, incompetence, and dangerously vague policy that distorted the mission, and examines the steps by which an initially cautious strategic operation led to imperial expansion on a vast scale.

Desert Hell is a cautionary tale for makers of national policy. And for those with an interest in imperial history, it raises searching questions about Britain’s quest for global power and the indelible consequences of those actions for the Middle East and the world.

Oil and water, and the science and technology used to harness them, have long been at the heart of political authority in Saudi Arabia. Oil’s abundance, and the fantastic wealth it generated, has been a keystone in the political primacy of the kingdom’s ruling family. The other bedrock element was water, whose importance was measured by its dearth. Over much of the twentieth century, it was through efforts to control and manage oil and water that the modern state of Saudi Arabia emerged.

The central government’s power over water, space, and people expanded steadily over time, enabled by increasing oil revenues. The operations of the Arabian American Oil Company proved critical to expansion and to achieving power over the environment. Political authority in Saudi Arabia took shape through global networks of oil, science, and expertise. And, where oil and water were central to the forging of Saudi authoritarianism, they were also instrumental in shaping politics on the ground. Nowhere was the impact more profound than in the oil-rich Eastern Province, where the politics of oil and water led to a yearning for national belonging and to calls for revolution.

Saudi Arabia is traditionally viewed through the lenses of Islam, tribe, and the economics of oil. Desert Kingdom now provides an alternative history of environmental power and the making of the modern Saudi state. It demonstrates how vital the exploitation of nature and the roles of science and global experts were to the consolidation of political authority in the desert.

The Diagram as Paradigm is the first book that looks at medieval diagrams in a cross-cultural perspective, focusing on three regions—Byzantium, the Islamicate world, and the Latin West—each culturally diverse and each closely linked to the others through complex processes of intellectual, artistic, diplomatic, and mercantile exchange.

The volume unites case studies, often of little-known material, by an international set of specialists, and is prefaced by four introductory essays that provide broad overviews of diagrammatic traditions in these regions in addition to considering the theoretical dimensions of diagramming. Among the historical disciplines whose use of diagrams is explored are philosophy, theology, mysticism, music, medicine, mathematics, astronomy, and cosmology. Despite the sheer variety, ingenuity, and visual inventiveness of diagrams from the premodern world, in conception and practical use they often share many similarities, both in construction and application. Diagrams prove to be an essential part of the fabric of premodern intellectual, scientific, religious, artistic, and artisanal life.

Advance your understanding of divination’s role in supporting or undermining imperial aspirations in the ancient Near East

This collection examines the ways that divinatory texts in the Hebrew Bible and the ancient Near East undermined and upheld the empires in which the texts were composed, edited, and read. Nine essays and an introduction engage biblical scholarship on the Prophets, Assyriology, the Dead Sea Scrolls, and the critical study of Ancient Empires.

Features:

• Interdisciplinary approaches include propaganda studies
• Essays examine how biblical and other ancient Near Eastern texts were shaped by political and theological empires
• Index of ancient sources

The Dome of the Rock, the beautiful Muslim shrine in the walled Old City of Jerusalem, was fully restored to its original state in the last half-century. Thus, this structure, sited on the third holiest spot on earth for Muslims, is at once a product of the seventh century and almost entirely the work of our own times--a paradox in keeping with the complexities and contradictions of history and religion, architecture and ideology that define this site.

This book tells the story of the Dome of the Rock, from the first fateful decades of its creation--on the esplanade built in the fourth decade B.C.E. for the Second Jewish Temple--to its engulfment in the clashes of the Crusades and the short-lived Christianization of all of Jerusalem, to its modern acquisition of different and potent meanings for Muslim, Christian, and Jewish cultures.

Oleg Grabar's presentation combines what we know of the building with the views of past observers and with the broader historical, cultural, and aesthetic implications of the monument. Primarily it is as a work of art that the Dome of the Rock stands out from these pages, understood for the quality that allows it to transcend the constrictions of period and perhaps even those of faith and culture. Finally, Grabar grapples with the question this monumental work of art so eloquently poses: whether the pious requirements of a specific community can be reconciled with universal aesthetic values.

Descriptions of dreams abound in the literatures of the Near East and North Africa. The Prophet Muhammad endowed them with a theological dimension, saying that after him “true dreams” would be the only channel for prophecy. Dreams were often used to support conflicting theological and political arguments, and the local chronicles contain many accounts of royal dreams justifying the advent of new dynasties.

This volume explores the context of these theological speculations and political aspirations through the medium of dreams to present fascinating insights into the social history of the pre-modern Islamic world in all its cultural diversity. Wider cultural exchanges are discussed through concrete examples such as the Arabic version of the Aristotelian treatise De divinatione per somnum. Some of the current scholarly assumptions about dreams being merely stylized expressions of social conventions are challenged by personal reports that express individual personalities, self-awareness, and spiritual development.

This is the first volume of the Ilex Series on Themes and Traditions. The series explores cross-cultural constructs without losing sight of the rich texture of local variations of traditions or beliefs.