front cover of Finding a Replacement for the Soul
Finding a Replacement for the Soul
Mind and Meaning in Literature and Philosophy
Brett Bourbon
Harvard University Press, 2004

Approaching the study of literature as a unique form of the philosophy of language and mind—as a study of how we produce nonsense and imagine it as sense—this is a book about our human ways of making and losing meaning. Brett Bourbon asserts that our complex and variable relation with language defines a domain of meaning and being that is misconstrued and missed in philosophy, in literary studies, and in our ordinary understanding of what we are and how things make sense. Accordingly, his book seeks to demonstrate how the study of literature gives us the means to understand this relationship.

The book itself is framed by the literary and philosophical challenges presented by Joyce’s Finnegans Wake and Wittgenstein’s Philosophical Investigations. With reference to these books and the problems of interpretation and meaning that they pose, Bourbon makes a case for the fundamental philosophical character of the study of literature, and for its dependence on theories of meaning disguised as theories of mind. Within this context, he provides original accounts of what sentences, fictions, non-fictions, and poems are; produces a new account of the logical form of fiction and of the limits of interpretation that follow from it; and delineates a new and fruitful domain of inquiry in which literature, philosophy, and science intersect.

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Foundations of the Mind
Children’s Understanding of Reality
Eugene Subbotsky
Harvard University Press, 1993

In the wake of Jean Piaget’s work on children’s understanding of reality, it is generally accepted that by age two, children assume that an object hidden in a box will remain there unchanged until someone tampers with it. Eugene Subbotsky persuasively demonstrates that many children—and some adults—will often accept mysterious disappearances and creations, perceiving them not as tricks or illusions but as actual occurrences. His analysis clearly shows that alongside our everyday belief in object permanence, we also have a set of quasi-magical beliefs that can be activated by appropriate situations and behaviors. The acceptability of these beliefs will vary from culture to culture, and will be widespread among preliterate peoples but less obvious in advanced industrial countries. The author, a Russian psychologist, draws on his own extensive research and examines other taken-for-granted concepts, such as the distinction between animate and inanimate.

Foundations of the Mind, amply illustrated with experimental material, has enormous implications for the study of both child development and the psychology of human beliefs. It attacks our complacent and often culturally biased faith in the nature of reality, and as such will become required reading for all psychologists.

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Frames of Mind
A Post-Jungian Look at Cinema, Television and Technology
Luke Hockley
Intellect Books, 2007
The eminent psychologist Carl Jung is best known for such indelible contributions to modern thought as the concept of the collective unconscious, but his wide-spread work can also be fruitfully employed to analyze popular culture. Frames of Mind offers an introduction to the world of Post-Jungian film and television studies, examining how Jung’s theories can heighten our understanding of everything from Chinatown and Star Trek to advertisements.
            In this illuminating psychoanalysis of our media environment, Luke Hockley probes questions such as why we have genuine emotional responses to film events we know to be fictional, why we are compulsively driven to watch television, and how advertisers use unconscious motifs to persuade viewers.
 
“A beautiful job! Hockley’s is a big screen approach, for he seeks to link Jungian and post-Jungian ideas about film with the sounds and images that flicker across everyone’s everyday experience. In this mixture of the formal and the informal, he performs an act of therapy for Jungian media criticism itself, rooting it (for its own good) in the popular and the ubiquitous. The process brings out aspects of Jung’s work on sexuality and the body that often get overlooked in academic circles.”—Andrew Samuels, Professor of Analytical Psychology, University of Essex
 
 
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Frederic Remington and the West
With the Eye of the Mind
By Ben Merchant Vorpahl
University of Texas Press, 1978

Frederic Remington and the West sheds new light on the remarkably complicated and much misunderstood career of Frederic Remington. This study of the complex relationship between Remington and the American West focuses on the artist’s imagination and how it expressed itself. Ben Merchant Vorpahl takes into account all the dimensions of Remington’s extensive work—from journalism to fiction, sculpture, and painting. He traces the events of Remington’s life and makes extensive use of literary and art criticism and nineteenth-century American social cultural and military history in interpreting his work.

Vorpahl reveals Remington as a talented, sensitive, and sometimes neurotic American whose work reflects with peculiar force the excitement and distress of the period between the Civil War and the Spanish-American War. Remington was not a “western” artist in the conventional sense; neither was he a historian: he lacked the historian’s breadth of vision and discipline, expressing himself not through analysis but through synthesis. Vorpahl shows that, even while Remington catered to the sometimes maudlin, sometimes jingoistic tastes of his public and his editors, his resourceful imagination was at work devising a far more demanding and worthwhile design—a composite work, executed in prose, pictures, and bronze. This body of work, as the author demonstrates, demands to be regarded as an interrelated whole. Here guilt, shame, and personal failure are honestly articulated, and death itself is confronted as the artist’s chief subject.

Because Remington was so prolific a painter, sculptor, illustrator, and writer, and because his subjects, techniques, and media were so apparently diverse, the deeper continuity of his work had not previously been recognized. This study is a major contribution to our understanding of an important American artist. In addition, Vorpahl illuminates the interplay between history, artistic consciousness, and the development of America’s sense of itself during Remington’s lifetime.

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Freud, Biologist of the Mind
Beyond the Psychoanalytic Legend, With a New Preface by the Author
Frank J. Sulloway
Harvard University Press, 1992
In this monumental intellectual biography, Frank Sulloway demonstrates that Freud always remained, despite his denials, a biologist of the mind; and, indeed, that his most creative inspirations derived significantly from biology. Sulloway analyzes the political aspects of the complex myth of Freud as psychoanalytic hero as it served to consolidate the analytic movement. This is a revolutionary reassessment of Freud and psychoanalysis.
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Freud
The Mind of the Moralist
Philip Rieff
University of Chicago Press, 1979
Now a classic, this book was hailed upon its original publication in 1959 as "An event to be acclaimed . . . a book of genuine brilliance on Freud's cultural importance . . . a permanently valuable contribution to the human sciences."—Alastair MacIntyre, Manchester Guardian

"This remarkably subtle and substantial book, with its nicely ordered sequences of skilled dissections and refined appraisals, is one of those rare products of profound analytic thought. . . . The author weighs each major article of the psychoanalytic canon in the scales of his sensitive understanding, then gives a superbly balanced judgement."—Henry A. Murray, American Sociological Review

"Rieff's tremendous scholarship and rich reflections fill his pages with memorable treasures."—Robert W. White, Scientific American

"Philip Rieff's book is a brilliant and beautifully reasoned example of what Freud's influence has really been: an increasing intellectual vigilance about human nature. . . . What the analyst does for the patient—present the terms for his new choices as a human being—Mr. Rieff does in respect to the cultural significance of Freudianism. His style has the same closeness, the same undertone of hypertense alertness. Again and again he makes brilliant points."—Alfred Kazin, The Reporter
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From the Nature of the Mind to Personal Dignity
The Significance of Rosmini's Philosophy
Juan F. Franck
Catholic University of America Press, 2006
This book is the first philosophical study in English devoted to Antonio Rosmini (1797-1855) for over a century.
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