Brothers is Nico Slate’s poignant memoir about Peter Slate, aka XL, a Black rapper and screenwriter whose life was tragically cut short. Nico and Peter shared the same White American mother but had different fathers. Nico’s was White; Peter’s was Black. Growing up in California in the 1980s and 1990s, Nico often forgot about their racial differences until one night in March 1994 when Peter was attacked by a White man in a nightclub in Los Angeles.

Nico began writing Brothers with the hope that investigating the attack would bring him closer to Peter. He could not understand that night, however, without grappling with the many ways race had long separated him from his brother.

This is a memoir of loss—the loss of a life and the loss at the heart of our racial divide—but it is also a memoir of love. The love between Nico and Peter permeates every page of Brothers. This achingly beautiful memoir presents one family’s resilience on the fault lines of race in contemporary America.

A uniquely blended personal family history and history of the changing definitions of race in America.
 
A zealous eugenicist ran Virginia’s Bureau of Vital Statistics in the first half of the twentieth century, misusing his position to reclassify people he suspected of hiding their “true” race. But in addition to being blinded by his prejudices, he and his predecessors were operating more by instinct than by science. Their whole dubious enterprise was subject not just to changing concepts of race but outright error, propagated across generations.
 
This is how Michael O’Malley, a descendant of a Philadelphia Irish American family, came to have “colored” ancestors in Virginia. In The Color of Family, O’Malley teases out the various changes made to citizens’ names and relationships over the years, and how they affected families as they navigated what it meant to be “white,” “colored,” “mixed race,” and more. In the process, he delves into the interplay of genealogy and history, exploring how the documents that establish identity came about, and how private companies like Ancestry.com increasingly supplant state and federal authorities—and not for the better.
 
Combining the history of O’Malley’s own family with the broader history of racial classification, The Color of Family is an accessible and lively look at the ever-shifting and often poisoned racial dynamics of the United States.

For decades, Katie D’Angelo and Valerie Harrison engaged in conversations about race and racism. However, when Katie and her husband, who are white, adopted Gabriel, a biracial child, Katie’s conversations with Val, who is black, were no longer theoretical and academic. The stakes grew from the two friends trying to understand each other’s perspectives to a mother navigating, with input from her friend, how to equip a child with the tools that will best serve him as he grows up in a white family. 

Through lively and intimate back-and-forth exchanges, the authors share information, research, and resources that orient parents and other community members to the ways race and racism will affect a black child’s life—and despite that, how to raise and nurture healthy and happy children. These friendly dialogues about guarding a child’s confidence and nurturing positive racial identity form the basis for Do Right by Me. Harrison and D’Angelo share information on transracial adoption, understanding racism, developing a child’s positive racial identity, racial disparities in healthcare and education, and the violence of racism. 

Do Right by Me also is a story about friendship and kindness, and how both can be effective in the fight for a more just and equitable society.

“Utterly captivating and resonant.” —Chicago Review of Books
“Gorgeously told.” —Philadelphia Inquirer
“Resonant. . . . Engagingly delivered, candid reflections on heritage and identity.” —Kirkus Reviews

The In-Betweens tells the story of a biracial boy becoming a man, all the while trying to find himself, trying to come to terms with his white family, and trying to find his place in American society. A rich narrative in the tradition of Justin Torres’s We the Animals and Bryan Washington’s Memorial, Davon Loeb’s memoir is relevant to the country’s current climate and is part of the necessary rewrite of the nation’s narrative and identity.

The son of a Black mother with deep family roots in Alabama and a white Jewish man from Long Island, Loeb grows up in a Black family in the Pine Barrens of New Jersey as one of the few nonwhite children in their suburban neighborhood. Despite his many and ongoing efforts to fit in, Loeb acutely feels his difference—he is singled out in class during Black History Month; his hair doesn’t conform to the latest fad; coaches and peers assume he is a talented athlete and dancer; and on the field trip to the Holocaust Museum, he is the Black Jew. But all is not struggle. In lyrical vignettes, Loeb vibrantly depicts the freedom, joys, and wonder of childhood; the awkwardness of teen years, first jobs, first passions. Loeb tells an individual story universally, and readers, regardless of subjectivity and relation, will see themselves throughout The In-Betweens.

As interracial unions and multiracial people become more common in the United States, mixed-heritage people have come to be regarded by some as a bellwether of race relations in the country. Is the growth of this population a sign that we are now in a post-racial era and our racial identities no longer impact our daily lives? In Mixed Heritage in the Family,sociologists Carolyn A. Liebler and Miri Song explore how racially mixed people navigate racial boundaries as they choose spouses and raise families.
Liebler and Song break new ground by being the first to combine and integrate the study of three aspects of life for people of mixed racial heritage – identity, spouse choice, and childrearing. This integrated approach reveals how complicated racial identification can be, and how it can be expressed in one’s choice of partner or in how one raises their children. The authors draw on census data and interviews with Asian-White, Black-White, and American Indian/Alaska Native-White mixed people to better understand how their identity choices are related to their choice of spouse and how they racially identify and raise their children.
Increasingly, mixed people in the United States are identifying with multiple races. However, the authors find that mixed-race people are not a monolith and that how and why they identify varies considerably between and within each group. They found several common factors that influenced whether mixed-race people choose to identify as biracial, solely White, or solely as a racial minority. These factors include the history of the specific minority race in the U.S., the racial demographics of where they were raised, their social and cultural exposure to their White and non-White backgrounds, their attachment to their racial backgrounds, and how they are seen racially by others. 
 
The way mixed-heritage people identify was closely tied to the race of their spouse. However, having a White spouse did not necessarily mean the mixed-race person felt disconnected from their non-White heritage. White spouses varied in their racial consciousness and their interest in the culture of their mixed-race spouse’s minority ancestry. The spouse’s race, and the nature of racial overlap between the spouses, was also key in the racial upbringing of a mixed-heritage person’s child. In families where the parents share a minority racial heritage, couples lean into their shared ‘family race’, which guides their parenting choices and family life. Many mixed heritage parents found it important to foster racial pride in their children and combat negative racial stereotypes. 
 
Liebler and Song caution against making superficial predictions about the state of race relations in the U.S. based on an increase in the multiracial population. They show that race has not become less salient in the lives of many mixed-race people—American society is not post-racial. 
 
Mixed Heritage in the Family breaks new ground, provides compelling insights in its examination of the lives of mixed-race people, and shows how complicated racial identification can be.
 
 

Spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about the most slippery of subjects: their own families.
 
Historians have often been discouraged from writing about their relatives, subjects who are deemed too close for objective analysis. But new work by scholars interested in their own families raises fascinating questions about subjectivity—and how historians might put it to use. It also invites historians to abandon traditional aspects of academic writing and draw, instead, on literary forms more equipped to highlight the relationships between scholar and material, feeling and reason.
 
Scholars and Their Kin embraces diverse approaches to such writing, bringing into the open the personal, professional, and historiographic complexities that ensue when scholars write intimate yet self-aware histories about their families. The first book devoted to this genre, which editor Stéphane Gerson terms “personal family history,” this anthology features ten essays and an afterword by scholars working in this vein. The contributors—varied in their disciplines, themes, and nationalities—reflect on their motivations and methodological choices, the politics of family history, and the institutional constraints they have sometimes faced. Making full use of the creative possibilities of voice and form, they expand the literary ambitions of personal family history, provide readers with narrative models, and address questions of shame, responsibility, love, gendered and racial violence, family archives, as well as the tall tales, myths, misrepresentations, memories, and omissions that suffuse family lives. Scholars and Their Kin will interest historians, scholars in other disciplines, and readers interested in family histories that open broader worlds.