BiblioVault - Books about Missouri

Earthquake Fears, Predictions, and Preparations in Mid-America

John E. Farley

Southern Illinois University Press, 1998

The New Madrid Seismic Zone (NMSZ) generated the strongest earthquakes ever observed in the lower forty-eight states in 1811 and 1812. And the region is overdue for another damaging quake. When self-proclaimed climatologist lben Browning predicted that a major earthquake would shatter the Heartland on 2 or 3 December 1990, many living within reach of the New Madrid fault zone reacted with varying combinations of preparation and panic.

John Farley’s study reports the results of four surveys conducted in the NMSZ both before and after the quake prediction. Thus, Farley notes the level of awareness and preparation at the height of the Browning-induced scare and shows to what extent earthquake awareness and preparedness were sustained in this region after the most widely publicized prediction in recent history proved baseless. All four surveys offer important insights into what people believe about earthquake risk in the NMSZ, what they know about earthquakes, what specific actions they have—and have not—taken in preparation for earthquakes, and what they think a severe quake would do to their neighborhoods.

Farley is the first researcher to study the response to an earthquake prediction while the prediction remained in effect and to continue the inquiry after the date covered by the prediction had passed. He is also the first researcher to look at earthquake awareness and preparedness in the NMSZ over an extended period of time.

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The Enchanted Years of the Stage

Kansas City at the Crossroads of American Theater, 1870-1930

Felicia Hardison Londré

University of Missouri Press, 2007

Sarah Bernhardt, Sir Henry Irving, Edwin Booth . . . there was a time when they all played Kansas City. From star-studded engagements at ornate opera houses to risqué shows in Fourth Street honky-tonks, Kansas City was a cow town that wanted to civilize itself through the performing arts. And because it was a railway hub in the heyday of trouping, it opened its doors to America’s traveling performers.

This book chronicles the “first golden age” of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I. Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Felicia Londré has gleaned long-lost nuggets of theater life—both the legitimate stage and popular fare—to create a fascinating account of a city and its theater culture.

The Enchanted Years of the Stage is brimming with forgotten stories and historical illustrations that offer a new perspective on both the history of American theater and the humor and pathos of performers’ lives. It tells how James O’Neill once chased a messenger boy for ruining a big scene, while Louis James played practical jokes on fellow actors in the middle of Shakespeare performances; how police kept watch over the burlesque girls at the Folly to make sure their act wouldn’t reach the level of indecency allowed in St. Louis; how Orth Stein shot the manager of the Theatre Comique; and how Eddie Foy played his death scene in Kansas City—by dying there. Throughout the book, sidebars of Latchaw’s writing reflect the style and spirit of this bygone era.

Offering a richer view of American theater than have accounts centered on New York, Londré’s book also yields a wealth of new insights into the social and political fabric of an emerging metropolis and testifies to the importance of the arts in the growth and reputation of a great city. By conveying the richness and complexity of road shows in Kansas City—a microcosm of the burgeoning national stage—she gives us a key piece in the mosaic that was American theater in a neglected but unforgettable era.

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The Escape

A Leap For Freedom

William Wells Brown

University of Tennessee Press, 2001

A well-known nineteenth-century abolitionist and former slave, William Wells Brown was a prolific writer and lecturer who captivated audiences with readings of his drama The Escape; or, a Leap for Freedom (1858). The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.

The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.

John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.

A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.

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Evolution of a Missouri Asylum

Fulton State Hospital, 1851-2006

Richard L. Lael, Barbara Brazos, and Margot Ford McMillen

University of Missouri Press, 2007

Fulton State Hospital was not only Missouri’s first state mental asylum but also the first such institution west of the Mississippi. In tracing its founding and evolution over a century and a half, this book sheds light on both a neglected aspect of the state’s history and the development of mental health care in America. It acknowledges the noble aspirations of Fulton State Hospital—as well as its failures, throughout much of its existence, to transform those aspirations into realities.

This institutional history of the hospital traces the debates surrounding its creation (as the State Lunatic Asylum) in a time when mental illness was barely understood. Although the Fulton hospital was initially conceived as a treatment facility, it quickly transformed into a primarily custodial institution. It existed as a self-sufficient establishment until the mid-twentieth century, dependent on patient labor and even producing its own food. But for the most socially disadvantaged and for the severely delusional, life at Fulton was anything but therapeutic.

The book describes not only the lofty goals of professionals dedicated to treating the mentally ill but also an institution once clouded by overcrowding, financial mismanagement, political cronyism, and wrongful confinement. It considers segregation within the hospital, where the first black doctor was hired in 1960 and where racism nevertheless continued to flourish, and it describes how, even after the 1921 Eleemosynary Act, the patronage system continued to plague Fulton for two more decades.

The authors reveal changing attitudes toward new treatments in the mid-twentieth century as psychotherapy and drugs became common, and decisions at Fulton regarding patient care are described within the context of progress in Europe and the eastern United States. The book addresses the complexities facing the physician-superintendents who supervised both medical therapies and administrative matters, depicting ongoing tension between hospital finances and state support and showing the difficulties state institutions faced in a “low tax/low public service” environment.

As Fulton State Hospital enters the twenty-first century, clients have become active in the development of institutional policies—a far cry from the warehousing of patients a hundred years ago. In tracing these seismic shifts in mental health care, this book offers an eye-opening exploration of how one state has sought to care for its citizens.

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