front cover of Oglala Women
Oglala Women
Myth, Ritual, and Reality
Marla N. Powers
University of Chicago Press, 1986
Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs.


"It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review

"Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books

"Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History
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Ohio’s Kingmaker
Mark Hanna, Man and Myth
William T. Horner
Ohio University Press, 2010

For a decade straddling the turn of the twentieth century, Mark Hanna was one of the most famous men in America. Portrayed as the puppet master controlling the weak-willed William McKinley, Hanna was loved by most Republicans and reviled by Democrats, in large part because of the way he was portrayed by the media of the day. Newspapers and other media outlets that supported McKinley reported positively about Hanna, but those sympathetic to William Jennings Bryan, the Democrats’ presidential nominee in 1896 and 1900, attacked Hanna far more aggressively than they attacked McKinley himself. Their portrayal of Hanna was wrong, but powerful, and this negative image of him survives to this day.

In this study of Mark Hanna’s career in presidential politics, William T. Horner demonstrates the flaws inherent in the ways the news media cover politics. He deconstructs the myths that surround Hanna and demonstrates the dangerous and long-lasting effect that inaccurate reporting can have on our understanding of politics. When Karl Rove emerged as the political adviser to George W. Bush’s presidential campaigns, the reporters quickly began to compare Rove to Hanna even a century after Hanna’s death. The two men played vastly different roles for the presidents they served, but modern reporters consistently described Rove as the second coming of Mark Hanna, another political Svengali.

Ohio’s Kingmaker is the story of a fascinating character in American politics and serves to remind us of the power of (mis)perceptions.

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On Descartes’ Passive Thought
The Myth of Cartesian Dualism
Jean-Luc Marion
University of Chicago Press, 2018
On Descartes’ Passive Thought is the culmination of a life-long reflection on the philosophy of Descartes by one of the most important living French philosophers. In it, Jean-Luc Marion examines anew some of the questions left unresolved in his previous books about Descartes, with a particular focus on Descartes’s theory of morals and the passions.

Descartes has long been associated with mind-body dualism, but Marion argues here that this is a historical misattribution, popularized by Malebranche and popular ever since both within the academy and with the general public. Actually, Marion shows, Descartes held a holistic conception of body and mind. He called it the meum corpus, a passive mode of thinking, which implies far more than just pure mind—rather, it signifies a mind directly connected to the body: the human being that I am. Understood in this new light, the Descartes Marion uncovers through close readings of works such as Passions of the Soul resists prominent criticisms leveled at him by twentieth-century figures like Husserl and Heidegger, and even anticipates the non-dualistic, phenomenological concepts of human being discussed today. This is a momentous book that no serious historian of philosophy will be able to ignore.
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Oriana Fallaci
The Woman and the Myth
Santo L. Aricò
Southern Illinois University Press, 1998

Internationally acclaimed as a journalist, war correspondent, interviewer, and novelist, Oriana Fallaci’s public persona reached almost mythic proportions. It is a myth Fallaci herself created, according to Santo L. Aricò, who probes the psychological forces that motivated one of the twentieth century’s most famous and successful women writers.

Using his own extensive interviews with the writer, Aricò maps out Fallaci’s journey through life, paying particular attention to her ongoing and painstaking attempts to establish her own mythical status. He first examines her career as a literary journalist, emphasizing the high quality of her writing. From there, he concentrates on how Fallaci’s personal image began to emerge in her writings, as well as the way in which, through her powerful narratives, she catapulted herself into the public eye as her own main character.

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Orozco's American Epic
Myth, History, and the Melancholy of Race
Mary K. Coffey
Duke University Press, 2020
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
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front cover of Other Peoples' Myths
Other Peoples' Myths
The Cave of Echoes
Wendy Doniger O'Flaherty
University of Chicago Press, 1995
Other People's Myths celebrates the universal art of storytelling, and the rich diversity of stories that people live by. Drawing on Biblical parables, Greek myths, Hindu epics, and the modern mythologies of Woody Allen and soap operas, Wendy Doniger O'Flaherty encourages us to feel anew the force of myth and tradition in our lives, and in the lives of other cultures. She shows how the stories of mythology—whether of Greek gods, Chinese sages, or Polish rabbis—enable all cultures to define themselves. She raises critical questions about the way we interpret mythical stories, especially the way different cultures make use of central texts and traditions. And she offers a sophisticated way of looking at the roles myths play in all cultures.
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