The Hall of Fame for Great Americans provides a window into the cultural changes taking place in the United States from the turn of the twentieth century into the twenty-first. This book is the first examination of the institutional and social history of America’s first hall of fame, from its dynamic opening in 1901 through its protracted decline in the late twentieth century and its brief return to relevancy in the early twenty-first century.

It also examines in depth what is arguably the least studied project of Stanford White, one of the most distinguished architects of the Gilded Age. Originally designed for New York University’s new campus in the Bronx, the Hall of Fame once housed ninety-eight bronze busts of men and women deemed “great Americans” within its elegant colonnade, including the likes of George Washington, Nathaniel Hawthorne, Booker T. Washington, Susan B. Anthony, and Robert E. Lee.

The Hall was conceived when the Great Man theory dominated American thought. However, as times changed, challenges to ideas concerning greatness and heroism grew, and heroes once celebrated were scrutinized for their flaws. The monument is now a shell of its former glory and largely forgotten, and the NYU campus that once housed the colonnade was eventually sold to Bronx Community College.

In 2017, following the violent demonstrations in Charlottesville, Virginia, by white supremacists attempting to prevent the removal of a monument to General Lee, Andrew Cuomo, then governor of New York, thrust the Hall of Fame back into the limelight by ordering the busts of Lee and Stonewall Jackson to be removed. This action joined a national trend to remove monuments deemed offensive. Gerami argues that the rise and fall of this institution mirrors the nation’s changing conception of what comprises a hero. This biography of a public art memorial answers questions about the importance of art history and the cultural evolution of what it means to be great in America.

Harlem is one of the most famous neighborhoods in the world—a historic symbol of both black cultural achievement and of the rigid boundaries separating the rich from the poor. But as this book shows us, Harlem is far more culturally and economically diverse than its caricature suggests: through extensive fieldwork and interviews, John L. Jackson reveals a variety of social networks and class stratifications, and explores how African Americans interpret and perform different class identities in their everyday behavior.

How do people practice religion in their everyday lives? How do our daily encounters with people who hold different religious beliefs shape the way we understand our own moral and spiritual selves? In Heaven's Kitchen, Courtney Bender takes a highly original approach to answering these questions. For more than a year she worked in New York City as a volunteer for a nonprofit, nonreligious organization called God's Love We Deliver, helping to prepare home-cooked meals for people with AIDS. Paying close attention to what was said and not said, Bender traces how the volunteers gave voice to their moral positions and religious values. She also examines how they invested their conversations, and mundane activities such as cooking, with personal meaning that in turn affected how they saw their own spiritual lives. Filled with vibrant storytelling and rich theoretical insights, Heaven's Kitchen shows faith as a living practice, reshaping our understanding of the role of religion in contemporary American life.

Despite its innumerable tourist attractions, New York City still has many secrets, hidden in the most unlikely places. There is the Edison Hotel in Times Square, where magicians gather 'round the Magic Table to socialize and compete. There is Hua Mei Garden in the Lower East Side, where elderly Chinese men meet to display exotic birds. And there is Sahadi's in Brooklyn, where the culinary arts thrive, and New Yorkers go for just the right ingredients for a Middle Eastern meal. This book details thirty-two unusual locations such as these and enhances them by including a cluster of additional, related spots. Hidden New York shows you why these places matter and guides you through the historical and cultural significance of each one.

Many of them matter because of the opportunities they provide for socializing, such as the Empire Roller Disco in Brooklyn that attracts a community of skaters and the Cube sculpture on Astor Place, which is a meeting spot for homeless youth. Others matter because they are focal points for communities and the spaces are intertwined with how people share in each others' lives. Still others have been lost, like the house under the roller coaster in Coney Island, made famous by Woody Allen in Annie Hall.

This book is not just about Manhattan, but covers all five boroughs in New York City. It is an invitation to visit, revisit, learn, and enjoy all that you didn't know the city has to offer. It will show you what's there, what used to be there, and why it will be there for years to come. The chapters, illustrated with appealing black-and-white photos, include first-person remembrances and commentaries from New Yorkers themselves. Each entry functions as a small travel essay, evoking how certain destinations are experienced. As a guide to the New York City that is less traveled, this unique book shows that some of the best places to visit are ones that you never even thought existed.

The 32 Places That Matter
Hua Mei Bird Garden
Russian and Turkish Tenth Street Baths
Bohemian Hall and Beer Garden
The Magic Table at the Edison Hotel
The General Society of Mechanics and Tradesman
Webster Hall
The Cube
Stickball Boulevard and the Stadiums of the Street
Thomas Jefferson Park Pool
Empire Roller Skating Center
Chess Havens
Coney Island
The Lemon Ice King of Corona
Coney Island Bialys and Bagels
Sahadi's Specialty and Middle Eastern Foods
Arthur Avenue Market
Union Square Greenmarket
The Village Vanguard
Casa Amadeo Record Shop
Richmond Barthé's Frieze at Kingsborough Houses
Quirky Features of the Landscape
Art in the Subways
Governors Island
Casita Rincón Criollo, Magnolia Tree Earth Center, Liz Christy Bowery-Houston Community Garden
The Flower District
Fishing around New York
Kehila Kedosha Janina Synagogue and Museum
Masjid Al-Taqwa
Ganesha Hindu Temple
Our Lady of Mount Carmel Grotto
The Memorials of the Battery
Strawberry Fields

            More than a memoir of remembered landscapes, House Hold is also an expansive contemplation of America, a meditation on place and property, and an exploration of how literature shapes our thinking about the places we live. A gifted prose stylist, Peters seamlessly combines her love of buildings with her love of books. She wanders through the rooms of her past but also through what Henry James called “the house of fiction,” interweaving personal narrative with musings on James, Willa Cather, William Dean Howells, Paule Marshall, William Maxwell, and others. Peters reflects on the romance of pastoral retreat, the hazards of nostalgia, America’s history of expansion and land ownership, and the conflicted desires to put down roots and to hit the road. Throughout House Hold, she asks how places make us who we are.