Ninety miles separate Cuba and Key West, Florida. Crossing that distance, thousands of Cubans have lost their lives. For Cuban American poet Virgil Suárez, that expanse of ocean represents the state of exile, which he has imaginatively bridged in over two decades of compelling poetry.
"Whatever isn't voiced in time drowns," Suárez writes in "River Fable," and the urgency to articulate the complex yearnings of the displaced marks all the poems collected here. 90 Miles contains the best work from Suárez's six previous collections: You Come Singing, Garabato, In the Republic of Longing, Palm Crows, Banyan, and Guide to the Blue Tongue, as well as important new poems.
At once meditative, confessional, and political, Suárez's work displays the refracted nature of a life of exile spent in Cuba, Spain, and the United States. Connected through memory and desire, Caribbean palms wave over American junk mail. Cuban mangos rot on Miami hospital trays. William Shakespeare visits Havana. And the ones who left Cuba plant trees of reconciliation with the ones who stayed.
Courageously prolific, Virgil Suárez is one of the most important Latino writers of his generation.
Winner of the 2012 National Book Award for Poetry.
To read David Ferry’s Bewilderment is to be reminded that poetry of the highest order can be made by the subtlest of means. The passionate nature and originality of Ferry’s prosodic daring works astonishing transformations that take your breath away. In poem after poem, his diction modulates beautifully between plainspoken high eloquence and colloquial vigor, making his distinctive speech one of the most interesting and ravishing achievements of the past half century. Ferry has fully realized both the potential for vocal expressiveness in his phrasing and the way his phrasing plays against—and with—his genius for metrical variation. His vocal phrasing thus becomes an amazingly flexible instrument of psychological and spiritual inquiry. Most poets write inside a very narrow range of experience and feeling, whether in free or metered verse. But Ferry’s use of meter tends to enhance the colloquial nature of his writing, while giving him access to an immense variety of feeling. Sometimes that feeling is so powerful it’s like witnessing a volcanologist taking measurements in the midst of an eruption.
From Bewilderment:
October
The day was hot, and entirely breathless, so
The remarkably quiet remarkably steady leaf fall
Seemed as if it had no cause at all.
The ticking sound of falling leaves was like
The ticking sound of gentle rainfall as
They gently fell on leaves already fallen,
Or as, when as they passed them in their falling,
Now and again it happened that one of them touched
One or another leaf as yet not falling,
Still clinging to the idea of being summer:
As if the leaves that were falling, but not the day,
Had read, and understood, the calendar.
Foreword by Martín Espada
This chapbook collection offers new poems from the prolific career of a community leader, activist, and healer. Luis J. Rodríguez’s work asks profound questions of us as readers and fellow humans, such as, "If society cooperates, can we nurture the full / and healthy development of everyone?" In his introductory remarks, Martín Espada describes the poet as a man engaged in people and places: "Luis Rodríguez is a poet of many tongues, befitting a city of many tongues. He speaks English, Spanish, ‘Hip Hop,’ ‘the Blues,’ and ‘cool jazz.’ He speaks in ‘mad solos.’ He speaks in ‘People’s Sonnets.’ He speaks in the language of protest. He speaks in the language of praise."
Halting Steps represents the most complete single-volume retrospective in English of Claribel Alegría’s seven-decade career. The volume collects all of Alegría’s poems from her fourteen previously published books and debuts several new poems under the title “Otherness.”
Her poetry is not only lyrical and introspective but also politically engaged. Her verse speaks forcefully, specifically, and fearlessly to matters of social justice in her region. She strikes a universal theme, however, in giving a voice to individuals of all classes in their struggle against oppression, but especially women who must contend with a system in which men hold the power and women are excluded. Alegría demonstrates her remarkable range with deeply personal poems, perhaps most notably in the poem cycle “Sorrow,” as she moves steadily through the waves of grief she experiences after her husband’s death.
In Halting Steps, both longtime admirers and those new to her work can appreciate the sustained creative power of Claribel Alegría’s poems.READERS
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