Believe it or not, Waterloo, Iowa, had an NBA team during the league’s first season, 1949 to 1950. Broadcaster and independent sports historian Tim Harwood uncovers the fascinating story of the Waterloo Hawks and the Midwest’s influence on professional basketball. Beginning with the professional leagues that led up to the creation of the National Basketball Association, Harwood recounts big games and dramatic buzzer-beaters, and the players who made them.
The first season of the NBA was far from a success. Teams had a hard time attracting fans, with games often played in half-empty arenas. When Waterloo residents learned that the team was struggling financially, they rallied behind the Hawks and purchased shares of the team in a bid to keep it afloat. Unfortunately, that community-based effort was not enough; owners of teams in larger markets pressured the league to push Waterloo—and other smaller towns like Anderson, Indiana, and Sheboygan, Wisconsin—out of the league.
Though the Hawks disappeared after their lone NBA campaign, Waterloo and other midwestern teams were nonetheless integral to getting the NBA off the ground, and their legacy continues today through some of the current franchises that relocated to larger markets. Combining newspaper accounts and personal interviews with surviving players, Harwood weaves a fascinating story of the underdog team, in the unlikeliest of places, that helped make professional basketball the worldwide success it is today.
A first-ever history of early baseball in Illinois, Ballists, Dead Beats, and Muffins adds the Prairie State game’s unique shadings and colorful stories to the history of the national pastime.
The Bark River valley in southeastern Wisconsin is a microcosm of the state's - indeed, of the Great Lakes region's - natural and human history. "The Bark River Chronicles" reports one couple's journey by canoe from the river's headwaters to its confluence with the Rock River and several miles farther downstream to Lake Koshkonong. Along the way, it tells the stories of Ice Age glaciation, the effigy mound builders, the Black Hawk War, early settlement and the development of waterpower sites, and recent efforts to remove old dams and mitigate the damage done by water pollution and invasive species.
Along with these big stories, the book recounts dozens of little stories associated with sites along the river. The winter ice harvest, grain milling technology, a key supreme court decision regarding toxic waste disposal, a small-town circus, a scheme to link the Great Lakes to the Mississippi River by canal, the murder of a Chicago mobster, controversies over race and social class in Waukesha County's lake country, community efforts to clean up the river and restore a marsh, visits to places associated with the work of important Wisconsin writers - these and many other stories belong to the Bark River chronicles.
For the two voyageurs who paddle the length of the Bark, it is a journey of rediscovery and exploration. As they glide through marshes, woods, farmland, and cities, they acquire not only historical and environmental knowledge but also a renewed sense of the place in which they live. Maps and historical photographs help the reader share their experience.
Originally published in 1995, Barns of the Midwest is a masterful example of material cultural history. It arrived at a critical moment for the agricultural landscape. The 1980s were marked by farm foreclosures, rural bank failures, the continued rise of industrialized agriculture, and severe floods and droughts. These waves of disaster hastened the erosion of the idea of a pastoral Heartland knit together with small farms and rural values. And it wasn’t just an idea that was eroded; material artifacts such as the iconic Midwestern barn were also rapidly wearing away.
It was against this background that editors Noble and Wilhelm gathered noted experts in history and architecture to write on the nature and meaning of Midwestern barns, explaining why certain barns were built as they were, what types of barns appeared where, and what their functions were. Featuring a new introduction by Timothy G. Anderson, Barns of the Midwest is the definitive work on this ubiquitous but little studied architectural symbol of a region and its history.
The election year of 1948 remains to this day one of the most astonishing in U.S. political history. During this first general election after World War II, Americans looked to their governments for change. As the battle for the nation’s highest office came to a head in Illinois, the state was embroiled in its own partisan showdowns—elections that would prove critical in the course of state and national history.
In Battleground 1948, Robert E. Hartley offers the first comprehensive chronicle of this historic election year and its consequences, which still resonate today. Focusing on the races that ushered Adlai Stevenson, Paul Douglas, and Harry Truman into office—the last by the slimmest of margins—Battleground 1948 details the pivotal events that played out in the state of Illinois, from the newspaper wars in Chicago to tragedy in the mine at Centralia.
In addition to in-depth revelations on the saga of the American election machine in 1948, Hartley probes the dark underbelly of Illinois politics in the 1930s and 1940s to set the stage, spotlight key party players, and expose the behind-the-scenes influences of media, money, corruption, and crime. In doing so, he draws powerful parallels between the politics of the past and those of the present. Above all, Battleground 1948 tells the story of grassroots change writ large on the American political landscape—change that helped a nation move past an era of conflict and depression, and forever transformed Illinois and the U.S. government.
The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief.
Irish music as we know it today was invented not just in the cobbled lanes of Dublin or the green fields of County Kerry, but also in the burgeoning metropolis of early-twentieth-century Chicago. The genre’s history combines a long folk tradition with the curatorial quirks of a single person: Francis O’Neill, a larger-than-life Chicago police chief and an Irish immigrant with a fervent interest in his home country’s music.
Michael O’Malley’s The Beat Cop tells the story of this singular figure, from his birth in Ireland in 1865 to his rough-and-tumble early life in the United States. By 1901, O’Neill had worked his way up to become Chicago’s chief of police, where he developed new methods of tracking criminals and recording their identities. At the same time, he also obsessively tracked and recorded the music he heard from local Irish immigrants, enforcing a strict view of what he felt was and wasn’t authentic. Chief O’Neill’s police work and his musical work were flip sides of the same coin, and O’Malley delves deep into how this brash immigrant harnessed his connections and policing skills to become the foremost shaper of how Americans see, and hear, the music of Ireland.
BEHOLD the 1871 team as it plays for the title in nine different borrowed uniforms after losing everything in the Great Chicago Fire
ATTEND West Side Grounds at Polk and Wolcott with its barbershop quartet
MARVEL as superstar Cap Anson hits .399, makes extra cash running a ballpark ice rink, and strikes out as an elected official
WONDER at experiments with square bats and corked balls, the scandal of Sunday games and pre-game booze-ups, the brazen spitters and park dimensions changed to foil Ty Cobb
RAZZ Charles Comiskey as he adopts a Cubs hand-me-down moniker for his team's name
THRILL to the poetic double-play combo of Tinker, Evers, and Chance even as they throw tantrums at umpires and punches at each other
CHEER as Merkle's Boner and the Cubs' ensuing theatrics send the team to the 1908 World Series
Rich with Hall of Fame personalities and oddball stories, Before the Ivy opens a door to Chicago's own field of dreams and serves as every Cub fan's guide to a time when thoughts of "next year" filled rival teams with dread.
Detractors have called it "The Mistake on the Lake." It was once America’s "Comeback City." According to author J. Mark Souther, Cleveland has long sought to defeat its perceived civic malaise. Believing in Cleveland chronicles how city leaders used imagery and rhetoric to combat and, at times, accommodate urban and economic decline.
Souther explores Cleveland's downtown revitalization efforts, its neighborhood renewal and restoration projects, and its fight against deindustrialization. He shows how the city reshaped its image when it was bolstered by sports team victories. But Cleveland was not always on the upswing. Souther places the city's history in the postwar context when the city and metropolitan area were divided by uneven growth. In the 1970s, the city-suburb division was wider than ever.
Believing in Cleveland recounts the long, difficult history of a city that entered the postwar period as America's sixth largest, then lost ground during a period of robust national growth. But rather than tell a tale of decline, Souther provides a fascinating story of resilience for what some folks called "The Best Location in the Nation."
The most famous couple in Wisconsin politics, "Fighting Bob" La Follette and his wife, Belle Case La Follette, come to life in the pages of the newest addition to the Badger Biographies series for young readers. In an accessible format that includes historic images, a glossary of terms, and sidebars explaining political concepts, students learn about Progressive politics and reform in the early 20th century through the experiences of this pioneering couple.
The father of "Progressive politics," Bob La Follette was famous for digging in his heels when it came to reforming government corruption. He also gained a reputation for fiery speeches on the campaign trail and on the Senate floor. Belle La Follette was political in her own right. The first woman to graduate from the University of Wisconsin's Law School, she was an advocate for world peace and an agitator for the women's vote. She was also Bob's most trusted political advisor. Together, the couple raised a family and fought for the changes they believed would make the world a better place.
An Osseo native looks at the enduring power of immigrant traditions in rural Trempealeau County, from its pioneer days to recent decades.
Across the United States, historic preservation has become a catalyst for urban regeneration. Entrepreneurs, urban pioneers, and veteran city dwellers have refurbished thousands of dilapidated properties and put them to productive use as shops, restaurants, nightclubs, museums, and private residences. As a result, inner-cities, once disparaged as zones of poverty, crime, and decay have been re-branded as historic districts. Although these preservation initiatives, often supported by government tax incentives and rigid architectural controls, deserve credit for bringing people back to the city, raising property values, and generating tourist revenue, they have been less successful in creating stable and harmonious communities.
Beyond Preservation proposes a framework for stabilizing and strengthening inner-city neighborhoods through the public interpretation of historic landscapes. Its central argument is that inner-city communities can best turn preserved landscapes into assets by subjecting them to public interpretation at the grass-roots. Based on an examination of successful projects in St. Louis, Missouri and other U.S. cities, Andrew Hurley demonstrates how rigorous historical analysis can help communities articulate a local identity and plan intelligently on the basis of existing cultural and social assets.
Nature writer Candice Andrews weaves together contemporary observations and historical reminisces in Beyond the Trees: Stories of Wisconsin Forests. Readers will journey to some of the most pristine and notable places in the Upper Midwest—Wisconsin’s state and national forests.
The diversity of landscapes evoked in Beyond the Trees is matched only by the characters who inhabit them. Traverse the footsteps of Ojibwe hunters and early explorers in the remote woods of Brule River State Forest. Trek past the remains of bygone logging and CCC camps in the Chequamegon-Nicolet National Forest. Glimpse into the world of Great Lakes shipping in Point Beach State Forest. Walk on trails named after John Muir and Increase Lapham in the Kettle Moraine State Forest, and experience urban green space at Milwaukee’s Havenwoods State Forest. From orchids to oak savanna, beaver to brook trout, and white-tailed deer to timber wolves, discover Wisconsin’s wildlife and flora and fauna. Archival images, informative sidebars, locator maps, and contact information for Wisconsin state and national forests round out this unique book.
A brilliant chameleon of a politician, Thompson could move from pro- to anti-prohibition, from opposing the Chicago Teachers Federation to opposing a superintendent hostile to it, from being anti-Catholic to winning, in huge numbers, the Catholic vote. Shape-shifter extraordinaire, Thompson stayed in power by repeatedly altering his political image. In Big Bill Thompson, Chicago, and the Politics of Image, Douglas Bukowski captures the essence of this wily urban politico as no other biographer or historian has. Using materials accessible only thanks to the Freedom of Information Act, Bukowski has fashioned an unforgettable story of a volatile Chicago leader and his era. And he does it with such grace and in such an irresistible style that readers will yearn to visit the local speakeasy and lift a glass to colorful politicians gone by.
Binga is the definitive full-length biography of Jesse Binga, the first black banker in Chicago. Born into a large family in Detroit, Binga arrived in Chicago in 1892 in his late twenties with virtually nothing. Through his wits and resourcefulness, he rose to wealth and influence as a real estate broker, and in 1908 he founded the Binga Bank, the first black-owned bank in the city. But his achievements were followed by an equally notable downfall. Binga recounts this gripping story about race, history, politics, and finance.
The Black Belt, where Binga’s bank was located, was a segregated neighborhood on Chicago’s South Side—a burgeoning city within a city—and its growth can be traced through the arc of Binga’s career. He preached and embodied an American gospel of self-help and accrued wealth while expanding housing options and business opportunities for blacks. Devout Roman Catholics, he and his wife Eudora supported church activities and various cultural and artistic organizations; their annual Christmas party was the Black Belt’s social event of the year. But Binga’s success came at the price of a vicious backlash. After he moved his family into a white neighborhood in 1917, their house was bombed multiple times, his offices were attacked twice, and he became a lightning rod for the worst race riots in Chicago history, which took place in 1919. Binga persevered, but, starting with the stock market crash of October 1929, a string of reversals cost him his bank, his property, and his fortune.
A quintessentially Chicago story, Binga tells the history of racial change in one of the most segregated cities in America and how an extraordinary man stood as a symbol of hope in a community isolated by racial animosity.
A foundational document, Black Hawk: An Autobiography is both an unsparing record of America's genocide against Native American peoples and the moving self-portrait of an extraordinary man.
John Edgar Tidwell’s introduction examines both Davis’s poetry and his politics, presenting a subtle portrait of a complex writer devoted to exposing discriminatory practices and reaffirming the humanity of the common people.
Drawing on student publications of the late 1960s and early 1970s, as well as interviews with student activists, former administrators, and faculty, Williamson discusses the emergence of Black Power ideology, what constituted "blackness," and notions of self-advancement versus racial solidarity. Promoting an understanding of the role of black youth in protest movements, Black Power on Campus is an important contribution to the literature on African American liberation movements and the reform of American higher education.
Ian Rocksborough-Smith’s meticulous research and adept storytelling provide the first in-depth look at how these committed individuals leveraged Chicago’s black public history. Their goal: to engage with the struggle for racial equality. Rocksborough-Smith shows teachers working to advance curriculum reform in public schools, while well-known activists Margaret and Charles Burroughs pushed for greater recognition of black history by founding the DuSable Museum of African American History. Organizations like the Afro-American Heritage Association, meanwhile, used black public history work to connect radical politics and nationalism. Together, these people and their projects advanced important ideas about race, citizenship, education, and intellectual labor that paralleled the shifting terrain of mid-twentieth-century civil rights.
"In Williamson County some men took to violence almost as a way of life. A shocking story, well told."--New Yorker
Williamson County in southern Illinois has been the scene of almost unparalleled violence, from the Bloody Vendetta between two families in the 1870s through the Herrin Massacre of 1922, Ku Klux Klan activities that ended in fatalities, and the gang war of the 1920s between the Charlie Birger and Shelton brothers gangs. Paul Angle was fascinated by this more-than-fifty-year history, and his account of this violence has become a classic.
The most bitter guerrilla conflict in American history raged along the Kansas-Missouri border from 1856 to 1865, making that frontier the first battleground in the struggle over slavery. That fiercely contested boundary represented the most explosive political fault line in the United States, and its bitter divisions foreshadowed an entire nation torn asunder. Jeremy Neely now examines the significance of the border war on both sides of the Kansas-Missouri line and offers a comparative, cross-border analysis of its origins, meanings, and consequences.
A narrative history of the border war and its impact on citizens of both states, The Border between Them recounts the exploits of John Brown, William Quantrill, and other notorious guerrillas, but it also uncovers the stories of everyday people who lived through that conflict. Examining the frontier period to the close of the nineteenth century, Neely frames the guerrilla conflict within the larger story of the developing West and squares that violent period with the more peaceful—though never tranquil—periods that preceded and followed it.
Focusing on the countryside south of the big bend in the Missouri River, an area where there was no natural boundary separating the states, Neely examines three border counties in each state that together illustrate both sectional division and national reunion. He draws on the letters and diaries of ordinary citizens—as well as newspaper accounts, election results, and census data—to illuminate the complex strands that helped bind Kansas and Missouri together in post–Civil War America. He shows how people on both sides of the line were already linked by common racial attitudes, farming practices, and ambivalence toward railroad expansion; he then tells how emancipation, industrialization, and immigration eventually eroded wartime divisions and facilitated the reconciliation of old foes from each state.
Today the “border war” survives in the form of interstate rivalries between collegiate Tigers and Jayhawks, allowing Neely to consider the limits of that reconciliation and the enduring power of identities forged in wartime. The Border between Them is a compelling account of the terrible first act of the American Civil War and its enduring legacy for the conflict’s veterans, victims, and survivors, as well as subsequent generations.
Bottoms Up celebrates Wisconsin’s taverns and the breweries that fueled them. Beginning with inns and saloons, the book explores the rise of taverns and breweries, the effects of temperance and Prohibition, and attitudes about gender, ethnicity, and morality. It traces the development of the megabreweries, dominance of the giants, and the emergence of microbreweries. Contemporary photographs of unusual and distinctive bars and breweries of all eras, historical photos, postcards, advertisements, and breweriana illustrate the story of how Wisconsin came to dominate brewing—and the place that bars and beer hold in our social and cultural history.
Seventy featured taverns and breweries represent diverse architectural styles, from the open-air Tom’s Burned Down Cafe on Madeline Island to the Art Moderne Casino in La Crosse, and from Club 10, a 1930s roadhouse in Stevens Point, to the well-known Wolski’s Tavern in Milwaukee. There are bars in barns and basements and brewpubs in former ice cream factories and railroad depots. Bottoms Up also includes a heady mix of such beer-related topics as ice harvesting, barrel making, bar games, Old-Fashioneds, bar fixtures, and the queen of the bootleggers. Now in paperback for the first time!
A classic story of a young man’s journey to adulthood, The Boy of Battle Ford covers Blackman’s years growing up in early post-settlement Illinois, where he gave in to temptations such as drinking, gambling, and the lure of prostitutes before joining the army, finding God and becoming a preacher. Blackman, who notes that he is determined to “write facts” in this book, peppers his story with the sordid details of the sinful times of his life as well as with discussions of faith and of struggling to understand his God and his beliefs.
How two teenage girls in Minnesota jump-started a revolution in high school athletics
Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court—so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.
As Peggy’s younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls’ lives and open up athletic opportunities for innumerable others.
Grounded in newspaper coverage, court records, and interviews, Brenden’s deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination—and, often, heartache—led to a victory much greater than any high school championship.
The book follows the progress of the Beckman Institute's creation, from the initial conceptualization of a large, multi-disciplinary institute; through proposal formulation; to the architectural design and actual construction of its state-of-the-art building, made possible by the largest gift made to any public university at the time: a $40 million contribution from Illinois alumnus and founder of Beckman Instruments, Inc., Arnold O. Beckman and his wife Mabel M. Beckman.
Theodore L. Brown, the founding director of the Beckman Institute, brings an insider's personal perspective on its conception and its early operations. The evolution of a physical facility that matched a developing sense of what multidisciplinary and interdisciplinary research might be was a vital ingredient in the Institute's development. In addition, because the Institute represented a dramatic departure from traditional university organization, many challenges involving its administration and faculty had to be overcome.
A celebration of the Beckman Institute's first twenty years of operation since the building's completion in 1989, Bridging Divides provides an informative look back at the history of this groundbreaking interdisciplinary research center. The book also includes forewords by Stanley O. Ikenberry, former president of the University of Illinois, and Richard H. Herman, chancellor of the University of Illinois at Urbana-Champaign.
“It’s good to see Si Siman and the Ozark Jubilee get their due in Broadcasting the Ozarks.”
—Willie Nelson
Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955–60), the first regularly broadcast live country music show on network television. Dubbed the “king of the televised barn dances,” the show introduced the Ozarks to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry—with the Jubilee’s producer, Si Siman, at the helm.
Siman’s life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee’s five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee’s signature hit, “I’m Sorry,” and Wayne Carson, who wrote Willie Nelson’s “Always on My Mind.” Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his hometown in the Ozarks.
By the last two decades of the twentieth century, Ohio women had held positions as university presidents, chief executive officers, judges, superintendents of schools, and lieutenant governor. They had won Pulitzer Prizes and, in one case, the Nobel Prize for Literature.
But these women stood on the shoulders of those who came before: the pioneering women who helped tame the Ohio frontier, who filled the breach, who worked for reform, and who struggled for their own rights as citizens of one of the most prosperous states in the Union.
Buckeye Women is an accessible and comprehensive account of the role Ohio women have assumed in the history of the state and a narrative of their hardships and of the victories that have been won in the past two hundred years.
In this timely contribution to the Ohio Bicentennial Series, Professor Stephane Booth has written a rich and well-researched volume, providing for the first time a record of the vast and pivotal accomplishments shared by the women of Ohio over the last two centuries and documenting their contribution to the state’s remarkable heritage.
Covering completed and ongoing projects, Building Momentum offers a one- or two-page feature on each undertaking that covers its history and purpose while providing specific details about its unit, campus, architect, square footage or renovation size, budget, and LEED or other certifications. More than 100 architectural drawings and commissioned and historical photographs round out the descriptions.
Why is there a national monument near a small town on the Minnesota prairie? Why do the town’s residents dress as Indians each summer and perform a historical pageant based on a Victorian-era poem? To answer such questions, Building on a Borrowed Past: Place and Identity in Pipestone, Minnesota shows what happens when one culture absorbs the heritage of another for civic advantage.
Founded in 1874, Pipestone was named for the quarries where regional tribes excavated soft stone for making pipes. George Catlin and Henry Wadsworth Longfellow described the place and its tribal history. Promotion by white residents of the quarries as central to America’s Indian heritage helped Pipestone obtain a federal Indian boarding school in the 1890s and a national monument in the 1930s. The annual “Song of Hiawatha” pageant attracted tourists after World War II. Sally J. Southwick’s prizewinning study demonstrates how average, small–town citizens contributed to the generic image of “the Indian” in American culture.
Examining oral histories, memoirs, newspapers, federal documents, civic group records, and promotional literature, Southwick focuses on the role of middle–class individuals in establishing a historical, place–based identity. Building on a Borrowed Past reveals how identities are formed through adaptation of cultural, spiritual, racial, and historical symbols.
A rare and crucial perspective on Latina/o/x people in the Midwest, Building Sustainable Worlds reveals how expressive culture contributes to, and sustains, a sense of place in an uncertain era.
Contributors: Jason P. Chambers, Marcia Chatelain, Will Cooley, Robert Howard, Christopher Robert Reed, Myiti Sengstacke Rice, Clovis E. Semmes, Juliet E. K. Walker, and Robert E. Weems Jr.
In Buried Indians, Laurie Hovell McMillin presents the struggle of her hometown, Trempealeau, Wisconsin, to determine whether platform mounds atop Trempealeau Mountain constitute authentic Indian mounds. This dispute, as McMillin subtly demonstrates, reveals much about the attitude and interaction-past and present-between the white and Indian inhabitants of this Midwestern town.
McMillin's account, rich in detail and sensitive to current political issues of American Indian interactions with the dominant European American culture, locates two opposing views: one that denies a Native American presence outright and one that asserts its long history and ruthless destruction. The highly reflective oral histories McMillin includes turn Buried Indians into an accessible, readable portrait of a uniquely American culture clash and a dramatic narrative grounded in people's genuine perceptions of what the platform mounds mean.
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