Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC).
This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States.
Fourteen experts examine the current state of Central Valley prehistoric research and provide an important touchstone for future archaeological study of the region
The Mississippi Valley region has long played a critical role in the development of American archaeology and continues to be widely known for the major research of the early 1950s. To bring the archaeological record up to date, fourteen Central Valley experts address diverse topics including the distribution of artifacts across the landscape, internal configurations of large fortified settlements, human-bone chemistry, and ceramic technology.
The authors demonstrate that much is to be learned from the rich and varied archaeological record of the region and that the methods and techniques used to study the record have changed dramatically over the past half century. Operating at the cutting edge of current research strategies, these archaeologists provide a fresh look at old problems in central Mississippi Valley research.
Many students of the Civil War have concluded that the overstudied conflict in the Eastern Theater resulted only in an unwinnable stalemate. For that reason they are now looking to the West for more precise explanations of the Confederates’ failure to win independence. To editors Lawrence Hewitt and Arthur Bergeron, the answers lie with the generals who waged a calamitous war that stretched across nine states and left a long trail of bloody battlefields, surrendered fortresses, burned cities, wrecked infrastructure, and, ultimately, a lost cause.
For this book, which follows an earlier volume of previously published essays, Hewitt and Bergeron have enlisted ten gifted historians—among them James M. Prichard, Terrence J. Winschel, Craig Symonds, and Stephen Davis—to produce original essays, based on the latest scholarship, that examine the careers and missteps of several of the Western Theater’s key Rebel commanders. Among the important topics covered are George B. Crittenden’s declining fortunes in the Confederate ranks, Earl Van Dorn’s limited prewar military experience and its effect on his performance in the Baton Rouge Campaign of 1862, Joseph Johnston’s role in the fall of Vicksburg, and how James Longstreet and Braxton Bragg’s failure to secure Chattanooga paved the way for the Federals’ push into Georgia.
Confederate Generals in the Western Theater will ultimately comprise several volumes that promise a host of provocative new insights into not only the South’s ill-fated campaigns in the West but also the eventual outcome of the larger conflict.
Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. A recipient of SLU’s President’s Award for Excellence in Research and the Charles L. Dufour Award for outstanding achievements in preserving the heritage of the American Civil War, he is a former managing editor of North & South. His publications include Port Hudson: Confederate Bastion on the Mississippi.
Arthur W. Bergeron Jr. is a reference historian with the United States Army Military History Institute and a past president of the Louisiana Historical Association. Among his earlier books are Confederate Mobile and A Thrilling Narrative: The Memoir of a Southern Unionist.
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The American Civil War was won and lost on its western battlefields, but accounts of triumphant Union generals such as Grant and Sherman leave half of the story untold. In the third volume of Confederate Generals in the Western Theater, editors Lawrence Hewitt and Arthur Bergeron bring together ten more never-before-published essays filled with new, penetrating insights into the key question of why the Rebel high command in the West could not match the performance of Robert E. Lee in the East.
Showcasing the work of such gifted historians as Wiley Sword, Timothy B. Smith, Rory T. Cornish, and M. Jane Johansson, this book is a compelling addition to an ongoing, collective portrait of generals who occasionally displayed brilliance but were more often handicapped by both geography and their own shortcomings. While the vast, varied terrain of the Western Theater slowed communications and troop transfers and led to the creation of too many military departments that hampered cooperation among commands, even more damaging were the personal qualities of many of the generals. All too frequently, incompetence, egotism, and insubordination were the rule rather than the exception. Some of these men were undone by alcoholism and womanizing, others by politics and nepotism. A few outlived their usefulness; others were killed before they could demonstrate their potential. Together, they destroyed what chance the Confederacy had of winning its independence.
Whether adding fresh fuel to the debate over the respective roles of Albert Sidney Johnston and P. G. T. Beauregard at Shiloh or bringing to light such lesser known figures as Joseph Finegan and Hiram Bronson Granbury, this volume, like the ones preceding it, is an exemplary contribution to Civil War scholarship.
Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. A recipient of SLU’s President’s Award for Excellence in Research and the Charles L. Dufour Award for “outstanding achievements in preserving the heritage of the American Civil War,” he is a former managing editor of North & South. His publications include Port Hudson: Confederate Bastion on the Mississippi.
The late Arthur W. Bergeron Jr. was a reference historian with the United States Army Military History Institute and a past president of the Louisiana Historical Association. Among his earlier books were Confederate Mobile and A Thrilling Narrative: The Memoir of a Southern Unionist.
Like its predecessors, the fourth and final volume of Confederate Generals in the Western Theater makes a generous contribution to the historiography of a poorly understood theater of war, presenting new interpretations of major figures while bringing to light both the triumphs and failures of lesser-known generals. Its cutting-edge scholarship offers further grounding for the editors’ contention that the South’s bid for independence was lost on its western battlefields and that the responsibility for those defeats lay more with the Confederate generals than with their opponents.
Among the ten chapters, this collection includes C. David Dalton on the death of Felix Zollicoffer at the Battle of Mill Springs in Kentucky; Roger Durham on Robert E. Lee’s leadership early in the war of the Department of South Carolina, Georgia, and East Florida; Brian S. Wills on Abraham Buford’s behind-the-scenes contributions to Nathan Bedford Forrest’s famous exploits; the late Nathaniel Cheairs Hughes Jr. on the achievements and failings of Gideon J. Pillow; James M. Prichard on John Hunt Morgan and his “last Kentucky raid”; and Keith S. Bohannon on Edward C. Walthall, a Virginia lawyer who overcame his lack of prior military experience to become one of the ablest generals in any of the war’s theaters. Some essays offer full biographies of their subjects; others focus on a single campaign. Along with the previous volumes, this exemplary collection encourages an important rethinking of the course of the Civil War and its ultimate outcome.
The first detailed analysis of Native metalworking in the Protohistoric/Contact Period
From the time of their earliest encounters with European explorers and missionaries, Native peoples of eastern North America acquired metal trinkets and utilitarian items and traded them to other aboriginal communities. As Native consumption of European products increased, their material culture repertoires shifted from ones made up exclusively of items produced from their own craft industries to ones substantially reconstituted by active appropriation, manipulation, and use of foreign goods. These material transformations took place during the same time that escalating historical, political, economic, and demographic influences (such as epidemics, new types of living arrangements, intergroup hostilities, new political alliances, missionization and conversion, changes in subsistence modes, etc.) disrupted Native systems.
Ehrhardt's research addresses the early technological responses of one particular group, the Late Protohistoric Illinois Indians, to the availability of European-introduced metal objects. To do so, she applied a complementary suite of archaeometric methods to a sample of 806 copper-based metal artifacts excavated from securely dated domestic contexts at the Illiniwek Village Historic Site in Clark County, Missouri.
Ehrhardt's scientific findings are integrated with observations from historical, archaeological, and archival research to place metal use by this group in a broad social context and to critique the acculturation perspective at other Contact Period sites. In revealing actual Native practice, from material selection and procurement to ultimate discard, the author challenges technocentric explanations for Native material and cultural change at contact.
Winner of the Kemper & Leila Williams Prize in Louisiana History for excellence in historical scholarship for the year 2002, awarded by The Historic New Orleans Collection, The Louisiana Historical Association.
From Quarry to Cornfield provides an innovative model for examining the technology of hoe production and its contribution to the agriculture of Mississippian communities.
Lithic specialist Charles Cobb examines the political economy in Mississippian communities through a case study of raw material procurement and hoe production and usage at the Mill Creek site on Dillow Ridge in southwest Illinois. Cobb outlines the day-to-day activities in a Mississippian chiefdom village that flourished from about A.D. 1250 to 1500. In so doing, he provides a fascinating window into the specialized tasks of a variety of "day laborers" whose contribution to the community rested on their production of stone hoes necessary in the task of feeding the village. Overlooked in most previous studies, the skills and creativity of the makers of the hoes used in village farming provide a basis for broader analysis of the technology of hoe use in Mississippian times.
Although Cobb's work focuses on Mill Creek, his findings at this site are representative of the agricultural practices of Mississippian communities throughout the eastern United States. The theoretical underpinnings of Cobb's study make a clear case for a reexamination of the accepted definition of chiefdom, the mobilization of surplus labor, and issues of power, history, and agency in Mississippian times. In a well-crafted piece of writing, Cobb distinguishes himself as one of the leaders in the study of lithic technology. From Quarry to Cornfield will find a well-deserved place in the ongoing discussions of power and production in the Mississippian political economy.
In 1863, General Ulysses S. Grant appointed one of his regimental chaplains, John Eaton of Ohio, as general superintendent of contrabands for the Department of the Tennessee. As the American Civil War raged, the former chaplain’s approach to humanitarian aid and education for the newly freed people marked one of the first attempts to consider how an entire population of formerly enslaved people would be assimilated into and become citizens of the postwar Union. General superintendent Eaton chronicled these pioneering efforts in his 1907 memoir, Grant, Lincoln, and the Freedmen: Reminiscences of the Civil War, a work that for more than a century has been an invaluable primary source for historians of the Civil War era.
In this long-awaited scholarly edition, editors John David Smith and Micheal J. Larson provide a detailed introduction and chapter-by-chapter annotations to highlight the lasting significance of Eaton’s narrative. These robust supplements to the 1907 volume contextualize important events, unpack the complexities of inter-agency relationships during the war and postwar periods, and present Eaton’s view that the military should determine how best to assimilate the freed people into the reunited Union.
Grant, Lincoln, and the Freedmen presents a firsthand account of the challenges Grant, Lincoln, and Eaton himself faced in serving and organizing the integration of the newly freed people. This heavily annotated reprint reminds us just how important Eaton’s recollections remain to the historiography of the emancipation process and the Civil War era.
Europe's expansion into the New World during the 16th, 17th, and 18th centuries was a story of power alignment and cultural transmission as well as dramatic individual effort. Spain had her conquistadores, France her coureurs de bois, and England her sea dogs. Isolated from the authority of home governments, tempted by the abundance of gold, fur, and fish in the New World, these adventurers so vital to national policies of expansion developed their own personal creeds of conquest and colonization. Their individual exploits not only represent a humanistic theme essential in Europe's movement westward but heighten the analyses of cultural institutions of the era. It is within such a multidisciplinary light that one can experience the Gulf Coast adventures of Pierre LeMoyne d'Iberville.
By February 1862 Confederate forces in Kentucky and Tennessee were falling back in disorder. Fort Henry on the Tennessee River and Fort Donelson on the Cumberland River fell to combined land and naval forces under Brigadier General Ulysses S. Grant and Flag Officer Andrew H. Foote. These losses necessitated the abandonment of the Rebel stronghold of Columbus, Kentucky. The entire upper Mississippi Valley lay open to Federal invasion. Toward that end, a new Union army under Major General John Pope began organizing at Commerce, Missouri.
Confederate Major General John P. McCown was sent to plug the breach by fortifying Island No. 10, a one-mile-long island positioned in a bend in the Mississippi River that straddled the boundaries of Tennessee, Missouri, and Kentucky. Pope's army had to be held in check long enough for the main Confederate force, under generals Albert Sidney Johnston and P. G. T. Beauregard, to concentrate and launch a counterattack against Grant's advancing army.
The ensuing campaign at Island No. 10 created the first extensive siege of the Civil War. The ultimate capture of the garrison resulted in a new army command for Pope in Virginia. As for the Confederates, the campaign pointed to a faulty western strategy. Simply to concede the rivers and their adjoining cities to the Federal navy was politically unacceptable. Garrison after garrison was captured, however, in the attempt to defend the rivers to the last extremity. Between February 1862 and July 1863 the Confederates lost 64,400 troops, some nine divisions, in defending the rivers. This strategy was a significant contributing factor for Confederate defeat in the West.
A multifaceted voyage into the past, Jolliet and Marquette expands and updates the oft-told story of a pivotal event in American history.
In A Journey through the West, Thomas Rodney writes vividly about flea-infested taverns, bad roads, drunken crew members, squatters, Indians sodden berths, food from the wild and treacherous waters. His is one of the most detailed early-nineteenth-century travel accounts.
Rodney, a Revolutionary War patriot and veteran, had been active in Delaware politics and had served in the Continental Congress. In 1803, President Thomas Jefferson appointed him as a land commissioner and a territorial judge in the newly formed Mississippi Territory. To assume his duties, Rodney and a small party traveled overland from Delaware across the length of southern Pennsylvania to Wheeling, (West) Virginia. From there, they boarded their newly constructed boat on the Ohio River and rowed, sailed, and drifted along the borders of (West) Virginia, Ohio, Indiana, Illinois, and Kentucky.
Finally they left the clear rapids of the Ohio and entered the muddy yet majestic Mississippi. They traveled southwesterly into a vast, exotic wilderness valley. The western shore of the Mississippi was still owned by Spain, and foreign soldiers were spotted. Under pressure to meet Rodney’s deadline for arrival in Mississippi Territory, the travelers were grateful for the Mississippi’s fast current. Yet in the journey’s last days they were faced with adventures and with near disaster when their boat struck a snag and partially sank.
Rodney kept a precise journal and sent letters to President Jefferson documenting his trek from the settled East through the barely chartered paths of the western wilderness. He hobnobbed with Meriwether Lewis, enjoyed the hospitality of Harman Blennerhassett, and received a tour of Cincinnati from Arthur St. Clair.
Dwight Smith and Ray Swick have compiled, edited and annotated Rodney’s story to present it in complete form for the first time. A Journey through the West is both a travel adventure and a colorful glimpse into the life of his day.
A Dan Josselyn Memorial Publication
C. B. Moore's investigations of the Lower Mississippi Valley are here collected in a one-volume facsimile edition.
Like many other natural scientists from the Victorian era, Clarence Bloomfield Moore (1852-1917) lived several lives—adventurer, paper company executive, archaeologist; however, Moore is chiefly remembered for the twenty-five years he spent investigating and documenting archaeological sites along every navigable waterway in the southeastern United States.
Moore's surveys were and are impressive, and he earned lasting respect from archaeological researchers in the South by publishing, mostly at his own expense, all of the data he recovered. This volume includes works that describe data from Moore's expeditions that were key to the early recognition and preservation of major archaeological sites—Toltec, Parkin, Mound City, and Wicklife, among them—in the lower Mississippi River Valley. This and companion volumes stand today as the defining database for every area in which he worked.
Walter Prescott Webb became one of the best known interpreters of the American West following the publication of The Great Plains in 1931. That book remained one of the outstanding studies of the region for decades and attracted considerable attention over the years for its unusual emphasis on the impact of geographic factors on the process of settlement. Using manuscript sources, some of which had not previously been available, Gregory M. Tobin has traced the elements that went into the planning and writing of The Great Plains and that account for its distinctive approach to the writing of a regional history.
Tobin emphasizes two aspects of Webb's life that molded the historian's outlook: his early family life and community connections in West Texas and his admiration for the ideas of scholar Lindley Miller Keasbey. Webb reacted strongly against the assumption that the only cultural values of any real worth emanated from the urban and sophisticated East; he was determined to write the history of his own people in a way that would reveal the scale of their anonymous contribution to American civilization. By reverting to Keasbey's stress on the relationship between natural environment and social institutions, Webb broadened his study to take in what he believed to be a distinct geographic environment. The result was The Great Plains, an assertion of individual and regional identity by a man with a personal stake in establishing the image of a distinctive Plains civilization.
Although The Making of a History is not a full biography of Walter Prescott Webb, it is the first biographically oriented study of a man regarded as one of the twentieth century's major western historians. It places his development within the framework of his intellectual and social setting and, in a sense, subjects his career to the same type of scrutiny that he advocated as the basis of the study of evolving cultures.
A riveting account of the conquest of the vast American heartland that offers a vital reconsideration of the relationship between Native Americans and European colonists, and the pivotal role of the mighty Mississippi.
America’s waterways were once the superhighways of travel and communication. Cutting a central line across the landscape, with tributaries connecting the South to the Great Plains and the Great Lakes, the Mississippi River meant wealth, knowledge, and power for those who could master it. In this ambitious and elegantly written account of the conquest of the West, Jacob Lee offers a new understanding of early America based on the long history of warfare and resistance in the Mississippi River valley.
Lee traces the Native kinship ties that determined which nations rose and fell in the period before the Illinois became dominant. With a complex network of allies stretching from Lake Superior to Arkansas, the Illinois were at the height of their power in 1673 when the first French explorers—fur trader Louis Jolliet and Jesuit priest Jacques Marquette—made their way down the Mississippi. Over the next century, a succession of European empires claimed parts of the midcontinent, but they all faced the challenge of navigating Native alliances and social structures that had existed for centuries. When American settlers claimed the region in the early nineteenth century, they overturned 150 years of interaction between Indians and Europeans.
Masters of the Middle Waters shows that the Mississippi and its tributaries were never simply a backdrop to unfolding events. We cannot understand the trajectory of early America without taking into account the vast heartland and its waterways, which advanced and thwarted the aspirations of Native nations, European imperialists, and American settlers alike.
Archaeologists and architects draw upon theoretical perspectives from their fields to provide valuable insights into the structure, development, and meaning of prehistoric communities.
Architecture is the most visible physical manifestation of human culture. The built environment envelops our lives and projects our distinctive regional and ethnic identities to the world around us. Archaeology and architecture find common theoretical ground in their perspectives of the homes, spaces, and communities that people create for themselves. Although archaeologists and architects may ask different questions and apply different methods, the results are the same—a deeper understanding of what it means to be human.
In this volume, prominent archaeologists examine the architectural design spaces of Mississippian towns and mound centers of the eastern United States. The diverse Mississippian societies, which existed between A.D. 900 and 1700, created some of the largest and most complex Native American archaeological sites in the United States. The dominant architectural feature shared by these communities was one or more large plazas, each of which was often flanked by buildings set on platform mounds. The authors describe the major dimensions of an architectural grammar, centered on the design of the plaza and mound complex that was shared by different societies across the Mississippian world. They then explore these shared architectural features as physical representations or metaphors for Mississippian world views and culture.
Exceptionally rare and valued by book collectors, Otto A. Rothert’s riveting saga of the outlaws and scoundrels of Cave-in-Rock chronicles the adventures of an audacious cast of river pirates and highwaymen who operated in and around the famous Ohio River cavern from 1795 through 1820 (adventures featured in Disney’s Davy Crockett and the film How the West Was Won). Once sporting the enticing sign "Liquor Vault and House for Entertainment," this beautiful cavern location decoyed the unsuspecting by offering a venue for food, drink, and rest.
Compellingly lively, The Outlaws of Cave-in-Rock is nonetheless the work of a scholar, a historian who documents his findings and leaves a detailed bibliographical trail. Presenting many eyewitness accounts, Rothert supplies the lore and legend of the colorful villains of Cave-in-Rock. Always maintaining the difference between stories he tells with historical authority and those that are pure speculation, Rothert provides both a fascinating narrative and a valuable regional history.
The Central Mississippi Valley, defined as the region along the Mississippi River from where the Ohio River joins in the north to its confluence with the Arkansas River in the south, lies between the two most important archaeological areas of the Southeast: American Bottom/Cahokia and the Lower Yazoo Basin. The valley has been influenced by these major centers and has a complex history of its own. Contributions from experts throughout the region present current, if sometimes conflicting, views of the regional cultural sequences supported by data from recent surveys and excavations, as well as radiocarbon and chronometric determinations. By examining this new information and reevaluating earlier interpretations of local archaeological sequences, this volume provides a comprehensive overview of the valley and defines future research goals.
The most common relics of the 12,000-year occupancy of the Upper Mississippi River Valley may be the chipped stone projectile points that Native Americans fastened to the ends of their spears, darts, and arrow shafts. This useful guide provides a key to identifying the various styles of points found along the Upper Mississippi River in the Driftless region stretching roughly from Dubuque, Iowa, to Red Wing, Minnesota, but framed within a somewhat larger area extending from the Rock Island Rapids at the modern Moline-Rock Island area to the Falls of St. Anthony at Minneapolis-St. Paul.
Logging tens of thousands of miles and visiting private collectors from all walks of life since 1982, Robert Boszhardt has documented thousands of projectile points found in this region. In addition to drawings of each style, he provides other accepted names as well as names of related points, age, distribution, a description (including length and width), material, and references for each type. The guide is meant for the many avocational archaeologists who collect projectile points in the Upper Midwest and will be a useful reference tool for professional field archaeologists as well.
Emphasizing the preservation of sites as well as a mutual exchange of information between professional and avocational archaeologists, this guide will reveal projectile points as clues to the past, time markers which embody crucial information about the cultures of the Mississippi River Valley's early inhabitants.
Winner of the SHEAR Book Prize
Honorable Mention, Avery O. Craven Award
“Few books have captured the lived experience of slavery as powerfully.”
—Ari Kelman, Times Literary Supplement
“[One] of the most impressive works of American history in many years.”
—The Nation
“An important, arguably seminal, book…Always trenchant and learned.”
—Wall Street Journal
A landmark history, by the author of National Book Critics Circle Award finalist The Broken Heart of America, that shows how slavery fueled Southern capitalism.
When Jefferson acquired the Louisiana Territory, he envisioned an “empire for liberty” populated by self-sufficient white farmers. Cleared of Native Americans and the remnants of European empires by Andrew Jackson, the Mississippi Valley was transformed instead into a booming capitalist economy commanded by wealthy planters, powered by steam engines, and dependent on the coerced labor of slaves. River of Dark Dreams places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reconsideration dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.
Walter Johnson deftly traces the connections between the planters’ pro-slavery ideology, Atlantic commodity markets, and Southern schemes for global ascendency. Using slave narratives, popular literature, legal records, and personal correspondence, he recreates the harrowing details of daily life under cotton’s dark dominion. We meet the confidence men and gamblers who made the Valley shimmer with promise, the slave dealers, steamboat captains, and merchants who supplied the markets, the planters who wrung their civilization out of the minds and bodies of their human property, and the true believers who threatened the Union by trying to expand the Cotton Kingdom on a global scale.
But at the center of the story are the enslaved people who pulled down the forests, planted the fields, picked the cotton—who labored, suffered, and resisted on the dark underside of the American dream.
“Shows how the Cotton Kingdom of the 19th-century Deep South, far from being a backward outpost of feudalism, was a dynamic engine of capitalist expansion built on enslaved labor.”
—A. O. Scott, New York Times
“River of Dark Dreams delivers spectacularly on the long-standing mission to write ‘history from the bottom up.’”
—Maya Jasanoff, New York Review of Books
In the early days of 1937, the Ohio River, swollen by heavy winter rains, began rising. And rising. And rising. By the time the waters crested, the Ohio and Mississippi had climbed to record heights. Nearly four hundred people had died, while a million more had run from their homes. The deluge caused more than half a billion dollars of damage at a time when the Great Depression still battered the nation.
Timed to coincide with the flood's seventy-fifth anniversary, The Thousand-Year Flood is the first comprehensive history of one of the most destructive disasters in American history. David Welky first shows how decades of settlement put Ohio valley farms and towns at risk and how politicians and planners repeatedly ignored the dangers. Then he tells the gripping story of the river's inexorable rise: residents fled to refugee camps and higher ground, towns imposed martial law, prisoners rioted, Red Cross nurses endured terrifying conditions, and FDR dispatched thousands of relief workers. In a landscape fraught with dangers—from unmoored gas tanks that became floating bombs to powerful currents of filthy floodwaters that swept away whole towns—people hastily raised sandbag barricades, piled into overloaded rowboats, and marveled at water that stretched as far as the eye could see. In the flood's aftermath, Welky explains, New Deal reformers, utopian dreamers, and hard-pressed locals restructured not only the flood-stricken valleys, but also the nation's relationship with its waterways, changes that continue to affect life along the rivers to this day.
A striking narrative of danger and adventure—and the mix of heroism and generosity, greed and pettiness that always accompany disaster—The Thousand-Year Flood breathes new life into a fascinating yet little-remembered American story.
A Dan Josselyn Memorial Publication
Specialists from archaeology, ethnohistory, physical anthropology, and cultural anthropology bring their varied points of view to this subject in an attempt to answer basic questions about the nature and extent of social change within the time period. The scholars' overriding concerns include presentation of a scientifically accurate depiction of the native cultures in the Central Mississippi Valley prior and immediately subsequent to European contact and the need to document the ensuing social and biological changes that eventually led to the widespread depopulation and cultural reorientation. Their findings lead to three basic hypotheses that will focus the scholarly research for decades to come.
Contributors include:
George J. Armelagos, Ian W. Brown, Chester B. DePratter, George F. Fielder, Jr., James B. Griffin, M. Cassandra Hill, Michael P. Hoffman, Charles Hudson, R. Barry Lewis, Dan F. Morse, Phyllis A. Morse, Mary Lucas Powell, Cynthia R. Price, James F. Price, Gerald P. Smith, Marvin T. Smith, and Stephen Williams
The people of Taquile Island on the Peruvian side of beautiful Lake Titicaca, the highest navigable lake in the Americas, are renowned for the hand-woven textiles that they both wear and sell to outsiders. One thousand seven hundred Quechua-speaking peasant farmers, who depend on potatoes and the fish from the lake, host the forty thousand tourists who visit their island each year. Yet only twenty-five years ago, few tourists had even heard of Taquile. In Weaving a Future: Tourism, Cloth, and Culture on an Andean Island, Elayne Zorn documents the remarkable transformation of the isolated rocky island into a community-controlled enterprise that now provides a model for indigenous communities worldwide.
Over the course of three decades and nearly two years living on Taquile Island, Zorn, who is trained in both the arts and anthropology, learned to weave from Taquilean women. She also learned how gender structures both the traditional lifestyles and the changes that tourism and transnationalism have brought. In her comprehensive and accessible study, she reveals how Taquileans used their isolation, landownership, and communal organizations to negotiate the pitfalls of globalization and modernization and even to benefit from tourism. This multi-sited ethnography set in Peru, Washington, D.C., and New York City shows why and how cloth remains central to Andean society and how the marketing of textiles provided the experience and money for Taquilean initiatives in controlling tourism.
The first book about tourism in South America that centers on traditional arts as well as community control, Weaving a Future will be of great interest to anthropologists and scholars and practitioners of tourism, grassroots development, and the fiber arts.
The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.
Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.
The Mississippi River occupies a sacred place in American culture and mythology. Often called The Father of Rivers, it winds through American life in equal measure as a symbol and as a topographic feature. To the people who know it best, the river is life and a livelihood. River boatmen working the wide Mississippi are never far from land. Even in the dark, they can smell plants and animals and hear people on the banks and wharves.
Bonnie Stepenoff takes readers on a cruise through history, showing how workers from St. Louis to Memphis changed the river and were in turn changed by it. Each chapter of this fast-moving narrative focuses on representative workers: captains and pilots, gamblers and musicians, cooks and craftsmen. Readers will find workers who are themselves part of the country’s mythology from Mark Twain and anti-slavery crusader William Wells Brown to musicians Fate Marable and Louis Armstrong.
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