The idea of the "global city," which focuses on globalisation's impact on the social, financial, and political reality of cities in advanced economies, has become widely influential in the decades since its introduction-and yet the major issues in the "global city debate" remain unresolved. This book provides a systematic overview of the debate and competing theoretical notions, as well as an argument for the need to test the framework's empirical validity before the unresolved questions can be fruitfully addressed. By testing data from the Netherlands in the 1990s and 2000s, the author demonstrates the value of rigorous empirical scrutiny while offering fresh insights for the global city debate as a whole.

In his own day, Godefridus Schalcken (1643—1706) was an internationally renowned Dutch painter, but little is known about the four years that he spent in London. Using newly discovered documents, this book provides the first comprehensive examination of Schalcken’s activities there. The author analyses Schalcken’s strategic appropriations of English styles, his attempts to exploit gapsin the art market, and his impact on tastes in London’s milieu. Five chapters survey his art during these years, concluding with acritical catalogue of all his London-period work.

This book documents communists’ attempts, successful and otherwise, to overcome their isolation and to connect with the major social and political movements of the twentieth century. Communist parties in Britain and the Netherlands emerged from the Second World War expecting to play a significant role in post-war society, due to their domestic anti-fascist activities and to the part played by the Soviet Union in defeating fascism. The Cold War shattered these hopes, and isolated communist parties and their members. By analysing the accounts of communist children, Weesjes highlights their struggle to establish communities and define their identities within the specific cultural, social, and political frameworks of the Cold War period and beyond.