A bold philosophical investigation into technology and the limits of the human
A daring, original work of philosophical speculation, Neurotechnology and the End of Finitude mounts a sustained investigation into the possibility that human beings may technologically overcome the transcendental limits of possible experience and envisages what such a transition would look like. Focusing on emergent neurotechnologies, which establish a direct channel of communication between brain and machine, Michael Haworth argues that such technologies intervene at the border between interiority and exteriority, offering the promise of immediacy and the possibility of the mind directly affecting the outside world or even other minds.
Through detailed, targeted readings of Kant, Freud, Heidegger, Croce, Jung, and Derrida, Haworth explores the effect of this transformation on human creativity and our relationships with others. He pursues these questions across four distinct but interrelated spheres: the act of artistic creation and the potential for a technologically enabled coincidence of idea and object; the possibility of humanity achieving the infinite creativity that Kant attributed only to God; the relationship between the psyche and the external world in Freudian psychoanalysis and Jungian analytical psychology; and the viability and impact of techno-telepathic communication.
Addressing readers interested in contemporary continental philosophy and philosophy of technology, media and communications, and science and technology studies, Neurotechnology and the End of Finitude critically envisions a plausible posthuman future.
Grosz develops her argument by juxtaposing the work of three major figures in Western thought: Charles Darwin, Friedrich Nietzsche, and Henri Bergson. She reveals that in theorizing time as an active, positive phenomenon with its own characteristics and specific effects, each of these thinkers had a profound effect on contemporary understandings of the body in relation to time. She shows how their allied concepts of life, evolution, and becoming are manifest in the work of Gilles Deleuze and Luce Irigaray. Throughout The Nick of Time, Grosz emphasizes the political and cultural imperative to fundamentally rethink time: the more clearly we understand our temporal location as beings straddling the past and the future without the security of a stable and abiding present, the more transformation becomes conceivable.
Frequently cited and just as often disputed, Elizabeth Anscombe’s “Modern Moral Philosophy” (1958) and “The First Person” (1975) are touchstones of twentieth-century analytic philosophy. Though the arguments Anscombe advances in these papers are familiar to philosophers, their significance remains widely misunderstood, says James Doyle.
No Morality, No Self offers a fresh interpretation of Anscombe’s still-controversial theses about ethical reasoning and individual identity, specifically, her argument that the term “moral” (as it occurs in such contexts as “moral obligation”) is literally meaningless, and that “I” does not refer to some special entity called a “self”—a pair of claims that philosophers have responded to with deep skepticism. However unsettling Anscombe’s conclusions may be, Doyle shows the underlying seriousness of the British philosopher’s reasoning, exposing with clarity and concision how the counterarguments of Anscombe’s detractors are based on a flawed or incomplete understanding of her ideas.
Doyle zeroes in on the central conundrum Anscombe posed to the referentialist school: namely, that it is impossible to give a noncircular explanation of how “I” refers to the person who utters it. He shows where the refutations of philosophers including Lucy O’Brien, Gareth Evans, and Ian Rumfitt fall short, and throws light on why “I” developed features that make it look as if it functions as a referring expression. Reconciling seemingly incompatible points of view, Doyle argues that “I” does refer to a self, but not in a way anyone suspected—a surprising conclusion that is entirely à propos of Anscombe’s provocative thought.
A Times Higher Education Book of the Week
Judith Butler elucidates the dynamics of public assembly under prevailing economic and political conditions, analyzing what they signify and how.
Understanding assemblies as plural forms of performative action, Butler extends her theory of performativity to argue that precarity—the destruction of the conditions of livability—has been a galvanizing force and theme in today’s highly visible protests.
“Butler’s book is everything that a book about our planet in the 21st century should be. It does not turn its back on the circumstances of the material world or give any succour to those who wish to view the present (and the future) through the lens of fantasies about the transformative possibilities offered by conventional politics Butler demonstrates a clear engagement with an aspect of the world that is becoming in many political contexts almost illicit to discuss: the idea that capitalism, certainly in its neoliberal form, is failing to provide a liveable life for the majority of human beings.”
—Mary Evans, Times Higher Education
“A heady immersion into the thought of one of today’s most profound philosophers of action…This is a call for a truly transformative politics, and its relevance to the fraught struggles taking place in today’s streets and public spaces around the world cannot be denied.”
—Hans Rollman, PopMatters
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