BiblioVault - Books about Mimbres pottery

Mimbres Life and Society

The Mattocks Site of Southwestern New Mexico

Patricia A. Gilman and Steven A. LeBlanc

University of Arizona Press, 2017

A thousand years ago, village farmers in the Mimbres Valley of what is now southwestern New Mexico created stunning black-on-white pottery. Mimbres pottery has added a fascinating dimension to southwestern archaeology, but it has also led to the partial or total destruction of most Mimbres sites. The Mimbres Foundation, in one of the few modern investigations of a Mimbres pueblo, excavated the Mattocks site, containing about 180 surface rooms in addition to pit structures. Mimbres Life and Society details the Mattocks site’s architecture and artifacts, and it includes 160 figures, showing more than 400 photographs of painted vessels from the site.

Mimbres pueblos, as early examples of people using surface room blocks, are ideal for investigating questions about how and why people moved from earlier subterranean pit structures to aboveground room blocks. The authors consider the number of households living at the site before and after the transition, as well as the lack of evidence for subsistence intensification and population growth as causes of this transition. These analyses suggest that each room block on the site housed a single family as opposed to multiple families, the more common interpretation. There were not necessarily more households on the site during the Classic period than earlier.

Patricia A. Gilman and Steven A. LeBlanc spent five seasons excavating at the Mattocks site and many more analyzing and writing about Mattocks site data. They note that subtle social differences among people were at play, and they emphasize that the Mattocks site may be unique among Mimbres pueblos in many aspects. Mimbres Life and Society reveals broad-ranging implications for southwestern archaeologists and anyone interested in understanding the ancient Southwest and early village societies.

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Mimbres Society

Edited by Valli S. Powell-Marti and Patricia A. Gilman

University of Arizona Press, 2006

The enchanting pottery created by the Mimbres people of southwestern New Mexico is considered by many scholars to be unique among all the ancient art traditions of North America. Distinguished by their elaborate hand-painted black-on-white designs, Mimbres vessels have inspired artists and collectors, and many insist that they are unrivaled in several millennia of pottery making.

While the attention to the extraordinary Mimbres painted pottery is well merited, the focus on its artistry alone has obscured other equally remarkable achievements and compelling questions about this unique and sophisticated society. Was the society as truly egalitarian as it has often been suggested? Was the pottery produced by specialists? How did Mimbres architecture—among the first to break living spaces into apartment-style room blocks—reflect the relationships among individuals, families, and communities? Did aggregate housing units translate into social equality, or did subtle hierarchies exist?

Tracing the way technology evolved in ceramic decoration, architecture, and mortuary practices, this collection of eight original contributions brings new insights into previously unexplored dimensions of Mimbres society. The contributors also provide vivid examples of how today’s archaeologists are linking field data to social theory.

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Painted by a Distant Hand

Mimbres Pottery from the American Southwest

Steven A. LeBlanc

Harvard University Press, 2005

Highlighting one of the Peabody Museum's most important archaeological expeditions—the excavation of the Swarts Ranch Ruin in southwestern New Mexico by Harriet and Burton Cosgrove in the mid-1920s—Steven LeBlanc's book features rare, never-before-published examples of Mimbres painted pottery, considered by many scholars to be the most unique of all the ancient art traditions of North America. Made between A.D. 1000 and 1150, these pottery bowls and jars depict birds, fish, insects, and mammals that the Mimbres encountered in their daily lives, portray mythical beings, and show humans participating in both ritual and everyday activities. LeBlanc traces the origins of the Mimbres people and what became of them, and he explores our present understanding of what the images mean and what scholars have learned about the Mimbres people in the 75 years since the Cosgroves' expedition.

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The Swarts Ruin

A Typical Mimbres Site in Southwestern New Mexico, With a New Introduction by Steven A. LeBlanc

H. S. Cosgrove and C. Burton Cosgrove

Harvard University Press, 2011

This classic volume on the evocative and enigmatic pottery of the Mimbres people has become an irreplaceable design catalogue for contemporary Native American artists. Burt and Harriet (Hattie) Cosgrove were self-trained archaeologists who began excavating Mimbres materials in 1919. When their meticulous research came to the attention of Alfred V. Kidder of the Peabody Museum, he invited them to direct the Mimbres Valley Expedition at the Swarts Ranch in southern New Mexico on behalf of the Peabody.

Working in the summers of 1924 to 1927, the Cosgroves recovered nearly 10,000 artifacts at the Swarts site, including an extraordinary assemblage of Mimbres ceramics. Like their original 1932 report, this paperbound facsimile edition includes over 700 of Hattie Cosgrove’s beautiful line drawings of individual Mimbres pots. It also presents a new introduction by archaeologist Steven A. LeBlanc, who reviews the eighty years of research on the Mimbres that have followed the Cosgroves’ groundbreaking study. The Peabody’s reissue of The Swarts Ruin once again makes available a rich resource for scholars, artists, and admirers of Native American art, and it places in historical context the Cosgroves’ many contributions to North American archaeology.

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