BiblioVault - Books about My Soul

In the Solitude of My Soul

The Diary of Genevieve Breton, 1867-1871

James Smith Allen

Southern Illinois University Press, 1994

Originally published to glowing reviews and literary prizes in France in 1985, this revealing diary not only recounts the moving and tragic relationship of its author, Geneviève Bréton, with the rising young nineteenth-century artist Henri Regnault, it also serves as a valuable historical document concerning the social, cultural, and political life of the French Second Empire.

The young Geneviève Bréton began her journal in 1867 as a consolation for the death of her eldest brother, Antoine. She met Regnault soon after on a trip to Rome. Throughout the next four years of their relationship, Bréton eloquently describes the personal, cultural, and political turbulence that affected her life. Writing against the backdrop of France’s fateful conflict with Prussia and the hardships and dangers of the siege of Paris and the Commune, Bréton, with innate candor and lyricism, creates a text that beautifully illuminates French art, literature, family life, society, and politics of the time. Her poignant account of her love for and engagement to Regnault reveals special insight into the life and mind of an extraordinary, though little known, literary talent. At Regnault’s death in 1871 during the Franco–Prussian War, the expression of her anguish is as much testimony to the political and cultural disorder of the time as it is to her own personal tragedy.

Following Bréton’s own instructions that she left before her death in 1918, this English version of the diary reincorporates material that was deleted from the French edition. Graced by rare photographs of the Bréton family as well as Regnault’s paintings, the book contains a touching foreword by the author’s granddaughter, Daphné Doublet-Vaudoyer. In its first English translation, it is a book for lovers of French life and culture, as well as students of French history; literature, and art.

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Injichaag

My Soul in Story: Anishinaabe Poetics in Art and Words

Rene Meshake

University of Manitoba Press, 2019

A Piece of My Soul

Quilts by Black Arkansans

Cuesta Benberry

University of Arkansas Press, 2000

Arkansas is well known for its rich tradition of upland folk arts. Little, however, has been reported from the lowland areas, particulary on African American contributions to the state's cultural heritage. A Piece of My Soul: Quilts by Black Arkansans seeks to rectify that oversight by drawing attention to the extensive, important collection of African American quilts in the Old State House Museum in Little Rock. Over seventy-five individual pieces of patchwork art are presented in this publication in full-color plates, each with a commentary by the exhibit's guest curator, Cuesta Benberry. The book details the importance of quilting to black Arkansans; the quilts' uses, materials and construction; and what each piece says about the artist and her beliefs. We are granted a glimpse into the living conditions and cultural mores of the quilters' lives. Regionalisms, such as the unusual custom of renaming traditional quilt patterns for things seen in the farmyard, such as Rooster Tail or Chicken Feet, and of piecing patchwork funerary cloths to decorate coffins are discussed. This impressive collection of cultural artifacts is placed in the larger context of the African American experience through an introduction by noted scholar Raymond Dobard (art history, Howard University), co-author, with Jacqueline Tobin, of the highly acclaimed book, Hidden in Plain View: The Secret Story of Quilts and the Underground Railroad (1999, Doubleday). All those interested in American folk art, the quilting craft, and black history will find this beautiful book fascinating and rewarding.

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Terror in My Soul

Communist Autobiographies on Trial

Igal Halfin

Harvard University Press, 2003

In this innovative and revelatory work, Igal Halfin exposes the inner struggles of Soviet Communists to identify themselves with the Bolshevik Party during the decisive decades of the 1920s and 1930s. The Bolsheviks preached the moral transformation of Russians into model Communists for their political and personal salvation. To screen the population for moral and political deviance, the Bolsheviks enlisted natural scientists, doctors, psychologists, sexologists, writers, and Party prophets to establish criteria for judging people. Self-inspection became a central Bolshevik practice. Communists were expected to write autobiographies in which they reconfigured their life experience in line with the demands of the Party.

Halfin traces the intellectual contortions of this project. Initially, the Party denounced deviant Communists, especially the Trotskyists, as degenerate, but innocuous, souls; but in a chilling turn in the mid-1930s, the Party came to demonize the unreformed as virulent, malicious counterrevolutionaries. The insistence that the good society could not triumph unless every wicked individual was destroyed led to the increasing condemnation of Party members as helplessly flawed.

Combining the analysis of autobiography with the study of Communist psychology and sociology and the politics of Bolshevik self-fashioning, Halfin gives us powerful new insight into the preconditions of the bloodbath that was the Great Purge.

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