Historians have long believed that Catholics were late and ambivalent supporters of the German nation. Rebecca Ayako Bennette’s bold new interpretation demonstrates definitively that from the beginning in 1871, when Wilhelm I was proclaimed Kaiser of a unified Germany, Catholics were actively promoting a German national identity for the new Reich.
In the years following unification, Germany was embroiled in a struggle to define the new nation. Otto von Bismarck and his allies looked to establish Germany as a modern nation through emphasis on Protestantism and military prowess. Many Catholics feared for their future when he launched the Kulturkampf, a program to break the political and social power of German Catholicism. But these anti-Catholic policies did not destroy Catholic hopes for the new Germany. Rather, they encouraged Catholics to develop an alternative to the Protestant and liberal visions that dominated the political culture. Bennette’s reconstruction of Catholic thought and politics sheds light on several aspects of German life. From her discovery of Catholics who favored a more “feminine” alternative to Bismarckian militarism to her claim that anti-socialism, not anti-Semitism, energized Catholic politics, Bennette’s work forces us to rethink much of what we know about religion and national identity in late nineteenth-century Germany.
Film and Nationalism examines the ways in which cinema has been considered an arena of conflict and interaction between nations and nationhood. Each section of this volume explores a crucial aspect of the discussion. Is film an effective form of national propaganda? Are films losing the very notion of nationhood, in favor of a generalized, "global" cinematographic culture? What is films influence over "national character"? In addition, the volume explores the cultural and economic interactions between developed and underdeveloped countries. How have third world nations defined themselves in relation to hegemonic first world cultures, and how have their relations been changed through the dissemination of Western films? Throughout, Alan Williams chooses essays that enhance our understanding of how films help shape our sense of nationhood and self.
First Nationalism Then Identity focuses on the case of Bosnian Muslims, a rare historic instance of a new nation emerging. Although for Bosnian Muslims the process of national emergence and the assertion of a new salient identity have been going on for over two decades, Mirsad Kriještorac is the first to explain the significance of the whole process and how the adoption of their new Bosniak identity occurred. He provides a historical overview of Yugoslav and Bosnian Slavic Muslims’ transformation into a full-fledged distinct and independent national group as well as addresses the important question in the field of nationalism studies about the relationship between and workings of nationalism and identity. While this book is noteworthy for ordinary readers interested in the case of Bosnian Muslims, it is an important contribution to the scholarly debate on the role of nationalism in the political life of a group and adds an interdisciplinary perspective to comparative politics scholarship by drawing from anthropology, history, geography, and sociology.
Recasting the birth of fascism, nationalism, and the fall of empire after World War I, Dominique Kirchner Reill recounts how the people of Fiume tried to recreate empire in the guise of the nation.
The Fiume Crisis recasts what we know about the birth of fascism, the rise of nationalism, and the fall of empire after World War I by telling the story of the three-year period when the Adriatic city of Fiume (today Rijeka, in Croatia) generated an international crisis.
In 1919 the multicultural former Habsburg city was occupied by the paramilitary forces of the flamboyant poet-soldier Gabriele D’Annunzio, who aimed to annex the territory to Italy and became an inspiration to Mussolini. Many local Italians supported the effort, nurturing a standard tale of nationalist fanaticism. However, Dominique Kirchner Reill shows that practical realities, not nationalist ideals, were in the driver’s seat. Support for annexation was largely a result of the daily frustrations of life in a “ghost state” set adrift by the fall of the empire. D’Annunzio’s ideology and proto-fascist charisma notwithstanding, what the people of Fiume wanted was prosperity, which they associated with the autonomy they had enjoyed under Habsburg sovereignty. In these twilight years between the world that was and the world that would be, many across the former empire sought to restore the familiar forms of governance that once supported them. To the extent that they turned to nation-states, it was not out of zeal for nationalist self-determination but in the hope that these states would restore the benefits of cosmopolitan empire.
Against the too-smooth narrative of postwar nationalism, The Fiume Crisis demonstrates the endurance of the imperial imagination and carves out an essential place for history from below.
In a new perspective on the formation of national identity in Central Europe, Nancy Wingfield analyzes what many historians have treated separately--the construction of the Czech and German nations--as a larger single phenomenon.
Czech and German nationalism worked off each other in dynamic ways. As external conditions changed, Czech and German nationalists found new uses for their pasts and new ways to stage them in public spaces for their ongoing national projects. These grassroots confrontations transformed public culture by reinforcing the centrality of nationality to everyday life and by tying nationalism to the exercise of power. The battles in the public sphere produced a cultural geography of national conflict associated with the unveiling of Joseph II statues that began in 1881, the Badeni Language Ordinances of 1897, the 1905 debate over a Czech-language university in Moravia, and the celebration of the emperor's sixtieth jubilee in 1908. The pattern of impassioned national conflict would be repeated for the duration of the monarchy and persist with even more violence into the First Czechoslovak Republic.
Numerous illustrations show how people absorbed, on many levels, visual clues that shaped how they identified themselves and their groups. This nuanced analysis is a valuable contribution to our understanding of Central European history, nationalism, and the uses of collective memory.
In 1894, on the eve of the French conquest of Morocco, a young Muslim mystic named Muḥammad al-Kattānī decided to abandon his life of asceticism to preach Islamic revival and jihad against the French. Ten years later, al-Kattānī mobilized a socially diverse coalition of Moroccans who called for resistance against French colonization.
In 1909, he met a violent death at the hands of the same Moroccan anti-colonialists he had empowered through his activism. Today, the government of Morocco regards al-Kattānī’s story as subversive, and he has virtually disappeared from the narratives of the early Moroccan anti-colonialism and nationalism. Despite this silencing, al-Kattānī’s remarkable personal transformation and sacrifice is at the heart of the events that, although ultimately failing to prevent French rule, gave birth to Moroccan nationalism and to modern concepts of Moroccan political power and authority.
Forgotten Saints draws on a diverse collection of previously unknown primary sources to narrate the vivid story of al-Kattānī and his virtual disappearance from accounts of modern Moroccan history.
Here is the history of the disintegration of the Russian Empire, and the emergence, on its ruins, of a multinational Communist state. In this revealing account, Richard Pipes tells how the Communists exploited the new nationalism of the peoples of the Ukraine, Belorussia, the Caucasus, Central Asia, and the Volga-Ural area--first to seize power and then to expand into the borderlands.
The Formation of the Soviet Union acquires special relevance in the post-Soviet era, when the ethnic groups described in the book once again reclaimed their independence, this time apparently for good.
In a 1996 Preface to the Revised Edition, Pipes suggests how material recently released from the Russian archives might supplement his account.
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