front cover of the magic my body becomes
the magic my body becomes
Poems by
Jess Rizkallah
University of Arkansas Press, 2017

Winner, 2017 Etel Adnan Poetry Prize

In the magic my body becomes, Jess Rizkallah seeks a vernacular for the inescapable middle ground of being Arab American—a space that she finds, at times, to be too Arab for America and too American for her Lebanese elders.

These poems freely assert gender, sexuality, and religious beliefs while at the same time respecting a generational divide: the younger’s privilege gained by the sacrifice of the older, the impossibility of separating what is wholly hers from what is hers secondhand.

In exploring family history, civil war, trauma, and Lebanon itself, Rizkallah draws from the spirits of canonical Arab and Middle Eastern poets. As a result of her conjuring, the reader feels these spirits begin to exorcise the grief of those who are still alive. Throughout, there is the body, a reclamation and pushback against cultures that simultaneously sexualize and shame women. And there is a softness as inherent as rage, a resisting of stereotypes that too often speak louder than the complexities of a resilient cultural identity.

The magic my body becomes is an exciting new book from an exciting young poet, a love letter to a people as well as a fist in the air.

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Making Sense of the Arab State
Steven Heydemann and Marc Lynch, Editors
University of Michigan Press, 2024
No region in the world has been more hostile to democracy, more dominated by military and security institutions, or weaker on economic development and inclusive governance than the Middle East. Why have Arab states been so oppressively strong in some areas but so devastatingly weak in others?  How do those patterns affect politics, economics, and society across the region? The state stands at the center of the analysis of politics in the Middle East, but has rarely been the primary focus of systematic theoretical analysis.

Making Sense of the Arab State brings together top scholars from diverse theoretical orientations to address some of the most critically important questions facing the region today. The authors grapple with enduring questions such as the uneven development of state capacity, the failures of developmentalism and governance, the centrality of regime security and survival concerns, the excesses of surveillance and control, and the increasing personalization of power. Making Sense of the Arab State will be a must-read for scholars of the Middle East and of comparative politics more broadly.
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Making the Modern Middle East
Second Edition
T.G. Fraser, Andrew Mango, and Robert McNamara
Gingko, 2015
A century ago, as World War I got underway, the Middle East was dominated, as it had been for centuries, by the Ottoman Empire. But by 1923, its political shape had changed beyond recognition, as the collapse of the Ottoman Empire and the insistent claims of Arab and Turkish nationalism and Zionism led to a redrawing of borders and shuffling of alliances—a transformation whose consequences are still felt today.
           
This fully revised and updated second edition of Making the Modern Middle East traces those changes and the ensuing history of the region through the rest of the twentieth century and on to the present. Focusing in particular on three leaders—Emir Feisal, Mustafa Kemal, and Chaim Weizmann—the book offers a clear, authoritative account of the region seen from a transnational perspective, one that enables readers to understand its complex history and the way it affects present-day events.
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Mamluk Jerusalem
An Architectural Study
Michael Hamilton Burgoyne
Council for British Research in the Levant, 1987
A survey of Mamluk architecture in the Old City of Jerusalem carried out by the British School of Archaeology in Jerusalem (BSAJ), beginning in 1968. It is authored by Michael. Hamilton Burgoyne, with additional historical research by D.S. Richards and published on behalf of the BSAJ by the World of Islam Festival Trust.
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A Map of Signs and Scents
New and Selected Poems, 1979–2014
Amjad Nasser / Translated from the Arabic by Fady Joudah and Khaled Mattawa
Northwestern University Press, 2016
Featuring poems from earlier collections of Amjad Nasser’s work and many newer uncollected poems never made available in English, A Map of Signs and Scents introduces the work of an important Arabic poet to a broader contemporary Anglophone readership. This special annotation edition helps readers view the multifaceted contexts within which Nasser has created his award-winning poems.
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Marvellous Thieves
Secret Authors of the Arabian Nights
Paulo Lemos Horta
Harvard University Press, 2017

Although many of its stories originated centuries ago in the Middle East, the Arabian Nights is regarded as a classic of world literature by virtue of the seminal French and English translations produced in the eighteenth and nineteenth centuries. Supporting the suspicion that the story collection is more Parisian than Persian, some of its most famous tales, including the stories of Aladdin and Ali Baba, appear nowhere in the original sources. Yet as befits a world where magic lamps may conceal a jinni and fabulous treasures lie just beyond secret doors, the truth of the Arabian Nights is richer than standard criticism suggests.

Marvellous Thieves, which draws on hitherto neglected sources, is a brilliant, fluent and original work of literary scholarship.”
—Robert Irwin, Literary Review

“This fine book…cogently probes an influential period in the knotted and at times sordid history of the Arabian Nights, serving as a fine example to those unraveling this promiscuous and forever malleable set of stories.”
—Charles Shafaieh, Wall Street Journal

“Intelligent and engrossing…The great merit of Horta’s book is that its interest always lies in the story of the story, in mapping out the complex network of the translators, editors and travellers behind the Arabian Nights, in ways that enrich our sense of this remarkable text.”
—Shahidha Bari, Times Higher Education

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Mediating the Uprising
Narratives of Gender and Marriage in Syrian Television Drama
Rebecca Joubin
Rutgers University Press, 2020
Mediating the Uprising: Narratives of Gender and Marriage in Syrian Television Drama shows how gender and marriage metaphors inform post-uprising Syrian drama for various forms of cultural and political critique. These narratives have become complicated since the uprising due to the Syrian regime’s effort to control the revolutionary discourse. As Syria’s uprising spawned more terrorist groups, some drama creators became nostalgic for pre-war days.
 
While for some screenwriters a return to pre-2011 life would be welcome after so much bloodshed, others advocated profound cultural and social transformation, instead. They employed marriage and gender metaphors in the stories they wrote to engage in political critique, even at the risk of creating marketing difficulties for the shows or they created escapist stories such as transnational adaptations and Old Damascus tales. Serving as heritage preservation, Mediating the Uprising underscores that television drama creators in Syria have many ways of engaging in protest, with gender and marriage at the heart of the polemic. 
 
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Mediterranean in Dis/order
Space, Power, and Identity
Rosita Di Peri and Daniel Meier, Editors
University of Michigan Press, 2023

Mediterranean in Dis/order reveals the connection between space and politics by examining the role that space has played in insurgencies, conflicts, uprisings, and mobilities in the Mediterranean region. With this approach, the authors are able to challenge well-established beliefs about the power structure of the state across different disciplines (including political science, history, sociology, geography, and anthropology), and its impact on the conception, production, and imagination of space in the broader Mediterranean. Further, they contribute to particular areas of studies, such as migration, political Islam, mobilization, and transition to democracy, among others. The book, infusing critical theory, unveils original and revelatory case studies in Tunisia, Libya, Lebanon, Turkey, Syria, Morocco, and the EU Mediterranean policy, through a various set of actors and practices—from refugees and migrations policies, to Islamist or students’ movements, architectural sites, or movies. This multidisciplinary perspective on space and power provides a valuable resource for practitioners interested in how space, context, and time interact to produce institutions, political subjectivities, and asymmetries of power, particularly since the turning point of the Arab uprisings. The book also helps readers understand the conditions under which the uprisings develop, giving a clearer picture about various national, regional, and international dynamics.

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Military, Inc.
Inside Pakistan's Military Economy
Ayesha Siddiqa
Pluto Press, 2016
Pakistan occupies a paradoxical, even contradictory place in American foreign policy. Nominally a strategic ally in the war on terror, it is the third-largest recipient of US aid in the world. At the same time, it is run by its military and intelligence service—whose goals certainly do not always overlap with US priorities.

This book offers a close look at what the rise of the military has meant for Pakistani society. Ayesha Siddiqa shows how entrenched the military has become, not just in day-to-day governance, but in the Pakistani corporate sector as well. What are the consequences of this unprecedented merging of the military and corporate sectors? What does it mean for Pakistan’s economic development—let alone for hopes of an eventual return to democracy and de-militarization? This new edition brings Siddiqa’s account fully up to date with a new preface and conclusion that emphasize the changing role of the media.
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Mirror of Dew
The Poetry of Ālam-tāj Zhāle Qā’em-Maqāmi
Asghar Seyed-Gohrab
Harvard University Press

Mirror of Dew introduces one of Iran's outstanding female poets, whose work has not previously been available in English. Zhāle Qā'em-Maqāmi (1883-1946) was a witness to pivotal social and political developments in Iran during its transition to modernity. Persian poetry at that time was often used polemically and didactically, for a mass audience, but Zhāle did not write to be published. The poems, like the mirror, samovar, and other familiar objects we find in them, appear to be the author's intimate companions.

Her poetry is deeply personal but includes social critique and offers a rare window into the impact of a modern awareness on private lives. Zhāle is biting in her condemnation of traditional Persian culture, and even of aspects of Islamic law and custom. She might be called the Emily Dickinson of Persian poetry, although Zhāle was married, against her will. Zhāle is far from the first female poet in Persian literature but is the first we know of to write with an interior, intimate voice about private life, her anxieties, her frustrated love, her feelings about her husband, and many topical issues. This volume presents the Persian text of Zhāle's poems on pages facing the English translations.

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Modernizing Patriarchy
The Politics of Women's Rights in Morocco
By Katja Žvan Elliott
University of Texas Press, 2015

Morocco is hailed by academics, international NGO workers, and the media as a trailblazer in women’s rights and legal reforms. The country is considered a model for other countries in the Middle East and North African region, but has Morocco made as much progress as experts and government officials claim? In Modernizing Patriarchy, Katja Žvan Elliott examines why women’s rights advances are lauded in Morocco in theory but are often not recognized in reality, despite the efforts of both Islamist and secular feminists.

In Morocco, female literacy rates remain among the lowest in the region; many women are victims of gender-based violence despite legal reforms; and girls as young as twelve are still engaged to adult men, despite numerous reforms. Based on extensive ethnographic research and fieldwork in Oued al-Ouliya, Modernizing Patriarchy offers a window into the life of Moroccan Muslim women who, though often young and educated, find it difficult to lead a dignified life in a country where they are expected to have only one destiny: that of wife and mother. Žvan Elliott exposes their struggles with modernity and the legal reforms that are supposedly ameliorating their lives. In a balanced approach, she also presents male voices and their reasons for criticizing the prevailing women’s rights discourse. Compelling and insightful, Modernizing Patriarchy exposes the rarely talked about reality of Morocco’s approach toward reform.

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Mummy Portraits of Roman Egypt
Emerging Research from the APPEAR Project
Marie Svoboda
J. Paul Getty Trust, The, 2020
This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections.

Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how.
 
An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world.

The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Muslim Comics and Warscape Witnessing
Esra Mirze Santesso
The Ohio State University Press, 2023
Recent decades have seen an unprecedented number of comics by and about Muslim people enter the global market. Now, Muslim Comics and Warscape Witnessing offers the first major study of these works. Esra Mirze Santesso assesses Muslim comics to illustrate the multifaceted nature of seeing and representing daily lives within and outside of the homeland. Focusing on contemporary graphic narratives that are primarily but not exclusively from the Middle East—from blockbusters like Marjane Satrapi’s Persepolis to more local efforts such as Leila Abdelrazaq’s Baddawi—Santesso explores why the graphic form has become a popular and useful medium for articulating Muslim subjectivities. Further, she shows how Muslim comics “bear witness” to a range of faith-based positions that complicate discussions of global ummah or community, contest monolithic depictions of Muslims, and question the Islamist valorization of the shaheed, the “martyr” figure regarded as the ideal religious witness. By presenting varied depictions of everyday lives of Muslims navigating violence and militarization, this book reveals the connections between religious rituals and existence in warscapes and invites us to more deeply consider the nature of witnessing itself. 
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My Heart Became a Bomb
Poems by Ramy al-Asheq; translated by Levi Thompson
University of Texas Press, 2021

My Heart Became a Bomb is the first collection of poetry by Syrian-Palestinian poet Ramy al-Asheq to be translated into English. Poignant and raw, these poems take the reader along a path of forced emigration from Bashar al-Assad’s prisons in Syria to Amsterdam to Auschwitz to Berlin, Germany, where Al-Asheq is now creating a new home. By turns melancholy and reflective, celebratory and hopeful, Al-Asheq’s newly translated poems offer the English-reading audience a contemporary perspective on the experience of exile in a world facing the phenomeno of mass migration, whether for political or environmental reasons. The translations are the result of a long collaboration between Al-Asheq and Thompson (who also edited this collection). Raising questions about the nature of love, identity, and the role of poetry in the face of constant flux and great uncertainty, My Heart Became a Bomb introduces an important new voice to the world of contemporary poetry.

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My Shadow Is My Skin
Voices from the Iranian Diaspora
Edited by Katherine Whitney and Leila Emery
University of Texas Press, 2020

The Iranian revolution of 1979 launched a vast, global diaspora, with many Iranians establishing new lives in the United States. In the four decades since, the diaspora has expanded to include not only those who emigrated immediately after the revolution but also their American-born children, more recent immigrants, and people who married into Iranian families, all of whom carry their own stories of trauma, triumph, adversity, and belonging that reflect varied and nuanced perspectives on what it means to be Iranian or Iranian American. The essays in My Shadow Is My Skin are these stories.

This collection brings together thirty-two authors, both established and emerging, whose writing captures the diversity of Iranian diasporic experiences. Reflecting on the Iranian American experience over the past forty years and shedding new light on themes of identity, duality, and alienation in twenty-first-century America, the authors present personal narratives of immigration, sexuality, marginalization, marriage, and religion that offer an antidote to the news media’s often superficial portrayals of Iran and the people who have a connection to it. My Shadow Is My Skin illuminates a community that rarely gets to tell its own story.

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Mystical Poems of Rumi
Jalal al-Din Rumi
University of Chicago Press, 2009
My verse resembles the bread of Egypt—night passes over it, and you cannot eat it any more.
Devour it the moment it is fresh, before the dust settles upon it.
Its place is the warm climate of the heart; in this world it dies of cold.
Like a fish it quivered for an instant on dry land, another moment and you see it is cold.
Even if you eat it imagining it is fresh, it is necessary to conjure up many images.
What you drink is really your own imagination; it is no old tale, my good man.

Jalal al-Din Rumi (1207–73), legendary Persian Muslim poet, theologian, and mystic, wrote poems acclaimed through the centuries for their powerful spiritual images and provocative content, which often described Rumi’s love for God in romantic or erotic terms. His vast body of work includes more than three thousand lyrics and odes. This volume includes four hundred poems selected by renowned Rumi scholar A. J. Arberry, who provides here one of the most comprehensive and adept English translations of this enigmatic genius. Mystical Poems is the definitive resource for anyone seeking an introduction to or an enriched understanding of one of the world’s greatest poets.
 
“Rumi is one of the world’s greatest lyrical poets in any language—as well as probably the most accessible and approachable representative of Islamic civilization for Western students.”—James W. Morris, Oberlin College
 
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