Several sacred artifacts have gone missing from the Minnesota Red Earth Reservation and the suspect list is continuously growing. While it could be the racists from the bordering town, or a young man struggling with problems at home, or the county coroner and his cronies, the need for answers and apprehending the culprit is amplified when Jed Morriseau, the Tribal Chairman, is murdered. Investigating these mysterious occurrences because of tribal traditions and the honor of her family, Renee LaRoche works to track down the people responsible. But can she maintain her intense investigation as well as her new relationship with Samantha Salisbury, the visiting women’s studies professor at the white college nearby? Renee is caught between the traditions of her tribe and efforts to help her chimook lover accept their cultural differences.
The Nasca Lines are one of the world's great enigmas. Who etched the more than 1,000 animal, human, and geometric figures that cover 400 square miles of barren pampa in southern Peru? How did the makers create lifelike images of monkeys, birds, and spiders without an aerial vantage point from which to view these giant figures that stretch across thousands of square yards? Most puzzling of all, why did the ancient Nasca lay out these lines and images in the desert? These are the questions that pioneering archaeoastronomer Anthony Aveni seeks to answer in this book.
Writing for a wide public audience, Aveni begins by establishing the Nasca Lines as a true wonder of the ancient world. He describes how viewers across the centuries have tried to interpret the lines and debunks the wilder theories. Then he vividly recounts his own years of exploration at Nasca in collaboration with other investigators and the discoveries that have answered many of the riddles about who made the Nasca Lines, when, and for what purposes. This fascinating overview of what the leading expert and his colleagues currently understand about the lines is required reading for everyone intrigued by ancient mysteries.
An Ojibwa woman has been found dead on the outskirts of the Minnesota Red Earth Reservation. The coroner ruled the death a suicide, but after an ex-lover comes back into her life saying foul play was involved, Renee LaRoche wants to prove otherwise. As the events begin to unfold, Renee conducts a presumably normal welfare check on a young Ojibwa boy in foster care. After she learns the boy has suffered abuse, Renee finds herself amid an investigation into the foster care system and the deep trauma it has inflicted on the Ojibwa people. As Renee uncovers horrible truths, she must work through her own childhood issues to help shine a light on the dark web she has stumbled into.
From Mastery to Mystery is an original and provocative contribution to the burgeoningfield of ecophenomenology. Informed by current debates in environmental philosophy, Bannon critiques the conception of nature as u200a“substance” that he finds tacitly assumed by the major environmental theorists. Instead, this book reconsiders the basic goals of an environmental ethic by questioning the most basic presupposition that most environmentalists accept: that nature is in need of preservation.
Beginning with Bruno Latour’s idea that continuing to speak of nature in the way we popularly conceive of it is ethically and politically disastrous, this book describes a way in which the concept of nature can retain its importance in our discussion of the contemporary state of the environment. Based upon insights from the phenomenological tradition, specifically the work of Martin Heidegger and Maurice Merleau-Ponty, the concept of nature developed in the book preserves the best antihumanistic intuitions of environmentalists without relying on either a reductionistic understanding of nature and the sciences or dualistic metaphysical constructions.
From murder and matchstick men to all-consuming fires, painted women, and Great Lakes disasters--and the wide-eyed public who could not help but gawk at it all--"Milwaukee Mayhem" uncovers the little-remembered and rarely told history of the underbelly of a Midwestern metropolis. "Milwaukee Mayhem" offers a new perspective on Milwaukee's early years, forgoing the major historical signposts found in traditional histories and focusing instead on the strange and brutal tales of mystery, vice, murder, and disaster that were born of the city's transformation from lakeside settlement to American metropolis. Author Matthew J. Prigge presents these stories as they were recounted to the public in the newspapers of the era, using the vivid and often grim language of the times to create an engaging and occasionally chilling narrative of a forgotten Milwaukee.
Through his thoughtful introduction, Prigge gives the work context, eschewing assumptions about "simpler times" and highlighting the mayhem that the growth and rise of a city can bring about. These stories are the orphans of Milwaukee's history, too unusual to register in broad historic narratives, too strange to qualify as nostalgia, but nevertheless essential to our understanding of this American city.
David Ramsay Steele, PhD, is a libertarian writer with a powerful underground reputation for producing caustic, entertaining, knowledgeable, and surprising arguments, often violently at odds with conventional thinking. For the first time, some of Dr. Steele’s “greatest hits” have been brought together in an anthology of provocative essays on a wide range of topics. The essays are divided into two parts, “More Popular than Scholarly” and “More Scholarly than Popular.”
“Scott Adams and the Pinocchio Fallacy,” Steele’s 2018 refutation of the popular claim that we might be living in a “simulated reality,” has been hailed as a totally irresistible debunking of that fallacy as promoted by The Matrix movie and by Scott Adams (among many pundits).
“What Follows from the Non-Existence of Mental Illness?” (2017) preserves the crucial insights of “psychiatric abolitionist” Thomas Szasz, while exposing Szasz’s major misconceptions.
In “The Bigotry of the New Atheism” (2014), Steele, himself an atheist, brings out the intolerant quality of the “New Atheists.” Steele powerfully argues that while “enthusiastic belief systems” may give rise to enormous atrocities, the historical evidence goes against the theory (promoted by Harris, Dawkins, and Hitchens) that these appalling outcomes are more likely when those belief systems include belief in God.
“Taking the JFK Assassination Conspiracy Seriously” (2003) has been reprinted many times, continues to be viewed online many thousands of times, and like many of Steele’s writings, keeps making converts. It is acknowledged to be the most persuasive brief popular statement of the Lone Nut theory.
“The Mystery of Fascism” (2001), which gives this collection its title, is still continually viewed and cited, for its demonstration that fascism arose directly out of far-left revolutionary Marxism and revolutionary syndicalism. Conventional ideologues of both right and left have been provoked by this highly readable piece to start thinking outside the box.
The earliest piece in this collection, “Alice in Wonderland” (1987) is a devastating critique of the Ayn Rand belief system and the Ayn Rand cult.
“Gambling Is Productive and Rational” (1997), mercilessly strips away the loose thinking which favors intolerance and prohibition of gambling. Steele argues that gambling adds to human well-being and ought to be completely legalized everywhere.
Other topics include the recovered memory witch hunt of the 1990s, the benefits of replacing democratic voting with selection of political positions by lottery, the unexpected results of research into the causes of human happiness, the reasons why Dexter (a TV show sympathetic to a psychotic serial killer) was politically “safe,” why economic growth can go on for ever, why the most popular moral argument against eating meat just doesn’t work, how Hillary Clinton could have won the presidency in 2016, why Friedrich Hayek is wrong about social evolution, the inevitable disappearance of market socialism, Robert Nozick’s muddled thinking about economics, and the proper way to view anti-consensus theories such as the Atkins Diet.
The Depression-era vogue for horror and the supernatural produced some of Hollywoood's most memorable chillers, among them Dr. Jekyll and Mr. Hyde (Paramount), Frankenstein, (Universal), and King Kong (RKO). At Warner Brothers, the main entry was Mystery of the Wax Museum, directed by Michael Curtiz, a grand thriller of 1933 in which Fay Wray (Who would appear opposite Kong later that same year) was threatened with waxy immortality by the maniacal Lionel Atwill.
This volume, which examines the special contributions of a number of women mystery writers, sheds light on this significant example of common interests in recreational reading among women and men and the reasons behind the early and continuing uncharacteristic near-equality of both sexes in this field of endeavor.
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