On September 11, 1857, some 120 men, women, and children from the Arkansas hills were murdered in the remote desert valley of Mountain Meadows, Utah. This notorious massacre was, in fact, a mass execution: having surrendered their weapons, the victims were bludgeoned to death or shot at point-blank range. The perpetrators were local Mormon militiamen whose motives have been fiercely debated for 150 years.
In House of Mourning, Shannon A. Novak goes beyond the question of motive to the question of loss. Who were the victims at Mountain Meadows? How had they settled and raised their families in the American South, and why were they moving west once again? What were they hoping to find or make for themselves at the end of the trail? By integrating archival records and oral histories with the first analysis of skeletal remains from the massacre site, Novak offers a detailed and sensitive portrait of the victims as individuals, family members, cultural beings, and living bodies.
The history of the massacre has often been treated as a morality tale whose chief purpose was to vilify (or to glorify) some collective body. Resisting this tendency to oversimplify the past, Novak explores Mountain Meadows as a busy and dangerous intersection of cultural and material forces in antebellum America. House of Mourning is a bold experiment in a new kind of history, the biocultural analysis of complex events.
Winner of the Society for Historical Archaeology James Deetz Book Award.
A dynamic figure in the pages of history, Major General William “Bull” Nelson played a formative role in the Union’s success in Kentucky and the Western theater of the Civil War. Now, Donald A. Clark presents a long-overdue examination of this irascible officer, his numerous accomplishments, and his grim fate. More popularly known for his temper than his intrepid endeavors on behalf of the North, Nelson nevertheless dedicated much of his life to his nation and the preservation of the Union.
The child of a privileged family, Nelson was one of the first officers to graduate from the newly formed U.S. Naval Academy. His years in the Navy imbued in him the qualities of bravery, loyalty, and fortitude; however, his term of service also seemed to breed an intolerance of others for which he became infamous, and that ultimately led to his violent downfall. Clark sheds new light upon Nelson’s pre–Civil War years as a naval officer, when he became a hardened veteran of battle, fighting at the siege of Veracruz and the capture of Tabasco during the Mexican War in the 1840s. On the basis of Nelson’s military experience, in 1861 President Lincoln sent him to Kentucky—which was considering secession—and Nelson rallied loyalists and helped the Union prepare to maintain control of the state during the next several years of war.
Nelson went on to prove instrumental in blocking Confederate attempts to subdue Kentucky and the West, serving important roles in the battle of Shiloh, General Henry W. Halleck’s advance against Corinth, and Brigadier General Don Carlos Buell’s movement toward Chattanooga. But while some viewed his bold maneuvers as the saving of the state, many others, including such notables as Ulysses S. Grant and William Tecumseh Sherman, argued that Nelson’s actions merited no praise. Unfortunately for the general, the question of his value to the Union abruptly became moot, as his achievements were shortly overshadowed by ignominious rumors of scandal and abuse.
His involvement in the defense of Louisville gave Nelson a chance to redeem himself and restore his military reputation, but the general’s famous temper soon robbed him of any potential glory. During September of 1862, in a crime that was never prosecuted, fellow Union general Jefferson C. Davis shot and killed Nelson after an argument. Clark explores this remarkable exception in military law, arguing that while the fact of the murder was indisputable, many considered Davis a hero for having dispatched the so-called tyrant. Although Nelson eventually received many posthumous honors for his indispensable role in the war, justice was never sought for his murder.
A comprehensive study of this well-known, yet misunderstood American figure, The Notorious “Bull” Nelson: Murdered Civil War General is an illuminating addition to the history of the Civil War. Through Clark’s impeccable research and richly layered narrative, William “Bull” Nelson springs from the pages as large and volatile as he was in life.
In October 1955, three Chicago boys were found murdered, their bodies naked and dumped in a ditch in Robinson Woods on the city’s Northwest Side. A community and a nation were shocked. In a time when such crimes against children were rare, the public was transfixed as local television stations aired stark footage of the first hours of the investigation. Life and Newsweek magazines published exclusive stories the following week. When Kenneth Hansen was convicted and sentenced for the murders, the case was considered solved—until questions were raised about Hansen’s presumed guilt.
Shattered Sense of Innocence: The 1955 Murders of Three Chicago Children tells the gripping story of the three murdered boys—thirteen-year-old John Schuessler, his eleven-year-old brother, Anton, and thirteen-year-old Bobby Peterson—and the quest to find and bring to justice their killer. Authors Richard C. Lindberg and Gloria Jean Sykes recount the bungled 1955 police investigation, the failures of multiple law enforcement agencies, and the subsequent convictions of Kenneth Hansen, in 1995 and 2002, and present new information concerning two suspects overlooked by police for five decades.
The authors deftly examine all sides of this tragic story, drawing on exclusive interviews with law enforcement agents, with horse trainers affiliated with the so-called horse mafia, and with the man convicted of the murders, Kenneth Hansen. This intensely intimate account offers a rare glimpse into one community and examines how these atrocious crimes altered public perceptions nationwide. Shattered Sense of Innocence, which is also a story of political controversy, a determined federal agent’s quest for justice, and a community’s loss of innocence, includes fifty illustrations.
A beloved member of the country music community, David “Stringbean” Akeman found nationwide fame as a cast member of Hee Haw. The 1973 murder of Stringbean and his wife forever changed Nashville’s sense of itself. Millions of others mourned not only the slain couple but the passing of the way of life that country music had long represented.
Taylor Hagood merges the story of Stringbean’s life with an account of murder and courtroom drama. Mentored by Uncle Dave Macon and Bill Monroe, Stringbean was a bridge to country’s early days. His instrumental savvy and old-time singing style drew upon a deep love for traditional country music that, along with his humor and humanity, won him the reverence of younger artists and made his violent death all the more shocking. Hagood delves into the unexpected questions and uneasy resolutions raised by the atmosphere of retribution surrounding the murder trial and recounts the redemption story that followed decades later.
Just weeks after CBS correspondent George Polk was murdered in Greece in 1948, his peers created the "George Polk Award" to honor the best in American journalism. Polk would have been bitterly disappointed, however, had he known that the "best in American journalism" accepted, largely without protest, an investigation into his death in which evidence was not only ignored but manufactured to convict innocent men—an investigation in which politics played a bigger role than the truth.
Reconstructing the murder, investigation, trial, and aftermath, Who Killed George Polk? offers a penetrating analysis of the willingness of the American media—including CBS and a committee of prominent journalists headed by Walter Lippmann—to accept the government's version of events despite numerous inconsistencies. The book also explores the fate of the handful of journalists who had questioned the original coverup and shows that even when additional developments turned the official version on its head, they were no longer in a position to press for a new investigation. All had become victims of anticommunist witchhunts.
Arguing that this mainstream media and the U.S. government were so blinded by cold war political considerations that they overlooked the most obvious culprits for the Polk murder, Elias Vlanton proves that Polk was likely killed neither by the communists, as originally charged, nor by corrupt Greek government officials, as claimed by a recent book and in a CBS "Sixty Minutes" broadcast. Instead, based on evidence uncovered during Vlanton's 19-year investigation, the author presents the only plausible scenario of how and why Polk was murdered.
At its core, this perceptive interrogation explores how the press served U.S. national interests at the expense of the truth and journalistic integrity.
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