front cover of Dharma's Daughters
Dharma's Daughters
Contemporary Indian Women and Hindu Culture
Mitter, Sara S
Rutgers University Press, 1991

Women in India today are faced with a major conflict: how to adjust to rapid modernization and industrialization without abandoning traditional roles and customs. One of the assets of Hinduism has been its ability to incorporate seemingly unorthodox ideas, not fight against them. Contemporary Indian women today are trying to reconcile innovation with tradition as they assert that women are significant participants in the economy, that crimes against women should be investigated and prosecuted, and that a woman can divorce her husband. This is no easy task in light of the highly structured nature of Indian society. It is both hierarchical and patriarchal. Regardless of a family's economic position, women in the family are considered inferior. It is the woman's job, first and foremost, to be loyal to her husband and to be a good mother to her children.

Dharma's Daughters is divided into three sections. The first introduces us to women who live and work in Bombay, where the population is dense and the housing is inadequate. We meet manual laborers, members of construction crews, and illiterate domestic workers who live in shanties. Mitter paints a vivid picture of the harried lives of these women. In the second section Mitter describes Hindu mythology and the traditions that form the basis for women's lives. In the final section, Mitter tells of the increasing mobilization and resistance of Indian women since the 1970s.

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The Good Parsi
The Fate of a Colonial Elite in a Postcolonial Society
T. M. Luhrmann
Harvard University Press, 1996

During the Raj, one group stands out as having prospered and thrived because of British rule: the Parsis. Driven out of Persia into India a thousand years ago, the Zoroastrian people adopted the manners, dress, and aspirations of their British colonizers, and their Anglophilic activities ranged from cricket to Oxford to tea. The British were fulsome in their praise of the Parsis and rewarded them with high-level financial, mercantile, and bureaucratic posts. The Parsis dominated Bombay for more than a century. But Indian independence ushered in their decline. Tanya Luhrmann vividly portrays a crisis of confidence, of self-criticism, and perpetual agonizing.

This story highlights the dilemmas and paradoxes of all who danced the colonial tango. Luhrmann's analysis brings startling insights into a whole range of communal and individual identity crises and what could be called "identity politics" of this century. In a candid last chapter the author confronts another elite in crisis: an anthropology in flux, uncertain of its own authority and its relation to the colonizers.

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H.R.F. Keating
Post-Colonial Detection, A Critical Study
Meera Tamaya
University of Wisconsin Press, 1993
In Keating’s novels, set in India, the bumbling, but always human, Inspector Ghote manages to solve crimes with a post-colonial mix of inherited Scotland Yard/Holmesian deductive methods and his understanding of his native country’s culture. This book is based on the premise that successful sleuths have much in common with cultural anthropologists—indeed the latter have often been termed detectives of cultures. Keating’s Ghote novels are in the tradition of Tony Hillerman’s Navajo Indian mysteries, and James McClure’s South African novels, which serve up the human, experiential aspects of the cultural and ethnic conflicts that newspapers miss.
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A Joint Enterprise
Indian Elites and the Making of British Bombay
Preeti Chopra
University of Minnesota Press, 2010
It was the era of the Raj, and yet A Joint Enterprise reveals the unexpected role of native communities in the transformation of the urban fabric of British Bombay from 1854 to 1918. Preeti Chopra demonstrates how British Bombay was, surprisingly, a collaboration of the colonial government and the Indian and European mercantile and industrial elite who shaped the city to serve their combined interests.

Chopra shows how the European and Indian engineers, architects, and artists worked with each other to design a city—its infrastructure, architecture, public sculpture—that was literally constructed by Indian laborers and craftsmen. Beyond the built environment, Indian philanthropists entered into partnerships with the colonial regime to found and finance institutions for the general public. Too often thought to be the product of the singular vision of a founding colonial regime, British Bombay is revealed by Chopra as an expression of native traditions meshing in complex ways with European ideas of urban planning and progress.

The result, she argues, was the creation of a new shared landscape for Bombay’s citizens that ensured that neither the colonial government nor the native elite could entirely control the city’s future.
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My Family and Other Saints
Kirin Narayan
University of Chicago Press, 2007
In 1969, young Kirin Narayan’s older brother, Rahoul, announced that he was quitting school and leaving home to seek enlightenment with a guru. From boyhood, his restless creativity had continually surprised his family, but his departure shook up everyone— especially Kirin, who adored her high-spirited, charismatic brother.

A touching, funny, and always affectionate memoir, My Family and Other Saints traces the reverberations of Rahoul's spiritual journey through the entire family. As their beachside Bombay home becomes a crossroads for Westerners seeking Eastern enlightenment, Kirin’s sari-wearing American mother wholeheartedly embraces ashrams and gurus, adopting her son’s spiritual quest as her own. Her Indian father, however, coins the term “urug”—guru spelled backward—to mock these seekers, while young Kirin, surrounded by radiant holy men, parents drifting apart, and a motley of young, often eccentric Westerners, is left to find her own answers. Deftly recreating the turbulent emotional world of her bicultural adolescence, but overlaying it with the hard-won understanding of adulthood, Narayan presents a large, rambunctious cast of quirky characters. Throughout, she brings to life not just a family but also a time when just about everyone, it seemed, was consumed by some sort of spiritual quest.

“A lovely book about the author's youth in Bombay, India. . . . The family home becomes a magnet for truth-seekers, and Narayan is there to affectionately document all of it.”—Body + Soul
 
“Gods, gurus and eccentric relatives compete for primacy in Kirin Narayan's enchanting memoir of her childhood in Bombay.”—William Grimes, New York Times
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The Neighborhood of Gods
The Sacred and the Visible at the Margins of Mumbai
William Elison
University of Chicago Press, 2018
There are many holy cities in India, but Mumbai is not usually considered one of them. More popular images of the city capture the world’s collective imagination—as a Bollywood fantasia or a slumland dystopia. Yet for many, if not most, people who live in the city, the neighborhood streets are indeed shared with local gods and guardian spirits. In The Neighborhood of Gods, William Elison examines the link between territory and divinity in India’s most self-consciously modern city. In this densely settled environment, space is scarce, and anxiety about housing is pervasive. Consecrating space—first with impromptu displays and then, eventually, with full-blown temples and official recognition—is one way of staking a claim. But how can a marginalized community make its gods visible, and therefore powerful, in the eyes of others?
 
The Neighborhood of Gods explores this question, bringing an ethnographic lens to a range of visual and spatial practices: from the shrine construction that encroaches on downtown streets, to the “tribal art” practices of an indigenous group facing displacement, to the work of image production at two Bollywood film studios. A pioneering ethnography, this book offers a creative intervention in debates on postcolonial citizenship, urban geography, and visuality in the religions of India.
 
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Pipe Politics, Contested Waters
Embedded Infrastructures of Millennial Mumbai
Lisa Bjorkman
Duke University Press, 2015
Winner, 2014 Joseph W. Elder Prize in the Indian Social Sciences

Despite Mumbai's position as India's financial, economic, and cultural capital, water is chronically unavailable for rich and poor alike. Mumbai's dry taps are puzzling, given that the city does not lack for either water or financial resources. In Pipe Politics, Contested Waters, Lisa Björkman shows how an elite dream to transform Mumbai into a "world class" business center has wreaked havoc on the city’s water pipes. In rich ethnographic detail, Pipe Politics explores how the everyday work of getting water animates and inhabits a penumbra of infrastructural activity—of business, brokerage, secondary markets, and sociopolitical networks—whose workings are reconfiguring and rescaling political authority in the city. Mumbai’s increasingly illegible and volatile hydrologies, Björkman argues, are lending infrastructures increasing political salience just as actual control over pipes and flows becomes contingent on dispersed and intimate assemblages of knowledge, power, and material authority. These new arenas of contestation reveal the illusory and precarious nature of the project to remake Mumbai in the image of Shanghai or Singapore and gesture instead toward the highly contested futures and democratic possibilities of the actually existing city.
 

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front cover of The Worlds of Victor Sassoon
The Worlds of Victor Sassoon
Bombay, London, Shanghai, 1918–1941
Rosemary Wakeman
University of Chicago Press, 2024
An interpretative history of global urbanity in the 1920s and 1930s, from the vantage point of Bombay, London, and Shanghai, that follows the life of business tycoon Victor Sassoon.
 
In this book, historian Rosemary Wakeman brings to life the frenzied, crowded streets, markets, ports, and banks of Bombay, London, and Shanghai. In the early twentieth century, these cities were at the forefront of the sweeping changes taking the world by storm as it entered an era of globalized commerce and the unprecedented circulation of goods, people, and ideas. Wakeman explores these cities and the world they helped transform through the life of Victor Sassoon, who in 1924 gained control of his powerful family’s trading and banking empire. She tracks his movements between these three cities as he grows his family’s fortune and transforms its holdings into a global juggernaut. Using his life as its point of entry, The Worlds of Victor Sassoon paints a broad portrait not just of wealth, cosmopolitanism, and leisure but also of the discrimination, exploitation, and violence wreaked by a world increasingly driven by the demands of capital.
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