Eccentricities of Geography is a collection of poems, stories, and essays with a quirky charm and regional Western flavor. The works in this anthology range from "Wild West" parodies to essays on the perils of hiking in California, and from poems that twist trickster fables to ones that explore the dangers of jogging in mountain lion country.

These writers reveal that the land is a character: sometimes a mother, sometimes a joker, never an enemy, though one must take care. The space can be refreshing or oppressive, as the paradox of openness is that it tends to control and confine as much as free us. The weather plans your day. Snowstorms don't negotiate.

The West makes people acutely aware of the absurdity of their smallness, and this feeling is the source of much of the humor in the anthology. The sensation of being tiny, that crazed adrenalin rush and the feeling of your heart beating in your throat, has to make you laugh out loud like a roller coaster. The twenty authors in this collection will take you for an interesting ride.

Contributors to the anthology include: Kirstin Abraham, Genevieve Betts, Shirley Brewer, David Coy, Elizabeth Creely, Mary Christine Delea, Jen Edwards, Thea Gavin, John Haggerty, Brad Johnson, Neal Lewing, Robert McBrearty, Margaret Ozemet, Francis Raven, Greg Robillard, Heather Sappenfield, Sam Smith, Laura Snyder, Caroline Sposto, and Scott Starbuck.

Like any legendary figure, the cowboy is part myth and part reality, memorialized by history and Hollywood, envied by those who spend days at desks and dream of trading swivel chairs for saddles. The writings in this anthology serve as testament to the cultural love, bordering on obsession, of the American cowboy. These works cover the gamut, from the romanticized movie cowboy to ranchers, freelancers, and contemporary wranglers who wear hoodies and work in massive feedlot pens.

The cowboy that emerges from this collection is multifaceted, as the book juxtaposes cowboys spraying longhorns at a car wash to cowboys advertising services on Craigslist and Pepsi-drinking cowboys riding Amtrak trains. There are portraits of the old cowboys, crotchety coffee-swigging men with too many stories about how things were better four decades ago. However, the figure remains one constructed of loyalties—loyalty to work, loyalty to family, loyalty to animals, loyalty to the land.

The image of the cowboy is vivid in our imagination, insperable from Western mythology, a means to connect ourselves with the wild and rugged individuals we dream we used to be. In this age of computers and cubicles we want to touch and preserve that history, but we must allow for shifting traditions. As the thirty-five authors in this collection will remind you, even cowboys carry cell phones.