front cover of Arguing the World
Arguing the World
The New York Intellectuals in their Own Words
Joseph Dorman
University of Chicago Press, 2001
Joseph Dorman's film Arguing the World won New York Magazine's Best New York Documentary award in 1999 as well as the Peabody Award in 1999. His work has also appeared on The Discovery Channel, CBS, and CNN, and has been nominated for two Emmy Awards.

Joseph Dorman's acclaimed documentary, Arguing the World, included stunning interviews with Irving Howe, Daniel Bell, Irving Kristol, and Nathan Glazer. Now with a new preface, Dorman converted the film into this book that includes an overview of the New York Intellectuals and a chapter on the future of the public intellectual. Expertly spliced together from the film and new material, this book gives the sense that these men are still engaged in their fiery debates that targeted everything from the Depression to McCarthyism to the rise of the New Left through the Age of Reagan.


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front cover of Of G-Men and Eggheads
Of G-Men and Eggheads
The FBI and the New York Intellectuals
John Rodden
University of Illinois Press, 2017
Spy romances of Cold War counterespionage evoke scenes of heroic FBI and CIA agents dedicated to smashing communism and its subversive coterie of intellectual fellow travelers bent on painting the world red.

John Rodden cuts this tall tale down to its authentic pint size, refusing to indulge the public relations myth promoted by J. Edgar Hoover's FBI. In Of G-Men and Eggheads, Rodden portrays federal agents’ hilarious obsession with monitoring that ever-present threat to national security, the American literary intellectual. Drawing on government dossiers and archives, Rodden focuses on the onetime members of a radical political sect of ex-Trotskyists (barely numbering a thousand at its height), the so-called New York intellectuals. He describes the nonsensical decades-long pursuit of this group of intellectuals, especially Lionel Trilling, Dwight Macdonald, and Irving Howe. The Keystone Cops style of numerous FBI agents is documented carefully in Rodden's meticulous case studies of how Hoover's men recruited informants to snoop on the "Commies," opened their personal mail, tracked their movements, and reported on their wives and friends.

In a rich and stimulating epilogue, Rodden shows how his Cold War research possesses thought-provoking implications for us today, in our post-9/11 era of debates about data collection, privacy invasion, personal dignity, and the use and abuse of government and corporate power.

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Partisans
Marriage, Politics, and Betrayal Among the New York Intellectuals
David Laskin
University of Chicago Press, 2001
Combining literary biography with astute reporting and moral insight, David Laskin shows how sex, politics, and art affected relationships among the Partisan Review writers: Mary McCarthy, Edmund Wilson, Philip Rahv, Robert Lowell, Jean Stafford, Elizabeth Hardwick, Hannah Arendt, Allen Tate, Caroline Gordon, and Diana Trilling. It is the women who steal the show with their their groundbreaking work, their harrowing experiences of marriage, abuse, and betrayal, their passion for writing and disdain for feminism, their struggles and achievements.
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front cover of The Rise of the New York Intellectuals
The Rise of the New York Intellectuals
Partisan Review and Its Circle, 1934–1945
Terry A. Cooney
University of Wisconsin Press, 1986

Cosmopolitan visions

Terry A. Cooney traces the evolution of the Partisan Review—often considered to be the most influential little magazine ever published in America—during its formative years, giving a lucid and dispassionate view of the magazine and its luminaries who played a leading role in shaping the public discourse of American intellectuals. Included are Lionel Trilling, Philip Rahv, William Phillips, Dwight Macdonald, F. W. Dupee, Mary McCarthy, Sidney Hook, Harold Rosenberg, and Delmore Schwartz, among others.

“An excellent book, which works at each level on which it operates. It succeeds as a straightforward narrative account of the Partisan Review in the 1930s and 1940s. The magazine’s leading voices—William Phillips, Philip Rahv, Dwight MacDonald, Lionel Trilling, and all the rest—receive their due. . . . Among the themes that engage Cooney. . . . are: how they dealt with ‘modernism’ in culture and radicalism in politics, each on its own and in combination; how Jewishness played a complex and fascinating role in many of the thinkers’ lives; and, especially, how ‘cosmopolitanism’ best explains what the Partisan Review was all about.”—Robert Booth Fowler, Journal of American History

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