A sweeping analysis of the lasting effects of neocolonial extractivism in Latin American aesthetic modernity from 1920 to the present
Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated “insurgent nature”—organic and inorganic matter, human and nonhuman life, thrown into turmoil.
In Entranced Earth: Art, Extractivism, and the End of Landscape, Andermann traces the impact of despaisamiento—world-destroying un-landscaping—throughout the Latin American modernist archive. At the same time, he explores innovative, resilient modes of allyship forged between diverse actors through their shared experiences of destruction. From the literary regionalism of the 1930s to contemporary bio art, from modernist garden architecture to representations of migration and displacement in sound art and film, Entranced Earth tracks the crisis of landscape and environmental exhaustion beyond despair toward speculative, experimental forms of survival.
Mining investment in Peru has been presented as necessary for national progress; however, it also has brought socioenvironmental costs, left unfulfilled hopes for development, and has become a principal source of confrontation and conflict.
Fighting for Andean Resources focuses on the competing agendas for mining benefits and the battles over their impact on proximate communities in the recent expansion of the Peruvian mining frontier. The book complements renewed scrutiny of how globalization nurtures not solely antagonism but also negotiation and participation.
Having mastered an intimate knowledge of Peru, Vladimir R. Gil Ramón insightfully documents how social technologies of power are applied through social technical protocols of accountability invoked in defense of nature and vulnerable livelihoods. Although analyses point to improvements in human well-being, a political and technical debate has yet to occur in practice that would define what such improvements would be, the best way to achieve and measure them, and how to integrate dimensions such as sustainability and equity.
Many confrontations stem from frustrated expectations, environmental impacts, and the virtual absence of state apparatus in the locations where new projects emerged. This book presents a multifaceted perspective on the processes of representation, the strategies in conflicts and negotiations of development and nature management, and the underlying political actions in sites affected by mining.
Winner of the George Perkins Marsh Prize
Winner of the Stuart L. Bernath Prize
Winner of the W. Turrentine Jackson Award
Winner of the British Association of American Studies Prize
“Extraordinary…Deftly rearranges the last century and a half of American history in fresh and useful ways.”
—Los Angeles Review of Books
“A smart, original, and ambitious book. Black demonstrates that the Interior Department has had a far larger, more invasive, and more consequential role in the world than one would expect.”
—Brian DeLay, author of War of a Thousand Deserts
When considering the story of American power, the Department of the Interior rarely comes to mind. Yet it turns out that a government agency best known for managing natural resources and operating national parks has constantly supported America’s imperial aspirations.
Megan Black’s pathbreaking book brings to light the surprising role Interior has played in pursuing minerals around the world—on Indigenous lands, in foreign nations, across the oceans, even in outer space. Black shows how the department touted its credentials as an innocuous environmental-management organization while quietly satisfying America’s insatiable demand for raw materials. As presidents trumpeted the value of self-determination, this almost invisible outreach gave the country many of the benefits of empire without the burden of a heavy footprint. Under the guise of sharing expertise with the underdeveloped world, Interior scouted tin sources in Bolivia and led lithium surveys in Afghanistan. Today, it promotes offshore drilling and even manages a satellite that prospects for Earth’s resources from outer space.
“Offers unprecedented insights into the depth and staying power of American exceptionalism…as generations of policymakers sought to extend the reach of U.S. power globally while emphatically denying that the United States was an empire.”
—Penny Von Eschen, author of Satchmo Blows Up the World
“Succeeds in showing both the central importance of minerals in the development of American power and how the realities of empire could be obscured through a focus on modernization and the mantra of conservation.”
—Ian Tyrrell, author of Crisis of the Wasteful Nation
Working with the premise that there are much meaning and value in the "repelling beauty" of mining landscapes, Richard Francaviglia identifies the visual clues that indicate an area has been mined and tells us how to read them, showing the interconnections among all of America's major mining districts. With a style as bold as the landscape he reads and with photographs to match, he interprets the major forces that have shaped the architecture, design, and topography of mining areas. Covering many different types of mining and mining locations, he concludes that mining landscapes have come to symbolize the turmoil between what our society elects to view as two opposing forces: culture and nature.
Leadville explores the clash between a small mining town high up in Colorado's Rocky Mountains and the federal government, determined to clean up the toxic mess left from a hundred years of mining.
Set amidst the historic streets and buildings reflecting the town's past glory as one of the richest nineteenth-century mining districts in North America-a history populated with characters such as Meyer Guggenheim and the Titanic's unsinkable Molly Brown-the Leadville Gillian Klucas portrays became a battleground in the 1980s and 1990s.
The tale begins one morning in 1983 when a flood of toxic mining waste washes past the Smith Ranch and down the headwaters of the Arkansas River. The event presages a Superfund cleanup campaign that draws national attention, sparks local protest, and triggers the intervention of an antagonistic state representative.
Just as the Environmental Protection Agency comes to town telling the community that their celebrated mining heritage is a public health and environmental hazard, the mining industry abandons Leadville, throwing the town into economic chaos. Klucas unveils the events that resulted from this volatile formula and the remarkable turnaround that followed.
The author's well-grounded perspective, in-depth interviews with participants, and keen insights make Leadville a portrait vivid with characterizations that could fill the pages of a novel. But because this is a real story with real people, It shows the reality behind the Western mystique and explores the challenges to local autonomy and community identity brought by a struggle for economic survival, unyielding government policy, and long-term health consequences induced by extractive-industry practices.
The proud Westerners of Leadville didn't realize they would be tangling with a young and vigorous Environmental Protection Agency in a modern-day version of an old Western standoff. In the process, Klucas shows, both sides would be forced to address hard questions about identity and the future with implications that reach far beyond Leadville and the beautiful high valley that nurtures it.
At the dawn of the twentieth century, the US-Mexico border was home to some of the largest and most technologically advanced industrial copper mines. This despite being geographically, culturally, and financially far-removed from traditional urban centers of power. Mining the Borderlands argues that this was only possible because of the emergence of mining engineers—a distinct technocratic class of professionals who connected capital, labor, and expertise.
Mining engineers moved easily between remote mining camps and the upscale parlors of east coast investors. Working as labor managers and technical experts, they were involved in the daily negotiations, which brought private US capital to the southwestern border. The success of the massive capital-intensive mining ventures in the region depended on their ability to construct different networks, serving as intermediaries to groups that rarely coincided.
Grossman argues that this didn’t just lead to bigger and more efficient mines, but served as part of the ongoing project of American territorial and economic expansion. By integrating the history of technical expertise into the history of the transnational mining industry, this in-depth look at borderlands mining explains how American economic hegemony was established in a border region peripheral to the federal governments of both Washington, D.C. and Mexico City.
Although mining holds more of the glamour for those in and interested in the minerals industry, smelters have continuously played a critical role in the industry’s evolution since their introduction in Colorado in the 1860s. At that time, miners desperately needed new technology to recover gold and silver from ores resistant to milling. Beginning as small independent enterprises, progressing to larger integrated firms working in urban centers, and finally following a trend toward mergers, the entire industry was absorbed into one large holding company—the American Smelting and Refining Company. Over time, fortunes were won and lost, business success was converted to political success, and advances were made in science and metallurgy. Drawing on archival material, Fell expertly presents the triumphs and troubles of the entrepreneurs who built one of the great industries of the West.
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