front cover of All about Skin
All about Skin
Short Fiction by Women of Color
Edited by Jina Ortiz and Rochelle Spencer, Foreword by Helena María Viramontes
University of Wisconsin Press, 2014
All about Skin features twenty-seven stories by women writers of color whose short fiction has earned them a range of honors, including John Simon Guggenheim Fellowships, the New York Public Library Young Lions Fiction Award, the Flannery O'Connor Award, and inclusion in the Best American Short Stories and O. Henry anthologies. The prose in this multicultural anthology addresses such themes as racial prejudice, media portrayal of beauty, and family relationships and spans genres from the comic and the surreal to startling realism. It demonstrates the power and range of some of the most exciting women writing short fiction today.
            The stories are by American writers Aracelis González Asendorf, Jacqueline Bishop, Glendaliz Camacho, Learkana Chong, Jennine Capó Crucet, Ramola D., Patricia Engel, Amina Gautier, Manjula Menon, ZZ Packer, Princess Joy L. Perry, Toni Margarita Plummer, Emily Raboteau, Ivelisse Rodriguez, Metta Sáma, Joshunda Sanders, Renee Simms, Mecca Jamilah Sullivan, Hope Wabuke, and Ashley Young; Nigerian writers Unoma Azuah and Chinelo Okparanta; and Chinese writer Xu Xi.

Best Books for General Audiences, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers  
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The American New Woman Revisited
A Reader, 1894-1930
Patterson, Martha H
Rutgers University Press, 2008

In North America between 1894 and 1930, the rise of the “New Woman” sparked controversy on both sides of the Atlantic and around the world. As she demanded a public voice as well as private fulfillment through work, education, and politics, American journalists debated and defined her. Who was she and where did she come from? Was she to be celebrated as the agent of progress or reviled as a traitor to the traditional family? Over time, the dominant version of the American New Woman became typified as white, educated, and middle class: the suffragist, progressive reformer, and bloomer-wearing bicyclist.  By the 1920s, the jazz-dancing flapper epitomized her. Yet she also had many other faces.

Bringing together a diverse range of essays from the periodical press of the late nineteenth and early twentieth centuries, Martha H. Patterson shows how the New Woman differed according to region, class, politics, race, ethnicity, and historical circumstance. In addition to the New Woman’s prevailing incarnations, she appears here as a gun-wielding heroine, imperialist symbol, assimilationist icon, entrepreneur, socialist, anarchist, thief, vamp, and eugenicist. Together, these readings redefine our understanding of the New Woman and her cultural impact.

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Archive of Tongues
An Intimate History of Brownness
Moon Charania
Duke University Press, 2023
In Archive of Tongues Moon Charania explores feminine dispossession and the brown diaspora through a reflection on the life of her mother. Drawing on her mother’s memories and stories of migration, violence, sexuality, queerness, domesticity, and the intimate economies of everyday life, Charania conceptualizes her mother’s tongue as an object of theory and an archive of brown intimate life. By presenting a mode of storytelling that is sensual and melancholic, piercing and sharp, Charania recovers otherwise silenced modes of brown mothers’ survival, disobedience, and meaning making that are often only lived out in invisible, intimate spaces, and too often disappear into them. In narrating her mother’s tongue as both metaphor for and material reservoir of other ways of knowing, Charania gestures to the afflictions, limits, and failures of feminist, queer, and postcolonial scholarly interrogations and the consequences of closing the archive of the brown mother.
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Beyond Left, Right, and Center
The Politics of Gender and Ethnicity in Contemporary Germany
Christina Xydias
Temple University Press, 2024
Women’s political representation is often expected to be better on “the left.” However, the reality is more complicated. Using Germany’s multi-party system as its central case study, Beyond Left, Right, and Center challenges this conventional wisdom on political ideology.

Christina Xydias shows that some right-leaning parties advocate for women’s rights and interests, while left- and right-leaning parties can be equally indifferent to lack of representation for women from marginalized groups. These findings follow from analyses of election results, transcripts from debates and speeches, and personal interviews, as well as from a close reading of intertwined military and citizenship policies that illustrate how women’s and ethnic minority groups’ rights are constructed.

Beyond Left, Right, and Center concludes with an analysis of women’s representation across OECD countries, showing that right-leaning parties are more likely to support women’s rights and interests in societies that are more egalitarian.
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The Color of Privilege
Three Blasphemies on Race and Feminism
Aida Hurtado
University of Michigan Press, 1996
This groundbreaking and important book explores how women of different ethnic/racial groups conceive of feminism. Aída Hurtado advances the theory of relational privilege to explain those differing conceptions. Previous theories about feminism have predominantly emphasized the lives and experiences of middle-class white women. Aída Hurtado argues that the different responses to feminism by women of color are not so much the result of personality or cultural differences between white women and women of color, but of their differing relationship to white men.
For Hurtado, subordination and privilege must be conceived as relational in nature, and gender subordination and political solidarity must be examined in the framework of culture and socioeconomic context. Hurtado's analysis of gender oppression is written from an interdisciplinary, multicultural standpoint and is enriched by selections from poems by Sandra Cisneros, Gloria Anzaldúa, Lorna Dee Cervantes, and Elba Sanchez, and from plays by El Teatro Campesino, the United Farm Workers theater group.
A final chapter proposes that progressive scholarship, and especially feminist scholarship, must have at its core a reflexive theory of gender oppression that allows writers to simultaneously document oppression while taking into account the writer's own privilege, to analyze the observed as well as the observer.
Aída Hurtado is Associate Professor of Psychology, University of California, Santa Cruz.
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Color of Violence
The INCITE! Anthology
INCITE! Women of Color Against Violence, editor
Duke University Press, 2016
The editors and contributors to Color of Violence ask: What would it take to end violence against women of color? Presenting the fierce and vital writing of organizers, lawyers, scholars, poets, and policy makers, Color of Violence radically repositions the antiviolence movement by putting women of color at its center. The contributors shift the focus from domestic violence and sexual assault and map innovative strategies of movement building and resistance used by women of color around the world. The volume's thirty pieces—which include poems, short essays, position papers, letters, and personal reflections—cover violence against women of color in its myriad forms, manifestations, and settings, while identifying the links between gender, militarism, reproductive and economic violence, prisons and policing, colonialism, and war. At a time of heightened state surveillance and repression of people of color, Color of Violence is an essential intervention.
 
Contributors. Dena Al-Adeeb, Patricia Allard, Lina Baroudi, Communities Against Rape and Abuse (CARA), Critical Resistance, Sarah Deer, Eman Desouky, Ana Clarissa Rojas Durazo, Dana Erekat, Nirmala Erevelles, Sylvanna Falcón, Rosa Linda Fregoso, Emi Koyama, Elizabeth "Betita" Martínez, maina minahal, Nadine Naber, Stormy Ogden, Julia Chinyere Oparah, Beth Richie, Andrea J. Ritchie, Dorothy Roberts, Loretta J. Ross, s.r., Puneet Kaur Chawla Sahota, Renee Saucedo, Sista II Sista, Aishah Simmons, Andrea Smith, Neferti Tadiar, TransJustice, Haunani-Kay Trask, Traci C. West, Janelle White
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Dangerous Liaisons
Gender, Nation, and Postcolonial Perspectives
Anne Mcclintock
University of Minnesota Press, 1997

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Degrees of Difference
Reflections of Women of Color on Graduate School
Edited by Kimberly D. McKee and Denise A. Delgado
University of Illinois Press, 2020
University commitments to diversity and inclusivity have yet to translate into support for women of color graduate students. Sexism, classism, homophobia, racial microaggressions, alienation, disillusionment, a lack of institutional and departmental support, limited help from family and partners, imposter syndrome, narrow reading lists—all remain commonplace. Indifference to the struggles of women of color in graduate school and widespread dismissal of their work further poisons an atmosphere that suffocates not only ambition but a person's quality of life.

In Degrees of Difference, women of color from diverse backgrounds give frank, unapologetic accounts of their battles—both internal and external—to navigate grad school and fulfill their ambitions. At the same time, the authors offer strategies for surviving the grind via stories of their own hard-won successes with self-care, building supportive communities, finding like-minded mentors, and resisting racism and unsupportive faculty and colleagues.

Contributors: Aeriel A. Ashlee, Denise A. Delgado, Nwadiogo I. Ejiogu, Delia Fernández, Regina Emily Idoate, Karen J. Leong, Kimberly D. McKee, Délice Mugabo, Carrie Sampson, Arianna Taboada, Jenny Heijun Wills, and Soha Youssef

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Hunger So Wide And So Deep
A Multiracial View of Women’s Eating Problems
Becky Thompson
University of Minnesota Press, 1996
The first of its kind, A Hunger So Wide and So Deep challenges the popular notion that eating problems occur only among white, well-to-do, heterosexual women. Based on in-depth life history interviews with African-American, Latina, and lesbian women, Becky Thompson's book chronicles the effects of racism, poverty, sexism, acculturation, and sexual abuse on women's bodies and eating patterns. By demonstrating how these girls and women use eating to "make a way outa no way," A Hunger So Wide and So Deep dispels popular stereotypes of anorexia and bulimia as symptoms of vanity and stresses the risks of mislabeling what is often a way of coping with society's own disorders. With its multicultural focus, this book not only brings women of color and lesbians into our picture of eating problems, but also clears up many demeaning and sexist ideas about these problems among white women. By featuring the creative ways in which women have changed their unwanted eating patterns and regained trust in their bodies and appetites, the author offers a message of hope and empowerment that applies across race, class, and sexual preference. "Becky W. Thompson has provided a rigorous and impassioned study of eating problems, casting a special light on the experiences of women of color. Linking unhealthy eating patterns to the oppression women suffer in a society both sexist and racist, Thompson breaks new ground and offers hope for the multitudes of women who have swallowed their pain." Evelyn C. White, editor, The Black Women's Health Book "Thompson is making an important contribution to the field of eating disorders. The diversity of these women's experiences makes it particularly crucial that we hear their perspectives. Thompson's work should help us to reevaluate our assumptions about race, ethnicity, sexism, and violence in the etiology and maintenance of eating problems." Eating Disorders: The Journal of Treatment and Prevention "Compelling stories appear in her book." San Jose Mercury News "Eating disorders have been a disastrous and dangerous problem for women for decades. A Hunger So Wide and So Deep sheds light on the seldom-noted fact that eating disorders do not discriminate. A Hunger So Wide and So Deep should be read by all women with eating disorders, parents who want to raise healthy children, and friends, lovers, spouses, and siblings of the women who struggle with eating disorders." Hispania News "In a Hunger So Wide and So Deep, psychologist Becky Thompson refutes this media image of the victims of eating disorders and builds a foundation for an entirely different perception of what causes these diseases. Her results are both surprising and alarming. Thompson argues-quite convincingly-that eating disorders happen most frequently in women of color, lesbians, and women under severe economic distress. Hunger is stuffed full of footnotes and references to statistics, studies, psychological profiles and other data to bolster her well-reasoned argument that eating disorders are most often caused by a post-traumatic stress disorder (PTSD) response to racism, sexism, homophobia and other abuses suffered by women. Thompson's theories are complicated but never murky and are presented in a clearly delineated manner that never deteriorates into academese. Hunger refutes an enormous number of popularly held theories about eating disorders. Thompson's research belies the notion that it is teens and college students who are most at risk for these diseases; according to Thompson's studies, women in their 30s are the most frequent victims of eating disorders. And her most potent find, that non-white, non-heterosexual women are also frequent victims means a total redefinition of what these illnesses are about. Thompson urges a second look at our national obsession with weight and proffers theories and practices that could save the lives of women of all colors and sexual orientations." Lambda Book Report "A Hunger So Wide and So Deep is a wonderful book: gripping, creative and profoundly humane. In lucid prose Becky Thompson offers an original explanation for women's eating problems. She argues that many women turn to food-bingeing, dieting, purging, or starving- as a sensible means of coping with physical and psychic 'atrocities' deriving from 'racism, sexism, homophobia, classism, the stress of acculturation, and emotional, physical, and sexual abuse.' Thompson breaks new ground by examining the experiences of lesbians, women of color and working-class women. Her inclusive approach produces a serious challenge to the stereotype that eating problems stem primarily from a concern with thinness." Women's Review of Books "In addition to an excellent analysis of the issues, we get a real sense of each of the women she interviewed. Although well documented and an asset to other researchers, the book is also accessibly written and an important read for anyone who wants to understand more about eating problems and women's bodies." Body Image Task Force Newsletter "Becky Thompson criticizes current feminist theory on women and eating disorders for utilizing gender almost exclusively as the category of analysis, ignoring race, class, and sexuality. She demonstrates that women of color and women of many classes and sexual orientations can be included in feminist analyses in a more meaningful way than simply saying 'these groups are affected, too'." Feminist Collections "Thompson's A Hunger So Wide and So Deep provides a bridge between the micro- and macroanalyses of eating disorders. Thompson's is the only study to my knowledge that deals systematically with race and sexualities, and it is this diversity of interviewees as well as Thompson's careful listening that shapes her analysis. More than even the feminist therapists, Thompson allows her interviewees to tell their stories. Most significant, Thompson derives her theory of disturbed eating from the stories the women told, while not reducing the behavior to personal problems." NWSA Journal "This book offers a message of hope and empowerment across race, class and sexual orientation. This book represents the postmodern challenge to us all: to question the dominant stories and pay attention to each individual's knowledge about her own life. It has been refreshing to read this book and, using these descriptions with others I see, to bring help and vision from one woman to another." Journal of Feminist Family Therapy Becky W. Thompson is an assistant professor of sociology at the Center for Research on Women at the University of Memphis and coeditor (with Sangeeta Tyagi) of Beyond a Dream Deferred: Multicultural Education and the Politics of Excellence. She is the author of A Promise and a Way of Life: White Antiracist Activism and Mothering without a Compass: White Mother's Love, Black Son's Courage.
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Imperial Plots
Women, Land, and the Spadework of British Colonialism on the Canadian Prairies
Sarah Carter
University of Manitoba Press, 2016

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Innocent Subjects
Feminism and Whiteness
Terese Jonsson
Pluto Press, 2020
In a time of intensified global white supremacist and patriarchal violence, anti-racist feminist movements and analyses have never been more vital. Women of colour are at the forefront of these struggles worldwide - but are white feminists really by their side?

Despite a rich history of Black and postcolonial critiques of racist and imperial feminist politics, racism still exists within contemporary British feminism. To explain why, Terese Jonsson examines the history of feminism over the last forty years. She argues that Black feminism's role in shaping the movement has been marginalised through narratives which repeatedly position white women at the centre of the story, from the women's liberation movement in the 1970s to today.

Analysing the ways in which whiteness continues to pervade feminist literature, as well as feminist debates in the liberal media, Jonsson demonstrates that, despite an increased attention to race, intersectionality and difference, stories told by white feminists are shaped by their desire to maintain an 'innocent' position towards racism.
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A Latina in the Land of Hollywood
and Other Essays on Media Culture
Angharad N. Valdivia
University of Arizona Press, 2000
From ads for Victoria's Secret to the character roles of Rosie Perez, the mass media have been defining race and femininity. In this diverse set of essays, Angharad N. Valdivia breaks theoretical and methodological boundaries by exploring the relationship of the media to various audiences. Throughout A Latina in the Land of Hollywood we are challenged to think differently about the media messages we often unconsciously consume, such as the popular representations of certain Latina cultural icons. Valdivia shows how reporters focus on Guatemalan activist Rigoberta Menchú's big smile, Brazilian media magnate Xuxa's blonde hair, and Puerto Rican actress Rosie Perez's high-pitched voice, never quite creating a comprehensive portrayal of these women. In her discussion of lingerie catalogs, Valdivia uncovers a similarly skewed depiction. The lush, high-class bedrooms of Victoria's Secret differ as much from the earthy, spare world of Frederick's of Hollywood as the types, sizes, and uses of the lingerie that the two companies sell. Valdivia takes a look at family films, arguing that single mothers are almost always portrayed as either trampy floozies or sexless, hapless women, whereas single dads fare much better. Whether examining one teenager's likes and dislikes or considering single parenthood in family films, Valdivia investigates how popular culture has become the arena in which we struggle to know ourselves and to make ourselves known. She calls for scholars to move beyond investigating implicit themes in films and media to studying the ways that audiences of different colors, ages, genders, and sexual preferences might understand or misunderstand such cultural messages. A Latina in the Land of Hollywood aims to explode traditional discussions of media and popular culture. It is a must-read for anyone interested in popular culture, television, and film.
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A Love Letter to This Bridge Called My Back
Edited by gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe
University of Arizona Press, 2022
In 1981, Chicana feminist intellectuals Cherríe Moraga and Gloria Anzaldúa published what would become a touchstone work for generations of feminist women of color—the seminal This Bridge Called My Back: Writings by Radical Women of Color. To celebrate and honor this important work, editors gloria j. wilson, Joni B. Acuff, and Amelia M. Kraehe offer new generations A Love Letter to This Bridge Called My Back.

In A Love Letter, creators illuminate, question, and respond to current politics, progressive struggles, transformations, acts of resistance, and solidarity, while also offering readers a space for renewal and healing. The central theme of the original Bridge is honored, exposing the lived realities of women of color at the intersections of race, class, gender, ethnicity, and sexuality, advancing those early conversations on what it means to be Third World feminist conscious.

A Love Letter recognizes the challenges faced by women of color in a twenty-first-century world of climate and economic crises, increasing gun violence, and ever-changing social media constructs for women of color. It also retains the clarion call Bridge set in motion, as Moraga wrote: “A theory in the flesh means one where the physical realities of our lives—our skin color, the land or concrete we grew up on, our sexual longing—all fuse to create a politic born of necessity.”
 
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Native Speakers
Ella Deloria, Zora Neale Hurston, Jovita Gonzalez, and the Poetics of Culture
By María Eugenia Cotera
University of Texas Press, 2008

Gloria Anzaldua Book Prize, National Women's Studies Association, 2009

In the early twentieth century, three women of color helped shape a new world of ethnographic discovery. Ella Cara Deloria, a Sioux woman from South Dakota, Zora Neale Hurston, an African American woman from Florida, and Jovita González, a Mexican American woman from the Texas borderlands, achieved renown in the fields of folklore studies, anthropology, and ethnolinguistics during the 1920s and 1930s. While all three collaborated with leading male intellectuals in these disciplines to produce innovative ethnographic accounts of their own communities, they also turned away from ethnographic meaning making at key points in their careers and explored the realm of storytelling through vivid mixed-genre novels centered on the lives of women.

In this book, Cotera offers an intellectual history situated in the "borderlands" between conventional accounts of anthropology, women's history, and African American, Mexican American and Native American intellectual genealogies. At its core is also a meditation on what it means to draw three women—from disparate though nevertheless interconnected histories of marginalization—into conversation with one another. Can such a conversation reveal a shared history that has been erased due to institutional racism, sexism, and simple neglect? Is there a mode of comparative reading that can explore their points of connection even as it remains attentive to their differences? These are the questions at the core of this book, which offers not only a corrective history centered on the lives of women of color intellectuals, but also a methodology for comparative analysis shaped by their visions of the world.

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Neither Separate Nor Equal
edited by Barbara Ellen Smith
Temple University Press, 1999
When she began work on this collection, Barbara Ellen Smith was asked, "Why work on a book about women in the South? Nobody writes books about women in the Midwest." In an era of intensified globalization, when populations, cultures, and capital move across the boundaries of nation-states in multiple forms and directions, the concept of a subnational region seems parochial and out of date. "But," Smith argues, "it is precisely because of the historical construction of the secessionist South as an embattled region when all manners of social problems tend to be blamed on poor women and children and those whose skin is anything but white, that the experiences of racially diverse women in a region legendary for both white supremacy and male supremacy are important to explore."

Collecting in one volume the work of such well-known scholars on Appalachia and the South as Carl Stack, Mab Segrest, and Sally Maggard, among others, Neither Separate Nor Equal analyzes the complex and dramatic developments in the lives of contemporary Southern women. Case studies vividly portray women's diverse circumstances activities: from rural African American women in the Mississippi Delta taking on new roles as community builders to female textile workers in North Carolina contending with automation and reorganization of the mills.

Focusing on the South's historical legacies as they are manifested and contested in the lives of women today, including the tensions between long-lasting patterns of regional distinctiveness and the disruptions of globalizations, this collection approaches differences of race and class not as forms of separation among women, but as social -- be they often contentious, difficult, or exploitive -- relationships. Unifying around a theme of relationally, Neither Separate Nor Equal offers searching empirical studies of Southern women and a conceptual model for feminist scholarship as a whole.
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Organizing for Equality
The Evolution of Women's and Racial-Ethnic Organizations in America, 1955-1985
Minkoff, Debra C
Rutgers University Press, 1995

Women and racial-ethnic minorities have had long histories of mobilizing for equality in U.S. society, but recent decades have witnessed an unprecedented expansion in the number and visibility of voluntary and activist organizations committed to challenging gender and racial-ethnic discrimination. What conditions have encouraged this growth? Going beyond more familiar accounts of social movement development, Debra Minkoff uses multivariate techniques to demonstrate that there is an ecology of organizational evolution that has shaped the formation and survival of national women's, African-American, Asian American, and Latino social and political organizations. Changes in the environment for action during the 1960s promoted the creation of a niche for women's and minority organizational activity, and this sector continued to expand even as the climate for social action became increasingly conservative during the 1970s and 1980s. Drawing on recent advances in both social movement and organizational theory and research, Minkoff offers an organizational analysis of the evolution of the women's and racial-ethnic social change sector since the mid-1950s. She provides an original synthesis of social movement and organizational theory, and unique analysis of the development of these women's and minority organizations from the civil rights era to the present.

 

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Other Sisterhoods
LITERARY THEORY AND U.S. WOMEN OF COLOR
Edited by Sandra Kumamoto Stanley
University of Illinois Press, 1998
      Where are the women writers of color? Where are their theoretical voices?
        The fifteen contributors to Other Sisterhoods: Literary Theory and
        U.S. Women of Color examine the ways that women writers of color have
        contributed to the discourse of literary and cultural theory. They focus
        on the impact of key issues, such as social construction and identity
        politics, on the works of women writers of color, as well as on the ways
        these women deal with differences relating to gender, class, race/ethnicity,
        and sexuality. The book also explores the ways women writers of color
        have created their own ethnopoetics within the arena of literary and cultural
        theory, helping to redefine the nature of theory itself.
      "A sophisticated resource that will do much to carry us through
        to the next century. Great work!" -- Alvina E. Quintana, author of
        Home Girls: Chicana Literary Voices
      CONTRIBUTORS:Sandra Kumamoto Stanley, AnaLouise Keating, Dionne
        Espinoza, Kimberly N. Brown, Marilyn Edelstein, Tomo Hattori, Robin Riley
        Fast, King-Kok Cheung, Timothy Libretti, Renae Moore Bredin, Jennifer
        Browdy de Hernandez, Kimberly M. Blaeser, Kathryn Bond Stockton, Eun Kyung
        Min, Cecilia Rodriguez Milanes
 
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A Patchwork Shawl
Chronicles of South Asian Women in America
Das Dasgupta, Shamita
Rutgers University Press, 1998

A Patchwork Shawl sheds light on the lives of a segment of the U.S. immigrant population that has long been relegated to the margins. It focuses on women's lives that span different worlds: Bangladesh, India, Pakistan, and the United States. This collection of essays by and about South Asian women in America challenges stereotypes by allowing women to speak in their own words. Together they provide discerning insights into the reconstruction of immigrant patriarchy in a new world, and the development of women's resistance to that reconstruction. Shamita Das DasGupta's introduction also acquaints readers with the psychological topography of the South Asian community.

A Patchwork Shawl considers topics from re-negotiation of identity to sexuality, violence to intimacy, occupations to organizing within the community. The essays bear witness to women's negotiations for independent identities, their claim to their own bodies, and the right to choose relationships based on their own histories and truths. They bring new understanding to the intersection of gender, ethnicity, race, sexuality, and class.


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Power Lines
On the Subject of Feminist Alliances
Aimee Carrillo Rowe
Duke University Press, 2008
Like the complex systems of man-made power lines that transmit electricity and connect people and places, feminist alliances are elaborate networks that have the potential to provide access to institutional power and to transform relations. In Power Lines, Aimee Carrillo Rowe explores the formation and transformative possibilities of transracial feminist alliances. She draws on her conversations with twenty-eight self-defined academic feminists, who reflect on their academic careers, alliances, feminist struggles, and identifications. Based on those conversations and her own experiences as an Anglo-Chicana queer feminist researcher, Carrillo Rowe investigates when and under what conditions transracial feminist alliances in academia work or fail, and how close attention to their formation provides the theoretical and political groundwork for a collective vision of subjectivity.

Combining theory, criticism, and narrative nonfiction, Carrillo Rowe develops a politics of relation that encourages the formation of feminist alliances across racial and other boundaries within academia. Such a politics of relation is founded on her belief that our subjectivities emerge in community; our affective investments inform and even create our political investments. Thus experience, consciousness, and agency must be understood as coalitional rather than individual endeavors. Carrillo Rowe’s conversations with academic feminists reveal that women who restrict their primary allies to women of their same race tend to have limited notions of feminism, whereas women who build transracial alliances cultivate more nuanced, intersectional, and politically transformative feminisms. For Carrillo Rowe, the institutionalization of feminism is not so much an achievement as an ongoing relational process. In Power Lines, she offers a set of critical, practical, and theoretical tools for building and maintaining transracial feminist alliances.

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Resisting State Violence
Radicalism, Gender, and Race in U.S. Culture
Joy James
University of Minnesota Press, 1996

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The Ruptures Of American Capital
Women Of Color Feminism And The Culture Of Immigrant Labor
Grace Kyungwon Hong
University of Minnesota Press, 2006
Universality is a dangerous concept, according to Grace Kyungwon Hong, one that has contributed to the rise of the U.S. nation-state that privileges the propertied individual. However, African American, Asian American, and Chicano people experience the same stretch of city sidewalk with varying degrees of safety, visibility, and surveillance.The Ruptures of American Capital examines two key social formations—women of color feminism and racialized immigrant women’s culture—in order to argue that race and gender are contradictions within the history of U.S. capital that should be understood not as monolithic but as marked by its crises. Hong shows how women of color feminism identified ways in which nationalist forms of capital, such as the right to own property, were repressive. The Ruptures of American Capital demonstrates that racialized immigrant women’s culture has brought to light contested modes of incorporation into consumer culture.Interweaving discussion of U.S. political economy with literary analyses (including readings from Booker T. Washington to Jessica Hagedorn) Hong challenges the individualism of the United States and the fetishization of difference that is one of the markers of globalization.Grace Kyungwon Hong is assistant professor of English and Asian American studies at the University of Wisconsin, Madison.
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Southern Discomfort
Women's Activism in Tampa, Florida, 1880s-1920s
Nancy A. Hewitt
University of Illinois Press, 2001
Linked to the Caribbean and southern Europe as well as to the Confederacy, the Cigar City of Tampa, Florida, never fit comfortably into the biracial mold of the New South. Nancy A. Hewitt explores the interactions among distinct groups of women--native-born white, African American, Cuban and Italian immigrant women--that shaped women's activism in the vibrant, multiethnic city.

Hewitt emphasizes the process by which women forged and reformulated their activist identities from Reconstruction through the U.S. declaration of war against Spain in April 1898, the industrywide cigar strike of 1901, and the emergence of progressive reform and labor militancy. She also recasts our understanding of southern history by demonstrating how Tampa's triracial networks alternately challenged and re-inscribed the South's biracial social and political order.

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Transformation Now!
Toward a Post-Oppositional Politics of Change
AnaLouise Keating
University of Illinois Press, 2013
In this lively, thought-provoking study, AnaLouise Keating writes in the traditions of radical U.S. women-of-color feminist/womanist thought and queer studies, inviting us to transform how we think about identity, difference, social justice and social change, metaphysics, reading, and teaching. Through detailed investigations of women of color theories and writings, indigenous thought, and her own personal and pedagogical experiences, Keating develops transformative modes of engagement that move through oppositional approaches to embrace interconnectivity as a framework for identity formation, theorizing, social change, and the possibility of planetary citizenship. Speaking to many dimensions of contemporary scholarship, activism, and social justice work, Transformation Now! calls for and enacts innovative, radically inclusionary ways of reading, teaching, and communicating.
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Women of Color in U.S. Society
edited by Maxine Baca Zinn and Bonnie Thornton Dill
Temple University Press, 1993

The theme of race, class, and gender as interlocking systems of oppression unites these original essays about the experience of women of color—African Americans, Latinas, Native Americans, and Asian Americans. The contributing scholars discuss the social conditions that simultaneously oppress women of color and provide sites for opposition.

Though diverse in their focus, the essays uncover similar experiences in the classroom, workplace, family, prison, and other settings. Working-class women, poor women, and professional women alike experience subordination, restricted participation in social institutions, and structural placement in roles with limited opportunities.

How do women survive, resist, and cope with these oppressive structures? Many articles tell how women of color draw upon resources from their culture, family, kin, and community. Others document defenses against cultural assaults by the dominant society—Native American mothers instilling tribal heritage in their children; African American women engaging in community work; and Asian American women opposing the patriarchy of their own communities and the stereotypes imposed by society at large.

These essays challenge some of our basic assumptions about society, revealing that experiences of inequality are not only diverse but relational.

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front cover of Women of Color
Women of Color
Mother-Daughter Relationships in 20th-Century Literature
Edited by Elizabeth Brown-Guillory
University of Texas Press, 1996

Interest in the mother-daughter relationship has never been greater, yet there are few books specifically devoted to the relationships between daughters and mothers of color. To fill that gap, this collection of original essays explores the mother-daughter relationship as it appears in the works of African, African American, Asian American, Mexican American, Native American, Indian, and Australian Aboriginal women writers.

Prominent among the writers considered here are Toni Morrison, Alice Walker, Maxine Hong Kingston, Cherrie Moraga, Leslie Marmon Silko, and Amy Tan. Elizabeth Brown-Guillory and the other essayists examine the myths and reality surrounding the mother-daughter relationship in these writers' works. They show how women writers of color often portray the mother-daughter dyad as a love/hate relationship, in which the mother painstakingly tries to convey knowledge of how to survive in a racist, sexist, and classist world while the daughter rejects her mother's experiences as invalid in changing social times.

This book represents a further opening of the literary canon to twentieth-century women of color. Like the writings it surveys, it celebrates the joys of breaking silence and moving toward reconciliation and growth.

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front cover of Women's Labor in the Global Economy
Women's Labor in the Global Economy
Speaking in Multiple Voices
Harley, Sharon
Rutgers University Press, 2007

Globalization is not a new phenomenon; women throughout the world have been dealing with the circumstances and consequences of an international economy long before the advent of the transnational corporate conglomerate. However, in a mercenary example of the tried clich "the more things change, the more they stay the same," women-particularly those of color-continue to be relegated to the lowest rung of the occupational ladder, where their indispensable contributions to global market capitalism are downplayed or invalidated completely through the perpetuation of stereotypes and the denial of access to better job opportunities and resources.

How women of color around the world adapt and challenge the economic, political, and social effects of globalization is the subject of this broad-minded and incisive anthology. From Mexico, Jamaica, Ghana, Zimbabwe, and Sri Lanka, to immigrant and non-immigrant communities in the United States-the women documented in these essays are agricultural and factory workers, artists and entrepreneurs, mothers and activists. Their stories bear stark witness to how globalization continues to develop new sites and forms of exploitation, while its apparent victims continue to be women, men, and children of color.

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