In 1746, Nathan Blake, the first frame house builder in Keene, New Hampshire, was abducted by Algonkians and held in Canada as a slave. Inspired by this dramatic slice of history, novelist Ernest Hebert has written a masterful new novel recreating those years of captivity. Set in New England and Canada during the French and Indian Wars, The Old American is driven by its complex, vividly imagined title character, Caucus-Meteor. By turns shrewd and embittered, ambitious and despairing, inspired and tormented, he is the self-styled "king" of the remnants of the first native tribes that encountered the English. Displaced and ravaged by disease, these refugees have been forced to bargain for land in Canada on which to live. Having hired himself out as interpreter to a raiding party of French and Iroquois, Caucus-Meteor returns from New Hampshire the unexpected possessor of a captive, Nathan Blake. He decides to bring the Englishman to his own village rather than sell him to the French. Ambivalent about his former life, Blake gradually fits into the routine of Conissadawaga. Meanwhile, Caucus-Meteor struggles to protect his people from the rapacious French governor. Constantly plotting and maneuvering, burdened by responsibility, the Old American exhibits cunning and courage. A gifted linguist who was forbidden to learn to read or write; a former slave who is now a king; a native leader who has seen more of London and Paris than his English captive, who knows more of European politics than the French colonial administrators, Caucus-Meteor is a brilliant, cantankerous, visionary figure whom readers will long remember.

In Old and New New Englanders, Bluford Adams provides a reenvisioning of New England’s history and regional identity by exploring the ways the arrival of waves of immigrants from Europe and Canada transformed what it meant to be a New Englander during the Gilded Age. Adams’s intervention challenges a number of long-standing conceptions of New England, offering a detailed and complex portrayal of the relations between New England’s Yankees and immigrants that goes beyond nativism and assimilation. In focusing on immigration in this period, Adams provides a fresh view on New England’s regional identity, moving forward from Pilgrims, Puritans, and their descendants and emphasizing the role immigrants played in shaping the region’s various meanings. Furthermore, many researchers have overlooked the newcomers’ relationship to the regional identities they found here. Adams argues immigrants took their ties to New England seriously. Although they often disagreed about the nature of those ties, many immigrant leaders believed identification with New England would benefit their peoples in their struggles both in the United States and back in their ancestral lands.

Drawing on and contributing to work in immigration history, as well as American, gender, ethnic, and New England studies, this book is broadly concerned with the history of identity construction in the United States while its primary focus is the relationship between regional categories of identity and those based on race and ethnicity. With its interdisciplinary methodology, original research, and diverse chapter topics, the book targets both specialist and nonspecialist readers.

William Apess was the first Native American's to fully, and publicly, speak out regarding the racism and unfair treatment that he and others endured. The author's writing is eloquently delivered, instilling the reader with a realistic framework of a political, historical, and personal mindset.

"Opening Scripture provides a thorough and original account of ministerial and lay strategies for interpreting Scripture in the Massachusetts Bay. Demonstrating an impressive command of the vast literature and history of the period, Lisa Gordis moves deftly through discussions of major figures and events. This is a significant intervention in the study of Puritan New England."—Sandra M. Gustafson, University of Notre Dame

What role did the Bible really play in Puritan New England? Many have treated it as a blunt instrument used to cudgel dissenters into submission, but Lisa M. Gordis reveals instead that Puritan readings of the Bible showed great complexity and literary sophistication—so much complexity, in fact, that controversies over biblical interpretation threatened to tear Puritan society apart.

Drawing on Puritan preaching manuals and sermons as well as the texts of early religious controversies, Gordis argues that Puritan ministers did not expect to impose their views on their congregations. Instead they believed that interpretive consensus would emerge from the process of reading the Bible, with the Holy Spirit assisting readers to understand God's will. Treating the conflict over Roger Williams, the Antinomian Controversy, and the reluctant compromises of the Halfway Covenant as symptoms of a crisis that was as much literary as it was social or spiritual, Opening Scripture explores the profound consequences of Puritan negotiations over biblical interpretation for New England's literature and history.

In this era of Antiques Roadshow and eBay, it is hard to imagine a time when Americans did not treasure the home furnishings of elite early American families. But as this book demonstrates, antiquing—particularly the practice of valuing old things for their aesthetic qualities—is a relatively recent invention whose origins can be found in the early years of the twentieth century. Although nineteenth-century Americans did appreciate heirlooms, they saw them as memory markers, tangible representations of honored ancestors or local history.

In Out of the Attic, Briann G. Greenfield traces the transformation of antiques from family keepsakes to valuable artistic objects, examining the role of collectors, dealers, and museum makers in the construction of a new tradition based on the aesthetic qualities of early American furnishings. While recognizing the significance of antiques as symbols of an enduring American culture, Greenfield also delves behind popular rhetoric to examine the development of a retail structure specifically designed to facilitate the buying and selling of old wares. With antique shops proliferating all over New England, pickers going door-to-door in search of "finds," and forgers taking illicit advantage of growing demand, antique owners and collectors found themselves trying to navigate a retail market characterized by escalating prices and high stakes purchases. In this sense, antiques functioned as more than remnants of a treasured past; they became modern consumer goods.

The book is divided into a series of case studies, each intended to illuminate some aspect of "the dynamic of consumer history." One chapter examines the role of Jewish dealers in promoting American antiques; another profiles Jessie Baker Gardner, a small-time collector and would-be museum maker from Providence, Rhode Island. Greenfield also looks at the institutionalization of antiques, with chapters focusing on Henry Flynt of Deerfield, Massachusetts, who embraced the "aestheticization of antiques" in the 1940s and 1950s, and on Smithsonian curator C. Malcolm Watkins, who challenged the decorative art market during the 1950s and 1960s by purchasing old tools and crude furniture for the nation's museum.