front cover of Metro Dailies in the Age of Multimedia Journalism
Metro Dailies in the Age of Multimedia Journalism
Mary Lou Nemanic
Temple University Press, 2020

The death of the daily newspaper in the internet age has been predicted for decades. While print newspapers are struggling from drops in advertising and circulation, their survival has been based on original reporting. Instead of a death knell, metro dailies are experiencing an identity crisis—a clash between traditional print journalism’s formality and detail and digital journalism’s informality and brevity.  

In Metro Dailies in the Age of Multimedia Journalism, Mary Lou Nemanic provides in-depth case studies of five mid-size city newspapers to show how these publications are adapting to the transition from print-only to multiplatform content delivery—and how newsroom practices are evolving to address this change. She considers the successes when owners allow journalists to manage their newspapers—to ensure production of quality journalism under the protection of newspaper guilds—as well as how layoffs and resource cutbacks have jeopardized quality standards.

Arguing for an integrated approach in which print and online reporting are considered complementary and visual journalism is emphasized across platforms, Nemanic suggests that there is a future for the endangered daily metro newspaper.

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front cover of One Day for Democracy
One Day for Democracy
Independence Day and the Americanization of Iron Range Immigrants
Mary Lou Nemanic
Ohio University Press, 2007
Just before the turn of the twentieth century, immigrants from eastern and southern Europe who had settled in mining regions of Minnesota formed a subculture that combined elements of Old World traditions and American culture. Their unique pluralistic version of Americanism was expressed in Fourth of July celebrations rooted in European carnival traditions that included rough games, cross-dressing, and rowdiness.In One Day for Democracy, Mary Lou Nemanic traces the festive history of Independence Day from 1776 to the twentieth century. The author shows howthese diverse immigrant groups on the Minnesota Iron Range created their own version of the celebration, the Iron Range Fourth of July.As mass-mediated popular culture emerged in the twentieth century, Fourth of July celebrations in the Iron Range began to include such popular cultureelements as beauty queens and marching bands. Nemanic documents the enormous influence of these changes on this isolated region and highlights the complex interplay between popular culture and identity construction.But this is not a typical story of assimilation or ethnic separation. Instead, One Day for Democracy reveals how more than thirty different ethnic groupswho shared identities as both workers and new Americans came together in a remote mining region to create their own subculture.
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